And not onely these men troubled the Church at home, but also some which proceeded from these did the like abroad, namely Robert Browne a Cambridge man, a young student in Divinity, of whom the new sectaries were called Browniste, and Richard Harison a pety schoolmaster. for these two presuming but of their owne spirit to judge of matters of Religion, by bookes set forth at this time in Zeland and dispersed all over England condemned the Church of England as no Church, and intangled many in the snares of their new schisme, notwithstanding that their bookes were suppressed by the Queenes authority and soundly confuted by learned men, and that two of the Sectaryes, one after another, were excuted at Saint Edmunds Bury.
On the other side some Papists bookes against the Queene and Princes excommunicate drew some which had the Popes power in great reverence for their obedience, and amongst others they so distracted one Somervill, a gentilman, that in haste he undertooke a journey privily to the Queenes Court, and breathing nothing but blood against the Protestants, he furiously set upon one or two by the way with his sword drawne. Being apprehended, hee professed that hee would have killed the Queene with his owne hands. Whereupon he, and by his appeachment Edward Ardern his wives father, a man of very ancient gentility in the County of Warwicke, Ardern’s wife, their daughter Somervill, and Hall a Priest, as accessaries, were arrraigned and condemned. After three daies Somervill was found strangled in prison; Arderne, being condemned, was the next day after hanged and quartered; the woman and the Priest were spared. This woefull end of this gentleman, who was drawne in by the cunning of the Priest and cast by his own testimony, was commonly imputed to Leicesters malice. For certaine it is that hee had incurred Leicesters heavie displeasure, and not without cause, against whom hee had rashly opposed himselfe in all hee could, had reproached him as an adulterer, and detracted him as a new upstart.
Messenger. My lord, a prize, a prize! here’s the lord Say, which sold the towns in France; he that made us pay one and twenty fifteens, and one shilling to the pound, the last subsidy.
Cade. Well, he shall be beheaded for it ten times. — Ah, thou say, thou serge, nay, thou buckram lord! now art thou within point blank of our jurisdiction regal. What canst thou answer to my majesty, for giving up of Normandy unto monsieur Basimecu, the dauphin of France? Be it known unto thee, by these presence, even the presence of lord Mortimer, that I am the besom that must sweep the court clean of such filth as thou art. Thou hast most traitorously corrupted the youth of the realm, in erecting a grammar-school: and whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used; and, contrary to the king, his crown and dignity, thou hast built a paper-mill. It will be proved to thy face, that thou hast men about thee that usually talk of a noun, and a verb; and such abominable words as no Christian ear can endure to hear. Thou hast appointed justices of peace, to call poor men before them about matters they were not able to answer. Moreover, thou hast put them in prison: and because they could not read, thou hast hanged them; when, indeed, only for that cause they have been most worthy to live.
…
Cade. Ye shall have a hempen caudle then, and the pap of hatchet.
Dick. Why dost thou quiver, man?
Say. The palsy, and not fear, provokes me.
Cade. Nay, he nods at us; as who should say, I’ll be even with you. I’ll see if his head will stand steadier on a pole, or no: Take him away, and behead him.
Say. Tell me, wherein have I offended most?
Have I affected wealth, or honour; speak?
Are my chests fill’d up with extorted gold?
Is my apparel sumptuous to behold?
Whom have I injur’d, that ye seek my death?
These hands are free from guiltless blood-shedding,
This breast from harbouring foul deceitful thoughts.
O, let me live:
Cade. I feel remorse in myself with his words: but I’ll bridle it; he shall die, an it be but for pleading so well for his life. Away with him! he has a familiar under his tongue; he speaks not o’ God’s name. Go, take him away, I say, and strike off his head presently; and then break into his son-in-law’s house, sir James Cromer, and strike off his head, and bring them both upon two poles hither.
All. It shall be done.
Say. Ah, countrymen! if when you make your prayers
God should be so obdurate as yourselves,
How would it fare with your departed souls?
And therefore yet relent, and save my life.
Cade. Away with him, and do as I command ye. [Exuent some, with Lord Say.] The proudest peer in the realm shall not wear a head on his shoulders, unless he pay me tribute…
On this date in 1450, Jack Cade’s rebellion — momentarily in full control of London — visited popular justice on James Fiennes, Baron Saye and Sele.
Distant ancestor of the Amon Göthactor, our ancient Fiennes was the Lord High Treasurer and one of the principal supports of King Henry VI‘s increasingly shaky throne.
The men of Kent who had marched on London had experienced from these years the material and psychological injuries of the realm’s reversals. Their Proclamation of Grievances assailed not the sovereign himself but “the traitors about him.”
