Monthly Archives: May 2010

738: Copan king 18-Rabbit (Uaxaclajuun Ub’aah K’awiil)

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Mayan history has thus far been difficult to examine due to a major communication gap. Much of the Western world’s understanding of its own history comes from the written word, such that the deciphering of ancient scripts is not only a linguistic triumph, but it also pushes aside centuries of debris to expose a new corner of human culture.

It is this evolving ability to crack codes from classic Mesoamerica that has yielded a close approximation of the true name of the man formerly known only as 18-Rabbit: Uaxaclajuun Ub’aah K’awiil.*

(Alternately, Waxaklajuun Ub’aah K’awiil. The name means “Eighteen Images of K’awiil”; K’awiil was a Mayan divinity.)


Image (c) Matt Stokes of guatemalaholla.blogspot.com and used with permission.

By any name, he was one of the greatest rulers of the Mayan Classical Era, reigning from the Rio Copan Valley in today’s Honduras, near the present border with Guatemala. His life is preserved in several sets of stelae on temples around Copan and describes a man intent on advancing the culture of Copan.

In the city itself, Uaxaclajuun Ub’aah K’awiil greatly contributed to the design of the Great Plaza, which housed one of the great ball courts in the region. More obviously, though, his reign was marked by a drastic sculptural shift away from the angular designs of the Early Classical period and straight into the more complete and rounded designs that persisted through the remainder of the Mayan era.

Reliefs from: the preceding 12th Ruler period (left); and, from 18 Rabbit’s period (right).

In spite of these major cultural moves, little about Uaxaclajuun Ub’aah K’awiil is known directly. However, for the 20th anniversary of his ascension to the throne — on March 27, 715 AD** — Temple 22 was dedicated to the ruler, with a rare inscription ascribed to the ruler himself etched thereon.

It would be another 23 years before Ruler 13 was, as his conquering neighbor put it, “axed”. In 738, the Quirigua region — now in southeastern Guatemala — was considered part of the Copan empire. The Quirigua are now mostly known only for the size of their sculptures, which eclipse others in the region. But in 738, the Quiriga were mostly known for their fearsome king, Kawak Sky, or K’ak’ Tiliw Chan Yopaat, occupied the city just 50 km away and executed (or sacrificed) its former ruler.

That move ended a span of Copan dominance in the area and briefly put the Quirigua on top. Strangely, Yopaat was not apparently responsible for overseeing a particularly fruitful Quiriga culture. Almost nothing was built in his honor until after Uaxaclajuun Ub’aah K’awiil’s death, after which several monuments to Yopaat’s glory were erected. It has been suggested that Yopaat was a brother or cousin of Uaxaclajuun Ub’aah K’awiil, as Kawak Sky’s biography indicates that he both took the throne under Uaxaclajuun Ub’aah K’awiil’s authority and executed his predecessor; this suggests that the move was not a full-on coup.

Regardless of their relationship, in the aftermath of the execution, Copan declined rapidly, presumably as their new Quirigua ruler exploited its labor and material resources to build up his own name. As one Copan scribe later lamented, “[There are] no altars, no pyramids, no places.” But the Copan would rise again: Ruler 15, or Smoke Shell, polished off the unfinished Temple 26 and built up its heiroglyphic staircase to highlight the dynastic history of Copan and its connection to its northerly neighbor, Teotihuacan. His son, Yax Pak Chan Yat, would be the last of the 16 rulers of Copan in the Yax K’uk’ Mo’ line.

* Because of his place in the dynastic sequence of Copan, Uaxaclajuun Ub’aah K’awiil is sometimes referred to simply as Ruler 13.

** Mayan dates are surprisingly easy to nail down once the system is understood. While Europeans moved from Roman to Julian to Gregorian calendars — with the Eastern Orthodox Church and several traditionally Orthodox nations hanging onto the Julian one into the 20th Century — the Mayans had a consistent system that advanced day-to-day and was tied to verifiable events. Hence the ability to date Dec 21, 2012 as the end of the Mesoamerican Long Count calendar, which began on Aug 11, 3114 BCE.

In a way, the MLC is the precursor to the astronomical system of Julian Dates (which are not the same as the Julian calendar).

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1960: Caryl Chessman

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On this date fifty years ago, death row author and celebrity Caryl Chessman choked to death in San Quentin Prison’s gas chamber while the phone outside rang, too late, with his stay.

