1568: Ivan Fedorov, zemshchina boyar

On this date in 1568, the Russian boyar Ivan Petrovich Fedorov-Chelyadnin was personally “executed” by Ivan the Terrible.

The vengeful tsar suspecting this man of aspiring to his position had him dressed in royal robes and sat him on the throne, then mockingly paid obeisance before stabbing him to death. It’s unclear whether this great lord had the benefit beforehand of any semblance of judicial process.


Detail view (click for the full image) of Nikolai Nevrev‘s painting of Ivan the Terrible, coiled in fury with dagger drawn, about to “depose” Ivan Fedorov.

The poet A.K. Tolstoy* (cousin of the Tolstoy) sketched the scene in an 1858 verse, “The Staritsky Voivode”:

When the old governor was accused,
That, proud of the nobility and antiquity of the family,
He dreamt of assigning himself a royal dignity,
Ivan ordered him to appear before his eyes.
And to the condemned he brought a rich crown,
And a garment of pearls and gold,
And he laid on the barmi,** and seated him on his own throne
He raised the guilty one on silk carpets.
And, dropping his gaze before him, he fell in the middle of the chamber,
And, bowing to the ground in mock obedience,
Said: “Satisfied in your majesty,
Behold, your slave smites your brow!”
And, having risen with merciless malice,
Plunged a knife into his heart with a greedy hand.
And, bending his face over the overthrown enemy,
He stepped on the corpse with a patterned boot
And he looked into the eyes of the dead, and with trembling unsteady
Sovereign lips snaked a smile.

The late 1560s bring us to the crescendo of Ivan’s oprichnina, years of terror and purging visited by the paranoid sovereign on his internal foes — actual, potential, or imagined.

Although remembered as the name for Ivan’s policy, the oprichnina was also a literal physical territory — created in 1565 when Ivan successfully forced his nobles to give him absolute power over life and death in the appanage of the oprichnina.† Over the succeeding years, Ivan extended both the physical reach of that realm, and the reach of the dictatorial authority that it embodied — threatening the zemschina, a distinct geographical area where terrified boyars administered the incumbent, non-Ivan Russian state.

“Ivan’s open hostility towards the zemshchina could not fail to alarm its leaders,” not Maureen Perrie and Andrei Pavlov in this biography of Ivan the Terrible … and this fact could not fail to catalyze those much-feared internal foes.

It is quite probable in the circumstances that the idea of removing the tsar and transferring the throne to his cousin Prince Vladimir Staritskii might have been discussed among zemshchina boyars. Two foreign observers — the Germans Heinrich von Staden and Albert Schlichting, who both served in the oprichnina — refer to a conspiracy of the zemshchina boyars in favour of Vladimir. An unofficial Russian chronicle also mentions the ‘inclination’ of the opposition to promote Vladimir’s candidature for the Russian throne. But according to a chronicle account there was no overt conspiracy, only discussions (‘words’), for which the boyars who opposed the oprichnina paid a heavy price.

Our date’s principal, Ivan Fedorov, attracted Ivan’s attention in the ensuing investigation. A prince from a venerable noble family, Fedorov had been a pillar of the state, an important governor and military commander, for three-plus decades. It availed him little under Ivan’s suspicion.

Fedorov was placed in disgrace and exiled to Kolomna. Nobles and officials among his supporters were arrested and executed, and many of the equerry’s armed servants were exterminated. The oprichniki [Ivan’s personal army, the enforcers of the oprichnina -ed.] carried out several punitive raids against Fedorov’s lands. Many of the inhabitants were slaughtered (some were put to the sword, while others were herded into their cottages and burned alive). According to Staden, women and girls were stripped naked ‘and forced in that state to catch chickens in the fields’. Buildings were demolished, livestock was slaughtered and chancellery officials were put to death, along with about 300 boyars’ servants.

* A.K. Tolstoy also wrote a tragedy for the stage (banned in tsarist Russia), The Death of Ivan the Terrible.

** Barmi: an ornamental mantle or collar that comprised part of the royal regalia.


It’s the semicircle between Tsar Alexis‘s beard and his crucifix.

The term, now so dreadful in Russian historiography, originally denoted an inheritance of land left to a widow, as distinct from that left to her children.

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1568: Weyn Ockers, slipper slinger

On this date in 1568 the Dutch Protestant Weyn Ockers was drowned with her maid Trijn Hendricks.

Both were condemned for having taken part in the paroxysm of Calvinist anti-icon riots known as the Beeldenstorm (“icon-fury”) — specifically the 1566 sack of the then-Catholic Oude Kerk in Amsterdam. The Netherlands’ Spanish Catholic overlords were in these months of 1568 busily meting out revenge for the sacrilege.

