1534: Elizabeth Barton, the Holy Maid of Kent

On this date in 1534, Elizabeth Barton was hanged at Tyburn with her “conspirators” for having prophesied the death of Henry VIII and (in the words of the parliamentary attainder against them) “traterously attempted many notable actes intendyng therbye the disturbaunce of the pease and tranquyllytie of this Realm.”

A country servant-girl, this Elizabeth Barton had begun having divine visions around Easter 1525, and developed a popular following for her gift of prophecy, generally delivered during spooky (perhaps epileptic) fits and trances.

This was all just fine with everyone, since King Henry was still a good Catholic at the time; Barton took orders in the St. Sepulchre Nunnery and continued her career in the seer business.

Elizabeth Barton wasn’t going to leave her place in Henrician England … but to paraphrase Ronald Reagan, Henrician England was about to leave her.

And like so many entries that age has given this site, it all went back to Henry’s leaving his first queen, Catherine of Aragon.

If one likes to see in the prophetic tradition a refracted expression of popular sentiment, speaking a religious rather than a political language, Elizabeth Barton’s divine gift set her up to be the mystical exponent of the English populace’s visceral reaction against Henry’s ascending paramour, Anne Boleyn.

Rather rashly, Barton began publicly warning her sovereign against his bedchamber gambit, threatening that if the proposed Boleyn union should come to pass, he “should no longer be King of this realm…and should die a villain’s death.”

That would be compassing the death of the king — which is treason.

Barton articulated a fear of Henry’s policies which was shared by many of his subjects. The anticipated breach with Rome made the citizens of England insecure about the future stability of the realm, and prognostications concerning the state of the country abounded. Barton was not alone in foretelling that wars and plagues would soon rack the country; or in prophesying that the King would be overthrown, that his death was imminent, that he would die as a villain. Many people were discussing such prophecies, by means of which they could “objectify their fears and hopes” in an age of change and disruption.

-Diane Watt, “Reconstructing the Word: the Political Prophecies of Elizabeth Barton (1506-1534)”, Renaissance Quarterly, Spring 1997

So it’s probably only fitting that this creature of her times would be devoured by the Tudor state which made its Reformation from the top.

Devoured, not only bodily.

As the Tudor king breaks with Rome, Barton becomes almost totally obscure to us, the real person who dared to stand openly against her king subsumed entirely by the edifice of state propaganda. As Watt observes, “as a result of her fate … almost all the first-hand evidence concerning Barton’s life and revelations has been destroyed” and “the surviving image of her has therefore been shaped by those who suppressed her visions and prophecies.”

We have her mystical utterances mostly indirectly, through the interlocutors charged with refuting her, and we have the expedient charges against her of fraud, contumacy, and (of course) sexual indiscretion leveled by her foes.


“The Imposture of the Holy Maid of Kent”

Arrested with a circle of supporters, Barton was forced into a public recantation in November 1533 by her persecutors. One supposes such a recantation was in any event obtained under some duress; undoubtedly it was, as the disgusted Spanish ambassador recorded, staged “to blot out from people’s minds the impression they have that the Nun is a saint and a prophet.” (Cited by Watt)

If said duress included an easing of the charges against herself or her associates, Barton was to be disappointed.

She was attainted for treason* in January (the evidence against her being insufficient for a judicial verdict of treason); the bill of attainder also required the public to hand over any writings about her alleged prophecies or revelations, like the popular pamphlets that had circulated with official approval in the 1520’s: there would be nothing to nurture a people’s cult for this exponent of resistance. Over the decades to come, the early writings sympathetic (and proximate) to Barton would be almost completely annihilated, supplanted by Protestant works that rendered Barton a trickster, a puppet, a sham — magnified her retraction into the definitive statement. It was a propaganda victory almost as chilling as Barton’s corporeal fate: even her potentially sympathetic Catholic audiences can latterly make no reliable judgment about her.

And so Barton moulders.

In April 1534, the usurping consort once more apparently pregnant with Henry’s long-sought heir, the once-popular, now-deflated prophetess of the old queen and the old faith was emblematically put to death with her former adherents on a most significant day in the city of London.