During his abnormally protracted* (for the times) 12 years fighting death, Chessman became the poster child for the anti-capital punishment cause and the most recognizable face on death row.

He was condemned as the “Red Light Bandit,” a Los Angeles criminal who would waylay cars in lovers’ lanes with police-like flashing red lights, then rob and, for some female victims, rape them. A career felon, Chessman denied his guilt to his death (he insisted that his signed confession was beaten out of him by the LAPD, which would not exactly have been out of character).

The prickly Chessman — “not generally regarded as a pleasant or socially minded fellow,” he conceded about himself — unwisely represented himself at trial, where the confession plus eyewitness testimony of Bandit victims were enough to convict him.

Not, however, of murder.

Instead, Chessman drew two death sentences under one of the country’s several draconian “Little Lindbergh” anti-kidnapping statutes, on the intriguing jurisprudential theory that the Red Light Bandit’s having dragged a rape victim several feet from her car constituted “kidnapping.”**

This astonishingly expansive reading only became more controversial when California repealed the kidnapping law in question in the 1950s. But the repeal was not retroactive.

That left Chessman to fight his sentence with a terrifyingly iron willpower, fending off eight execution dates in the process. The last of them came in February 1960, an 11th-hour reprieve as had been several others, when a two-month stay was granted ostensibly to protect the traveling President Eisenhower from some act of vengeful local retaliation from one of Chessman’s legions of international supporters.

A cat, I am told, has nine lives. If that is true, I know how a cat feels when, under the most hair-raising conditions, it has been obliged to expend the first eight of those lives in a chamber-of-horrors battle for survival, and the Grim Reaper gets it into his head that it will be great sport to try to bag the ninth. All pussy can do is spit. Homo sapiens can write books.

-Caryl Chessman

So Chessman wrote.

Fiction and nonfiction books, numerous articles — copping to a criminal life but insistently denying his involvement in the crimes that would doom him. For a time, prison officials seized his work and forbade his writing, and Chessman resorted to sacrificing his sleep to write illicitly by night and encode his work in putative “legal documents”. Bandit or not, the man had an indomitable spirit, and it won him worldwide attention and support.

Books by and about Caryl Chessman

And bandit or not, the Grim Reaper had a mind to take that ninth life.

One might have thought that for such a lightning-rod anti-death penalty case, the election of anti-death penalty Gov. Edmund “Pat” Brown in 1958 would spell good news.

But “public opinion mobilized against Chessman,” writes Theodore Hamm in Rebel and a Cause: Caryl Chessman and the Politics of the Death Penalty in Postwar California, 1948-1974. That mobilization “marked the beginning of a larger popular backlash by the New Right against an essentially technocratic campaign to eliminate capital punishment in California.”

According to Hamm, Pat Brown claimed he would have been “impeached” if he had granted clemency to his uppity prisoner, leaving Chessman and his lefty backers† expediently triangulated by a Democratic governor. It’s a timeless story.

With executive clemency off the table, Chessman’s lawyer Rosalie Ashler was scrambling on the morning of the 10 a.m. execution to interest a judge in an appeal claiming that one Charles Terranova was the actual Red Light Bandit. The judge took his time reading the brief, and by the time his secretary placed a call to the death house (legend says, after once misdialing it), the cyanide pellets had already dropped.

Too late.

Which didn’t mean that Chessman was already dead — not by a long shot.

A reporter described what was transpiring inside the state’s killing chamber while Law and Ma Bell transacted their tardy business outside.

I thought Chessman must be dead but no, there was another agonizing period during which he choked on the gas. And again. And then again. There was a long period, another deep gasp. At the fourth such straining, Chessman’s head lolled in a half circle, coming forward so that he faced downward with his chin almost touching his chest. This must be the end. But the dying went on.

A deep gasp, his head came up for an instant, dropped forward again. After two or three deep breaths, which seemed something like sobs, a trembling set up throughout the body. Along the line of his broad shoulders, down the arms to his fingers, I could see the tremor run.

Then I saw his pale face grow suddenly paler, though I had not thought that it could be after his 12 years in prison. A little saliva came from his lips, spotted the white shirt that a condemned man wears for his last appearance. Even more color drained from his face and the furrows in his head smoothed out a little. And I knew he was dead.

Chessman would persist as a cultural touchstone for the issue of capital punishment for a generation.

