1937: Nikolai Nikolayevich Durnovo, Slavist

Russian linguist Nikolai Nikolayevich Durnovo was shot during Stalin’s purges on this date in 1937.

The man descended from tsarist nobility — not only the House of Durnovo but his mother’s House of Saltykov — and the Durnovo name might have been hateful to radicals from a key minister involved in the smashing-up of the 1905 revolution.*

Our Durnovo had more modest interests as “one of the pioneers of linguistic and geographical study of East Slavic languages” who did some of the foundational work sorting Russian, Belarussian, and Ukrainian linguistic features. He published a 1915 “Dialectological map of the Russian language in Europe with an essay on Russian dialectology” and (in 1924) the first Russian dictionary of linguistic terms. He had an appointment in Belarus and researched and lectured in Czechoslovakia as well, but was eventually denounced as a “bourgeois nationalist” and struggled for work with the pall of the 1930s.

In 1933-34 a number of Slavic studies intellectuals and especially linguists were arrested in an affair known as the Case of the Slavists — seemingly, as with a previous Case of the Academics, a campaign to enforce discipline upon a field of growing ideological importance to Moscow. Accused of suspect foreign contacts, convicts in this early purge received “mere” prison sentences, some eventually escaping to exile. But the scarlet letter upon them stood all in great danger as purges grew more deadly late in the 1930s, and our man Durnovo was not the only Slavist who was subsequently executed.**

He was shot at Sandarmokh in Karelia, a site with over 9,000 recorded executions from 1937 to 1938. His sons, Andrei and Yevgeny, were also both executed in 1938. All the convictions from the Slavists’ trials were overturned after Stalin’s death.


Memorial stone at Sandarmokh; the inscription implores “People! Do not kill one another!” (cc) image by Semenov.m7.

* That man, Pyotr Durnovo, is also famous for a 1914 memorandum acutely diagnosing the state of imperial rivalry between England and Germany and correctly forecasting that should Russia foolishly ally with England — he wrote in February, before the assassination of Archduke Ferdinand made the imminent onset of war obvious — it would court “social revolution in its most extreme form.”

[T]he trouble will start with the blaming of the Government for all disasters. In the legislative institutions a bitter campaign against the Government will begin, followed by revolutionary agitations throughout the country, with Socialist slogans, capable of arousing and rallying the masses, beginning with the division of the land and succeeded by a division of all valuables and property. The defeated army, having lost its most dependable men, and carried away by the tide of primitive peasant desire for land, will find itself too demoralized to serve as a bulwark of law and order. The legislative institutions and the intellectual opposition parties, lacking real authority in the eyes of the people, will be powerless to stem the popular tide, aroused by themselves, and Russia will be flung into hopeless anarchy, the issue of which cannot be foreseen.

Nicholas II should have listened to him.

** Not all were so unfortunate. Victor Vladimirovich Vinogradov was actually reinstated to the summit of the academy during Stalin’s life (and received the Stalin Prize in 1951). He’s still widely known in his field to this day as one of the seminal Russian linguists.

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1938: Nikolai Bryukhanov, hung by his balls

On this date in 1938, former Soviet Finance Commissar Nikolai Bryukhanov (English Wikipedia entry | Russian) was shot during Stalin’s purges.

Bryukhanov — no apparent relationship to Chernobyl nuclear plant director Viktor Bryukhanov — was a Bolshevik agitator going back to his days as a student radical in the first years of the 20th century.

In 1926, he became head of the powerful People’s Commissariat for Finance (NarKomFin) replacing another future purge victim, Grigori Sokolnikov — which meant that he was there at the helm at the moment that Stalin executed his 1928-1929 Great Turn towards Five-Year Plans and forced industrialization.

This pivot also entailed the bureaucratic sidelining of NarKomFin, thanks in part to Bryukhanov’s affiliation with Stalin’s so-called “Rightist Opposition”. (Who were, no surprise, also future purge victims.) This pornographic cartoon circulated among Bryukhanov’s political rivals, the author says with understatement, “illustrates the fragility of Bryukhanov’s position.”

Stalin himself, who in 1930 was not yet in a position to simply murder foes on his say-so, commended the caricature in the spirit of a witch-dunking:

To the members of the Politburo. Hang Bryukhanov by his balls for all of his sins present and future. If his balls hold, consider him acquitted by the tribunal. If not, drown him in the river. J. St.

Deposed here in 1930 from his acme, Bryukhanov nevertheless continued over the succeeding years in several lesser posts relating to administration of the Soviet economy. As with many Old Bolsheviks who had at some point in time resisted Stalin in a large way or a small one, that former enmity lived long in Koba’s mind … and come the era of the purges, what the old man had once scribbled in jest was visited on Bryukhanov’s flesh. (Metaphorically.)

