1699: Nikol List, Golden Plate robber

On this date in 1699 the robber prince Nikol List was broken on the wheel in the town of Celle — along with seven other members of his gang.

A former soldier and beer-house keeper, the Saxon bandit‘s career owned the usual long roster of outrages upon person and property but really fixed his name in the heavens (and his soul in the other place) by robbing St. Michael’s Church of Lüneburg of its treasured Golden Plate and sacrilegiously melting it down.

In the end his career was not long — just a few years in the late 1690s, nothing to compare with the likes of his near-contemporary Lips Tullian — for the outrage at St. Michael’s attracted the fury of the Duke of Brunswick who dedicated himself to the prompt destruction of these outlaws.


List is no. 6 in this illustration conflating the executions of various gang members who suffered at different times and places. The full numbered key to this forest of corpses can be found, along various other illustrations, here.

While List was alive and “working” his former house in Beutha was razed and a pillory set on the place instead, to disgrace the naughty native son. Worn “Nikol List Stones” can still be seen there. Two commemorate citizens whom List shot dead evading arrest on St. John’s Eve in 1696:

Christoph Kneuffler, farmer and sheriff of Hartenstein, shot on St. John’s Eve 1696 by Nikol List. This honest man was 50 years and 27 weeks old, and leaves a troubled widow and four children, namely three sons and one daughter.

Gottfried Eckhardt, citizen and butcher of Hartenstein, shot on St. John’s Eve 1696 by Nikol List. This man was 34 years and 34 weeks old, and has a poor afflicted widow and three small uneducated children, two sons and a daughter.

On this day..

1699: Madame Tiquet, “nothing more beautiful”

On this date in 1699, Madame Angelique-Nicole Tiquet lost her beautiful head … eventually.

The talk of every Parisian in the spring of 1699 for attempting the life of her husband, Angelique-Nicole Carlier had been well-known in Paris circles since the 1670s; coincidentally or not, that was a period when a perceived boom in “husband-killing” burgeoned the phenomenon into an outright moral panic.

In those bygone days, Mademoiselle Carlier did her manslaying metaphorically, wielding only her limitless charms (not excluding a wealthy inheritance left by her industrious albeit untitled late father). This reputed “masterpiece of nature,” alas, exchanged her magnum opus for deniers on the livre when she succumbed to the suit of Claude Tiquet, a respected councilor of the Parlement of Paris so bedazzled by the young woman that he did not pause to consider her liberalities. Although quite past her in age, Tiquet won her hand with the promise of wealth so capacious that he wooed his intended with a bouquet of flowers studded with 15,000 l. worth of diamonds — and plied her aunt with still more largesse to advance his case.

But actually, Monsieur Tiquet was not wealthy. He stretched his fortune to acquire these amorous bribes as, let us say, investments in a happy future.

“Thus they united their fortunes for life, equally blinded as to each other,” George Henry Borrow wrote. “Such are the steps that lead to the most unhappy destinies.”

The wife’s prodigality — and her belated discovery as she blew through the putative family fortune that it was he who had married the money, and not she — soon brought domestic relations to a frosty pass.

Madame kindled a more edifying romance with a young captain of the guards; Monsieur strove in vain to check her moves with locked doors and snooping skulks. They separated to distinct wings of the family house, seeing one another only rarely — and in deathly silence — while each schemed his or her embittered schemes. Years they wasted at this intolerable impasse.

Despairing at last of being rid of either her horrible husband or his horrible debts, Madame Tiquet took her plotting far enough to compass her spouse’s death. “It is impossible,” she cried in one unguarded moment to a friend, “for me to have any enjoyment of myself while my husband lives, who is in too good health for me to look for such a quick revolution of fortune.”

So she engaged the services of her porter and of a freelance villain, and on the evening of April 8, 1699, these two assassins ambushed Claude Tiquet as he returned from a friend’s house and shot him three times. One ball only barely missed the heart. Tiquet survived, and he demanded those who came to his aid take him not to his own house but back to his friend’s. Of enemies, he said, “I have none but my own wife.”

