Tag Archives: amsterdam

1748: Marretje Arents, for the Pachtersoproer

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On this date in 1748, three instigators of a riot hanged in an Amsterdam public square, while worse fates befell those who came to see it.

It was only a few days earlier that the Pachtersoproer (English Wikipedia entry | Dutch) had torn apart the homes of nineteen tax collectors and magnates in the capital. These violent protests against inequitable taxation and oligarchical power had actually begun in Friesland and Groningen, the northernmost provinces of the Low Countries, before spreading to Amsterdam.

Marretje Arents (English Wikipedia entry | Dutch), a fishmonger supporting four children while her husband was abroad as a soldier in the East Indies, was seen on that Monday, June 24th, clad in a distinctive red chintz exhorting rioters to wreak revenge on the grandees and helping to ransack at least one house. According to the chronicle (1740-1752) of Abraham Chaim Braatbard, she spat at one agent,

Today we are the boss and tomorrow we will come to you at the town hall. Then we will see what we will do with all of you, gentlemen land-thieves … [then, lifting her skirt] Now you can clean my ass, because that’s all I have left for you.

This bold and public flaunting of an insurrectionary intent was not accompanied by a political achievement more lasting than a couple of days’ looting. When Arents simply turned up on June 27th at her market stall to go about her usual business just as if she hadn’t been trying to overturn it all three days before, she was arrested for sedition. Of course, there must have been hundreds of others who either weren’t identified or weren’t deemed worth making an example of who did go right back to their normal lives, nursing their grievances in customary silence.

Marretje Arents’s voice is heard in the annals, at the cost of her life.

By the next day at noon, she and two other perceived leaders of the disturbance, Mat van der Nieuwendijk [see comments] and Pieter van Dordt, were publicly hanged at the Waag op de Dam.* Over the brattle of drummers charged with drowning her incitements to the crowd, she was still heard to keep out her cries for rebellion until the moment the rope closed her throat.

Revenge, my dear citizens, assist me. For you now let me die so shamefully, while I have not fought for myself. I did it for the whole country, against the tyranny of the tenants, who tormented us citizens and forcibly took our money and good for the lease.

She would not have had to outlive her hanging more than a few minutes to see it. As the next of the riotous “captains” was strung up, a disturbance broke out in the packed square. It’s not certainly recorded whether this was a wave of sympathy responding to Marretje Arents, or the chance surge of a large crowd jostling for position, or something else besides — but suddenly the host of onlookers stampeded, crushing their fellows underfoot and pushing others into the Amstel River. Braatbard guessed that some 200 souls might have lost their lives for the sake of this triple execution … but whether 3 lives or 203, the important thing to the Low Countries’ rulers was that the Pachtersoproer did not re-emerge.

* The Waag, or weigh-house, served the bustling commercial district that grew up around Dam Square at the heart of Amsterdam. It was demolished in 1808 under French occupation.


Painting of Dam Square from the late 1600s, by Dutch master Gerrit Berckheyde. The weigh-house in the middle of the square presents an obviously suitable landmark for an affair like a public execution; just as well, since by this time its original function had been ceded to a new and larger weigh-house which still survives as the city’s venerable Waag. It was in the latter building that the dissection was performed that Rembrandt immortalized in The Anatomy Lesson of Dr. Nicolaes Tulp.

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1945: Theo van Gogh, famous name

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Theo van Gogh, a Dutch resistance fighter of portentous lineage, was executed by the German occupation on this date in 1945.

This man was the grandson of the famous Theo van Gogh, art dealer and brother to troubled, brilliant painter Vincent van Gogh.

Our Theo was a 23-year-old university student in Amsterdam pulled into anti-Nazi resistance by the imposition of a hated loyalty oath on university personnel and was arrested several times, repeatedly tolling his father for bribes to extract him.

The arrest he couldn’t buy his way out of was a home raid on March 1, 1945 — the very last weeks of the war, while these Germans were in the process of being stranded in the Low Countries. Evidently the collapse of the Reich didn’t dampen their enthusiasm for the cause, because on March 8 the Germans imposed a collective punishment of 100+ executions in revenge for the Dutch resistance’s attempt to assassinate a prominent SS officer.* Theo van Gogh was one of them.

