Marxist philosopher and French Resistance figure Valentin Feldman was shot on this date in 1942, but he went out with an epic own of his firing squad: “Imbéciles, c’est pour vous que je meurs!” (“Imbeciles, it is for you that I die!”).
A Jewish emigre from the Soviet Union, Feldman (English Wikipedia entry | the more detailed French) matriculated at Paris’s prestigious Lycee Henri-IV alongside such luminaries as Simone Weil and Maurice Schumann. He mobilized during the “Phoney War” run-up ahead of Germany’s blitz on France, publishing a short Journal de guerre about his experiences.
He was excluded from his teaching work by anti-Semitic laws, leaving him plenty of time for anti-occupation subversion until he was caught sabotaging a factory.
Feldman’s last words were so unsurpassably revolutionary and modern and French that Jean-Luc Godard built a 1988 short film, Le Dernier Mot, around them.
On this date in 1986, Malaysia hanged Australian nationals Brian Chambers and Kevin Barlow for trafficking heroin.
The two men were nabbed together at the Penang island airport with 179 grams of heroin in their packs. While Chambers was an experienced drug courier, Barlow was a rookie; reportedly, his visible nervousness in the airport gave the game away. (He had also refused out of revulsion to pack the product into his stomach or anus.)
Although the amount they carried far exceeded Malaysia’s then-brand-new 15-gram threshold for an automatic death sentence, “Westerners” so-called had never yet actually been hanged there. The two were initially sanguine about their situation, expecting a mixture of bribes and diplomatic logrolling to do the trick.
Over the 20 months between arrest and their July 1985 trial, they realized their true predicament.
According to Bruce Dover, who covered their trial for Australia’s Herald Sun, “They turned on each other. The parents and family members who Barlow and Chambers had early agreed to ‘keep out of it’ now watched on helplessly from the court gallery, as each man tried to implicate the other in a desperate gambit that at best would send one man to the gallows while the other walked free … [and] in their efforts to save themselves, each had condemned the other to die.” In Dover’s estimation, the very best they could have hoped to achieve was to have one man shoulder the blame to save the other.
International appeals from all the usual suspects — Australia Prime Minister Bob Hawke, the Pope, various human rights organizations, and even Margaret Thatcher (because Barlow was a British-born dual citizen) — failed to move the Malaysian Prime Minister Mahathir Mohamad. If anything, the clamor only strengthened the domestic political imperative to advertise Malaysian resolve in a high-profile case against the special pleading of foreign busybodies.*
“Like many people of European descent, they [Barlow and Chambers] have assumed that a white skin was protection against local laws,” a Kuala Lumpur newspaper editorialized. “That is also the unspoken assumption among many in the foreign media who are now in this country. The two men should be hanged.”
They were.
A 1988 Australian television film about the Barlow and Chambers case, Dadah Is Death — “dadah” being the Malaysian word for drugs — is a star-studded affair, featuring Julie Christie on the marquee as Kevin Barlow’s mother in her fight to save her son, opposite appearances by then-little-known youngsters Hugo Weaving, Sarah Jessica Parker, and John Polson.
* A similar script played out in neighboring Singapore with a Dutch smuggler a few years later.
Errol Morris’s classic 1988 docudrama The Thin Blue Line helped to exonerate former death row inmate Randall Dale Adams.* He’d been convicted of shooting a Dallas police officer to death during a traffic stop.
On this date in 2004, the man who really pulled the trigger, David Ray Harris, received lethal injection. It wasn’t the murder of Officer Robert Wood he was being punished for: after more or less confessing the crime to Morris’s recorders, Harris was never charged with it. By that time, he was already on death row for an unrelated 1985 murder.
Randall Adams published a book about his ordeal. He died of brain cancer in 2010.
* Adams avoided execution in 1980 and had his sentence commuted. He was still in prison, but no longer on death row, at the time of the film’s release. He was released outright in 1989. Filmmaker Morris describes how he came to make the film — and how Adams “never will be exonerated” officially — in this interview with Bill Moyers.
It was a crime tailor-made for the burgeoning mass media, popular and pretty 20-year-old Grace Brown gone to work at the Cortland, N.Y. Gillette Skirt Factory where the owner’s nephew seduced and impregnated her.