Item. They ask gentlemen’s goods and lands in Kent and call them rioters, and traitors and the king’s enemies, but they shall be found the king’s true liege men and best friends with the help of Jesus, to whom we cry day and night with many thousand more that God of His grace and righteousness shall take vengeance and destroy the false governors of his realm that has brought us to naught and into much sorrow and misery.
Item. We will that all men know we blame not all the lords, nor all those that are about the king’s person, nor all gentlemen nor yeomen, nor all men of law, nor all bishops, nor all priests, but all such as may be found guilty by just and true inquiry and by the law.
#Notalllords
The baddies are not named in the proclamation but it’s a sure bet that Lord Saye knew he wouldn’t be in the rebels’ good graces, given their demand for the expulsion from royal favor of “all the false progeny and affinity of the Duke of Suffolk.” Suffolk was one of Saye’s closest allies, or had been until Suffolk had been butchered at sea a few weeks prior. And so
the said captain again entered the citie, and caused the Lord Say to be fet [fetched] from the Tower to Guildhall, where he was arraigned before the maior, and other the king’s justices; and Robert Horne, Alderman before-named, should have been likewise arraigned, but that his wife, and other friends, for five hundred marks, got him restored to his libertie. The Lord Say desiring he might be tried by his peeres, was by the rebels forceably taken from the officers, and brought to the standard in Cheape, where they strake off his head, pight it on a pole, and bare it before them; and his body they caused to be drawne naked at a horse taile, upon the pavement, from Cheape into Southwarke, to the said captaines inne.
Also a squire, called Crowmer, that was then sherife of Kent, that had wedded the said Lord Saies daughter, by commandement of the captain, was brought out of the Fleete, that was committed thither for certain extortions that he had done in his office, and led to Mile-end without London, and there, without any iudgement, his head was smit off; and the Lord Saies head and his were borne upon two long poles unto London-bridge, and there set up; and the Lord Saies body was quartered.
Lord Saye and Sele brought before Jack Cade 4th July 1450, by Charles Lucy.
Jack Cade himself would be expelled from London within days, and dead by July 12.
This honourable man, a good knight and a gentle; of living somewhat dissolute; plain and open to his enemy, secret to his friend, easy to beguile, as he that of good heart and courage forestudieth no perils; a loving man, and passing well-beloved; very faithful, and trusty enough — trusting too much.
The Baron Hastings arose this date as the trusted councillor of the Lord Protector. Before dinner, he’d had his head chopped off over a log in the Tower of London.
Lord Hastings sported this fancy badge of a handsomely endowed manticore.
Richard III (Duke of Gloucester).
I pray you all, tell me what they deserve
That do conspire my death with devilish plots
Of damned witchcraft, and that have prevail’d
Upon my body with their hellish charms?
Lord Hastings.
The tender love I bear your grace, my lord,
Makes me most forward in this noble presence
To doom the offenders, whatsoever they be
I say, my lord, they have deserved death.
Richard III (Duke of Gloucester).
Then be your eyes the witness of this ill:
See how I am bewitch’d; behold mine arm
Is, like a blasted sapling, wither’d up:
And this is Edward’s wife, that monstrous witch,
Consorted with that harlot strumpet Shore,
That by their witchcraft thus have marked me.
Lord Hastings.
If they have done this thing, my gracious lord —
Richard III (Duke of Gloucester). If? thou protector of this damned strumpet —
Tellest thou me of ‘ifs’? Thou art a traitor:
Off with his head! Now, by Saint Paul I swear,
I will not dine until I see the same. Lovel and Ratcliff, look that it be done:
The rest, that love me, rise and follow me.
[Exeunt all but HASTINGS, RATCLIFF, and LOVEL]
Lord Hastings.
Woe, woe for England! not a whit for me;
For I, too fond, might have prevented this. Stanley did dream the boar did raze his helm;
But I disdain’d it, and did scorn to fly:
Three times to-day my foot-cloth horse did stumble,
And startled, when he look’d upon the Tower,
As loath to bear me to the slaughter-house.
O, now I want the priest that spake to me:
I now repent I told the pursuivant
As ’twere triumphing at mine enemies,
How they at Pomfret bloodily were butcher’d,
And I myself secure in grace and favour.
O Margaret, Margaret, now thy heavy curse
Is lighted on poor Hastings’ wretched head!
Sir Richard Ratcliff.
Dispatch, my lord; the duke would be at dinner:
Make a short shrift; he longs to see your head.
Lord Hastings.
O momentary grace of mortal men,
Which we more hunt for than the grace of God!
Who builds his hopes in air of your good looks,
Lives like a drunken sailor on a mast,
Ready, with every nod, to tumble down
Into the fatal bowels of the deep.
Lord Lovel.
Come, come, dispatch; ’tis bootless to exclaim.
Lord Hastings.
O bloody Richard! miserable England!
I prophesy the fearful’st time to thee
That ever wretched age hath look’d upon.