Besides his name-brand ancestry, Theo the World War II resistance figure is also the uncle (quite posthumously — this man wasn’t born until 1957) of film director Theo van Gogh, who’s a far-right martyr in his own right thanks to the vociferous anti-Islamic work that resulted in his 2004 assassination.


Prisoners’ Round (after Gustave Doré) (1890), by Vincent van Gogh.

* That officer, Hanns Albin Rauter, was executed for war crimes in 1949.

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1568: Weyn Ockers, slipper slinger

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On this date in 1568 the Dutch Protestant Weyn Ockers was drowned with her maid Trijn Hendricks.

Both were condemned for having taken part in the paroxysm of Calvinist anti-icon riots known as the Beeldenstorm (“icon-fury”) — specifically the 1566 sack of the then-Catholic Oude Kerk in Amsterdam. The Netherlands’ Spanish Catholic overlords were in these months of 1568 busily meting out revenge for the sacrilege.

In a somewhat iconic event of the iconoclasm, Ockers was alleged to have chucked her slipper* at an image of the Virgin Mary perched on the altar — one particularly resented by the reform-minded since the priest encouraged lucrative offerings of parishioners’ valuables to be presented to this icon. One might well doubt the fact of it; Ockers had not been arrested for this offense, but the accusation emerged from the interrogation under torture of other Protestants. Ockers copped to it under torture herself; Hendricks, made of tougher stuff, withstood torture twice and never admitted anything, but still shared her mistress’s fate.

* Not the worst missile that Marian statuary has endured.

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1945: Walraven van Hall, banker to the Resistance

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Wally van Hall, the Dutch banker, fraudster, and national hero, was executed by the Nazi occupation on this date in 1945.

Walraven — to use his proper given name — was born into a well-heeled family, the brother of eventual Amsterdam mayor Gijs van Hall.

The man’s expertise in the occult crafts of banking gained an unexpected heroic cast during World War II when Wally became the “banker to the Resistance,” quietly sluicing the funds needed to support anti-occupation movements.

Notably, he plundered the present-day equivalent of a half-billion Euro from the Dutch National Bank by swapping fraudulent bad bonds for good ones.

This profession was no less dangerous for being so esoteric. He was betrayed by an informer who was himself executed in revenge by the Resistance; van Hall has posthumously received his country’s Cross of Resistance as well as Israel’s recognition as Righteous Among the Nations for his aid to Dutch Jews. He’s the subject of the 2018 film The Resistance Banker.

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1535: Jacob van Campen, Amsterdam Anabaptist

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On this date in 1535, the Amsterdam Anabaptist leader Jacob van Campen* was mutilated, beheaded, and consigned to flames.

He’s an oddly little-known figure considering his stature in the movement — an anomaly the Global Anabaptist Mennonite Encyclopedia Online attributes to van Campen’s radical affiliations during the time when Anabaptists’ rebellion at Muenster sent the movement into the wilderness. But in Amsterdam in 1535, the cloth shearer was a leader of some 3,000 adherents to the new heresy.

There had been a price on his head since at least May of 1534, so absent a Joris-esque disappearance his capture was probably just a matter of time.

Once in his enemies’ power, van Campen’s person was used to stage a particularly elaborate execution spectacle. According to Drama, Performance and Debate: Theatre and Public Opinion in the Early Modern Period, van Campen

was sentenced to be publicly exposed on a scaffold on the Dam Square wearing a tin mitre with an imprint of the city’s coat of arms. After having been exposed as a mock bishop for one hour or more, his tongue, which he had used to deceive people, was cut out, and his right hand, which he had used to re-baptise was chopped off. He was decapitated and burnt. His head with mitre and his hand were exhibited on the Haarlemmerpoort.


Seated on a platform, the scorned Jacob van Campen endures his tortures while the flame that will soon consume his remains awaits him. Via the Rijksmuseum.

* Not to be confused with the Dutch painter Jacob van Campen.

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1571: Anneken Hendriks, cursed Mennonist

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On this date in 1571, Anneken Hendriks was martyred in Amsterdam as an Anabaptist.

She was about 53 years old and illiterate, and had come to Amsterdam from Frisia. Considering her outlaw faith could have done better than to move in next to the underbailiff. He soon apprehended his neighbor for “having forsaken the mother, the holy church, now about six years ago and having adopted the cursed doctrine of the Mennonists, by whom she had been baptized on her faith.”

