1945: Karl Hulten, for the Cleft Chin Murder

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On this date in 1945, Karl (or Carl) Hulten, a 22-year-old American paratrooper, hanged in Pentonville Prison for murdering an English taxi driver for £8.

The “cleft chin murder” — so dubbed because the victim had this feature — is explored as extensively as anyone need know about it in George Orwell’s curmudgeonly 1946 essay “Decline of the English Murder”.

Orwell posited the passing of “our great period in murder, our Elizabethan period, so to speak … roughly 1850 and 1925” featuring magnetic, literary-quality criminals whose misdeeds had “stood the test of time”: “Dr. Palmer of Rugely, Jack the Ripper, Neill Cream, Mrs. Maybrick, Dr. Crippen, Seddon, Joseph Smith, Armstrong, and Bywaters and Thompson.”

For Orwell, the “great period” elapsed in part because the 20th century’s monumental destruction of human life dwarfed the meaning of individual homicides, and in part because the crimes themselves (and even their frequent medium, arsenic) connected to frustrated (usually domestic) Victorian passions and imbued “dramatic and even tragic qualities which make [them] memorable and excite pity for both victim and murderer.”

But that was then. Orwell wants these newfangled atavistic hoodlums and their crummy American films to get off his damn terrace.

Sure, but where’s the heart? (London Times, Jan. 24, 1945)

Now compare the Cleft Chin Murder. There is no depth of feeling in it. It was almost chance that the two people concerned committed that particular murder, and it was only by good luck that they did not commit several others. The background was not domesticity, but the anonymous life of the dance-halls and the false values of the American film. The two culprits were an eighteen-year-old ex-waitress named Elizabeth Jones, and an American army deserter, posing as an officer, named Karl Hulten. They were only together for six days, and it seems doubtful whether, until they were arrested, they even learned one another’s true names. They met casually in a teashop, and that night went out for a ride in a stolen army truck. Jones described herself as a strip-tease artist, which was not strictly true (she had given one unsuccessful performance in this line); and declared that she wanted to do something dangerous, “like being a gun-moll.” Hulten described himself as a big-time Chicago gangster, which was also untrue. They met a girl bicycling along the road, and to show how tough he was Hulten ran over her with his truck, after which the pair robbed her of the few shillings that were on her. On another occasion they knocked out a girl to whom they had offered a lift, took her coat and handbag and threw her into a river. Finally, in the most wanton way, they murdered a taxi-driver who happened to have £8 in his pocket. Soon afterwards they parted. Hulten was caught because he had foolishly kept the dead man’s car, and Jones made spontaneous confessions to the police. In court each prisoner incriminated the other. In between crimes, both of them seem to have behaved with the utmost callousness: they spent the dead taxi-driver’s £8 at the dog races.

Judging from her letters, the girl’s case has a certain amount of psychological interest, but this murder probably captured the headlines because it provided distraction amid the doodle-bugs and the anxieties of the Battle of France. Jones and Hulten committed their murder to the tune of V1, and were convicted to the tune of V2. There was also considerable excitement because — as has become usual in England — the man was sentenced to death and the girl to imprisonment. According to Mr. Raymond, the reprieving of Jones caused widespread indignation and streams of telegrams to the Home Secretary: in her native town, “SHE SHOULD HANG” was chalked on the walls beside pictures of a figure dangling from a gallows. Considering that only ten women have been hanged in Britain this century, and that the practice has gone out largely because of popular feeling against it, it is difficult not to feel that this clamour to hang an eighteen-year-old girl was due partly to the brutalizing effects of war. Indeed, the whole meaningless story, with its atmosphere of dance-halls, movie-palaces, cheap perfume, false names and stolen cars, belongs essentially to a war period.

Perhaps it is significant that the most talked-of English murder of recent years should have been committed by an American and an English girl who had become partly Americanized. But it is difficult to believe that this case will be so long remembered as the old domestic poisoning dramas, product of a stable society where the all-prevailing hypocrisy did at least ensure that crimes as serious as murder should have strong emotions behind them.

On this day..

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