Come, lead me to the block; bear him my head.
They smile at me that shortly shall be dead.
Of greater moment for the pivotal year of 1483 was Hastings’s bitter enmity with the Woodville family — the kin of widowed queen when Edward died suddenly in 1483. In his life, the king had checked the rivalry between Woodvilles and York magnates. But “the king’s death at once broke up the unity of the court, the peace of the country, and the fortunes of the house of York.”
Before Edward’s body went cold, both factions raced into the power vacuum: the heir was a 12-year-old who wasn’t event present in the capital when his father died. Power in the realm hinged on the actions of men like Hastings in April and May of 1483.
And Hastings made the most of his moment — to his own later grief. While the Woodvilles flexed during the first days of the regency, Hastings drug his feet, threatened to start a civil war, and successfully negotiated for the respective sides to minimize their armed retinues when they arrived for the coronation of young Edward V. He also wrote urgently to the new de facto captain of Team York, the late king’s brother, Richard of Gloucester.
Hastening to answer the call, Gloucester hijacked a too-lax royal convoy en route to London, acquiring custody of the heir, and rolled into town that May as the master of both the boy king’s person and the political situation. Edward V and his brother were the urchins destined to disappear into the Tower of London; Gloucester would eventually crown himself King Richard III. The Woodvilles fled from power and danger, to the sanctuary of an obliging cathedral.
Big win for Bill Hastings, right? He
was extremely elated at these changes to which the affairs of the world are so subject, and was in the habit of saying that hitherto nothing whatever had been done except the transferring of the government of the kingdom from two of the queen’s blood to two more powerful persons of the king’s; and this, too, effected without any slaughter, or indeed causing as much blood to be shed as would be produced by the cut of a finger. In the course, however, of a very few days after the utterance of these words, this extreme of joy of his supplanted with sorrow. (Croyland Chronicle)
The sorrow arrived like a thunderbolt at a particularly infamous royal council meeting on June 13, 1483, when Gloucester seemingly out of nowhere denounced Hastings as a traitor, along with three others. The others we set aside; they were politically insulated from membership in the pages of Executed Today. But not so Hastings, who was detailed for immediate beheading on Gloucester’s say-so, and never mind the trial.
Politics on this plane was intrinsically cutthroat; nevertheless, this shock destruction of an essential ally puts Richard in a pretty unflattering light. Was he really, as Gloucester claimed, plotting against him? Perhaps Gloucester perceived Hastings too loyal to Edward V at a moment when he was resolved upon usurpation? Had it factored, as the proclamation alleged, that Hastings took up with the late king’s remarkable mistress Jane Shore,* “one of his secret counsel in this heinous treason, with whom he lay nightly, and namely the night past before his death”? Claims and counterclaims around this black June 13 grow thick on the ground, none of them rooted in any decisive evidence.
The estimable David Crowther deals with these perilous months in Episode 187 of the History of England Podcast. The guest episode 187a in that same series explores the aforementioned mistress of William Hastings, whose humiliating public penance inspired the Walk of Shame scene in Game of Thrones.
House Despenser had painstakingly rebuilt its position in the three generations since Thomas’s great-grandfather, the notorious royal favorite Hugh Despenser, was grotesquely butchered for the pleasure of Roger Mortimer. (Readers interested in a deep dive should consult this doctoral thesis (pdf))
By the end of the 14th century, the family patriarch, our man Thomas, had by 1397 parlayed his firm support of Richard II against the Lord Appellant into elevation to a peerage created just for him, the Earldom of Gloucester.
The “Gloucester” sobriquet had just gone onto the market thanks to the beheading that year of the attainted Duke of Gloucester and the consequent revocation of that patrimony. This ought to have been a hint, if his ancestors’ fate did not suffice, that such glories are fleeting. Thomas le Despenser had barely two years to enjoy his newfound rank before Richard II was deposed by Henry Bolingbroke who now styled himself Henry IV.
Despite initially making his terms with the new regime, Despenser joined a conspiracy of nobles that contemplated a coup d’etat during the 1399-1400 holidays — the Epiphany Rising, whose misfire has brought other victims to our attention previously.* Titles are the least of what one forfeits in such circumstances; Thomas managed to grab a boat for Cardiff and possible refuge but to his unhappy surprise the ship’s captain put in at Bristol to deliver him to his enemies: death was summary, his head posted to the capital for duty on the London Bridge.
The Despensers had already proven the resilience of their line in the face of the violent death of this or that scion and although this was a rough coda for their century of glory they were not done for the English political scene by a long shot. Thomas’s widow Constance** got her own plotting afoot by conspiring unsuccessfully in 1405 to kidnap Richard II’s heir from Henry’s custody as an instrument to leverage for political realignment. (Constance, Executed Today is grieved to report, was not executed for this.)