That’s per the Martyrs’ Mirror catalog of Protestant martyrdoms. For the 1685 edition of this volume, Dutch illustrator Jan Luyken favored poor Anneken Hendriks with one of his grisly illustrations.

Anabaptists — practitioners of adult baptism — were heavily persecuted in the Low Countries and throughout Europe, particularly after right-thinking folk were shocked by the short-lived Anabaptist commune at Muenster. Anneken Hendriks, sure enough, had by the words of the sentence against her “not been for six or seven years at confession, or at the holy, reverend sacrament, but went to the meetings of the cursed sect of Mennonists or anabaptists, so that they have even held secret meetings or assemblies at her house.” She also threatened traditional marriage by “marrying” her husband “by night, at a country seat, after the manner of the Mennonists.”

Our source here notes that Anneken Hendriks was tortured by rack and strappado for the names of other Anabaptists. She refused to divulge any, but she was chatty enough on the way to her burning — warning her former neighbor that God would punish him if he kept up the Judas act, and spurning her Catholic would-be confessors — until they stuffed her mouth with gunpowder to still her heretical tongue.

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1668: A Dutch suicide, posthumously gibbeted

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A man … who was in the habit of asking his wife for money to buy brandy, would on her refusal say that he would go hang himself. When on 23 June 1668 he again asked for two pennies to buy brandy, his wife said she had no money, whereupon he replied, “I will hang myself or may the devil take me.” His wife replied, “Do whatever you like, you always say that,” and went back to her cleaning. Shortly thereafter, she found that her husband had hanged himself in their home. She then called for the neighbors, who have all made declarations and given evidence. On a charge by the bailiff, his corpse has been taken to the Volewijk on 26 June 1668 and hanged on a gibbet.

This excerpt, via Machiel Bosman’s chapter “The Judicial Treatment of Suicide in Amsterdam” in From Sin to Insanity: Suicide in Early Modern Europe, represents the last documented case of the Dutch posthumously punishing a suicide.

Well … a certain class of suicide.

It seems that Dutch law from about the 16th century, and certainly in the 17th century, began drawing a categorical distinction between suicides driven by madness or despair, and those ob conscientiam criminis — criminals who took their life to cheat the law.

Posthumous execution was inflicted upon the latter all the way up until the French Revolution reached the Low Countries in 1795. Bosman, for example, notes the case of a thief gibbeted in Amsterdam in 1792 after he hanged himself in jail. For non-criminal suicides, “punishment” was more typically a silent night-time burial, perhaps in unconsecrated ground: a meaningful deterrent for at least some of the living, but very distinct from judicial infamy. The widower of a 1532 suicide had even successfully appealed Amsterdam’s attempt to levy a punitive fine on the estate.

Hans Bontemantel, one of Amsterdam’s sheriffs, was incensed by the archaic sentence executed in 1668: “I am not responsible for this,” he noted in the margin of his summary. “And it is against the law.”

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1945: Bruno Dorfer and Rainer Beck, Wehrmacht deserters

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On this date in 1945, five days after the Germans had surrendered to the Allies in World War II, two deserting sailors were shot at Amsterdam.


Dorfer (top) and Beck.

The strangest thing: Bruno Dorfer and Rainer Beck were deserters of the Wehrmacht’s Kriegsmarine … and they were shot by a court-martial conducted by the Wehrmacht itself.

This surprising and shameful story is told in full by Chris Madsen in “Victims of Circumstance: The Execution of German Deserters by Surrendered German Troops Under Canadian Control in Amsterdam, May 1945,” a 1993 Canadian Military History journal article available online in pdf form.

Basically, a pocket of fortified German resistance remained hunkered down in the Netherlands as the war approached its close. That force of 150,000 surrendered to a much smaller number of Canadians on May 5 on terms that maintained German responsibility for administering its armed forces and the civilian areas under its control — a highly anomalous situation in an occupied country as the Third Reich winked out of existence altogether.