That, of course, is our man Chester Gillette, who further distressed his lover by tomcatting around town, especially charging the love triangle with class rivalry with his rumored interest in a socialite while he stalled for time with Ms. Brown. Dreiser’s novel — which is freely available from the public domain — spins on this axis, although the real-life heiress in question put out an arch press release averring that “I have never been engaged to Chester E. Gillette … Our acquaintance was of … a limited duration.”
That was also true of Gillette’s acquaintance with Grace Brown. At length he induced the future mother of his child to elope to the Adirondacks upon the apparent prospect of finally regularizing their situation. Instead, after making a couple of stops in upstate New York, they paused on July 11 at Big Moose Lake for a nice canoe outing. While out on the water, Gillette bashed his lover’s head with his tennis racket and forced her into the water to drown.
Letters the two had exchanged would establish that Gillette knew Brown could not swim … and the fact that he’d brought his whole suitcase with him for this supposed day trip would establish his premeditated intent. Gillette schlepped his stuff along with his guilty conscience through the woods to another lake and checked into a hotel under his real name(!). He was as careless with his coverup, alibi, and escape as he had been with his heart; Brown’s body was recovered the very next day and the trail led directly back to Gillette, who was not difficult to find and couldn’t stick to a story — alternately claiming that the drowning was an accident, a suicide, or something that happened when he wasn’t there at all.
The snake was public enemy number one by the time he came to his trial, making the case a national sensation. Dreiser improved it to literature in 1925, and it was such a hit that he was immediately called upon to adapt it for the stage. A version hit the silver screen as soon as 1931, but its best-known rendering is the 1951 classic A Place in the Sun, which earned Academy Award nominations for both Shelley Winters and Montgomery Clift, who portrayed the young lovers.
It’s had an enduring appeal for the century since; rumors of Grace Brown’s ghost haunting Big Moose Lake brought the case to the Unsolved Mysteries television program in the 1990s, and an award-winning 2003 novel A Northern Light centers around a fictional friend of Grace Brown’s. There’s even an A Place in the Sun opera.
Our Theo was a 23-year-old university student in Amsterdam pulled into anti-Nazi resistance by the imposition of a hated loyalty oath on university personnel and was arrested several times, repeatedly tolling his father for bribes to extract him.
The arrest he couldn’t buy his way out of was a home raid on March 1, 1945 — the very last weeks of the war, while these Germans were in the process of being stranded in the Low Countries. Evidently the collapse of the Reich didn’t dampen their enthusiasm for the cause, because on March 8 the Germans imposed a collective punishment of 100+ executions in revenge for the Dutch resistance’s attempt to assassinate a prominent SS officer.* Theo van Gogh was one of them.
Besides his name-brand ancestry, Theo the World War II resistance figure is also the uncle (quite posthumously — this man wasn’t born until 1957) of film director Theo van Gogh, who’s a far-right martyr in his own right thanks to the vociferous anti-Islamic work that resulted in his 2004 assassination.
Prisoners’ Round (after Gustave Doré) (1890), by Vincent van Gogh.
* That officer, Hanns Albin Rauter, was executed for war crimes in 1949.
Bavarian bandit Mathias Kneissl was beheaded by the fallbeil guillotine in an Augsburg prison on the morning of February 21, 1903.
Kneißl/Kneissl got a juvenile start on his delinquency — the family trade, one might say; his parents were part-time thieves and fences and an uncle was a famous robber of the Munich-Augsburg roads named Johann Pascolini. He caught his first serious jail time at the tender age of 18 in an affair when his brother Alois shot dead a police officer who had come to investigate them for poaching.
Alois died of tuberculosis in prison but Kneissl emerged from his cell in 1899 — 24 years old and penniless. He soon returned to his vomit, mounting a bicycle-borne crime spree around Bavaria’s Dachau district.
Quaint though it might read in retrospect, a mobile gunslinging cyclist could be a hell of a menace in a world without cars or telephones. Kneissl proved it over the span of about a year and a half before his March 1901 arrest, raiding farms and passersby trying to accumulate a stake sufficient to vanish with his sweetheart to America.