* Episode 134 of the History of England podcast grapples with the Epiphany Rising.
** Constance’s brother is popularly believed to have betrayed the Epiphany Rising.
On or around this date in 1450 the body of the rebel Jack Cade was posthumously beheaded and quartered.
He’s one of England’s first names in rebellion, and Cade’s Kentish rising indexed England’s catastrophic breakdown under the weak king Henry VI, a milepost between the waning Hundred Years’ War and the onrushing Wars of the Roses.
And for all of these, Cade included, Henry was the chaos-making variable.
He had just about finished squandering the entire French patrimony so gloriously won for him by the sword-arm of his doughty father Henry V, and defeated troops fleeing French advances in Normandy compounded, as they tramped up the southeast beaten and looting, the general fury at the king’s unpopular marriage to the French princess Margaret of Anjou. With shambolic governance allied to a slumping economy, corrupt taxation, and mounting public debt, things were coming unglued.
Like many kings, Henry benefited from the instinct to target overt blame away from the sovereign himself and towards the aides and counselors who surround him. One of the very most hated of those counselors was the man who had negotiated that French marriage — giving away to the French crown the hard-won provinces of Anjou and Maine as its price. William de la Pole, Duke of Suffolk, was so near to being attainted or lynched around London that King Henry exiled him for his own safety to France. But Suffolk didn’t make there: instead, he was captured at sea and murdered.
When his body washed up in Kent, rumors seem to have anticipated a royal reprisal against that region and in favor of the late hated favorite, perhaps the trigger for the events in this post.
Nevertheless, the “rebels” did not conceive themselves engaged in a seditious enterprise; this is apparent from the manifesto of grievances it issued, with moderating tones and language echoing complaints that the Commons was raising to no avail in Parliament.
Item. The law serves of nought else in these days but for to do wrong, for nothing is spread almost but false matters by colour of the law for reward, dread and favour and so no remedy is had in the Court of Equity in any way.
Item. We say our sovereign lord may understand that his false council has lost his law, his merchandise is lost, his common people is destroyed, the sea is lost, France is lost, the king himself is so set that he may not pay for his meat nor drink, and he owes more than ever any King of England ought, for daily his traitors about him where anything should come to him by his laws, anon they take it from him.
…
Item. We will that all men know we blame not all the lords, nor all those that are about the king’s person, nor all gentlemen nor yeomen, nor all men of law, nor all bishops, nor all priests, but all such as may be found guilty by just and true inquiry and by the law.
Item. We will that it be known we will not rob, nor plunder, nor steal, but that these defaults be amended, and then we will go home …
The man at the forefront is a cipher: he went by the potent alias of “John Mortimer”, the surname unmistakably linking his cause to the rival royal claimants over at the the House of York, but neither the name of “Jack Cade” by which history recalls his movement nor the antecedent experiences that thrust him into leadership can be attested with any confidence.
He appears by the half-glimpses we catch of him in the period’s chronicles to be a vigorous and intelligent character. He shied away from battle with a royal army, wisely avoiding the taint of treason that would come with entering the field against the king’s own person; but, it was an organized withdrawal that left his forces capable of ambushing and destroying the detachment from that army that the king had sent to pursue them, a testament to Cade/Mortimer’s adroit command.
Panicked when the news of this reversal resulted in his own forces taking up the rebels’ call to punish traitorous lords, King Henry beat feet for the safety of Kenilworth Castle and abandoned the stage of London to this mysterious new character.
The rebel militia seized it on the third of July that year, visiting its promised popular justice in the process upon several of those “false counsellors” detested among the populace — including the Bishop of Salisbury, the Baron Saye and Sele, and the former sheriff of Kent, William Cromer; Shakespeare gives us a bloody-minded* Cade bantering with his prey Saye and Sele in Henry VI, Part 2 — “Ye shall have a hempen caudle, then, and the help of hatchet … Go, take him away, I say, and strike off his head presently; and then break into his son-in-law’s house, Sir James [sic] Cromer, and strike off his head, and bring them both upon two poles hither.”
Charles Lucy, “Lord Saye and Sele brought before Jack Cade 4th July 1450”
Peasant risings like these are made for eventual failure, but it the unusually high water mark achieved by Cade’s rebellion before receding makes another measure of the crown’s weakness. After ceding the Kentishmen the run of London for several days, it took a desperate nighttime battle on London Bridge to finally push them out.
A general amnesty went abroad to induce the rebels to disperse, but it was not for Cade — who fled to Sussex where he was taken, and mortally wounded in the process, by the new sheriff of Kent, Alexander Iden. (A road called Cade Street now runs in the vicinity; there is a monument to his capture in Heathfield.) It was Cade’s good fortune to succumb to his injuries on the journey back to London but the pains of justice were inflicted upon his remains just the same.