In a somewhat iconic event of the iconoclasm, Ockers was alleged to have chucked her slipper* at an image of the Virgin Mary perched on the altar — one particularly resented by the reform-minded since the priest encouraged lucrative offerings of parishioners’ valuables to be presented to this icon. One might well doubt the fact of it; Ockers had not been arrested for this offense, but the accusation emerged from the interrogation under torture of other Protestants. Ockers copped to it under torture herself; Hendricks, made of tougher stuff, withstood torture twice and never admitted anything, but still shared her mistress’s fate.

* Not the worst missile that Marian statuary has endured.

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1568: Jan van Casembroot, Lord of Backerzele

The implacable Duke of Alva/Alba bloodily suppressing the Low Countries’ revolt against Spain claimed the head of Flemish nobleman and poet Jan van Casembroot.

Although Catholic himself, the Lord of Backerzele (English Wikipedia entry | Dutch) shared the umbrage of his countrymen at the Spanish King‘s punitive anti-heresy edicts: not only were they brutal, but they infringed the Low Countries’ constitutional rights.

Casembroot/Backerzele was among the 300 lords who in early 1566 set his hand to a petition demanding moderation of an immoderate Spanish crown. Known as the Compromise of Nobles, it was roundly rejected by Spain — and the growing boldness of Protestant evangelists along with the outbreak of iconoclastic attacks on Church symbols soon pushed events past any possible point of compromise.

Appointed by the beloved-of-Beethoven Count Egmont to quell such disturbances as governor of Oudenaarde, Casembroot was held to have made treasonably liberal concessions to the Calvinists — and three months after Egmont himself went to the block, Casembroot lost his head at Vilvoorde.

Several of his Latin verses have reached posterity, although seemingly not the further shores of the World Wide Web.

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1568: Leonor de Cisneros, chastised wife

On this date in 1568, Leonor de Cisneros was burned as a heretic in Valladolid — nine years late, by her reckoning.

Leonor de Cisneros (English Wikipedia entry | a token Spanish Wikipedia entry | the much more detailed German) and her much older husband Antonio Herrezuelo* were among the first converts to the Lutheran circle in Valladolid funded by Don Carlos de Seso. The Inquisition got its hands on these wrongthinkers in the late 1550s and the result was an auto de fe on October 8, 1559 at which King Philip personally witnessed the Christlike suffering of Don Carlos and 12 of his adherents.

However, while 13 died, dozens of others succumbed to the Inquisition’s pressure to recant, and live. Leonor de Cisneros was one of them.

The monstrous spectacle of the auto de fe featured an elaborate symbolic language encoded for the spectators in the ritual sanbenitos in which the accused were made to parade, such as the example pictured at right.** Different patterns denoted which heretics were bound for the stake, and which had reconciled to a wary Church … and it is said that when Antonio, en route to his pyre draped in illustrations of hellfire to represent his fatal obduracy, beheld his wife in the colors of a penitent, he savagely reproached her cowardice.

Obviously shaken, Leonor returned to her prison with a prayer in her soul and a flea in her ear. Soon enough she had relapsed into her heresy, and this time no punishment or exhortation could move her — knowing as she well did that in her stubbornness she solicited her martyrdom.

* Leonor was born in the mid-1530s, so would have married and converted to Protestantism around the age of 18. Antonio was born about 1513.

** Source: this public-domain volume on the notorious Inquisitor Torquemada.

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1568: The Counts of Egmont and Hoorn, insufficiently Inquisitorial

On this date in 1568, two Flemish nobles were beheaded at Brussels’ Grand Place for treason to the Spanish crown that then ruled the Low Countries.

Lamoral, Count of Egmont and Philip de Montmorency, Count of Hoorn had a beef with the introduction of the Inquisition into the Netherlands by Egmont’s cousin, King Philip II, and got to hanging around with dubious characters like William of Orange.

Unluckily for this day’s duo, William didn’t teach them to read the writing on the wall.

After the Counts went easy on an outbreak of Protestant Iconoclasm, the Catholic king sent the hammer in the person of the Duke of Alba (or Alva).

Let this long-expired generation counsel posterity to find itself elsewhere when one’s door is darkened by a man known as “the Iron Duke”. William had the wit to get out of town. Egmont and Hoorn hung around, depending on their (professedly) clean consciences.

Oops.

Count Egmont Before His Death, by Louis Gallait

The beheadings were widely protested both locally and abroad, and festered as a grievance against the empire — a grievance that, as the nascent conflict evolved into a revolution that would detach the Netherlands from Spain, elevated these distinctly non-revolutionary wealthy nobles into freethinking martyrs of independence.

Two centuries later, Goethe put the story on the stage with his play Egmont (original German | English translation), a production for which Beethoven subsequently composed gorgeous orchestral companion pieces.

Here’s the lovely, lovely Ludwig Van’s beloved (including by Goethe himself) Overture to Egmont, Op. 84:

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