This scenario speedily became the talk of Paris, and it did not take long for sentiment to coalesce against the wife. The hired assassins implicated Madame Tiquet in a years-long conspiracy to murder her husband whose previous installments — a missed ambush; a failed poisoning — had come to naught. Both Madame Tiquet and the porter, Jacques Moura, received a sentence of death, each appropriate to their respective stations: she to lose her neck, and he to swing from his.

There nevertheless remained some ambiguity about her real guilt, for the evidence was mostly circumstance and inference and colored by the purely titillating qualities of the public scandal. And then there was the fact that she was an attractive woman.

Angelique’s brother, a guardsman like the condemned woman’s lover, organized a petition for pardon. Surprisingly, even Monsieur Tiquet threw himself at Louis XIV‘s feet to plead for the life of his would-be murderess and the mother of his children. But it is said that when the Sun King wavered in his firmness, the Archbishop of Paris himself insisted upon the sentence. That prelate’s warning that save Madame Tiquet’s head should drop, no man could feel safe in his house must have fallen very ominously from the lips of the executive manager of Parisian confessionals.

Madame Tiquet heard the final failure of her appeals this day from an official who in the springtime of life had himself numbered among Mademoiselle Carlier’s suitors. And because the condemned would still not consent to confess the plot, that admirer was further obliged to order her to the cruel water torture to extract her statement.

In this procedure, the poor sinner is stretched out as on the rack, and eight pots of water painfully forced down the gullet. Madame Tiquet endured only a single pot before she calculated her inability to withstand the procedure and admitted all. Even so she continued to insist on the innocence of her lover: “I took care not to let him into the secret, else I had lost his esteem forever!”

These justice-satisfying preliminaries dispensed with, the condemned were conducted to the Place de Greve to suffer the penalty of the law. Thousands crowded the streets and windows, as was becoming the style for the execution spectacle of the era. Genuinely contrite or else wanting to play the part, she conversed humbly with her confessor and her condemned porter, exchanging absolutions and exhortations to die with Christian firmness.

Proceedings were delayed by a thunderstorm, although Madame Tiquet showed nothing but equanimity to wait at the foot of the scaffold while the weather passed. Jacques Moura hanged first: the undercard attraction.

Then the talk of all the town mounted those beams to give her own final performance, one remarked upon by all observers for its poise and stagecraft. The later memoirs of the Sanson family, written after that name inscribed itself on the guillotine during the French Revolution, dramatized the scene. It includes the regrettable inability of their own ancestor Charles Sanson de Longval* to equal the doomed woman’s grace under pressure.

When Angelique’s turn was come, she advanced, gracefully bowing to my ancestor, and holding out her hand, that he might help her to ascend the steps. He took with respect the fingers which were soon to be stiffened by death. Mdme. Tiquet then mounted on the scaffold with the imposing and majestic step which had always been admired in her. She knelt on the platform, said a short prayer, and, turning to her confessor,

“I thank you for your consolations and kind words; I shall bear them to the Lord.”

She arranged her head-dress and long hair; and, after kissing the block, she looked at my ancestor, and said:

“Sir, will you be good enough to show me the position. I am to take?”

Sanson de Longval, impressed by her look, had but just the strength to answer that she had only to put her head on the block.

Angelique obeyed, and said again:

“Am I well thus?”

A cloud passed before my ancestor’s eyes; he raised with both hands the heavy two-edged sword which was used for the purpose of decapitation, described with it a kind of semicircle, and let the blade fall with its full weight on the neck of the handsome victim.

The blood spurted out, but the head did not fall. A cry of horror rose from the crowd.

Sanson de Longval struck again; again the hissing of the sword was heard, but the head was not separated from the body. The cries of the crowd were becoming threatening.

Blinded by the blood which spurted at every stroke, Sanson brandished his weapon a third time with a kind of frenzy. At last the head rolled at his feet. His assistants picked it up and placed it on the block, where it remained for some time; and several witnesses asserted that even in death it retained its former calmness and beauty.

