1959: Jose Cipriano Rodriguez

UPI photographer Andrew Lopez won the Pulitzer Prize for his photographs of Jose Cipriano Rodriguez, a corporal of the deposed Batista dictatorship, going to his firing squad execution in the bloody first weeks of Cuba’s revolutionary conquest. Rodriguez had been found guilty of two murders by a snap tribunal that same day.

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1968: Nguyen Van Lem

Around noon of February 1, 1968, in the opening days of the communist Tet Offensive, South Vietnamese General Nguyen Ngoc Loan summarily executed a Viet Cong prisoner on the streets of Saigon — and photographer Eddie Adams captured perhaps the war’s most unforgettable image.

An American cameraman also captured it in on celluloid. Caution: This clip shows … well, a man being shot in the head at point-blank range.

Though the image brought Adams the Pulitzer Prize, he would express discomfort with it later in life, and eulogized General Loan in Time magazine when he died in the U.S. in 1998.

The general killed the Viet Cong; I killed the general with my camera … photographs do lie, even without manipulation.

For Adams, the lie was the omission of context — that the plainclothes Lem had allegedly just been caught having murdered not only South Vietnamese police but their civilian family members; that Loan was a good officer and not a cold-blooded killer.

Adams’ editor has said that many such summary executions were taking place during the Battle of Saigon — a broader context to the image no matter its specific fairness to the executioner.

But of course, the shot gained its deeper resonance from the growing disgust with the Vietnam War … and from its concise tableau of a century’s brutality. Here is a frozen image of Orwell’s boot stamping on a human face, forever.

Like any great work of art, Adams’ serendipitous photograph took on a life of its own … and a tapestry of meanings richer than its creator could ever have intended.

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2005: Wang Binyu, desperate migrant laborer

On this date in 2005, a Chinese murderer who became the unlikely symbol of migrant laborers’ desperate plight was — quickly and quietly — put to death.

Binyu knifed four people to death, which isn’t the typical stuff to earn a public outpouring. In the course of things, he’d ordinarily have gone to his grave in the anonymity that attends most Chinese executions, perhaps not even a number to international monitors who struggle to ballpark China’s executions to the nearest thousand.

But the government news service published a surprisingly sympathetic interview of him, raising the case up for public comment that state authorities surely did not intend.

Jobbed

Wang earned his sentence during an altercation that occurred as he tried to collect years of unpaid back wages from his employer. It was the last of several encounters of escalating desperation driven by Wang’s father’s need for expensive medical treatment. Wang’s boss kept refusing to settle with his man, ultimately barring him from the factory premises.

In a China shaken by industrialization — proletarianization — Wang’s plight struck a chord. (Although there may have been a mistaken sense that he killed the nasty boss; in fact, the victims were the foreman and other factory employees who’d been detailed to force him out.) China has 200 million migrant workers like Wang, collectively owed billions in unpaid wages they have scant prospect of recovering.

I want to die. When I am dead, nobody can exploit me anymore. Right?

Exploitation at an end, Wang Binyu became the subject of a Pulitzer Prize-winning profile* in the New York Times; some additional coverage is here. The briefly vigorous conversation about his case in China, however, was forcibly shut down.

* The Pulitzer was actually awarded to the Times’ Joseph Kahn and Jim Yardley for a series of articles on the Chinese justice system; the linked story on Wang Binyu is one of eight.

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1979: Eleven by a Firing Squad in Iran

On this date in 1979, the only anonymous photograph to win a Pulitzer Prize captured nine Kurdish rebels and two of the Shah’s policemen executed by firing squad in revolutionary Iran.

This shot, one of a series taken of the event with the permission of the judge who condemned the men to immediate death in a half-hour trial at the Sanandaj airfield, ran the next day in the Iranian paper Ettela’at, whose editor prudently kept the photographer’s identity secret. Within two days, the stunning photo had rocketed around the world.

It won the Pulitzer Prize for Spot News Photography the following spring, still credited anonymously.

Two years ago, the Wall Street Journal revealed — with the photographer’s permission — the identity of the man who shot this indelible image: Jahangir Razmi, who had gone on to a career as one of Iran’s top photographic journalists. He came to New York to collect the prize 27 years late.

The article breaking the story is still available on the Journal‘s website, and on the personal site of reporter Joshua Prager. An NPR story discussing the search for Razmi’s identity is here.

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