[T]his day the Nun of Kent, with two Friars Observant, two monks and one secular priest, were drawn from the Tower to Tyburn, and there hanged and headed. God, if it be his pleasure, have mercy on their souls. Also this day the most part of this City are sworn to the king and his legitimate issue by the Queen’s Grace now had and hereafter to come, and so shall all the realm over be sworn in like manner.

-Letter from John Husee to Lord Lisle, April 20, 1534 (Source)

We trust everybody got the message.

But in case anyone missed the point, there would be plentiful reminders still to come.

* Chancellor Thomas More had some traffic with Barton — very cautious, as befits a skeptical elite’s approach to a loose cannon commoner — and was briefly in some danger of being named in the indictment against her. When his loyal daughter Meg joyously reported to him that he’d been cleared, he’s supposed to have replied, “In faith, Meg, ‘quod differtur non aufertur’, what is put off is not put away.” But it probably didn’t require heavenly foresight for More to perceive the wheel of fortune about to turn on him, too. By the time of Barton’s actual execution, More had already been clapped in the Tower himself.

On this day..

1535: Thomas More, the king’s good servant but God’s first

On this date in 1535, Sir — later Saint — Thomas More kept his conscience at the expense of his head on Tower Hill.

For all More‘s greatness — as intellectual, polemicist, lawyer, statesman, father — none of his many gifts at the end could avail him beside his commitment to Catholicism at the dawn of the English Reformation.

Yet it is for those gifts that he cut such a commanding presence in his times, for those very reasons that his sovereign hounded his first citizen to assent to the divorce and remarriage he was fixed upon.

A devotee and friend of Erasmus from years before, More was in Henry’s more orthodox youth the king’s very scourge of Protestantism. His scatological invective against Martin Luther in Responsio ad Lutherum — much in the impolite tenor of Catholic-Protestant rhetoric continent-wide, it should be noted — is of the sort to crimson the cheeks of the milquetoast modern:

Since he has written that he already has a prior right to bespatter and besmirch the royal crown with shit, will we not have the posterior right to proclaim the beshitted tongue of this practitioner of posterioristics most fit to lick with his anterior the very posterior of a pissing she-mule until he shall have learned more correctly to infer posterior conclusions from prior premises?

Over that hairshirt, he wore the robes of state. But his engagement with the world had a selective bent that must have exasperated his colleague and predecessor as Lord Chancellor, Cardinal Wolsey. Orson Welles and Paul Scofield spar here in the definitive More hagiography A Man for All Seasons over the intellectual’s delicate refusal to dirty his gloves with the great matter of state before them — the annulment the king demanded of his marriage to the Queen (and More’s friend) Catherine of Aragon:

Peas in a pod, these two: Wolsey, the cleric grounded in realpolitik; More, the barrister who trusts to God. (More considered holy orders as a young man.)

Our man’s reputation for honesty in a den of hypocrites has certainly outrun Wolsey’s. Still, all More’s disdain for the deal-making that invests the sovereign majesty and all his foreboding for the relationship he had with his dangerous king were not quite enough to stop him accepting the Chancellorship and the opportunity to stamp out Lutheranism … knowing perfectly well the simultaneous thrust of Henry’s boudoir policy.

It all cuts quite a contrast to More’s (barely) pre-Reformation text, Utopia (available free from Project Gutenberg), which named a literary genre and described an imagined society of tolerant primitive communism that surely would have blanched at its inventor’s coming role in the state’s machinations:

I can have no other notion of all the other governments that I see or know, than that they are a conspiracy of the rich, who, on pretence of managing the public, only pursue their private ends, and devise all the ways and arts they can find out; first, that they may, without danger, preserve all that they have so ill-acquired, and then, that they may engage the poor to toil and labour for them at as low rates as possible, and oppress them as much as they please

[E]very man might be of what religion he pleased, and might endeavour to draw others to it by the force of argument and by amicable and modest ways, but without bitterness against those of other opinions; but that he ought to use no other force but that of persuasion, and was neither to mix with it reproaches nor violence* …

It’s not a given that More himself agrees with every (or even any) sentiment expressed in Utopia, but his most famous work’s criticism of the death penalty too liberally applied makes interesting reading.