“Nothing was more beautiful” than Madame Tiquet’s lifeless severed head, one spectator discomfitingly enthused.

For an interesting consideration of the Tiquet affair, including her posthumous use in polemical melodrama either critiquing or celebrating her repentance of a life of iniquity, there’s a freely downloadable academic paper here. It’s by the author of this wild true-crime mystery unfolding elsewhere in France at just about the same time.

* Charles Sanson de Longval was the first Sanson executioner, the founder of the dynasty of headsmen. He had fallen into the dishonorable profession from a much more respectable social station and had been transplanted to Paris from Rouen only a few years before.

On this day..

1699: William Chaloner, Isaac Newton’s prey

(Thanks to Thomas Levenson of the Inverse Square Blog. Prof. Levenson is head of the Graduate Program in Science Writing at MIT, and author of the forthcoming Newton and the Counterfeiter.)

Early in the morning of March 22, 1699, William Chaloner raged.

Chaloner, a convicted coiner, refused the Newgate Jail Chaplain’s plea to show proper penitence, shouting with “more Passion than Piety,” of his wronged state and unmerited destination (according to his anonymous biographer in the one surviving account of his life). In time, he calmed sufficiently to accept the sacrament, and so proceeded to the execution convoy to be borne from Newgate to the hanging tree at Tyburn (now Marble Arch, just to the west of the old City of London).

There Chaloner’s fury mounted again, and he shouted to the crowd, drawn as always to the spectacle of public hanging days, that “he was murder’d … under pretence of Law.” He mounted the ladder to the top of Tyburn’s gibbet. He prayed, and then pulled the hood over his eyes without aid. When the moment came, the executioner’s men pulled the ladder out of the way and Chaloner dangled, twitching and jumping (the “hangman’s dance”) as long as it took –- minutes, at least — for life to choke out of him. Richer men often paid the hangman to pull on their legs to speed death. Not the destitute Chaloner. He had to choke till he drooped, to the greater amusement of the crowd.

The investigator who had sent Chaloner to the noose was not present; or at least nowhere in his copious notes and letters did he admit to curiosity about the fate of a man whose pursuit occupied him for almost three years. The Warden of His Majesty’s Mint had more pressing duties to perform, and so Isaac Newton allowed the date of Chaloner’s death to pass unmarked.

Isaac Newton? That Newton?


Appropriately, Newton himself wound up on the currency.

The accidents of place and time that brought the man who was recognized in his own day as the greatest mind of the age into conflict with Chaloner, an uncommonly gifted common criminal have fascinated me since I first learned of them through reading Chaloner’s last, piteous letter to the implacable Newton, written days before the hanging. In it Chaloner begged, writing “O dear S[i]r nobody can save me but you O God my God I shall be murderd unless you save me.”

What I wanted to answer was the obvious question: how and why did Isaac Newton come to pass judgment on the life of any other man? I had always thought of him as the nearly cloistered scholar of Trinity College, Cambridge, his home for more than thirty years. It was there he performed the experiments and the calculations that led him, in 1687, to write his masterwork, Philosophiae naturalis principia mathematica the Mathematical Principles of Natural Philosophy — better known simply as the Principia -– as well as pursuing his decades-long program of alchemical research.

So how, I wondered, did he end up in London, wallowing in the muck with the capital’s criminal underground?

Not to put too fine a point on it, finding out has turned into a book Newton and the Counterfeiter, published by Houghton Mifflin Harcourt and scheduled for release on June 4. But, to anticipate that longer story, here is the gist: Newton, after Principia found himself an international celebrity, and, as one of Cambridge University’s representatives to the Convention Parliament of 1689 that legitimized William of Orange‘s seizure of the English throne from the deposed Stuart King James II, he had nearly a year to enjoy the acclaim of London and Europe’s thinking and political elites before returning to the quiet of Cambridge, then a small town of about 5,000 inhabitants. It was an intellectual backwater too, especially compared to the big city in which he encountered figures like Robert Boyle, John Locke, Robert Hooke (whom he despised), Samuel Pepys (whom he did not) and so on. So he started, with Locke’s help, to seek a patronage appointment that would allow him to live comfortably in London. It took six years to find the right one, but ultimately he was offered the Warden’s post at the Mint. That job was supposed to be a sinecure, a nearly no-show position that would pay him a very comfortable wage.