Instead that sweetheart betrayed his hideout to authorities, who require an hourslong siege to capture the wanted outlaw. Two Altomünster gendarmes whom he had killed in a shootout supplied the requisite capital charge, notwithstanding the popular “social bandit” glow he had gained from his many months on the lam. (Folk songs celebrating him are still in circulation to this day; there have also been 1970 and 2008 cinematic treatments of this criminal legend.)
On this date in 1918, four sailors who were ringleaders of a failed Austrian naval mutiny were executed at the Montenegrin port of Kotor.
It’s been largely forgotten beyond its Balkan environs — indeed, reports of its very existence were hushed up at the time it occurred — but it prefigured the more famous, war-ending Kiel mutiny later that year in Austria’s Entente ally. It was a heyday for radical sailors, taking heart from the inspiration of the famed Russian cruiser Aurora, whose guns launched Russia’s October Revolution.
On February 1, this crew, gnawed by hunger, deposed their officers and ran up the red flag, chanting for bread and peace.
Although about 40 other ships in the Austrian fleet there responded with revolutionary flags of their own, the mutiny collapsed within two days. Alas, the sailors of this flotilla were not so determined as their Russian counterparts upon any particular course of action: they waffled upon considerations like defecting in the war or firing on the naval base, and deferred action until morale and common purpose dissipated. The Austrian military kept a tight lid on news of the rebellion, frustrating any prospect of catalyzing a wider insurrection among landlubbers.
Some 800 participants in the mutiny were arrested and some of them tried months afterwards; forty leader figures, however, were prosecuted within days by a summary court-martial and four of them executed on February 11: Franz Rasch, Jerko Šižgoric, Anton Grabar and Mato Brnicevic.
U.S. serial killer Earle Nelson hanged in Winnipeg, Canada on Friday the 13th of January in 1928.
A disturbed and preternaturally balding 30-year-old, Nelson grew up in San Francisco “a psychotic prodigy. He was expelled from primary school at the age of 7. His behavior included talking to invisible people, quoting Bible passages about the great beast and peeking at his cousin Rachel while she undressed.”
Monsterhood beckoned via a compounding of destabilizing influences: venereal disease, a religious obsession, and a collision with a streetcar that left him in a weeklong coma and with a permanent vulnerability to headaches and dizzy spells. By the latter 1910s he was rotating shifts of institutionalization: jail in Los Angeles (mere burglary), the Army (subsequently deserted), and commitments to the state mental ward (“He has seen faces, heard music, and at times believed people were poisoning him. Voices sometimes whisper to him to kill himself.”)
From the start of 1926 until mid-1927, he gave over to a homicidal spree that claimed 22 lives all around the U.S. and ranging — obviously — into Canada. They were all women, bar 8-month-old Robert Harpin, the infant son of a mother whom he targeted; while his second-last victim was just 14, the predominant victim profile was a matronly landlady whose lodgings he could enter at invitation as a prospective lodger — and there put her at ease with his Biblical facility while maneuvering her into some circumstance suitable for wrapping his hands around her throat. Most were also posthumously raped after strangling.
Those noticeably large hands were among the first descriptors that witnesses had given of the suspect from the scenes of his earliest killings in San Francisco, and this together with a swarthy mien gave newsmen the nickname “Gorilla Killer” or “Dark Strangler”. They’d have frequent cause to use it as the terrifying killings migrated north from the California Bay to Portland, Ore.; Vancouver, Wash.; Seattle … and then east, leaving outraged corpses in Council Bluffs, Iowa; Kansas City, Mo.; Philadelphia; Buffalo, N.Y.; Detroit; Chicago.
Public alarm naturally followed each new report of his signature killings. After several homicides in Portland, the police there cautioned landlords from showing rooms unaccompanied with the grim words, “I do not wish to unduly alarm the people of Portland. But there is no denying the situation is grave.”
The Dark Strangler’s situation finally became grave when he took his act international. In Winnipeg he killed a teenage girl selling flowers and a housewife in quick succession, and this time the police A.P.B. was quick enough to catch up with him — gruesomely discovering the mutilated cadaver of the flower girl in his boarding house room. Public tips zeroed in on him a few miles before he reached the North Dakota border, and fingerprints courtesy of the San Francisco Police Department confirmed the identity.
