1936: Saburo Aizawa, incidentally

Lieutenant Colonel Saburo Aizawa was shot on this date in 1936.

The Aizawa Incident — an assassination — emerged from the conflict between the Kodoha (“Imperial Way”) and Toseiha (“Control”) factions of the Imperial Japanese Army.

Both these philosophies were authoritarian, militaristic, and aggressively imperialist.

However, Kodoha officers — disproportionately younger junior officers — were more radically right-wing. Their leading light, General Sadao Araki, who had been War Minister in the early 1930s, espoused a philosophy that “linked the Emperor, the people, land, and morality as one indivisible entity, and which emphasized State Shintoism.”

Toseiha is described as the more moderate faction which in practice meant that they were a bit less totalizing and a bit more institutionally accommodating: in a word, it was just the mainline outlook of the army brass. According to Leonard Humphreys, Toseiha “was not really a faction … it really consisted only of officers who opposed the Kodoha.”*

Our day’s principal accused Toseiha bigwig Tetsuzan Nagata of putting the army “in the paws of high finance” when he forced out a Kodoha ally and Araki protege in 1935, following a failed Kodoha coup d’etat. And in revenge for this perceived betrayal, Aizawa dramatically murdered Nagata with a sword in his office on August 12, 1935.

However boldly struck, this blow bespoke the dwindling prestige of the ultras.

In the months while Aizawa’s sure fate was arranged through the proper channels, the desperate Kodoha faction again attempted to seize power — and was sidelined for good when it again failed. Aizawa had the displeasure of going to his death amid the ruin of his cause.

* fn 24 on page 206 of The Way of the Heavenly Sword: The Japanese Army in the 1920’s, citing several other scholars with the same view — and noting that the names for these tendencies were both conferred by Kodoha propagandists, so nobody self-identified using the pejorative “Toseiha”.

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1936: Adolf Seefeldt, Uncle Tick-Tock

German serial killer Adolf Seefeldt was beheaded on this date in 1936 by the Third Reich.

The tramp timepiece-fixer with twenty-plus years of child molestation prison time in his 66 years of life, “Uncle Tick Tock” killed at least a dozen boys in the early 1930s whose creepy uniting feature was sailor suit garb. Their bodies — peacefully posed and innocent of any visible sign of violence — would be discovered in protected forest preserves; the nature of the killings makes it possible that he had other prey who have never been recognized as murder victims, but simply taken for natural deaths. Given that he’d dodged a previous murder charge as far back as 1908 one can’t help but wonder.

It’s been debated whether Seefeldt (English Wikipedia entry | German) poisoned his victims, as he confessed, or suffocated them, or even — fanciful hypothesis — dropped them into a hypnotic sleep only to abandon them outdoors to death by exposure.

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1936: The Seven Martyrs of Madrid

On this date in 1936, the Seven Martyrs of Madrid became martyrs.*

These sisters of Catholicism’s Visitandine or Visitation Order were the last remaining to watch over their convent, which had been mostly evacuated for fear of anti-clerical violence in the unfolding Spanish Civil War.

Indeed, even these seven felt it wiser to stay in a nearby apartment where they secreted the convent’s treasures and kept their holy orders as quiet as possible.

Their precautions were justified — but insufficient. On the night of November 17, weeks after the Spanish capital was besieged by the Francoists an anarchist militia tossed the place, interrogated them, and then returned the next day to have them summarily executed on the outskirts of town.

“I beg God that the marvelous example of these women who shed their blood for Christ, pardoning from their hearts their executioners,” Pope John Paul II said when beatifying these sisters in 1998, “may succeed in softening the hearts of those who today use terror and violence to impose their will upon others.”

* Technically, only Sisters Gabriela de Hinojosa, Teresa Cavestany, Josefa Barrera, Ines Zudaire, Engracia Lecuona, and Angela Olaizola were shot on the 18th. Sister Cecilia Cendoya escaped her captors but later turned herself in and obtained the crown of martyrdom a few days afterwards.

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1936: Melquiades Alvarez, a liberal in a revolutionary time

On this date in 1936, the Spanish politician Melquíades Álvarez was shot by the Republicans.