And so it would have turned out were it not for the terribly debased state of England’s silver coinage, which had deteriorated to about half its legal weight for a whole host of reasons. So Newton arrived at a time when (a) the Mint was attempting to recall and recoin the entire stock of silver money for the entire country –- all the smaller units of money essential to everyday transactions –- and (b) coining, counterfeiting, was flourishing as enterprising men and women set out to get rich by filling in the gaps in the money supply with coins that never felt the stamp of an official Mint die. As Warden, it became Newton’s duty to see that legal money was produced fast and fairly, and to pursue all those who set up on their own.

Of those who did none were more technically skilled or ambitious than William Chaloner. His is a fascinating story, told at much greater length in my book, in which you see the currents of rapid economic change, class and ambition all converge within this one, barely remembered life. He was born desperate poor, a weaver’s son in Lincolnshire. He ran from his first apprenticeship to London, where he started out at the very bottom of the criminal ladder, hawking porn on street corners. He rose rapidly, first with his clearly impressive gift of gab, and then, after falling in with someone who knew how to gild surfaces, as the central figure in a series of ever grander schemes to counterfeit gold and silver money. He had sidelines as an informer, betraying conspiracies that he would himself set up, but his central gift and fascination was in the creation of fakes. Ultimately, he was one of the first to recognize the power of paper, and he started to counterfeit a variety of the early experiments with paper money and bank instruments.

In this sense Chaloner’s career –- and Newton’s urgent pursuit of him –- offer a window into the birth of the modern idea of money, of finance. And one of the things that fascinated me about this case is the degree to which this old story tracks some of our immediate problems. England’s and Europe’s economies were in rapid revolution in the late seventeenth century. The old idea of money as a chunk of metal with a pretty picture on it could no longer come close to accommodating the kind of enterprises governments and individuals wanted to undertake, from war to the funding of global webs of trade. And so people came up with all kinds of different ways of trying to represent value and exchange and even the idea of the changing worth of an investment over time. And the people making these experiments did not fully understand the implications of each expedient they tried. The last piece of paper Chaloner counterfeited was called a Malt Lottery Ticket, and it was at once simply paper money, a bond, and a gamble. Traders attempted to value these kinds of things in embryonic financial markets -– which would in a couple of decades blow up in a financial collapse that possess some striking similarities to our current predicament. Newton himself would lose a considerable fortune in that collapse, a sum worth a couple of million pounds, maybe more, in 21st century money.

It was that sense of precariousness that made the pursuit of counterfeiters so urgent in the midst of the late 17th century; England’s money supply was genuinely at risk, and no one had a good grasp of what it would take to make both the daily experience of small transactions and the high finance of war and trade go smoothly. So anyone threatening either or both levels of money was public enemy number one.

Of those who tried their hand at currency crime, Chaloner was the most accomplished, and notorious. By his own admission he counterfeited on the order of 30,000 pounds worth of currency over a seven- or eight-year career, an enormous fortune for the day. His big mistake, though, was to challenge Newton directly, accusing him in public of incompetence or fraud in his management of the recoinage of silver money between 1696 and 1698. He laid that charge both in testimony to Parliament and in a pamphlet he had printed for public distribution, and the scandal could genuinely have wounded Newton, were it not for the influence of his friends in power in Parliament at the moment.

