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1553: Prince Mustafa, heir to Suleiman the Magnificent

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On this date in 1553, the capable heir apparent to Ottoman Emperor Suleiman the Magnificent was strangled at dad’s order — casualty of the the realm’s lethal harem politics.

If ’tis state thou seekest like the world-adorning sun’s array,
Lowly e’en as water rub thy face in earth’s dust every day.
Fair to see, but short enduring is this picture bright, the world;
‘Tis a proverb: Fleeting like the realm of dreams is earth’s display.
Through the needle of its eyelash never hath the heart’s thread past;
Like unto the Lord Messiah bide I half-road on the way.
Athlete of the Universe through self-reliance grows the Heart,
With the ball, the Sphere—Time, Fortune—like an apple doth it play.
Mukhlisi, thy frame was formed from but one drop, yet, wonder great!
When thou verses sing’st, thy spirit like the ocean swells, they say.

-Prince Mustafa, about himself

Suleiman’s first-born son by his first concubine, Mustafa seemed well-positioned to emerge in the Ottomans’ fratricidal succession.

The racket: when the current sultan dies, all his sons by his various concubines make a rush from their provincial outposts for the capital and fight it out, the winner killing off his half-brothers to consolidate his rule.

This disorderly ascension made, while dad still lived, for fraught internal politicking among the sons for the inside track: the most prestigious positions, and the assignments closest to Istanbul. The various mothers of the contenders jockeyed just as aggressively on behalf of their various entrants in the imperial sweepstakes.

Mustafa was the capable eldest son in a kingdom at its very acme,* but to his misfortune, and the empire’s too, he found himself pitted against one of the ablest women ever to call the Ottoman harem home: Hürrem Sultan, also known as Roxelana (or Roxolana).

A Ukrainian woman kidnapped to the harem by Tartar slavers, Roxelana enchanted Suleiman and soon became his favorite. Therefore, Roxelana also became the rival, with her son and her own potential heir, to Mustafa and his mother.

As the story is told, Roxelana at length contrived to convince Suleiman that Mustafa was in cahoots with the rival Safavid Empire to supplant Suleiman on the throne; Suleiman had his firstborn summoned to his tent on campaign in Anatolia, and straightaway put to death. He’s supposed to have sat by the body in grief for days afterwards, and barely averted a revolt by his elite Janissaries, who much favored the talented Mustafa.

“This terrible tragedy exercised an effect on Ottoman affairs resembling that which the Massacre of St. Bartholomew had on the history of France,” according to The Cambridge Modern History (vol. 3). Roxelana’s unimpressive son “Prince Selim, in whose favour the crime was committed, was the first of a series of degenerate Sultans, sunk in pleasure-seeking or stricken with Imperial mania, under whose sway the Empire went to ruin.”

Consequently, Mustafa is still mourned in Turkey as a tragic turning-point; visitors pay homage to his tomb at Bursa.

Westerners had word of this fascinating palace intrigue through diplomatic correspondents who were not privy to the actual harem, and adopted the story themselves while imaginatively filling in the orientalizing details. Inevitably these imaginings have helped shape the story as it comes to us.

The scenario blending the familiar and the exotic — a European in the court of the Turk; a slave woman dominating the conqueror; fratricidal princes and the alluring seraglio — all set in the heart of the feared Muslim state proved irresistible to literary interlocutors. These made of Suleiman, Mustafa (Mustapha), and Roxelana moral fables, theater (endorsed by Samuel Pepys!), symphony …

… and opera (many librettos, this by Hasse):

Not to mention, of course, more titillating fare.

* The PBS documentary Islam, The Empire of Faith does engrossing coverage of Suleiman (including his relationship with Roxelana and the execution of Mustafa) in these video segments: 3, 4, 5.

On this day..