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1794: Nicolas Luckner, German marshal of France

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On this date in 1794, Nicolas Luckner was guillotined in Paris.

A count with his own manor on the German-Danish frontier, Luckner (English Wikipedia entry | German, where he’s Nikolaus von Luckner) made the sort of cross-national career pivot that was still possible in the pre-revolutionary world by going from commanding hussars against France in the Seven Years’ War to serving in the Bourbon army.

Allegedly convinced that Marie Antoinette had blocked his advancement, Luckner supported the French Revolution, and by 1791 had summited his profession as Marshal of France.

He was the very commander of the Army of the Rhine to whom Rouget de Lisle dedicated the 1792 Chant de Guerre pour l’Armée du Rhin … the marchable tune which later became the Marseillaise. (Luckner’s name also appears on the Arc de Triomphe.)

Things did not go as swimmingly with the Army of the North, where he bogged down in the Low Countries — and the incriminating defection of the Marquis de Lafayette to France’s royalist enemies did him no favors in the court of Jacobin opinion. Luckner was relieved of his command by the impatient National Convention.*

This septuagenarian foreign count showed a lordly blindness to his adoptive country’s situation both fiscal and political by journeying to Paris later in 1793 to complain that his pension was not being funded in full. Other officers had already fallen under the Terror’s blade for command failure, where any shortcoming in the field could be readily conflated with treachery — and Luckner, no surprise, was soon denounced as a royalist.

City hall in the small Bavarian town of Cham, where Luckner was born in 1722, still chimes the Marseillaise every day to honor its native son … whose name also associates with Germany’s World War I naval hero Felix von Luckner, the great grandson of our man Nicolas.

* The Convention’s emissary on this occasion was Choderlos de Laclos … best known now (and then) as the author of the viperous epistolary novel of ancien regime misbehavior Les Liaisons Dangereuses.

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1793: Philippe Egalite, hoisted on his own petard

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On this date in 1793, Philippe Egalite was hoisted on his own petard.

To hoist with one’s own petard actually has an older derivation, dating to siege warfare engineers whose primitive bombs, petards, were liable to detonate unexpectedly and gave their makers a “hoist.”

Still, the phrase sounds like something that ought to come right out of the French Revolution, redolent (as are petards themselves: the explosive word is from the French “to fart”) of angry mobs hoisting aristocrats, as was their wont, up on pikestaffs and lampposts and … petards. Whatever those are.

Philippe Egalite — the Duke of Orleans, as he was known for most of his life — was such an aristocrat: in fact he was royalty, the First Prince of the Blood and a cousin to Louis XVI.

And he was the member of the royal house who most vibed on the revolutionary spirit of the times, literally bankrolling the Jacobins before the Revolution. Hilary Mantel* notes that Orleans made the Palais Royal “into a sort of demagogue’s shopping centre — Paris’s most volatile public space, crammed with cafés and bookshops, a gathering place for the disaffected. In July 1789, three days of orchestrated violence began there, and culminated in the taking of the Bastille.”

Now that is a petard.

Philippe’s class-traitor politics obviously exposed him to the wrath of the monarchists — a particular irony since the man’s son Louis-Philippe, was France’s last king from 1830 to 1848 — but as usual in Paris during the Terror, it was the the Revolution devouring its children that did him in.

Despite taking up during the Revolution the very Republican name Egalite by which we know him, and despite Egalite‘s vote in the Convention in favor of guillotining Louis XVI (this is sometimes described with more melodrama than accuracy as the “decisive” vote), and despite his many years’ prior revolutionary sympathy, the Duke of Orleans was rounded up with the rest of the available Bourbons when the French General Dumouriez‘s spring 1793 defection prompted a panicky revolutionary purge in Paris. Philippe’s own son, the future king, had gone over with Dumouriez to the Austrians.

Rosebud

The Duc d’Orleans employed Choderlos de Laclos, author of the notoriously delicious Dangerous Liaisons.

As an individual citizen turned politician turned guillotinee, Egalite doesn’t much stand out in those perilous years: one more vulnerable Convention delegate outmaneuvered by Robespierre et al.

As the Daddy Warbucks of the Rights of Man, however, Egalite was a titanic figure for his contemporaries. Not many held him in high personal esteem, but movements need moneybags, and the Prince of the Blood bankrolled his from the bottomless revenues he earned on estates that would dwarf entire departements.

The Duke of Orleans and those around him, according to George Armstrong Kelly in “The Machine of the Duc D’Orléans and the New Politics” (The Journal of Modern History, Dec. 1979)

invented something novel in the history of French politics: the massive use of wealth, research, and propaganda** for the purpose of forming public opinion and swaying public policy. No doubt there are analogues among the Romans and the eighteenth-century English; but here we are almost reminded of the Rockefellers and Kennedys.

Orleans was accused of generating all this mayhem to make his own bid for the throne; those accusations may even hold a bit of truth. Such machinations remain for the conspiratorial among posterity a shadow-play upon the wall; one is left to guess at their potential dimensions from shreds of evidence and the vying vituperations of various contemporary revolutionary factions.

But if extant, such schemes were fatally compromised by the mediocrity of the figurehead who lost his head this day. Though a revolutionary in his philosophy, he was still a doughy Bourbon scion in his soul, and heir to the many shortcomings that characterized that dynasty in its decadence.

Dissolute in the enjoyment of privilege; irresolute in the conquest of power; blithely rearing wolves to his own destruction. That was some petard.


Philippe Egalite and his onetime lover Grace Elliott are the titular characters of the 2001 Eric Rohmer movie The Lady and the Duke.

* Hilary Mantel is the same author who penned the acclaimed historical novel Wolf Hall, about Thomas Cromwell.

** Kelly claims that Egalite funded Marat.

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