A centrist who disdained “two equally despicable fanaticisms … red fanaticism and black bigotry,” Alvarez (English Wikipedia entry | the more comprehensive Spanish) fell into the chasm torn by the Spanish Civil War.

The Gijon-born former barrister noted for his oratory had been in public life as a liberal back to the last years of the 19th century and in 1912 co-founded the Reform or Reformist Party. Although sympathetic to the democratic aspirations of the Republican movement, the Reform Party was cool to forcing a confrontation with Spain’s monarchy. He was briefly president of the Congress of Deputies before the military coup of Primo de Rivera. Alvarez opposed Primo, judiciously.

I recalled many years ago going to see another vacillating Liberal, the unfortunate Melquiades Alvarez, after he had ventured to criticise Primo at a public dinner. He was shivering in a travelling rug waiting to be arrested while he told with pride that he had made his speech in such guarded, euphemistic and even allegorical terms that no one would have been quite sure what he meant. He vacillated to the end and now the militia have shot him in the Carcel Modelo.

V.S. Pritchett

By the onset of the Republic in the 1930s, Alvarez’s institutionalism and anti-Marxism had his political tendency drifting rightwards in a revolutionary era, to the extent of actually joining the conservative coalition known as CEDA. Alvarez would surely have said that the Republic left him; a liberal to a fault, he even in these years defended the son of Primo de Rivera when this founder of the fascist Falange was arrested for conspiring to overthrow the Republic.

So the start of General Francisco Franco’s rebellion in 1936 found Alvarez in Madrid as a center-right parliamentarian — right in the path of a sharp political repression immediately leveled by the Republicans against perceived internal enemies. Alvarez and other right-leaning politicians were arrested in early August. Many, like Alvarez, were eventually shot by Republican militias after the barest of legal proceedings.

“You kill a man who only did you good,” Alvarez spat at his executioners before they opened up on him. “You slaughter in the worst way any idea of freedom and democracy, you pack of cowards and scoundrels!” (Quote translated from this Spanish-language pdf account of Alvarez’s last days.)


In this 1917 cartoon, Alvarez, a key political player during Spain’s crisis and near-revolution that year, swaps the caps of monarchism and republicanism in an “illusion” … for “everything remains the same”

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1936: Edward Cornelius, vicarage murderer

On this date in 1936, Edward Cornelius hanged at Victoria’s Pentridge Gaol for the vicarage murder.

The Murder at the Vicarage also happens to be the title of Agatha Christie’s very first Miss Marple novel, published several years before the very real vicarage murder of Rev. Cecil.

One lonesome night the preceding December, Cornelius, a mechanic, turned his spanner on the aged head of plain-living 60-year-old Rev. Harold Laceby Cecil of St. Saviour’s — the horrible conclusion to Rev. Cecil’s 18-year ministry in Fitzroy, then one of Melbourne’s roughest neighborhoods.

Cornelius’s motive was robbery, and it was hardly the first time that Rev. Cecil had been braced for the few quid in donatives he kept on hand for charity cases. Though undeterred from his mission, Cecil was philosophical about repeated robberies: “I will get them, or they will get me.” According to Cornelius’s confession, it was the getting that got Cecil killed: surprised in the course of a midnight stealth pilfering of the vicarage study, Cornelius grabbed the tool of his other trade and clobbered the intercessor, repeatedly: there would be 17 distinct head wounds discerned by investigators.

He fled the vicarage with £8 and few gold and silver trinkets. Some, like a silver watch, he would discard as too incriminating; others, like a gold crucifix, he pawned to obtain ready cash and readier eyewitnesses against him.

A death-house chum of similarly notorious Arnold Sodeman — the two passed Sodeman’s last hours on earth together, playing draughts — Cornelius followed the latter’s steps to the same gallows three weeks later.

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1936: Vladimir Mutnykh, Bolshoi director

On this date in 1937, the director of Moscow’s famed Bolshoi Theater was shot in the Gulag … even as Uncle Joe mangled his greatest commission.

Vladimir Ivanovich Mutnykh is the man whose suffering occasions this post but as with the Terror itself he will for us be a footnote to a different story.

