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1615: Anne Turner

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For Sommersett must love Essex faire wife
by wich his deerest servant lost his life.
losse upon losse, all things grow cleane contrary
and thus our sinfull times themselves doe vary.

–From a 17th century libel

On this date in 1615, Anne Turner hanged at Tyburn for a shocking society murder remembered as the Overbury Affair.

Turner was quite a character herself, but her journey to the pages of Executed Today begins in the bedsheets of the nobility. In fact, events revolve around a marriage alliance between two families of notable beheadings, in the persons of Frances Howard — the grandsondaughter of Queen Elizabeth’s enemy Thomas Howard (beheaded 1572) — and Robert Devereux, Earl of Essex — son of Queen Elizabeth’s lover also named Robert Devereux (beheaded 1601).

‘Twas often that noble pairings were cynical, loveless expediencies but this union exceeded most in its deficiencies.

They married so young — 13 to 14 years old as they tied the knot — that they were initially kept apart to prevent them sleeping together but this failure to consummate developed into firm policy. Devereux was impotent with her — even though, per Francis Bacon’s investigation, “before and after the marriage, he hath found an ability of body to know any other woman, and hath oftentimes felt motions and provocations of the Flesh, rending to carnal copullation” — and Howard seemingly systematically refused him. (Devereux was elsewhere heard to note that his virility failed because his wife “reviled him, and miscalled him, terming him a cow, and coward, and beast.”)

By that time — we’re into 1613 here — the missus was also intentionally trying to force an annulment of the marriage, so that she could pursue love and power with the king’s young favorite, Robert Carr. Both spouses agreed that their union had never been consummated, a fact “verified” by a panel of matrons who inspected the wife’s bits to confirm the presence of the hymen. Frances was veiled during this humiliating spectacle to preserve her modesty and/or identity, as widely believed rumor held that she’d swapped in a ringer to pass the exam.

This maide inspected;
But fraud interjected
A Maid of more perfection:
The midwives did her handle,
While the Kn[igh]t held the candle
O there was a clear inspection!

While Frances was orchestrating all this, her lover’s close friend Sir Thomas Overbury was energetically counseling that youth against the match, going so far as to write one of the classics of Jacobean poetry, “A Wife”, expounding on the preferred virtues of such a partner in an apparent attempt to underscore to his chum Frances Howard’s conspicuous want of them, e.g.

Where goodnesse failes, ’twixt ill and ill that stands:
Whence ’tis, that women though they weaker be,
And their desire more strong, yet on their hands
The chastity of men doth often lye:
Lust would more common be then any one,
Could it, as other sins, be done alone.

Long story short, the mistress won the struggle over the valuable Robert Carr and her powerful family arranged to sideline Overbury by means of a royal appointment to Russia. When Overbury refused the post, the outraged King James had him locked up in the Tower of London for his impertinence; Overbury soon died there, and Frances Howard and Robert Carr tied the match before 1613 was out.

Carr should have listened to that poem.

It was no more than months ere that gentleman was being eclipsed in King James’s favor by George Villiers, and his eroding status licensed the interest of court enemies in the surprise death of Carr’s friend.

Suspicions of foul play soon appeared vindicated, and we come at last at this point to our gallows-fruit Anne Turner, a wealthy woman in the train of Frances Howard, for the evidence developed by Bacon indicated that Turner acted as Howard’s agent in arranging for Overbury’s guards to poison him off.

The affair was the ruin of her patron, who was convicted along with her prized new husband.* Both of these blueblooded types were spared, but no such mercy obtained for the four commoners who had been the Lady’s instruments.

Turner, who did a brisk business in saffron supplying the royal court its fashionable yellow accoutrements, arranged for “tarts and jellies” procured from a sinister chemist to be delivered to the men at the Tower for ministration to the imprisoned poet. Really it was just as Overbury had tried to warn Carr:

A passive understanding to conceive,
And judgement to discerne, I wish to finde:
Beyond that, all as hazardous I leave;
Learning and pregnant wit in woman-kinde,
What it findes malleable, makes fraile,
And doth not adde more ballast, but more saile.