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1938: Herman Hurmevaara, Finnish Social Democrat

Finnish parliamentarian Herman Hurmevaara was shot during Stalin’s purges on this date in 1938.

Hurmevaara (English Wikipedia entry | the more detailed Finnish) sat in parliament for the Social Democrats from 1917 to 1919, which was also the period when long-restive Finland broke away from Russia’s grasp while the latter was preoccupied with deposing its tsar.

This rupture brought Finland into a nasty Whites-versus-Reds civil war. The Whites won, and Hurmevaara ended up knocking about in exile in Sweden and (after expulsion in 1930) the USSR. There, he worked in publishing.

Shot as a spy in the capital of Russia’s Finland-adjacent Karelian Republic, he was among numerous emigre Finns destroyed during the late 1930s nadir of Stalinism. Hurmevaara was posthumously rehabilitated in the Khrushchev era.

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1938: Vladimir Beneshevich, Byzantinist

One of Russia’s most cherished national myths is that of the “Third Rome” — Russia (via its protean polity, Muscovy) as the successor to Byzantium, which in turn succeeded Rome. Modern humans might no longer do the thing where the official lineage of the sitting dynasty traces to the loins of the local war-god, but claiming a through line all the way back to Romulus and Remus is a pretty good simulacrum.

Like all national mythologies, it’s an idea with a history of its own — and not one that enjoyed anything like its contemporary popularity at the moment that, say, Byzantium fell to the Turks. After all, those Byzantines were were an emblem of defeat.

“Political thinkers of this period, for example Ivan Peresvetov, warned Ivan the Terrible against imitating the Byzantine basileis [emperors], who had lost their empire because they had ceded their prerogatives to their magnates,” as S.A. Ivanov puts it in a chapter of The Reception of Byzantium in European Culture since 1500 — our primary source for this post. “Generally speaking, Byzantium was viewed ultimately as a failure, and nobody particularly cherished that pedigree. The same Peresvetov presented Mehmet the Conqueror as a true role model for the Muscovite tsar.”

It was a Pskov monk named Filofei (Philotheus) who formulated the Rome-Constantinople-Moscow succession around the turn of the 16th century but according to Ivanov the appeal to Byzantium was no more than occasionally and superficially grasped at in the centuries that followed, and then completely binned by Peter the Great — oriented as he was towards those counter-Byzantine values of efficiency, modernity and the west. (It’s only quite recently that western interest in Byzantium has revived.)

Only in the 19th century did Byzantium as a kindred civilization emerge widely for Russians in something like the shape of the myth as it exists today. No surprise, the scholarly field associated with it, fascinated as it was with kingship and Orthodox Christianity, became associated in the subsequent generations with right-wing politics … and by the end of this post, we will come to the execution during the Stalinist purges of an eminent scholar of Byzantium named Vladimir Beneshevich. While this fate is not surprising on its face for the circumstances, we think the journey of the idea — continuing as it does down to the present day — is well worth the taking. The following is excerpted from Ivanov:

The Byzantine question reappeared in the nineteenth century, when the Russian elite became aware of Russia’s uncertain status among the civilizations of the world. Yet the tone of the discussion had changed: in 1836 the philosopher Pyotr Chaadaev in his ‘Philosophical Letters’, asserted that the very choice made by Rus’ in favour of Constantinople, not Rome, had rendered inevitable the misfortune of Russia: … ‘Driven by a baneful fate, we turned to Byzantium, wretched and despised by nations, for a moral code that was to become the basis of our education’. This was the opening of the debate that has continued until today without any substantial variations in its terms or arguments …

Byzantium as an empire once again gained importance in the middle of the nineteenth century. When the notorious Jakob Fallmerayer [a race theorist later beloved of the Nazis -ed.] enunciated his theory regarding the Slavicization of the Balkans in Byzantine times, he wanted to warn the West against the ‘Russian menace’; the Russophobic nature of his theory notwithstanding, the new trend of thought in Russia, the so-called Slavophiles used it to substantiate their claim to the Byzantine legacy. The earliest Slavophile and the great Russian poet Fyodor Tyutchev had many conversations with Fallmerayer in Munich ‘de fatis byzantinis’, as the latter notes in his diary, in which he also briefly recorded Tyutchev’s ideas: ‘Byzanz Heilige Stadt. Pruritus Rezidenz zu verlegen’. For Tyutchev, as for the other ‘Slavophiles’, Constantinople was a ‘natural’ goal, but it was not an end in itself: in his poem ‘Prophesy’ (1850) Tyutchev implored the Russian tsar: ‘And the vaults of ancient Sophia / In resurrected Byzantium / Will again shelter the altar of Christ. / Throw yourself down in front of it, oh, Tsar of Russia, / And rise as the Tsar of all the Slavs’. The fact that the outbreak of the Crimean War in 1853 coincided with the 400th anniversary of the Fall of Byzantium inspired a new upswing of imperialistic dreams. The poet Apollon Maikov wrote: ‘Let everyone know that the dream of Christian Byzantium is still alive in Russia!’