Cade died on Sunday, July 12. The precise date for his posthumous disgrace is not certain from the sources available to us. Many writers report July 15, seemingly based on John Benet’s chronicle, which is a strong source and asserts the 15th unambiguously. I’m here guardedly preferring the 16th based on Gregory’s Chronicle, whose authors were clearly Londoners, and who narrated the progress of the week following Cade’s death with specificity.
And that day was that fals traytoure the Captayne of Kentte i-take and slayne in the Welde in the countre of Sowsex, and uppon the morowe he was brought in a carre alle nakyd, and at the Herte in Sowetheworke there the carre was made stonde stylle, the wyffe of the howse myght se hym yf hyt were the same man or no that was namyd the Captayne of Kente, for he was loggyd whythe yn hyr howse in hys pevys tyme of hys mys rewylle and rysynge. And thenne he was hadde in to the Kyngys Bynche, and there he lay from Monday at evyn [i.e., Monday, July 13] unto the Thursseday nexte folowynge at evyn [Thursday, July 16]; and whythe yn the Kynges Benche the sayde captayne was be-heddyde and quarteryde; and the same day i-d[r]awe a-pon a hyrdylle in pecys whythe the hedde by-twyne hys breste from the Kyngys Benche thoroughe owte Sowthewerke, and thenne ovyr Londyn Brygge, and thenne thoroughe London unto Newegate, and thenne hys hedde was takyn and sette uppon London Brygge.
On this date in 1937, the director of Moscow’s famed Bolshoi Theater was shot in the Gulag … even as Uncle Joe mangled his greatest commission.
Vladimir Ivanovich Mutnykh is the man whose suffering occasions this post but as with the Terror itself he will for us be a footnote to a different story.
The strictures on artists also reflected Moscow’s abiding preoccupation with the cultural preeminence of Russia and of Communism.
Among the USSR’s many and varied exertions towards the latter end during the 1930s, not least was a project to induce a return to the motherland by genius (and homesick) composer Sergei Prokofiev, who had been mostly living and working Europe since the Bolshevik Revolution.*
In the mid-1930s, Stalin’s cultural ambassadors finally got their man.** And one of the plums that secured Prokofiev’s permanent repatriation was a commission to create for Mutnykh’s Bolshoi Theater a ballet version of the Shakespeare classic Romeo and Juliet.
Today, Prokofiev’s Romeo and Juliet is one of the best-known and most widely performed of all his considerable output.
Some might even call Romeo and Juliet Prokofiev’s magnum opus. But Prokofiev wouldn’t have called it that.
Having gone to such great trouble to lure back a revolutionary artist, Soviet cultural officers were predictably aghast to discover that he produced a revolutionary reimagining of the Bard. In Prokofiev’s original composition, the star-crossed lovers get a happy ending and escape together instead of dying in the tomb. “Living people can dance, the dead cannot,” Prokofiev explained, unavailingly. The idea is that their love transcends the shackles of their family rivalry; even, that they had transcended the backwards political order that made them enemies. But Soviet bureaucrats were positively hidebound when it came to fiddling with the classics, and the director was forced to return to the tragic ending.
Nor was this the end of the meddling.
In 1936, joyless cultural commissar Platon Kerzhentsev ransacked the Bolshoi leadership, including Mutnykh — who had given the initial green light to Prokofiev’s first, heretical version.
For the next several years, the ballet with the checkerboard floor was twisted into shape by the Soviet bureaucracy, wringing change after change out of a frustrated but powerless Prokofiev. By the time it finally premiered — at the Kirov, not the Bolshoi — Prokofiev’s collaborator dramatist Sergei Radlov disgustedly wrote to friends that “I take no responsibility for this disgrace.”
“The version that’s known and loved around the world is completely incorrect,” said Simon Morrison, a Princeton professor. “There’s an act missing. There are dances orchestrated by people against Prokofiev’s wishes, and other stuff he was forced to put in there against his will.”
In the course of researching his 2010 book on Prokofiev, The People’s Artist, Morrison amazingly dredged up the original Prokofiev composition and documentary trails showing that the composer was forced to scrap three too-exotic dances, to “thicken” the orchestration, and to add elements like a group dance number and solos to show off the Kirov’s talent.† The ballet didn’t debut at the Bolshoi until 1946, when Stalin himself signed off it.
“Once the work was performed, Prokofiev was dismayed at a lot of things, including the sound of the orchestra. He wrote a long letter of protest but none of the changes were made to the score,” Morrison told the London Independent. “It became the canonic version, a reorganised, torn-up work. It’s a testament to how great the melodic writing is – it still became a great classic despite this mangling of it.”
A few books by Simon Morrison on Prokofiev and his world
* Prokofiev was neither an exile nor a refugee; his departure from the USSR in 1918 was voluntary and legally blessed. He had had no problem in the intervening years coming back to Russia and leaving again.