Canadians and Germans, according to Madsen, enjoyed a collegial relationship as the Canadians gradually took German forces into custody … or received German forces who helpfully marched themselves into custody. But even under guard, these “imprisoned” Germans still retained significant autonomy and a German command structure that Canadians were loath to interfere with — an arrangement so expedient that it severely tested the bounds of propriety. So invested were the Canadians in maintaining their opposite numbers’ unit cohesion* that they handed some deserters (and plenty of men were deserting the German army) back over to the nominal prisoners!

Rainer Beck had been deserted for the best part of a year: the son of a Social Democratic father and a Jewish mother, he’d ditched harbor defense the previous September and had been laying low with his sister in Amsterdam. Bruno Dorfer was a more recent deserter. They naturally assumed that with the Canadian takeover, they’d be good to go: they turned themselves in to Canadian soldiers with an eye towards regularizing their status.

They were in for quite a surprise, as Madsen relates:

Major Oliver Mace, acting commanding officer of the Canadian regiment, ordered Major J. Dennis Pierce, the company commander in charge of the former factory [where the German prisoners were being held], to place the two deserters inside the compound because “they were certainly Germans and we had no other place to put them.” …

At 1005 hours on 13 May 1945, Pierce informed 2 Canadian Infantry Brigade of the intended German course of action: “German Marine deserters being tried this morning. German Commander intends [to] shoot them.” The German camp leadership established a Standgericht or a court martial within the camp … [and] brought Dorfer and Beck before three officers, a team of military lawyers “whom Pierce himself had ‘put in the bag’ in the streets of Amsterdam earlier in the week.” [Fregattenkapitan Alexander] Stein regarded the proceedings as a show trial for his authority. At the insistence of the German naval commander, the entire camp population witnessed the event. A parade state, taken earlier that morning, counted 1,817 German marines inside the camp. The two accused, represented by a German military lawyer, underwent rigorous cross-examination before this large staring crowd … Oberleutnantnginieur Frank Trmal, a young German officer present at the fifteen-minute trial, remembered Beck’s defense:

For some reason Beck, who was older, decided to defend himself and told the court that we (the Germans) all knew several weeks ago the war was all over for us and that it was a matter of time before we surrendered. He told the captain and the court that any further fighting by us against the Canadians would be senseless bloodshed. With this the captain jumped to his feet in a rage, screaming at Beck that he was calling all of us, his comrades, and his officers, murderers. It is something that I will never forget.

After the inevitable-yet-incredible conviction, Stein appealed to his Canadian guards for a bit of comradely assistance in carrying out the court-martial’s order.

The Seaforth Highlanders obligingly delivered up eight captured German rifles with ammunition, plus a heavy truck to help their “prisoners” execute their deserters. A Canadian military cable testifies in its clipped and plaintive language to the egregious moral vacuum afflicting the chummy occupation: “German marines in Amsterdam have picked up some of their own deserters. They have been tried by military law and sentenced to be shot. May they do this.”

The answer was determined not by any senior Canadian officer, but by the German high commander who had surrendered the Dutch pocket the week before, Johannes Blaskowitz. It was on his approval that Dorfer and Beck were shot against an air raid shelter wall at 1740, not eight hours after their bizarre public trial.

When the story surfaced publicly in 1966 as a result of Der Spiegel investigations, Stein was unrepentant. “Beck would never have been a credit to Germany anyway,” he told the Globe and Mail (Oct. 28, 1966). “Deserters only turn into criminals in civil life too.”

This execution is dramatized in the 1969 Italian-Yugoslav film Dio è con noi (The Fifth Day of Peace, also released as Gott mit Uns and The Firing Squad).

* Conceivably as part of a policy to have Wehrmacht troops in readiness in case the western allies segued directly into war with the Soviet Union. Jacques Pauwels writes in The Myth of the Good War: America in the Second World War:

it is a fact that many captured German units were secretly kept in readiness for possible use against the Red Army. Churchill, who not without reason had a high opinion of the fighting quality of the German soldiers, gave Field Marshall Montgomery an order to that effect during the last days of the war, as he was to acknowledge publicly much later in November 1954. He arranged for Wehrmacht troops who had surrendered in northwest Germany and in Norway to retain their uniforms and even their weapons, and to remain under the command of their own officers, because he thought of their potential use in hostilities against the Soviets. In the Netherlands, German units that had surrendered to the Canadians were even allowed to use their own weapons on May 13, 1945, to execute two of their own deserters!