Jim Minor, “Death Row” (1960)

Ronnie Hawkins, “The Ballad of Caryl Chessman” (1960)

Merle Haggard, “Sing Me Back Home” (1968)

(Though this tune about watching men taken to the gas chamber doesn’t explicitly reference Caryl Chessman, it was inspired by Haggard’s own prison stint where he met Chessman and experienced a “scared straight” moment.)

Neil Diamond, “Done Too Soon” (1970)

The Hates, “Do the Caryl Chessman” (1980)

In view of Chessman’s onetime celebrity, he’s an oddly forgotten character today: too strange an individual for easy approachability; too ethically indeterminate for convenient demagoguery; not sufficiently emblematic of any larger cause or community that would tend to his memory. His non-murder death sentence and method of execution seem anachronistic, no longer relevant.

Chessman surely was an avatar of the end to capital punishment that unfolded in the 1960s and 1970s, but as it went with his own case, so it went with his legacy: the simultaneous right-wing backlash ultimately rewrote the story. After all, the “liberal” governor too chicken to spare Chessman would go on to lose his office to Ronald Reagan.

Our day’s protagonist might have had a different place in the national consciousness, in stories with the phrase “as late as 1960,” had that interregnum of “abolition” Chessman presaged not turned out to be a false start.

I am not guilty. I am sure a future generation will listen.

-Caryl Chessman

* While 12 years between sentence and execution wouldn’t raise an eyebrow today (especially in California), Chessman at the time was thought to have set a record for the longest stint on death row in U.S. history.

** The legal weirdness didn’t stop with the kidnapping law. The official court reporter in Chessman’s case actually died with his trial transcription still in semi-legible shorthand. It was partially reconstructed (by a relative of prosecuting attorney J. Miller Leavy, who also won the death sentence against Barbara “I Want to Live!” Graham), but portions that could not be read were ballparked by the recollections of … prosecutor Leavy.

Appeals courts, of course, frequently have recourse to the original trial record to make various legal determinations; the evidentiary gap left by this second-hand-abridged-by-the-DA transcript was frequently protested by Chessman’s camp on appeal.

A cache of primary records from the case and its many appeals is lodged at this FBI Freedom of Information Act page.

† They weren’t exclusively leftists. William Buckley and Billy Graham both supported clemency for Chessman. Nor were they all political: the directors of the schlocky cult horror flick The Hypnotic Eye crassly pitched the headline-grabbing condemned con on a hypnotism promotional stunt, and ended up themselves being drawn into the case and believing Chessman was innocent.

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2009: Delara Darabi, “Oh mother, I can see the noose”

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On this date last year, Delara Darabi placed a frantic phone call to her parents from Central Prison in Rasht.

Oh mother, I see the hangman’s noose in front of me. They are going to execute me. Please save me.

A guard snatched the phone away and hung up with a taunt — “We are going to execute your daughter and there’s nothing you can do about it.”

And they did just that, as Darabi’s parents raced in vain to the prison.

Darabi was condemned for killing (with her boyfriend) her father’s cousin, a crime to which she confessed allegedly because, as a 17-year-old, she thought she could protect said boyfriend without risk of execution herself.

That worked out much better for the boyfriend (who is serving a prison sentence) than for Delara.

And by the time she repudiated the confession, the Iranian judiciary wasn’t interested.

As a minor under sentence of death — Iran is virtually the last redoubt of juvenile executions in the world — Darabi’s case attracted global attention; she became a cause celebre with the international exhibition of her artwork under the branding “Prisoner of Color”.

Do you know what the prisoner of colors mean? It means that when I was four, I had broken down my life by colors; at 17, I lost them. I mistook deep Red for blue lapis. Instead of sky blue, I painted gray. I lost the colors and now the only silhouette I see everyday is the [prison] wall. I am Delara Darabi, 20 years of age, accused of murder, sentenced to death; it has been 3 years that I defend myself with colors, shapes and words … These paintings are an oath to an uncommitted crime … would that colors were to bring me back to life again. I send you who have come to see my paintings, greetings from behind these walls.

Some other Darabi works can be seen in this Flickr set or on this YouTube tribute.

Darabi’s execution had been reported as imminent earlier in April 2009, but she won a two-month stay from the Head of the Judiciary on April 19.

The hanging this date shocked her supporters; it was apparently conducted in defiance of that stay, and without any notice to her attorney or her family — other than that hopeless last-minute phone call. Amnesty International denounced the execution as “a cynical move on the part of the authorities to avoid domestic and international protests which might have saved Delara Darabi’s life.”

This news broke first on Twitter at the now-dormant @DelaraDarabi account.

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