There were two facets to the Russian debate on the Byzantine legacy: the political one dealt with the fate of Constantinople and the Orthodox Christians after the imminent demise of the Ottoman Empire. Some, like Fyodor Dostoevsky, insisted that ‘Constantinople must become Russian’; others thought that it should become the capital of a Pan-Slavic federation. Saltykov-Shchedrin, a great Russian satirist of the second half of the nineteenth century, mocked the Russian obsession with Byzantium in ‘The History of a Town’. Yet, this discussion on the fate of Constantinople seemed exciting and flattering to wide circles of learned society, especially in the 1870s, when a successful war with Turkey brought Russian troops to the very outskirts of Istanbul.

The other aspect of the Byzantine debate concerned domestic issues: is Russia a unique civilization, with only one predecessor, Byzantium, or is it part of Europe? When the famous German historian Zacharia von Lingenthal proposed a theory that the Byzantine peasant commune had been a Slavic innovation, this hypothetical construct was enthusiastically embraced by the Slavophiles. However, not everyone in Russia regarded the Slavic ‘link’ as indispensable. Konstantin Leontiev, a diplomat and philosopher, despised the Slavs and adored Byzantium. He used it as a symbol of theocracy, which he then offered as a model for emulation. ‘Byzantium gave us all our strength’, he wrote. ‘Under its banner we shall withstand the onslaught of the entire Europe if indeed it dares impose on us the rot and filth of its prescriptions for an earthly paradise’. Of course, he knew next to nothing about Byzantium — to him it was but an ideal construct. In his book Byzantism and Slavdom, which has been highly respected, praised and criticized ever since its publication in 1875, Byzantium proper is mentioned just a few times. Yet Leontiev was the first to coin the term ‘Byzantism’ (as opposed to ‘Byzantinism’), which became commonly used by the admirers of the Empire as a label for a benign tyranny. As a counterbalance, another new coinage, ‘byzantischina’,* emerged as the equivalent of the Western derogatory epithets, such as the German ‘Byzantinismus’ or the French ‘Byzantiner’. The debate about the Byzantine legacy involved prominent public figures such as Alexander Herzen, who condemned Byzantium for ‘debility’, as well as Vladimir Soloviev and Vasilii Rozanov. Rozanov, one of the greatest and most original thinkers of the Russian ‘Silver Age’, objected to Leontiev’s utopian constructs; his observations were so sharp that they are worth quoting at some length:

When, in what epoch were we particularly imbued with Byzantine principles? Wouldn’t everyone agree that it was during the time when Moscow was building the Russian state? But if that is so, why did we absorb these principles not during the period of our child-like receptiveness when Byzantium was alive and close to us, but at the time of our distrustful seclusion when Byzantium had already fallen? … Don’t the Byzantine origins of the Muscovite way of life represent a phenomenon that is far more illusory than real? … So when Byzantium was transformed from a powerful and attractive empire into a slave of Islam … that’s when we want Russia to be imbued with the principles of Byzantium. Isn’t that an illusion? Aren’t we ascribing to the imitation our deeply original and unique aspects? … Sophisticated and depraved Byzantium that mixed abstract disputes of theological and philosophical nature with orgies, with the noise and debauchery of the circus, can hardly be seriously regarded as an antecedent and prototype for Muscovy — morosely silent, stubbornly persistent, far more forceful than devious, so universally unrefined in its thought, taste and emotional inclinations.

Never afraid of internal contradictions, Rozanov in his later writings embraced the idea that Byzantium in fact did play a great role in Russian history, but that its role was negative: ‘Has the millennium of Byzantism in Russia done any good? One can answer with one’s hand on one’s heart: no, it has not! Then be consistent and help liberate Russia from the yoke of Byzantism’.

As the Russian Empire entered the twentieth century, Russian Byzantinism was at its peak: the conquest of the Straits (Bosphoros/Dardanelles) and the erection of a cross over St Sophia were the prime goals of Russian foreign policy. The public sentiments of the time can be illustrated by the fact that in 1912, a young Osip Mandelshtam, whose family tradition barely had any connection with the imperial Orthodox yearnings — he was a Jew who had recently moved with his parents from Poland to St Petersburg — wrote enthusiastic poems about Sophia of Constantinople:

1.
Hagia Sophia — here to stop and stare
The Lord has ordered people and the tsars!
Your dome, as an eyewitness once described it,
As if by chains is hanging from the stars.