Mutnykh ultimately fell prey to the chill that Stalin cast over Soviet arts — where come the 1930s the only fare liable to pass muster with the censors (or indeed, with the executioners) were creations of turgid doctrinal correctness or cautious revivals from the pre-Revolutionary literary canon.

The strictures on artists also reflected Moscow’s abiding preoccupation with the cultural preeminence of Russia and of Communism.

Among the USSR’s many and varied exertions towards the latter end during the 1930s, not least was a project to induce a return to the motherland by genius (and homesick) composer Sergei Prokofiev, who had been mostly living and working Europe since the Bolshevik Revolution.*

In the mid-1930s, Stalin’s cultural ambassadors finally got their man.** And one of the plums that secured Prokofiev’s permanent repatriation was a commission to create for Mutnykh’s Bolshoi Theater a ballet version of the Shakespeare classic Romeo and Juliet.

Today, Prokofiev’s Romeo and Juliet is one of the best-known and most widely performed of all his considerable output.

Some might even call Romeo and Juliet Prokofiev’s magnum opus. But Prokofiev wouldn’t have called it that.

Having gone to such great trouble to lure back a revolutionary artist, Soviet cultural officers were predictably aghast to discover that he produced a revolutionary reimagining of the Bard. In Prokofiev’s original composition, the star-crossed lovers get a happy ending and escape together instead of dying in the tomb. “Living people can dance, the dead cannot,” Prokofiev explained, unavailingly. The idea is that their love transcends the shackles of their family rivalry; even, that they had transcended the backwards political order that made them enemies. But Soviet bureaucrats were positively hidebound when it came to fiddling with the classics, and the director was forced to return to the tragic ending.

Nor was this the end of the meddling.

In 1936, joyless cultural commissar Platon Kerzhentsev ransacked the Bolshoi leadership, including Mutnykh — who had given the initial green light to Prokofiev’s first, heretical version.

For the next several years, the ballet with the checkerboard floor was twisted into shape by the Soviet bureaucracy, wringing change after change out of a frustrated but powerless Prokofiev. By the time it finally premiered — at the Kirov, not the Bolshoi — Prokofiev’s collaborator dramatist Sergei Radlov disgustedly wrote to friends that “I take no responsibility for this disgrace.”

“The version that’s known and loved around the world is completely incorrect,” said Simon Morrison, a Princeton professor. “There’s an act missing. There are dances orchestrated by people against Prokofiev’s wishes, and other stuff he was forced to put in there against his will.”

In the course of researching his 2010 book on Prokofiev, The People’s Artist, Morrison amazingly dredged up the original Prokofiev composition and documentary trails showing that the composer was forced to scrap three too-exotic dances, to “thicken” the orchestration, and to add elements like a group dance number and solos to show off the Kirov’s talent.† The ballet didn’t debut at the Bolshoi until 1946, when Stalin himself signed off it.

“Once the work was performed, Prokofiev was dismayed at a lot of things, including the sound of the orchestra. He wrote a long letter of protest but none of the changes were made to the score,” Morrison told the London Independent. “It became the canonic version, a reorganised, torn-up work. It’s a testament to how great the melodic writing is – it still became a great classic despite this mangling of it.”

A few books by Simon Morrison on Prokofiev and his world

* Prokofiev was neither an exile nor a refugee; his departure from the USSR in 1918 was voluntary and legally blessed. He had had no problem in the intervening years coming back to Russia and leaving again.

** One immediate product of Prokofiev’s return was the beloved 1936 children’s production Peter and the Wolf.

He also in 1938 gloriously scored Eisenstein’s Alexander Nevsky.

† Morrison in 2008 staged performances of Prokofiev’s original version of Romeo and Juliet.

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1936: Ramiro Ledesma Ramos, Falangist

Falangist politician Ramiro Ledesma Ramos was executed on this date in 1936, during the Spanish Civil War.

Ledesma (English Wikipedia entry | Spanish) launched the first fascist publication in Spain as a perspicacious 25-year-old admirer of Mussolini and Hitler.*

La Conquista del Estado — the expressive title was cloned from Curzio Malaparte‘s Italian fascist magazine — positioned Ramos as one of the leading apostles of the right in early 1930s Spain. Despite his youth, he’s been credited by later observers as one of the clearest, earliest intellectual exponents of fascism in Spain. Ledesma affiliated from the start with the Falangist movement Jose Primo de Rivera, and personally signed off on the party’s yoke-and-arrows logo and its motto “¡Arriba España!”