Easily convicted in an atmosphere of great public outrage, Nelson mounted a credible but hopeless appeal for clemency on grounds of insanity.
Alfred Hitchcock’s 1943 Shadow of a Doubt apparently began as a pitch for a Nelson-inspired screen treatment.
On this date in 1740,* Ned “Darcy, one of the Kellymount gang, was tried at Carlow, on the Proclamation; and, being proved to be the man, in ten minutes he was taken from the dock and hanged, and his head fixed on the Court House.”
Numbering as many as 30 strong, this troop had the boldness even to lay siege to manors and the ferocity to put gentlemen in mortal terror; we find our same principal just weeks before his execution going the full monster:
August 30 — Yesterday morning, one Ned Darcy went to the house of one Doran, in the County of Carlow, took him out of his bed and, naked as he was, put him on horseback, and in that manner carried him through part of the Counties of Carlow and Kilkenny; and being met by several, were asked where they intended to take him, to which they replied they were going to hang him, he having been the occasion of hanging a brother and a father of Darcy’s; and we have been since informed that, having taken him into Kellymount Wood, they cut out his tongue, cut off his ears, and pulled out one of his eyes, then desired him to go to Sir John, in Capel Street, give in his examination to him of their proceedings, and tell him they would serve him in the same manner were he in their power, as also Mr. Bush.
Mr. Bush, who came from Carlow three days ago, had one hundred men armed to guard him, and Mr. Gore, the same from Waterford; so by this you may see in what fear we travel in this country.
The Kellymount Gang was mostly busted up in these months with no small number of executions, but its remnants survived to launch the career of one of Ireland’s most celebrated bandits, James Freney — for a few years later, Freney, a failed tavernkeeper mired in debt, chanced to find himself neighbor to “one John Reedy, who had formerly been one of the robbers, commonly known by the name of the Kellymount Gang, but who had been pardoned for making some discoveries.” Reedy advised Freney in a moment of financial desperation that “there was a fair at hand, and that there was a number of drovers to be there; who, he said would have a great deal of cash; and told me, that my only remedy to extricate myself from my creditors, was to make to the highway, and that he would get three or four men to assist me.”
The former publican took up the offer to good effect, and proceeded to make his name and fortune on the roads.
We hope our readers will recognize this famous criminal from the stickup he perpetrates upon the title character in Thackeray‘s 1844 serial The Luck of Barry Lyndon, and likewise in Stanley Kubrick‘s masterpiece 1975 adaptation, Barry Lyndon. (He’s called “Feeney” in the film.)
* Julian date: the quoted blurb comes from Reilly’s Dublin News-Letter of November 8th, 1740.
** Much to the disadvantage of Executed Today, Freney/Feeney was the rare outlaw who was able to retire with his earnings, emigrating abroad and eventually returning to work as a customs official in Inistioge. The account of his criminal origins we have from Freney’s own memoirs.
On this date in 1929, the Punjabi Muslim youth Ilm Deen was hanged for murdering a blasphemous publisher.
The Rangila Rasul is a pamphlet-length send-up satirizing the “widely experienced”, chortle chortle, Prophet Muhammad for his many wives; Muslim fury at its publication brought the Raj to legislate against “outraging the religious feelings of any class” — a law that’s still on the books in India.
However, there was no such law at the time of the naughty screed’s publication, and as a result the Hindu publisher, Mahashe Rajpal of Lahore, was acquitted of any charge in 1929.
‘Twas a temporary exoneration, for Ilm Deen (or Ilm-ud-din, or Ilmuddin), a 20-year-old carpenter, delivered his verdict extrajudicially by daggering Rajpal in the chest in a Lahore bazaar on April 6, 1929.
The assassin’s speedy trip to the Raj’s gallows thereafter only cinched his place as a sectarian, and later (for Pakistan) national, martyr; the poet Allama Iqbal exclaimed at the young man’s funeral that “this uneducated young man has surpassed us, the educated ones!” To this day, Ilm Deen’s solemn tomb is a place of pilgrimage and veneration.