Tag Archives: alessandro de medici

1530: Francesco Ferruccio, victim of Maramaldo

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On this date in 1530, Francesco Ferruccio (or just Ferrucci) and his executioner Fabrizio Maramaldo clinched their immortality at the Battle of Gavinana.

The battle was the tragic final scene of the War of the League of Cognac, in which an alliance of Italian city-states tried to expel the Habsburg Holy Roman Emperor Charles V from the peninsula. Charles had already in effect decided matters by forcing the French out of the fight, which also brought about the capitulation of the Vatican.

Left alone in the fray, doughty Florence — ever so briefly at this moment restored as a Republic, having given the Medici the boot — continued to hold out against impossible odds. A vast imperial army swollen by landsknechts whose mercenary arms were now unnecessary elsewhere in Italy besieged Florence on October 24, 1529.


The Siege of Florence, by Tuscan Renaissance Man Giorgio Vasari.

The intrepid Florentine commander Francesco Ferruccio (English Wikipedia entry | Italian) strove to take his hopeless fight to the enemy. After a plan to coerce papal support by striking Rome was vetoed, Ferruccio mounted a march through the Apennines to threaten the Imperials’ rear.

He was intercepted at Gavinana, a battle decided by the arrival of landsknecht reinforcements under the command of the notoriously cruel condottiere Fabrizio Maramaldo.

Maramaldo would elevate himself for posterity out of the ranks of his merely brutal brethren by finding Ferruccio, badly wounded, his prisoner, and putting him to immediate death by his own hand — an execution that resulted in Florentine capitulation one week later, and the installation of Alessandro de’ Medici as Duke of the now ex-Republic.*

While admittedly borderline as an “execution” suitable for this here site, Ferruccio’s defiance in the face of his killer and his last denunciation of Maramaldo — “Coward, you kill a dead man!” — became the stuff of legend in a later Italy. (It also helped Ferruccio’s case for the nationalist pantheon that he died fighting against the Germans, not against the next city-state over.)

The romantic novelist Francesco Domenico Guerrazzi** made Ferruccio the subject of his magnum opus L’Assedio di Firenze, and before you knew it the name was on the lips of every risorgimento Tom, Dick and Francesco. Garibaldi invoked him in speech; Goffredo Mameli wrote him into the national anthem.


Every man has the heart
and hand of Ferruccio …

Under the Italian state those men helped to make, Ferruccio was appropriated as the name of a battleship; fascist Italy especially found Ferruccio congenial to the national-pride project and valorized the martyr relentlessly.


1930 Fascist Italy stamp depicting — for the 400th anniversary of the occasion — Fabrizio Maramaldo murdering his prisoner Francesco Ferruccio. Other Februccio stamps from the same period can be found on the man’s Italian Wikipedia page.

For Maramaldo, a less flattering but possibly more durable legacy: Italian gained the noun maramaldo, the adjective maramaldesco, and the verb maramaldeggiare to signify bullying or cruel domineering.

* Alessandro had a reputation for despotism, and was assassinated a few years later by his cousin Lorenzino de’ Medici in a tyrannicide that was Brutus-like in both its motivation and effect. That later affair is the subject of the 19th century play Lorenzaccio.

** Guerrazzi also did his bit for the legend of Beatrice Cenci.

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1582: Philippe Strozzi, corsair

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On this date in 1582, Philippe Strozzi, the Florentine-born commander of a French naval expedition against the Spanish was summarily executed as a pirate.

The Strozzi were long one of Florence’s wealthy and powerful families, as evidenced by, say, the Strozzi Palace, or the Strozzi coat of arms on Michelangelo’s Doni Tondo.

That made the Strozzi sometime-allies, sometime-rivals* of Florence’s more famous powerbrokers, the Medici. It is in both capacities that we meet Philippe (English Wikipedia entry | Italian | French).

To cut a centuries-long story short, the Strozzi had basically come out on the wrong side of the power struggle in the 16th century.

Philippe’s father, Piero Strozzi, was the child of a Strozzi-Medici union, and Piero too married a Medici. He also fought the Medici for power and ended up in exile whereupon he gravitated to the French court of … Catherine de’ Medici. (Catherine had been educated at the home of Philippe’s grandfather, Filippo Strozzi.) Catherine then turned around and used Piero as a French Marshal, including sending him to back Tuscan city-state Siena in opposition to its (and France’s) rival, Florence.**

Your basic tangled geopolitical-genealogical web.

Bottom line, Piero’s son Philippe was born in Florence but grew up Gallic, and fought in the French army all over the continent from the time he was a teenager.

When France got involved in the War of Portuguese Succession, they put this warlike fellow aboard a boat and sent him to dispute Spanish King Philip II‘s attempt to claim the Portuguese throne and unify the Iberian peninsula.

Strozzi’s armada got its clock cleaned at the naval Battle of Ponta Delgada near the Azores, with devastating loss of life.


The Spanish galleon San Mateo, which did yeoman service at this battle.

Since Spain and France were putatively at peace, Spain treated its captives not as prisoners of war but as pirates, and proceeded to execute several hundred in Vila Franca do Campo. Strozzi didn’t even get that much ceremony, however; the day after the battle, he was mortally stabbed, then tossed into the waves.

Happily, the name and the fame of the Strozzi outlived Spanish justice. In the next century, a distant relative by the handle of Barbara Strozzi became one of the most renowned composers of Baroque vocal music. (As befits wealthy Italians of the Renaissance, the Strozzi were big on the arts; Philippe was supposed to be a fine musician himself.)

* The Strozzi-Medici conflict frames the action in the play Lorenzaccio, in which the titular Brutus-like character mulls assassinating the Medici dictator in order to restore the Republic, only to find no such restoration in the offing once he actually does the deed; the father and grandfather of our day’s protagonists are both principal characters.

** That didn’t work. Strozzi was trounced at the Battle of Marciano, which signaled the permanent demise of the ancient city-state‘s independence.

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