2.
To all a shining light — age of Justinian,
When to steal off for foreign gods unseen
Dedicated Diana the Ephesian
Hundred and seven marble columns green.

3.
To what aspired your generous creator,
When high in spirit and in reason blessed,
He laid your features on the ground
And pointed them directions east and west?

4.
The temple shines, in the world’s aura bathing,
And forty windows — triumph of the light;
On sails under the dome the four archangels
Finest of all and basking in delight.

5.
This building will outlast people and ages
So wise and spherical and nobly built
And incandescent weeping of the angels
Will not corrode away the darkened gilt.

The idea that Russia itself was the reincarnation of Byzantium was mot graphically reflected in the architectural style referred to as ‘Byzantine’. This emerged in the second half of the nineteenth century and reached its peak in the first decade of the twentieth century, when 40 ‘Byzantine’ cathedrals were completed all across the Russian Empire as well as beyond Russian borders: in Greece, in Bulgaria, and even in France and Germany (in Biarritz and Kissingen). The most ostentatious and grand among them was the Naval Cathedral of St Nicholas in Kronstadt, whose similarity to Hagia Sophia of Constantinople, both in its exterior and interior decorations, is striking.

Byzantine Studies was one of the pillars of the Russian humanities. In Turkey, the Russian Archaeological Institute in Constantinople held a leading position among the city’s European academic institutions. Naturally the vast majority of scholars involved in Byzantine Studies were monarchists or at least conservatives. The only republican among them was Pavel Bezobrazov, whose book about Michael Psellos was a veiled critique of the Russian imperial bureaucracy. This tradition of ‘Aesopian language’, talking of Byzantium but implying Russia, was later used by Soviet Byzantinists.

The outbreak of World War I further spurred public debate. In 1915, the leading Byzantinist Fyodor Uspenskii submitted to Tsar Nicholas II a memo detailing the urgent steps to be taken after the Russian takeover of Constantinople. In the same year, Archbishop Antonii Khrapovitskii, one of Russia’s most influential clerics (he was the first contender for the Patriarchate) published a plea for the restoration of the Byzantine Empire in its original borders — in a sense, his dreams were even bolder than the appetites of the [Greek irredentist -ed.] ‘Megali Idea’. Yet the official position on Istanbul was less favourable to the Greeks. On 3 March 1915, Tsar Nicholas II told the French ambassador (whose name, ironically, was Paleologue), ‘The city of Constantinople and southern Thrace must be annexed to my Empire’. After the Entente Cordiale accepted his claim, the capture of Tsar’grad looked imminent. On Christmas Day, 1916, the mystical poet Vyacheslav Ivanov implored, ‘Oh Rus’, when you wrap yourself in the purple robes of Tsar’grad, do not serve worldly interests’.

The February revolution of 1917 did not stop the imperial hysteria; instead, the Byzantine question became even more acute. In the atmosphere of overwhelming uncertainty after the fall of the monarchy, some theologians blamed Byzantium for excessive gnosticism and asceticism, which, in their minds, were later planted into the Russian psyche.

The Bolsheviks who came to power in October 1917 could not have cared less about Byzantium, but those on the other side of the barricades did not forget about it: the abrupt collapse of the formidable edifice of the Russian Empire compelled religious and political thinkers to search for the roots of this catastrophe. The famous theologian Sergii Bulgakov,** for example, blamed Byzantium for the loneliness of the Russian culture, which made it vulnerable to pernicious influences.

Together with Christianity, at that fateful moment Russia also adopted all Byzantine insularity and its constraints; it became separated from the whole Western, Christian Europe by a “Great Wall” and remained isolated … Meanwhile, Byzantium’s attitude towards Russia was never sincere or warm, but always arrogant and hollow-hearted.

Bulgakov’s book At the Walls of Chersonnesos, written at the end of the brutal Civil War, in the atmosphere of terror and despair, was all about Byzantium and its legacy, as if they were the primary concerns of the time. The writer Alexei Tolstoy, one of the Russian emigres in Constantinople in 1920, describes the bitter disappointment of a White-Guard officer in this deceptive imperial dream: ‘Byzantium, may it go to hell! So much of our Russian blood has been spilled for this damn Byzantium. It’s the usual Russian stupidity all over again!’