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1664: Elsje Christiaens, Rembrandt model

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On or about this date in 1664, a Danish teenager named Elsje Christiaens was strangled at Amsterdam for murder.

The date is a little shaky; I don’t know if it’s directly documented (the verdict, we know, came down on May 1). Whenever the execution took place was, it culminated an extremely short stay in Amsterdam for the young woman.

This was boom time for the Dutch Republic, the last apex years before it all went to hell. Naturally, wealthy Amsterdam drew immigrants: for a penniless Jutland 18-year-old like Elsje Christiaens (English Wikipedia entry | Dutch), here was opportunity.

In mid-April 1664, she took a room to lay her head while she looked for domestic employment.

Two weeks later, she still hadn’t found a job but her landlady expected rent. When she came to demand it and Christiaens tried to stall her, the confrontation turned tragic: the landlady started thwacking her shiftless boarder with a broomstick, and Christiaens defensively grabbed a nearby hand-axe and knocked the poor woman down a flight of steps — to her death.

The sentence called for her killer to be strangled while being beaten with the very same axe. Then her body was to be hung up publicly with the same weapon, and left “until the winds and birds devour her.”

Of course that happened long ago. But at this time, veteran corpse–painter and Dutch Golden Age master Rembrandt van Rijn was hanging out in Amsterdam, living in reduced circumstances after creditors dunned him into the poorhouse.

This was the first woman executed in 21 years, and Rembrandt did not mean to miss his opportunity to sketch it. On May 3, presumably the same day as Elsje Christiaen’s execution, he hired a boat to row him out to the Volewijck moor where the body had been hung up. That day the master sketched the immigrant girl’s freshly-executed corpse, and its shameful axe.

The novelist Margriet de Moor has dramatized the sketchy backstory of Elsje Christiaens and her chance intersection with one of the art world’s greatest names in De schilder en het meisje. Unfortunately for most, this book appears to be available only in Dutch, which is also the language of these reviews: 1, 2, 3.

Rembrandt wasn’t the only Dutch painter haunting Amsterdam’s execution-grounds in 1664.

In this landscape — serene despite its landmarks — Elsje Christiaens is visible on the right. The little copse of gibbets she’s a part of comprises prisoners executed since 1660, according to Michiel Plomp.*


Anthonie van Borssom‘s 1664 ink-and-watercolor painting of the Volewijck execution site.

The gallows stood at the Volewijck until 1795. Today, that once-hard-to-reach peninsula is a residential district in Amsterdam-Noord.

* “Rembrandt and His Circle: Drawings and Prints,” The Metropolitan Museum of Art Bulletin, Summer 2006.

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1656: Joris Fonteyn, anatomized and painted

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“On January 28th 1656, there was punished Joris Fonteyn [or Fonteijn] of Diest, who by the worshipful lords of the law court was granted to us an anatomical specimen. On the 29th Dr. Joan Deyman made his first demonstration on him in the Anatomy Theatre, three lessons altogether”.”

-Records of the Amsterdam Anatomy Theatre (cited in this pdf)

Dr. Joan Deyman had succeeded Dr. Nicolaes Tulp in the redoubtable position of the guild’s Praelector Anatomiae — the physician entrusted with the guild’s once-per-year public anatomical reading over the dissection of an executed criminal. In his day, Tulp and his dissection had been painted by Rembrandt.

With the new praelector in the wealthy city came its guild’s need for fresh art to keep up with the Joneszes.

New subject, new work … but the same artist. A mere sapling when he rendered Dr. Tulp, Rembrandt was a fully mature painter of 50 when he put this scene to canvas.

Sadly, this painting was damaged in a 1731 fire, destroying most of its figures, including the titular one.


Braaaaaaaaaaaaaiiiiinnnnnssssssssss! Dr. Deyman’s hands are all that remain of him. The cadaverous Joris Fonteyn, however, belongs to the ages.

Since it was part of the anatomization law for the unfortunate subjects to be given a decent burial, Fonteyn’s exit from the annals of history is another entry (pdf) in the surgeon’s guilds records:

Wednesday, February 2, at 9 o’clock in the evening the body was interred with fitting dignity in the South Churchyard.

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