It was enough, certainly, to propel Newton into an extraordinary investigation, an exercise of what may be seen as true non-fiction scientific detection. He set up a net of agents and informers throughout the worst neighborhoods and pubs in London, tracking any instance of coining he could find, interrogating suspects at the Tower or in jail, trying to build a web of connections around Chaloner. That story is contained within a collection of several hundred depositions and summaries of interrogations, all signed by Newton, that have survived, largely unexamined until now. Those records show that it took Newton almost two years in all, but aided in the end by listeners whose lives he held at his disposal inside Chaloner’s cell at Newgate, he managed to collect a sufficient weight of testimony to ensure that he could convict a prisoner clever enough to have escaped several previous attempts at prosecution.

The trial itself was something of a sham. Chaloner had feared being charged on the Malt Lottery Ticket forgery, (as we know from the accounts in Newton’s files of informers in the cells) but Newton actually presented evidence of a coining spree that almost certainly did not take place as described. Among other confounding facts, Chaloner was supposed to have made six different denominations of both silver and gold coins in a single day, which would have involved an enormous confusion of tools and materials that ran counter to basic counterfeiting practice.

No matter: the sheer volume of precise detail that Newton’s witnesses were able (or convinced) to provide produced a conviction within a very short time –- the whole trial took no more than an hour or so on March 3, 1699. There was a truncated appeal process -– really just a request for clemency from the crown, which was denied, and Chaloner’s sentence came down.

Formally, he had been found guilty of high treason, an assault upon the crown in the form of the king’s likeness and authority represented on the face of England’s coins. The punishment for high treason was essentially that suffered by William Wallace of Braveheart fame: to be strangled to the point of death, to be disemboweled whilst still living, to be beheaded and then quartered. By the date of Chaloner’s execution, the punishment had eased this far: convicted coiners were drawn to the place of execution on a rough sledge, subject to all the filth and abuse London’s open-sewered streets possessed; then hung until dead, and then, on rare occasions, to suffer post-mortem dismemberment. Chaloner himself was not, so far as any records revealed, actually cut into pieces. (As a gesture to public decency, women convicted of coining or other capital crimes were not supposed to be hung, lest their twitching at rope’s-end seem lewd. So they were burnt instead – though by the eighteenth century it was common to strangle them to death before lighting the pyre. Mercy, after the fashion of the times.)

Levenson lectures on his book at the MIT Writer’s Series.

One last note in a post gone much too long: Newton was involved in a number of counterfeiting investigations, and by some reckonings at least two dozen people went to their deaths as a result. Some historians, notably Frank Manuel, have speculated that Newton pursued this work with implausible eagerness, out of a kind of frustrated blood lust born of his abandoned and unhappy childhood.

This seems to me to be nonsense. The specific historical context matters here: Newton did not author the bloody code, nor did he send everyone he could to the gallows. Rather, the record of his depositions shows him to be simply a relentless practical man doing his job. He used little fish to catch big fish, and at least some of those low on the ladder received their escape from the gibbet. What you can see here, surprisingly, is the birth of a modern idea of a civil service. The Warden -– even Isaac Newton — was simply a man in a job doing the functions of that job, which included organizing the investigation and prosecution of counterfeiters.

What’s striking, of course, is that this civil servant, this bureaucrat, happened to possess the greatest scientific mind in history. And that’s the real sting in this tale. There is a connection between Newton’s pursuit of counterfeiters and his attempts to understand nature. He did employ the same resources of concentration and logical organization in his criminal investigations that he did when he tackled any problem. But more than the commonality of work habits, there is, I think this link: Newton can be seen as many people: the mathematician, the theoretical physicist, the empirical experimentalist, the alchemical mystic, the heretically devout religious thinker –- and the government functionary too.

And yet he was, of course, a single man, one with many interests, but ultimately with a consistent ambition, to reduce to order the complexity of any problem which was posed to him. Newton did not expect as Warden to have to chase crooks; when he found out that was part of the job he wrote a rather whiny letter to the Treasury to see if he could wriggle out of the duty. When he found he could not, he responded as he always had to the job at hand.

As one consequence, on this day three hundred and ten years ago, William Chaloner died.

On this day..