To the Bolsheviks, Byzantium was one of the attributes of tsarism; more generally, for people of the new, avant-garde era, it became a symbol of everything dilapidated, moth-eaten and dusty. From the late 1920s through to the late 1930s, the very word ‘Byzantine’ was banned and was used only in quotation marks. Byzantine scholars became the targets of repressions; Vladimir Beneshevich, the most prominent among them, was executed.

* Russian uses the -schina suffix to attach an evaluative negative judgment to a period or concept; for example, a term like Stalinism (whatever its specific connotations) is a neutral description, whereas Stalinschina conveys the speaker’s scorn. One common way to refer to Stalinism’s apex of secret policing and internal purges is by reference to his notorious police chief, Nikolai Yezhov — hence, the yezhovschina.

** No relation to the novelist Mikhail Bulgakov.

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1941: Bronislava Poskrebysheva

Endocrinologist Dr. Bronislava Poskrebysheva was shot on this date in 1941.

She was the Jewish Lithuanian wife of Alexander Poskrebyshev, who was Stalin’s longtime aide and Chief of Staff to the Special Section of Central Committee of Communist Party — an organ that coordinated other state bureaus in the implementation of party directives, often sensitive ones. Bronislava, for her part, had a non-political career, although this was scarcely any guarantee of safety during the years of the purges.

At a scientific conference in Paris in 1933, Dr. Poskrebysheva and her brother, Michael Metallikov, had met the communist non grata Leon Trotsky; before the decade was out, the mere fact of this meeting was sufficient to implicate them as spies of the alleged Trotskyite conspiracies forever bedeviling the Soviet Union. Metallikov would ultimately be executed himself in 1939 but while his life hung in the balance, Dr. Poskrebysheva made bold to apply to that dread minister Lavrenty Beria to plead for her brother. She must have spoken a little too loosely in this personal interview of the exile’s charms, for not only did she fail to save him — she was arrested herself.

And her incidental brush with Trotsky proved more harmful to her by far than her intimate relationship with Soviet elites was helpful.

In truth her husband’s position was not nearly so strong a card as one might assume; as the doctor’s own backfiring effort to save her brother proved, there were perils risked by intercessors as well, and this would have been only more true for a man as perilously close to Stalin as was Alexander Poskrebyshev. Even brand-name Bolsheviks found in those years that they could not necessarily shield family from political persecution: Mikhail Kalinin‘s wife Ekaterina was thrown into the gulag, as was Vyacheslav Molotov‘s wife Polina Zhemchuzhina. The best Poskrebyshev could do was to raise the couple’s daughters, Galya and Natasha, even as he labored loyally onward for the state that had put a bullet in his wife. (He eventually became a Politburo member.)

Bronislava Poskrebysheva and Michael Metallikov were both posthumously rehabilitated in the 1950s.

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1938: Vladimir Varankin, Esperantist

Russian writer Vladimir Varankin was executed on this date in 1938, during Stalin’s purges.

Varankin got interested in the international Esperanto language movement as a secondary school student in Nizhny Novgorod during the ecstatic months following the Bolshevik Revolution, and he founded an Esperantist club there that soon reached throughout the province.* This was the high-water moment for the Esperanto movement, now 30 years mature since its founding: World War I had shattered the international system and spawned small states and revolutionary governments shaping a new world on the fly. Esperanto would have been adopted by the League of Nations for official use but for the furious resistance of jealous France.

For the same reason that it interested visionaries and radicals, the language attracted the suspicion of authoritarians; in Mein Kampf Hitler denounced Esperanto as an insidious Semitic project.

the language spoken at the time by the Jew … is never a means of expressing his thoughts, but for hiding them. When he speaks French, he thinks Jewish, and when he turns out German poetry, he only gives an outlet to the nature of his people.

As long as the Jew has not become the master of the other peoples, he must, whether he likes it or not, speak their languages, and only if they would be his slaves then they might all speak a universal language so that their domination will be made easier (Esperanto!).

Esperantists became targets for political persecution in the Third Reich as a result.

In Soviet Russia, the utopian 1920s offered a far more congenial scene. These were the years Varankin came into himself and as he advanced in life, so did his enthusiasm for the artificial tongue. The late 1920s find him living in Moscow, teaching at the pedagogical institute and churning out a corpus of Esperanto books (Theory of Esperanto, the ideologically calibrated Esperanto for Workers) as well as study curricula. His magnum opus, the 1933 novel Metropoliteno, was also composed in Esperanto.