** One immediate product of Prokofiev’s return was the beloved 1936 children’s production Peter and the Wolf.
He also in 1938 gloriously scored Eisenstein’s Alexander Nevsky.
† Morrison in 2008 staged performances of Prokofiev’s original version of Romeo and Juliet.
It was at the University of Tübingen many decades later that Enzlin (German Wikipedia link; most of the succeeding links in this post are to German pages) matriculated as a brilliant young lawyer.†
The new Duke of Wurttemberg from 1593, Friedrich I, elevated Enzlin to his Chancellor. This worldly and well-traveled** Friedrich sported a cutting-edge appreciation for the dawning Age of Absolutism and chafed at the shackles that his predecessor’s treaty had weighted him with. Whatever was a prince for, if not to rule?
Enzlin’s legal expertise had been of service to Friedrich since the latter’s pre-Wurttemberg position as Count of Montbeliard, and Friedrich trusted him as his Kammersekretar — a sort of personal privy councilor who could advise the prince and help to work his will upon the annoying (to Friedrich) Wurttemberg polity. He became openly referred to as cor et os principis: the heart and the mouth of the prince.
This also meant that Enzlin gained the enemies of the prince who, since Friedrich was an overweening and aggressive ruler, numered not a few. For instance, according to Ronald Asch in The World of the Favourite (much of the research in this post derives from his essay), Enzlin when he fell copped a corruption charge because
Duke Friedrich had begun to channel an increasingly large share of his revenues not through the Treasury but through his privy purse. Large sums of money from this source were devoted to the purchase of manors, villages and whole lordships from the impoverished nobility living beyond the borders of the duchy or were used to provide these noblemen with loans and mortgages in the hope that they would have to cede their property to the duke, should they fail to repay the money. Enzlin was apparently the duke’s principal agent in these rather complicated and somewhat shady financial transactions, in which Jewish moneylenders and merchants were frequently employed as brokers. Thus large sums of money went through Enzlin’s hands.
Hungry for power as well as real estate, the duke was also able to attain with Enzlin’s help a modification of that obnoxious Treaty of Turbingen in 1607: this required dissolving the Diet, manipulating the election of the next one, and all kinds of arm-twisting.
It was, Asch says, “another triumph for Enzlin, who had been responsible for the negotiations” … but the triumph was mitigated by Friedrich’s death months later.
Inheriting power was a 26-year-old named Johann Friedrich who sympathized with the traditional prerogatives of his subjects (in his time, he voluntarily gave back to the Estates some of the powers his father had wrested from them). To the policy side of his Oedipal complex, add the personal: dad kept many mistresses for himself, and kept tight purse-strings for his boy. How many times must Johann Friedrich have seen or imagined Enzlin at his father’s elbow, counseling some fresh humiliation for the whelp? How many incensed Wurttemberg grandees must have whispered the picture in his ear?
The favorite was jailed within months on the corruption charges stemming from his part in the land-aggrandizement slush fund, charges that he was forced to admit under threat of torture. The ex-consigliere and his ex-duchy struck an uneasy bargain: there’d be no official charge, no death sentence, and he would stay under lock and key, disappearing like the Man in the Iron Mask.
Perhaps rating his lawyer’s wiles too highly, Enzlin broke this understanding by having his wife and children† appeal to the imperial authorities — employing the very safeguards of the Treaty of Turbingen which he had so diligently worked to abrogate. Brazenly but accurately, Enzlin pointed out that he had not been brought to trial for any charge. And he made the politically explosive argument that jailing ministers of state for the service they rendered their masters would compromise the entire authority of princes everywhere in the Holy Roman Empire.
Faced with the imminent success of the suit, Wurttemberg called his bluff and brought him immediately to trial and thence the scaffold for the peculation he had been blackmailed into admitting, enhanced now to outright treason. (This is why one should never talk to police.)
German speakers can also grab public-domain sketches of Enzlin’s career from a number of 19th century books available online, such as this and this.
* As one of Europe’s seminal constitutional contracts, the Tübinger Vertrag received 500th anniversary treatment in 2014.
** Shakespeare’s The Merry Wives of Windsor was written for a 1597 Knights of the Garter investiture ceremony. Because Duke Friederich (after a 1592 visit to England) had repeatedly petitioned Queen Elizabeth for this honor, he was inducted on this occasion — but without being notified in time to attend, so that the English court “would not have to put up with him”. As a result, Merry Wives had some in-jokes for its first audience about an absent German duke. Though mostly excised from the play’s subsequent public performance versions, a few traces of them remain, such as this allusion in act 4, scene 3:
Bardolph. Sir, the Germans desire to have three of your
horses: the duke himself will be to-morrow at
court, and they are going to meet him.