Spain’s Republican government had him detained in Madrid with the outbreak of the Spanish Civil War in July 1936. With the fascist armies closing in on Madrid in late October, Ledesma was among dozens of political prisoners taken out and shot without trial at the cemetery of Aravaca.

* His philo-Hitlerism allegedly led Ledesma to imitate the Fuhrer’s flopover coiffure.

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1936: Charlotte Bryant

(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)

At around 8:00 a.m. on this day in 1936, Charlotte Bryant was hanged at Teeter Prison by Thomas Pierrepoint for poisoning her husband with arsenic the previous year.

“Dying of arsenical poisoning,” writes Stephen Wade in his book Notorious Murders of the Twentieth Century: Famous and Forgotten British Cases,

…has got to be one of the most agonizing exits from the world we can imagine… Its effects are horrific… The sensations experienced have been described as the sense of having a burning ball of hot metal in the gut; on top of that, the victim has vicious diarrhea, vomiting and spasms in the joints, dizziness and consequent depression.

Frederick Bryant was to die that way.

Charlotte was born and raised in Ireland. She and Frederick met there in 1922, where he was serving with the military police. Charlotte, who was only about nineteen at the time, had the reputation as a girl who would sleep with anyone. Frederick didn’t seem to mind her reputation, though, and they so they married and moved to a tiny, rural village in Dorset, and he sought work as a farm laborer.

Charlotte’s open promiscuity continued, and soon evolved into prostitution. Everyone in the neighborhood knew her for her gallantries. It was said that, when someone asked Frederick how he felt about this, he pointed out he was earning less than said £2 a week as a cowman and said, “Four pounds a week is better than thirty bob [shillings]. I don’t care a damn what she does.”

Charlotte ultimately bore five children, some of whom may have been Frederick’s.

This situation continued until 1933, when Charlotte met Leonard Edward Parsons, a man who was himself married, and fell in love. Not only did the easygoing Frederick accept this relationship, he actually invited Parsons to live with them. Parsons did, and things actually went quite well for some time. Parsons paid the Bryants room and board, which made Frederick happy. Parsons and Charlotte got to have sex all the time, which made them happy. Win-win.

But finally Frederick asked Parsons to move out.

Frederick Bryant became inexplicably ill in May 1935 after drinking tea Charlotte had prepared for him. He recovered within a few days and he and his doctor shrugged and passed it off as gastroenteritis. In August he got sick again with the same symptoms as before, and as before, he soon recovered.

In November, Leonard Parsons told Charlotte he was going to leave her and find another job somewhere else. She was devastated.

By the time the Christmas season rolled around, Frederick was sick again. This time his symptoms were serious and he writhed in agony, “saying there was something inside him like a red-hot poker that was driving him mad.” He was sent to Sherbourne Hospital for treatment, but died a few days before Christmas.

Frederick’s doctor, who had treated him through these mysterious bouts of gastric illness, was suspicious: the symptoms the dead man had complained of corresponded exactly to arsenic poisoning, and like everyone else in the area he knew Charlotte as something less than the good wife. The doctor refused to sign a death certificate and notified the police of his suspicions.

A very thorough investigation began. A chemistry expert from Scotland Yard was given

complete organs, including the stomach and contents, small and large intestines, urine in the bladder, vomit and excreta, complete lungs, portions of skin and hair, brain and nails. In addition, these were taken from the area around the body: samples of soil from above the coffin, below the coffin and from the adjacent ground, sawdust from the coffin, and a portion of the shroud.

Sure enough: the results showed that Frederick’s flesh and the environs of his corpse were positively dripping with arsensic. Altogether 4.09 grains were discovered. Anywhere between 2 and 4 grains comprises a fatal dose.

While the chemist was at work analyzing his myriad of evidence, the police were questioning Charlotte. She denied having harmed her husband and said she had not recently purchased arsenic or anything containing it. However, a friend of the couple had some interesting things to say: Charlotte had a tin of arsenic-laced Eureka brand weed killer and said “I must get rid of this … If nothing is found, they can’t put a rope round your neck!”