[E]xtreme justice is an extreme injury: for we ought not to approve of those terrible laws that make the smallest offences capital … God has commanded us not to kill, and shall we kill so easily for a little money [i.e., execute petty thieves]? But if one shall say, that by that law we are only forbid to kill any except when the laws of the land allow of it, upon the same grounds, laws may be made, in some cases, to allow of adultery and perjury: for God having taken from us the right of disposing either of our own or of other people’s lives, if it is pretended that the mutual consent of men in making laws can authorise man-slaughter in cases in which God has given us no example, that it frees people from the obligation of the divine law, and so makes murder a lawful action, what is this, but to give a preference to human laws before the divine? and, if this is once admitted, by the same rule men may, in all other things, put what restrictions they please upon the laws of God.

This insistence on the supremacy of divine law over human institutions forms the basis of his objection to parliament’s overthrowing the papacy — which he expressed openly only after he was convicted by obviously perjured “jailhouse snitch” testimony

[Y]ou have no authority, without the common consent of all Christians, to make a law or Act of Parliament or Council against the union of Christendom.

Paul Scofield bears enjoying in the role in A Man for All Seasons:

More is sometimes suspected of desiring martyrdom since he marched so unerringly into it, but he also made every attempt to survive Henry’s demand the he affirm the royal remarriage and the king’s ecclesiastical supremacy by withdrawing silently from the public sphere rather than openly opposing it. More had by every account an enviable, downright happy life at his own hearth, and a tender and intellectual relationship with his favorite daughter Meg. (Meg corresponded with her father in prison, collected his works, and retrieved his head from London Bridge.)

But by his way of thinking — Meg tried to talk him out of it — he couldn’t swear to the Act of Succession acknowledging the king’s right to divorce Queen Catherine and disinherit her daughter Mary if Henry decided to force the choice. And in the king’s eyes, there was no middle ground for someone of the ex-Chancellor’s stature.

Henry could see to it, though, to cut his old friend a break and commute the sentence from drawing and quartering to “mere” beheading, here depicted in the past season of the Showtime series The Tudors.

More’s last moments as rendered here — the ironic remark at the foot of the scaffold, “See me safe up: for my coming down, I can shift for myself”;** his generous answer to the headsman’s plea for forgiveness — are well-documented. Undoubtedly, his sturdy martyr’s bearing, the extension of a life of joyful piety, helped cement for posterity the fame he held in life.

And that dying address — “I die the King’s good servant, but God’s first” — gathers in one sentiment free of bombast or self-pity the irreconcilable demands of conscience that would lead many thousands besides More to Henry VIII’s scaffolds, and rings equally true to less lethal challenges to the conscience in every land and time since.

Anne Boleyn, who caused More’s fate, shared it less than a year afterwards.

Thomas More was canonized by the Catholic Church in 1935 — the patron saint of politicians. Rather bizarrely, July 6 is also his feast day on the Anglican calendar, a tribute to the nearly universal regard his memory enjoys.

Thomas More's statue at the Chelsea Old Church

Chelsea resident Thomas More’s statue at the (Anglican) Chelsea Old Church.

* Despite its religious tolerance, More’s Utopia — anticipating Dostoyevsky — maintains:

a solemn and severe law against such as should so far degenerate from the dignity of human nature, as to think that our souls died with our bodies, or that the world was governed by chance, without a wise overruling Providence … since a man of such principles must needs, as oft as he dares do it, despise all their laws and customs: for there is no doubt to be made, that a man who is afraid of nothing but the law, and apprehends nothing after death, will not scruple to break through all the laws of his country, either by fraud or force, when by this means he may satisfy his appetites.

** According to the biography published by More’s son-in-law — who married More’s favorite, Margaret — the jest was occasioned by the rickety look of the scaffold. The Mirrour of Vertue in Worldly Greatness; Or, The Life of Sir Thomas More is available free on Google Books.

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