She, the chemist, and both Overbury’s jailer and the governor of the Tower of London would all four suffer execution on distinct occasions for doing the Lady Howard’s bidding in this matter. Turner’s hanging at Tyburn had a classic dash of showmanship: both the victim and the executioner were pointedly dressed in the yellow saffron ruffles whose lucrative traffic had empowered Anne Turner with the werewithal to corrupt the king’s dungeon. The design fell speedily out of fashion.

Our intrepid assassin, however, had the consolation of a vigorous literary afterlife as her character became a fixture of the 17th century theater. (So did Overbury’s.)

The Overbury Affair’s rich text touching power, gender, commerce, revenge, social climbing, print culture, and murderous intrigue has continued to fascinate new audiences ever since then, intermittently refreshed by many new volumes both fiction and non-.

* Frances Howard confessed the plot — accurately, as it is generally understood. Robert Carr never did, and he’s often been read as a plausible naif, blind to his pretty new wife’s vengeful treatment of his former bosom friend.

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1601: Henry Cuffe, mingled interest

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When Francis Osborne mused “mingle not your interest with a great one’s,” in Advice to a Son, the counsel was suggested by surveying the life of Henry Cuffe, a retainer of the disgraced Earl of Essex who, “tho’ of excellent Parts,” hanged at Tyburn on this date in 1601 on account of his late master’s rebellion. (With him hanged Essex’s stewart, Gilly Merrick.)

A child of the gentry, Cuffe’s academic brilliance landed him a (still-extant) professorship at Oxford. The vain Lord Essex, who prided himself a patron of scholarship, hired him into his retinue in the mid-1590s. Cuffe would prove to be a loyal companion. Too loyal.

He accompanied Essex on the latter’s great foreign adventures, the triumphant raid on Cadiz and the disastrous expedition to Ireland, and was entrusted as the earl’s messenger to Queen Elizabeth when the latter project began to founder. Essex was one of the great men of state and it was through him that Cuffe came in sight of those zeniths of power only dreamt by Oxford dons. But he could only scale them if Essex kept his own footing, too.

Six years or so into their association, Cuffe was all-in on restoring his patron’s favor (and with it, his own) once Essex returned from the Ireland debacle to find himself on the outs. The treason trial against Cuffe would slate him as one of the chief spirits agitating the earl, imprisoned then in Essex House, to break out with his foolhardy rebellion or coup in February 1601.

“Ere long you shall see a change: my lord is like to come in favour again, and be restored to his greatness,” recalled one Essex rebel of Cuffe’s recruitment pitch to him. Once their seizure of power got underway, “We having the face of the state, all will follow and take with us.” It was alleged that Cuffe inveigled Essex against more cautious counselors, arguing that the lord’s charisma was sure to carry the day could he but secure some personal face time with the queen — and that Cuffe stood in line to become the next Speaker of the Parliament, should the wager pay off.

It didn’t. Treason doth never prosper …

Cuffe’s best argument in defense was that he, bookish lad, had never left Essex House at all on the fatal day when other conspirators attempted to march through London, and what treason was that?

“I must confess, as a servant that longed for the honour of his master, I have often wished to see his recalling to the court, and restored to her majesty’s former favour” Cuffe allowed — “but beyond the limits of these desires, my thoughts never carried me, nor aspired to other greatness than to see him again in place of a servant and worthy subject, as before he had been.”

The volume of accusations otherwise from within Essex’s inner circle overwhelmed this defense — most especially so the accusation of the very lord with whom Cuffe had so carelessly mingled his own fortunes. For, four days before Essex lost his own head, that doomed magnate had summoned his prosecutors to the Tower and bid them bring Cuffe to his chamber.

This request being granted him, and Cuffe brought before him, he [Essex] there directly and vehemently charged him; and among other speeches used these words:

Henry Cuffe, call to God for mercy, and to the queen, and deserve it by declaring truth. For I, that must now prepare for another world, have resolved to deal clearly with God and the world: and must needs say this to you; You have been one of the chiefest instigators of me to all these my disloyal courses into which I have fallen.