After a search, the police found a partially burned tin of Eureka weed killer. Dirt and ash samples from the rubbish heap where it had been discarded tested positive for elevated levels of arsenic.

But they still had to prove Charlotte bought that tin of weed killer.

The Scotland Yard analyst had a look at Charlotte’s coat and found arsenic dust in the right-hand pocket at a staggering 58,000 parts per million. (By comparison, the average amount of arsenic found in ordinary soil is about 18 parts per million.)

Records showed that someone had purchased Eureka weed killer from a local chemist’s shop at around the right date, signing their name on the poison register with only an X. Charlotte was illiterate and could not have signed her name, but would have used her mark instead. The chemist said he knew the woman who came in to buy the poison but claimed that in spite of this, he would be unable to identify her now. He was probably trying cover his own tracks: it was illegal for a chemist to sell arsenic to anyone they didn’t know.

Parsons was questioned about Frederick’s murder. He had an alibi and was cleared of suspicion, but the police decided they’d accumulated enough against Charlotte, and arrested her for murder.

At her trial in May 1936, her attorney stressed the circumstantial nature of the evidence and warned the jury not to take Charlotte’s promiscuity into account. After all, she was on trial for murder, not for sleeping around. No one had seen Charlotte poison any food or give poisoned food to her husband, and the chemist still couldn’t or wouldn’t identify her as the woman who bought the weed killer at his shop.

Nonetheless, the verdict was guilty. Desperate efforts were made on her behalf to get her a new trial; some people believed the chemistry expert’s evidence had been faulty. These efforts came to nothing. Charlotte wrote a letter to the King, begging for a royal pardon, but this was ignored. She died protesting her innocence.

A footnote to this sad and sordid story: Charlotte left a pitiful estate worth 5 shillings, 8½ pence and willed it all to her five children. (She’d learned to write her name in jail; her will was the first legal document she signed with her name rather than her mark.) Her children were trucked off to an orphanage. Mrs. Violet van der Elst, a noted anti-death penalty activist, heard of their plight and vowed to make sure they were cared for. (Van der Elst featured this case among numerous others in her 1937 tract On the Gallows.)

She also started a charitable fund for the children of executed convicts. The first donation to the fund, from van der Elst herself, was £50,000. As for the Bryant children, nothing further is known of them.

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1936: Earl Gardner

(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)

On this date in 1936, Earl Gardner, a “pint-sized” Apache Indian from the San Carlos Reservation in Arizona, hanged for the murders of his wife, Nancy, and baby son, Edward. Gardner had, for no apparent reason, axed them both to death the previous December.

This wasn’t his first time, either; in the 1920s he’d served seven years in prison for stabbing another man to death.

He tried to plead guilty to Nancy and Edward’s murders, but the judge refused to let him in spite of Gardner’s preference that the government should “take a good rope and get it over with.” Better to “die like an Apache” than die a little every day in prison, he said. With his heart never in his own defense, it’s no surprise he was convicted; appeals filed by his attorney proceeded against Gardner’s wishes, and without success.

R. Michael Wilson records in Legal Executions After Statehood in Arizona, Colorado, Nevada and Utah: A Comprehensive Registry:

Finding a gallows was difficult as the state of Arizona was using the gas chamber exclusively for executions, so U.S. Marshal Ben J. McKinney improvised a gallows using an old rock crusher from the Coolidge Dam project. The crusher had been abandoned within a deep gorge on the Indian reservation. A rope was strung from a crossbeam and a hole cut in the floor for the trapdoor. After there were rumors of an Indian uprising McKinney deputized a force of men and armed them to prevent any interference, and they guarded the gallows for days before the execution date.

As he stood on the contraption’s trapdoor before forty-two witnesses, Gardner was asked if he had anything to say. “Well, I’ll be glad to get it over with,” was all he could come up with. It took longer to get it over with than anyone could have anticipated. A witness recalled:

Earl went to the gallows without apparent concern and died a ghastly death. I was crouched in a corner of the crusher on a pile of gravel and damn near went through the trap after him. Earl’s shoulder struck the side of the trap and broke his fall. He hung at the end of the rope gasping … until Maricopa County Sheriff Lon Jordan, a giant of a man, stepped down through the trap and put his weight on Earl’s shoulder to tighten the noose and shut off his breathing.

