1943: Red Orchestra members, in the Nazi Paradise

From 7 to 8 p.m. on the evening of August 5, 1943 the Fallbeil at Plotzensee Prison destroyed 17 members of the Berlin Red Orchestra resistance circle.

We have touched previously on Die Rote Kapelle in the context of the first 11 executions that claimed its leadership on December 22, 1942.

But the Gestapo had a much wider network than that to break up; ultimately, there would be nearly 50 death sentences associated with Red Orchestra, for activities ranging from outright espionage to merely dissident leafletting, and other rounds of executions had taken place over the preceding months.

The executions this date were more of the sad same, and noteworthy for some sincere and ordinary citizens so sympathetic that even the Reich Military Court recommended mercy for some. Adolf Hitler refused it across the board. The victims, predominantly women who had been moved to Plotzensee for execution that very morning, included

  • Cato Bontjes van Beek, an idealistic 22-year-old ceramicist.
  • Liane Berkowitz. Two days short of her 20th birthday when she was beheaded, Berkowitz had given birth to a child while awaiting execution.
  • Eva-Maria Buch, who translated propaganda leaflets destined for illicit distribution to the forced laborers employed in German munitions factories.
  • Else Imme, an anti-fascist whose sister had emigrated to the Soviet Union.
  • Ingeborg Kummerow.
  • Anna Krauss, a 58-year-old businesswoman.
  • Klara Schabbel, a Comintern agent who in her youth had fought against the French occupation of the Ruhr after World War I.
  • Rose Schlosinger.
  • Oda Schottmuller, a dancer and sculptor who used her arts-related trips to act as a courier.
  • Writer Adam Kuckhoff. His widow Greta would go on to head the East German central bank.
  • Emil Hubner, an 81-year-old retiree, along with his daughter Frida Wesolek and her husband Stanislaus.

Besides the above, at least three others among the condemned in this group paid with their lives for an arts activism attack on Das Sowjetparadies (The Soviet Paradise), a Reich exhibition in May-June 1942 that used photographs and captured artifacts from the war’s eastern front to depict “poverty, squalor and misery” in the USSR. This associated propaganda film gives a taste of the vibe:

The Orchestra orchestrated an “attack” littering the exhibition with counter-propaganda


“Permanent Exhibition
The NAZI PARADISE
War Hunger Lies Gestapo
How much longer?”

This act of wehrkraftzersetzung was a factor in the sentences of —

  • Hilde Coppi, one of the circle’s principal members and the wife of the previously executed Hans Coppi. Like Liane Berkowitz, she was spared the first rounds of executions to bear and nurse her child.
  • Maria Terwiel, a Catholic barrister with a Jewish mother.
  • Ursula Goetze.

On this day..