But Stalin’s purge years soon cast a pall over Esperanto and much else besides — even though Stalin actually studied a little Esperanto himself in his youth, according to Trotsky. (Pray, good reader, for Koba’s Esperanto instructors.) In about 1937 he abruptly reversed the Soviet Union’s formerly benign view of Esperanto; now, the movement’s internationalism would be held to affiliate it with the purported foreign cabals whose subversions furnished the pretext for demolishing so many lives. In Varankin’s case, and facilitated by an unauthorized visit he had made to an Esperanto conference in Germany many years before, the charge — unanswerable in those terrible days — was that his Esperantist circles comprised a network of fascist spies and saboteurs overseen by enemies abroad.

The verdict against him was posthumously reversed in 1957.

* The regional environs of present-day Nizhny Novgorod Oblast, of which the city Nizhny Novgorod is the capital; in Varankin’s youth, this was a gubernia, a regional unit held over from the deposed imperial administration. Russia’s “states” were greatly redrawn and redefined during the first decade of the Soviet experiment, and gubernias were abolished in 1929.

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1939: Aleksei Gastev, Soviet scientific manager

On this date in 1939, the Old Bolshevik Aleksei Gastev, a theorist of scientific management for the Soviet state, was shot in Stalin’s purges.

Expelled in his youth from tsarist teaching ranks due to his radicalism, Gastev (English Wikipedia entry | Russian) traced his revolutionary bona fides back to the 1905 Revolution (he fought in it) and even before (as an ally and correspondent of Lenin).

With the advent of the latter’s revolution, Gastev founded the Central Institute of Labor (CIT), and CIT’s training firm Ustanovka (“setup” or “installation”) — organs dedicated, respectively, to the study of work, and to the promulgation of the new science of the workplace throughout the Soviet economy.

It was a socialist perspective on Taylorism, that practice of scientific management that was also transforming capitalist production; like Taylor, Gastev aimed to systematize the routine operations on the factory floor, to learn the most efficient way to wield a hammer or a shovel and expel from the labor force the indulgence of artisanal idiosyncracy and rule-of-thumb work; more broadly, Gastev aimed to revolutionize the way work was conceptualized by Soviet people, bending the mental and behavioral orientation of workers to optimize them for the demands of industrial production.

“Even when we exit the gates of the factory, still we carry the factory,” he wrote, positing a question that demanded “a cultural ustanovka.”

Fear of this very thing haunted Europe in this moment and has never left her nightmares in the century since. The CIT juxtaposed curiously with the almost simultaneous publication of some of the seminal dystopian mechanization literature — like Yevgeny Zamyatin‘s We (1921), in which the rational ordering of society annihilates freedom, and Karel Capek‘s R.U.R. (1920), the play that borrowed a Czech term for unfree work to give the world’s lexicon that wonderful word “robot”. Unsettling to many, this twining of man and machine was understood by Gastev as an emancipatory vista.

Gastev’s ideal worker is neither the oxen brute of Taylor’s dreams, nor the lifeless robot of Capek’s nightmare. He is rather an active, sentient, and creative part of the productive process who behaves like a seasoned, conscious, and well-trained warrior. Armed with sharpness of vision, acute hearing, attentiveness to environment and detail, precision and even grace of movement, and “scoutlike” inquisitiveness about the relationship and locations of things and peoples, he enters the factory as though it were a battle-field with commander-like briskness, regimental routine, and a martial strut. For him, no romance, no heroic individual deeds — only a relentless battle waged scientifically for production.

But the robot is present in Gastev’s vision nonetheless: it is the machine itself, not the man. For Gastev, the machine also takes on a life that gives it not only the power to produce and enrich, but also to train, to inspire, to organize. His wildest visions of 1918-19 are previsions of Capek and Zamyatin and celebrations of a coming event often warned about in science fiction: the takeover by machines. Gastev could never quite decide whether the machine was to be the master or the servant of man. Since he continued to use the machine metaphor, he eventually opened himself to attack by those who opposed his policies on other grounds. But Gastevism differed from administrative utopia — the heavy-handed martialing and mobilization of raw labor in a palpably unequal hierarchy. Gastev’s man-machine meant a symbiosis of the two, interacting in a way never wholly understood even by himself. It clearly contained fearful elements. But Gastev himself, by all accounts, was not a cold-hearted machine-like fanatic but a warm and engaging person. He did not fear the power of the machine. He feared backwardness, passivity, and sloth. (Source)


Dziga Vertov‘s 1929 classic Man with a Movie Camera captures the excitement of industrialization and industrial workers.

On the side — to stave off the sloth — Gastev kept up an artistic output of his own as a poet of the Proletarian Culture movement; this exemplar (Order No. 2 from a work called “Ten Orders”) comes to us via Wonderlands of the Avant-Garde: Technology and the Arts in Russia of the 1920s, which notes that “what is produced is never specified; the emphasis rather is on the establishment of a certain pace of work, as if machines manufacture a new time — the rhythm of the new life.”