This is a very fine parting kick in the teeth for a devoted lickspittle. Maybe Osborne’s advice should have been to mingle not your interest with an asshole’s.

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1601: Robert Devereux, Earl of Essex

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On this date in 1601, Queen Elizabeth’s last great favorite became the last man beheaded in the Tower of London.

Vain and dashing Robert Devereux rolled into the royal court in 1584 around age 19 and immediately established himself as the new favorite of the monarch, 30-some years his senior. They spent long walks and late nights in enchanted private company, and Devereux “commeth not to his owne lodginge tyll the birdes singe in the morninge.” Ye olde walke of shayme.

In becoming the (presumed) lover* of the aging Virgin Queen, the Earl of Essex was only following the family** trade: his stepfather Robert Dudley was the younger Elizabeth’s longtime intimate.

It is up to the artists to postulate the relative measures of passion and cynicism in these dalliances; many have tried, inspired by the scaffold sundering of one of history’s great May-December affairs. The Essex-Elizabeth drama was a popular topic for broadsides, ballads, and stage treatments from the 17th century to the present day.


Benjamin Britten put the Elizabeth-Essex romance into opera in Gloriana, based on Lytton Strachey’s popular book.

He was wildly popular in London, but Essex was also afflicted by the follies of youth. Rash, temperamental, vainglorious; he aspired to leverage the favor of his sovereign into statesmanship and he achieved heroic repute for his swashbuckling raid on Cadiz.

Yet Essex reads like a whelp who never quite grew into a man’s boots. Every sketch of Essex includes, because it seems so starkly illustrative of his unstable character, the story of the time his impertinence led the queen to box his ears publicly — and the hothead’s hand flew instinctively to his sword-hilt. Everyone reconciled over this brush with lese-majeste, but only after Essex scribbled some skulking reproaches (“What, cannot princes err? cannot subjects receive wrong? is an earthly power or authority infinite?”) that he had the petulance to actually send to Elizabeth.

The less mercurial Earl of Salisbury, Robert Cecil, who was the son of Elizabeth’s earliest close advisor and the protege of her spymaster, was just two years Essex’s senior but smoothly outmaneuvered the loverboy in their mutual pursuit of England’s Secretaryship of State.†

Essex chased martial glory with mixed results. His last great enterprise was an ill-starred 1599 offensive in Ireland to bring Gaelic rebels to heel in the Nine Years’ War.

Not for the last time an Englishman found this conquest more easily aspired than achieved. Essex liberally overused his authority to knight men as a reward for their service, but his soldiers mostly slogged to and fro with little headway to show for it. After a frustrating campaign season chasing his tail, Essex defied the increasingly strident directives to attack issuing from Elizabeth’s irate pen, and made terms with the Irish commander Hugh O’Neill, Earl of Tyrone. Then he defied Elizabeth’s order to remain in Ireland and hastened back to London to justify himself. It was said of him that he “never drew sword but to make knights.”

This was the beginning of Essex’s end. Elizabeth’s fury at the aimless military campaign was compounded when her churlish captain turned up from Ireland unbidden and burst into her private chambers while she was still dressing to report on his unauthorized summit. Cecil et al, whose ascendance Essex had meant to reverse with the triumph of his arms, now murmured that the earl had strayed near outright treason to parley with the rebel whom he was supposed to be routing. The Privy Council put him under house arrest.

Heaped in debt and deprived of the prestigious proximity to power he had enjoyed literally throughout his adulthood, the man’s turbulent spirit stirred strangely in York House. We have seen that Robert Devereux, Earl of Essex, was a man to abhor an indignity even past the point of self-preservation. He unwisely sent secret missives to try to turn the ongoing succession negotiations‡ against Robert Cecil; when the Privy Council caught wind of this intrusion, he refused its demand that he present himself to account for his actions. Instead, he made matters worse by mounting a pathetic march through London with his supporters.