Host. What duke should that be comes so secretly? I hear
not of him in the court.
† Enzlin married young and had seven children. He has a stupendous progeny down to the present day but not all have been so solicitous of the powerful as he — witness Gudrun Ensslin.
On this date in 1483, the Duke of Buckingham was beheaded at Salisbury for rebelling against Richard III.
Shakespeare’s treatment of Buckingham’s death in Richard III:
“Why, then All-Souls’ day is my body’s doomsday.
This is the day that, in King Edward’s time,
I wish’t might fall on me, when I was found
False to his children or his wife’s allies
…
Come, sirs, convey me to the block of shame;
Wrong hath but wrong, and blame the due of blame.”
Buckingham — Henry Stafford by name — resided firmly in the 1% of the 1% for 15th century England: a dangerous neighborhood since the War of the Roses was afoot, felling noblemen hither and yon. (Henry Stafford became the Duke of Buckingham as a toddler when his father was mortally wounded at the Battle of St. Albans.)
Our Buckingham could count five Kings of England among his close relations; he himself was married right into Edward IV‘s household when he was wed at age 10 to Catherine Woodville, the seven-year-old sister of the commoner-queen Elizabeth Woodville. That made Buckingham uncle to the two sons and possible heirs of Edward IV.
But every family has its black sheep. Buckingham wasn’t keen on the Woodvilles despite his presence on their Christmas card list, and when King Edward died relatively young in 1483, Buckingham backed the succession in power not of the Woodvilles, but of Edward’s brother Richard, Duke of Gloucester — the man who indeed became king as Richard III.
Technically, Richard started out as Lord Protector on behalf of the boy-king Edward V and his little brother Richard, before he had the twerps declared illegitimate and disappeared them in 1483 into the Tower of London. Buckingham himself is one of the lead suspects for the man who urged or even carried out the murder of these Princes in the Tower.
The prospect that Buckingham’s alliance with Richard III extended all the way to regicide makes quite curious the former’s turn later that same year to rebellion — for as Thomas More would write, “hereupon sone after [the murder of the princes] began the conspiracy or rather good confederacion, between ye Duke of Buckingham and many other gentlemen against [Richard III]. Thoccasion wheruppon the king and the Duke fell out, is of divers folks diverse wyse pretended.”
Buckingham’s right to the marquee of the autumn 1483 “Buckingham’s Rebellion” has been doubted, for leadership of the various uprisings in southern England and Wales appears to belong to those “other gentlemen” of the gentry.
“Buckingham’s” rebellion was easily defeated but it augured a much deeper threat to Richard’s crown than one peer’s enmity — for the rebellion declared in favor of Henry Tudor, a last-gasp, exiled Lancastrian claimant descended from a Welsh courtier.
Buckingham himself was captured, condemned as a traitor, and publicly beheaded at Salisbury on November 2, 1483. He was one of numerous principals in the rising to go to the scaffold, but Henry’s cause continued to accumulate adherents — until not two years later, Henry defeated Richard at the Battle of Bosworth Field.
In Shakespeare’s treatment, the ghost of the executed Buckingham aptly appears to Richard III on the eve of this climactic moment of English history to prophesy his former ally’s defeat:
The last was I that helped thee to the crown;
The last was I that felt thy tyranny:
O, in the battle think on Buckingham,
And die in terror of thy guiltiness!
Dream on, dream on, of bloody deeds and death:
Fainting, despair; despairing, yield thy breath!
Buckingham left a five-year-old heir, Edward Stafford, who was spirited into hiding, away from the vengeful King Richard. This third Duke of Buckingham would in the fullness of time grow to to be executed by Henry Tudor’s son, Henry VIII.
The History of England podcast covers this gentleman in detail in episode 189.
On this date in 1601, Queen Elizabeth’s last great favorite became the last man beheaded in the Tower of London.
Vain and dashing Robert Devereux rolled into the royal court in 1584 around age 19 and immediately established himself as the new favorite of the monarch, 30-some years his senior. They spent long walks and late nights in enchanted private company, and Devereux “commeth not to his owne lodginge tyll the birdes singe in the morninge.” Ye olde walke of shayme.
In becoming the (presumed) lover* of the aging Virgin Queen, the Earl of Essex was only following the family** trade: his stepfather Robert Dudley was the younger Elizabeth’s longtime intimate.
It is up to the artists to postulate the relative measures of passion and cynicism in these dalliances; many have tried, inspired by the scaffold sundering of one of history’s great May-December affairs. The Essex-Elizabeth drama was a popular topic for broadsides, ballads, and stage treatments from the 17th century to the present day.
He was wildly popular in London, but Essex was also afflicted by the follies of youth. Rash, temperamental, vainglorious; he aspired to leverage the favor of his sovereign into statesmanship and he achieved heroic repute for his swashbuckling raid on Cadiz.