Chronometer, report to duty.
To the machines.
Rise.
Pause.
A charge of attention.
Supply.
Switch on.
Self-propulsion.
Stop.

The chronometer stopped for Gastev with his fall in late 1938, and he proceeded thence to the familiar fate of Stalin’s prey amongst the intelligentsia. As he associates with the positive, modernizing, and utopian strain of the Soviet experiment but not its failures or horrors his name is not blackened to posterity and the present-day Russian Federation’s Ministry of Economic Development sponsors an “A.K. Gastev Cup” award to honor advances in production.

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1937: Vincenzo Baccala

Italian Communist Vincenzo Baccala was executed on this date in 1937 … but not by the fascists.

The blackshirted turn of his country in the 1920s had driven Vincenzo into emigre exile, pursued by an in absentia prison sentence for “subversive propaganda tending to insurrection and incitement of class hatred.” He went first in Paris and then in 1931 to the USSR.

Although present in the fortress of Communism at the Party’s direction, and eventually an outright Soviet citizen, Baccala came into trouble after criticizing Stalin in 1933 and had to leave his family in Odessa as he struggled to find work. Come the height of the purges in the later 1930s, he was predictably denounced.

Baccala’s wife Pia Piccioni swallowed a bitter draught of her own; unable to see her husband or find support amid Stalin’s purges, she returned to her native country, finding little comfort either in Mussolini‘s Italy (for obvious reasons) or in postwar Italy (where red comrades shied from traducing the USSR). She wrote a book about her own and Baccala’s experiences, Compagno Silenzio: Una vedova italiana del gulag racconta.

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1937: Alexander Shlyapnikov, Workers’ Opposition leader

September 2 was the execution date during the purge year of 1937 for Old Bolshevik trade unionist Alexander Shlyapnikov.

The metalworker Shlyapnikov was a man who came by his revolutionary politics right from the shop floor. At the age of 10 he left school to work in a foundry, “having learnt to read and write. School was no mother to me, and it was not the teachers who educated me … the teachers were young and very rude, and they often meted out justice to their young charges with their fists. Even during these years, life taught me that there is no justice in this world.” (Source) Born to an Old Believer family, his fervor for justice had an initial religious bent, but after moving from provincial Murom to St. Petersburg/Petrograd* he discarded godliness and became a labor militant of sufficient stature to start turning up on blacklists before he was out of his teens.

During the political chill following Russia’s failed 1905 revolution, the oft-arrested Shliapikov worked abroad in western Europe — by now both a master of his difficult craft, and a Bolshevik who had led an armed rising in his hometown of Murom. Here he became socially and politically close with Lenin and all the brand-name Communist exiles, as well as with European labor unions and left parties.

He also shuttled to and from Russia coordinating the movement’s internal and external actors; he’s left us a memoir of the political maneuvers and adventurous border-crossings of these years. Thanks to this role, Shliapnikov was the most senior Bolshevik on the scene in Petrograd when the February Revolution broke out; he was immediately a key figure in the Petrograd Soviet, and was the Bolshevik state’s first Commissar for Labor.

As the newborn USSR solidified in form and function, Shlyapnikov nursed growing concerns about its distance from — and tendency to run roughshod over — actual workers. He soon became a leading voice for the Workers’ Opposition** around 1919 to 1921. Where the Bolsheviks held that theirs was an ascendant workers’ polity that had subsumed mere guilds, Shlyapnikov insisted on the trade unions as distinct from the Soviet state and the Communist party — “a syndicalist deviation” in Lenin’s charge. The Workers’ Opposition was prescient in its critique of the once-utopian project’s creeping bureaucratizm, with real workers’ material interests, dissenting perspectives, and local idiosyncracies giving way everywhere to the center’s policy orthodoxy dictated through “apparatuses of power … located practically in hands alien to the interests of the working class.” (Source)

Although prominent in its day, the Workers’ Opposition viewpoint was not destined to carry forward into Soviet theory or practice. After bread shortages drove workers and sailors at Kronstadt into a rebellion that the Bolsheviks crushed in 1921, the Workers’ Opposition tendency was quashed within the party. Shlyapnikov thereafter held second-rate posts, and was several times investigated by the Communist Party for “factionalism,” finally being expelled under Stalin in 1933.†

He was favored with a 2016 biography by Barbara C. Allen, Alexander Shlyapnikov, 1885-1937: Life of an Old Bolshevik (review). Allen discussed Shlyapnikov in an interview with the indispensable Sean’s Russia Blog podcast, here. We yield to Allen’s description of Shlyapnikov’s demise among the purging of Old Bolsheviks following the Kirov affair — tragic, banal, and heroic in his plain refusal to gratify his persecutors with any manner of confession or groveling.