This “Essex Rebellion” was meant to rally the citizenry to him and turn some sort of coup against Robert Cecil. It seems so foolhardy and ill-considered that it’s difficult to think what was in the earl’s head. If you squint at it just so, it perhaps had a big-R Romantic quality, a gallant band of brothers saving the nation from its duplicitous ministers; the night before the rebellion, Essex (a liberal arts patron in his time) splurged to have William Shakespeare’s company§ stage a special performance of Richard II — a play wherein the English monarch is deposed. Presumably this was his inspirational pregame speech.

Thinking much more clearly than Essex, Londoners vigorously ignored his summons and the marching party trudged alone — and surely increasingly frightened — through the city until it was stopped by a barricade. Its participants then fled back to Essex House where they soon found themselves surrounded.

Whatever the fancy that led the Earl of Essex on his fatal February 8 march, and whatever the extent of his ambitions for that occasion, the careless threat to the public peace went several bridges beyond a boyish foible that Elizabeth could overlook in her impulsive courtier. He was prosecuted for treason within days and Elizabeth signed his death warrant on February 20th. The only mercy extended the ex-favorite was to suffer the noble execution of beheading, rather than a traitor’s drawing and quartering. Essex also successfully appealed for a private execution within the walls of the Tower, away from the gawks of those London masses who had so signally failed to rebel along with him.

On the specially built wooden platform, Essex favored his select audience with a bog-standard execution-day mea culpa:

My sins are more in number than the hairs on my head. I have bestowed my youth in wantonness, lust and uncleanness; I have been puffed up with pride, vanity and love of this wicked world’s pleasures. For all which, I humbly beseech my Saviour Christ to be a mediator to the eternal Majesty for my pardon, especially for this my last sin, this great, this bloody, this crying, this infectious sin, whereby so many for love of me have been drawn to offend God, to offend their sovereign, to offend the world. I beseech God to forgive it us, and to forgive it me — most wretched of all.

He prayed a Psalm. Then, stretching out his neck on a low block and thrusting his arms from his sides, he bid the headsman strike. The executioner had to oblige his patient in triplicate in order to sever the puffed-up head.

The Earl of Essex has the distinction of being the last person beheaded on the Tower Green, within the walls off the Tower of London — the last name on the little placard of headless notables photographed by tour groups. Note that Essex was not the last person beheaded at the Tower, when the adjacent Tower Hill is included (that distinction belongs to Jacobite rebel Simon Fraser); nor was he the last person executed within the Tower (that distinction belongs to World War II spy Josef Jakobs, who was not beheaded but shot).

Weary and depressed, Elizabeth died little more than two years afterwards.

* There’s a mind-bending speculative hypothesis out there — cousin to the Shakespeare-focused Prince Tudor theory — that Essex was actually Elizabeth’s secret, illegitimate son. This secret history is obviously more congenial with the queen’s early favoritism for Essex than with her eventually chopping off his head.

** Essex was also a distant cousin of Elizabeth herself: his maternal great-grandmother was Mary Boleyn, sister of Anne Boleyn — who was Elizabeth’s mother.

† Walter Raleigh was a notable Cecil ally in this factional conflict. Raleigh attended Essex’s execution … and, of course, shared that fate many years afterwards.

‡ Elizabeth was nearing age 70; her childless death was imminent. James VI of Scotland was being vetted by Robert Cecil as the successor. Essex tried to stick his thumb in the pie by warning James that the Cecil faction would conspire to foist the English crown on the Spanish infanta — daughter of the Spanish king who had been the Catholic Mary Tudor’s husband. (The infanta was not Mary’s own daughter.) This was no idle threat, as at this point it was only a few years since the Spanish Armada had sallied for English seas.

§ Another noteworthy Shakespeare connection: one of the participants in the Essex Rebellion was the Earl of Southampton (he was spared execution). Southampton, whose given name was Henry Wriothesley, is often identified as the “Fair Youth” to whom Shakespeare dedicated numerous love sonnets. (Some of those are directly addressed to a Mr. “W.H.”)

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