When the trap sprung at 5:06 a.m., the noose slipped around to the front of Gardner’s throat, causing him to fall off-center and hit the side of the opening. His head snapped backwards but his neck didn’t break and he thrashed around for over half an hour. It wasn’t until 5:39 that his heart ceased to beat.

Earl Gardner’s death was the last legal hanging in Arizona.

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1936: Jose Antonio Primo de Rivera, Falange founder

On this date in 1936, the Spanish Republicans shot Don José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquis of Estella, Grandee of Spain.

The son of Spain’s 1920s dictator, Primo de Rivera founded in 1933 the Falange, Spain’s native fascist movement.

At the October 29 founding convention that year at Madrid’s Theatre of Comedy, Primo de Rivera scathingly pilloried the wan democratic rituals that coming years’ conflict would sweep aside. “The most ruinous system of wasted energy,” he jeered at liberal democracy, where men with leadership waste their talents in hollow electoral hustling and parliamentary rigmarole while the nonsensical ephemeral whims of a formless plurality pass for the vision he attributed to the time before Rousseau ruined everything. “What alone mattered to the liberal state was that a certain number of gentlemen be sitting at the polling station, that the voting start at eight o’clock and end at four, that the ballot boxes not get smashed — when being smashed is the noblest aspiration of all ballot boxes.” (The full speech is available in Spanish here.)

Primo de Rivera espoused for Falangismo the same impulses — of unity, of destiny, of national rebirth, of the triumphant collective — that animated Europe’s similar extreme right stirrings in those years. Only 35 years before, Spain had lost her empire, near enough in memory to inform an acute ache of loss.

In a poetic sweep we will raise this fervent devotion to Spain; we will make sacrifices, we will renounce the easy life and we will triumph, a triumph that — you know this well — we shall not obtain in the upcoming elections. In these elections vote the lesser evil. But your Spain will not be born out of them, nor does our frame for action reside there. That is a murky atmosphere, spent, like a tavern’s after a night of dissipation. Our station is not there. I am a candidate, yes, but I take part in these elections without faith or respect. And I say this now, when so doing may cost me every vote. I couldn’t care less. We are not going to squabble with the establishment over the unsavory left-overs of a soiled banquet. Our station is outside though we may provisionally pass by the other one. Our place is out in the clear air, beneath a moonlit sky, cradling a rifle, and the stars overhead. Let the others party on. We stand outside vigilant; earnest and self-confident we divine the sunrise in the joy of our hearts.

Unlike the Naziism in Germany or Fascism in Italy, Falangism never grew into a force capable of conquering state power itself. Just thirty-three months after Primo de Rivera’s founding address, the Spanish Civil War erupted. The Falangists’ alliance with Francisco Franco — after the war, they would be combined with the Carlists into the only legal political association* in Francoist Spain — spelled great gains for their membership rolls but it was still the General who called the shots.**

Primo de Rivera’s share in this alliance was a voluptuous cult of personality as Spain’s preeminent right-wing martyr, fine posthumous work if you can get it mitigated only by the necessity of undergoing the martyrdom. The fascist prophet was already in prison at the time Franco struck the first blow of the war: he’d been arrested in Madrid on weapons charges. From his cell he carried on a brazen correspondence with Nationalists conniving to subvert the hated Spanish Republic, and when his activities were discovered and prosecuted that autumn in light of Franco’s July revolt they could scarcely have been better framed to incur the utmost measure of judicial wrath.

In consequence of his martyrdom, November 20 remains down to the present a hallowed day for the far right in Spain.


“Cara al Sol” (“Facing the Sun”) is the Falangist anthem; the lyrics are generally credited to Primo de Rivera.

* The Falange Española Tradicionalista y de las Juntas de Ofensiva Nacional-Sindicalista, or “Spanish Traditionalist Phalanx of the Assemblies of National-Syndicalist Offensive” (FET y de las JONS) — or less exhaustingly, the Movimiento Nacional (National Movement).

** Primo de Rivera and Franco didn’t like each other much personally, either.

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