In April 1937 he was accused according to article 58-8 and 58-11 of the RSFSR law code of having led a counterrevolutionary group called the Workers’ Opposition, of having linked up with the ‘counterrevolutionary Trotskyist-Zinovievist terrorist bloc’ and of having ‘tried to conclude a bloc with Ruth Fischer for joint struggle against the policy and measures of the Comintern.’ It alleged that he advocated ‘individual terror’ and that groups he directed in Omsk, Rostov-on-Don, Kiev, Odessa, Baku, Kharkov and Moscow had ‘prepared and tried to realise the murder of comrade Stalin.’ Acknowledging that Shlyapnikov did not confess his guilt, the accusation established it through the testimony of Zinoviev, Safarov, Vardin and others. It recommended that the Military Collegium of the USSR Supreme Court should try him and apply the 1 December 1934 law. Applying to cases of terrorist acts, this law ordered the immediate execution of capital-punishment sentences, with no appeals.

The USSR Supreme Court Military Collegium met on 2 September 1937 in closed session to sentence Shlyapnikov, who appeared before the court in a two-hour long session. Refusing to admit his guilt, he also detailed his objections to others’ testimony against him. Given the last word, Shlyapnikov declared that he was ‘not hostile towards soviet power.’ Perhaps as a last ironic remark, he confessed guilt only to ‘a liberal attitude towards those around him.’ Nevertheless, the court on the same day found him guilty under article 58, paragraphs 8 and 11, of having led ‘an anti-Soviet terrorist organisation, the so-called “Workers’ Opposition,”‘ which carried out ‘counterrevolutionary activity directed towards the topping of soviet power.’ He was convicted of having been in contact with ‘leaders of Trotskyist-Zinovievist and Right-Bukharinist terrorist organisations’ and of having ordered members of his ‘anti-Soviet organisation’ to carry out ‘terrorist acts’ against party and government leaders. Then the Military Collegium sentenced him to ‘the highest measure of punishment — execution by shooting with confiscation of all personal property.’ Below this was pencilled: ‘the sentence was carried out on that day in Moscow.’ Despite ‘eyewitness’ tales that he survived for years longer, either abroad or under a false name in the Gulag, documents attest to the fact that shortly after his 1937 execution, Alexander Shlyapnikov’s body was cremated and buried in Donskoy cemetery in a common grave.

* Peter the Great‘s jewel was still St. Petersburg when Shlyapnikov arrived there in the last years of the 19th century; it was renamed Petrograd in 1914 and carried that name during the events of the 1917 revolutions and thereafter. It became Leningrad in 1926, a name that stuck for the remainder of the Soviet era.

** Alexandra Kollontai was also a noteworthy Workers’ Opposition exponent; her apologia makes for sad reading considering the Soviet state’s coming vector towards sclerotic authoritarianism.

† Stalin’s ideological mediocrity is commonplace observation but perhaps its signal instance occurred upon his arrival to revolutionary Petrograd before Lenin: where Shlyapnikov was refusing to entangle the Bolsheviks with the Provisional Government (post-February revolution, pre-October revolution), Stalin insisted on a more moderate and cooperative attitude. When Lenin arrived shortly thereafter, his April Theses famously re-set Bolshevik policy in Shlyapnikov’s more intransigent direction — a defeat to which Stalin owed the Bolshevik conquest of power and his own eventual opportunity to execute men like Shlyapnikov.

On this day..

1938: Mikhail Viktorov, Soviet naval commander

Soviet admiral* Mikhail Viktorov fell in the purges on this date in 1938.

A young officer fresh from the Naval Academy when World War I broke out, Viktorov (English Wikipedia entry | Russian) made a timely switch to the Bolshevik side during the Civil War and scaled the heights of the Soviet navy.

He commanded the Baltic Fleet in the latter 1920s, and the Pacific Fleet in the 1930s, and finally — fleetingly — became chief of the Soviet navy in 1937, filling dead man’s boots when his predecessor was arrested and executed.**

The same fate awaited Viktorov, a perilous occupational hazard in those days.

He was rehabilitated posthumously in 1956.

* Viktorov’s rank was “Fleet’s Flag Officer, First Rank”; in 1938, this was the equivalent of admiral, and after a 1940 reorganization it was replaced full stop with admiral.

** It appears to me that fully seven consecutive heads of the Soviet Navy eventually ended up executed in the 1930s and 1940s (not all of them directly deposed from running the navy). Pantserzhanskiy, Zof, Muklevich, Orlov, our man Viktorov, and also his successors Smirnov and Frinovsky.

On this day..