Yet Essex reads like a whelp who never quite grew into a man’s boots. Every sketch of Essex includes, because it seems so starkly illustrative of his unstable character, the story of the time his impertinence led the queen to box his ears publicly — and the hothead’s hand flew instinctively to his sword-hilt. Everyone reconciled over this brush with lese-majeste, but only after Essex scribbled some skulking reproaches (“What, cannot princes err? cannot subjects receive wrong? is an earthly power or authority infinite?”) that he had the petulance to actually send to Elizabeth.
Essex chased martial glory with mixed results. His last great enterprise was an ill-starred 1599 offensive in Ireland to bring Gaelic rebels to heel in the Nine Years’ War.
Not for the last time an Englishman found this conquest more easily aspired than achieved. Essex liberally overused his authority to knight men as a reward for their service, but his soldiers mostly slogged to and fro with little headway to show for it. After a frustrating campaign season chasing his tail, Essex defied the increasingly strident directives to attack issuing from Elizabeth’s irate pen, and made terms with the Irish commander Hugh O’Neill, Earl of Tyrone. Then he defied Elizabeth’s order to remain in Ireland and hastened back to London to justify himself. It was said of him that he “never drew sword but to make knights.”
This was the beginning of Essex’s end. Elizabeth’s fury at the aimless military campaign was compounded when her churlish captain turned up from Ireland unbidden and burst into her private chambers while she was still dressing to report on his unauthorized summit. Cecil et al, whose ascendance Essex had meant to reverse with the triumph of his arms, now murmured that the earl had strayed near outright treason to parley with the rebel whom he was supposed to be routing. The Privy Council put him under house arrest.
Heaped in debt and deprived of the prestigious proximity to power he had enjoyed literally throughout his adulthood, the man’s turbulent spirit stirred strangely in York House. We have seen that Robert Devereux, Earl of Essex, was a man to abhor an indignity even past the point of self-preservation. He unwisely sent secret missives to try to turn the ongoing succession negotiations‡ against Robert Cecil; when the Privy Council caught wind of this intrusion, he refused its demand that he present himself to account for his actions. Instead, he made matters worse by mounting a pathetic march through London with his supporters.
This “Essex Rebellion” was meant to rally the citizenry to him and turn some sort of coup against Robert Cecil. It seems so foolhardy and ill-considered that it’s difficult to think what was in the earl’s head. If you squint at it just so, it perhaps had a big-R Romantic quality, a gallant band of brothers saving the nation from its duplicitous ministers; the night before the rebellion, Essex (a liberal arts patron in his time) splurged to have William Shakespeare’s company§ stage a special performance of Richard II — a play wherein the English monarch is deposed. Presumably this was his inspirational pregame speech.
Thinking much more clearly than Essex, Londoners vigorously ignored his summons and the marching party trudged alone — and surely increasingly frightened — through the city until it was stopped by a barricade. Its participants then fled back to Essex House where they soon found themselves surrounded.
Whatever the fancy that led the Earl of Essex on his fatal February 8 march, and whatever the extent of his ambitions for that occasion, the careless threat to the public peace went several bridges beyond a boyish foible that Elizabeth could overlook in her impulsive courtier. He was prosecuted for treason within days and Elizabeth signed his death warrant on February 20th. The only mercy extended the ex-favorite was to suffer the noble execution of beheading, rather than a traitor’s drawing and quartering. Essex also successfully appealed for a private execution within the walls of the Tower, away from the gawks of those London masses who had so signally failed to rebel along with him.
My sins are more in number than the hairs on my head. I have bestowed my youth in wantonness, lust and uncleanness; I have been puffed up with pride, vanity and love of this wicked world’s pleasures. For all which, I humbly beseech my Saviour Christ to be a mediator to the eternal Majesty for my pardon, especially for this my last sin, this great, this bloody, this crying, this infectious sin, whereby so many for love of me have been drawn to offend God, to offend their sovereign, to offend the world. I beseech God to forgive it us, and to forgive it me — most wretched of all.
He prayed a Psalm. Then, stretching out his neck on a low block and thrusting his arms from his sides, he bid the headsman strike. The executioner had to oblige his patient in triplicate in order to sever the puffed-up head.
The Earl of Essex has the distinction of being the last person beheaded on the Tower Green, within the walls off the Tower of London — the last name on the little placard of headless notables photographed by tour groups. Note that Essex was not the last person beheaded at the Tower, when the adjacent Tower Hill is included (that distinction belongs to Jacobite rebel Simon Fraser); nor was he the last person executed within the Tower (that distinction belongs to World War II spy Josef Jakobs, who was not beheaded but shot).
Weary and depressed, Elizabeth died little more than two years afterwards.
* There’s a mind-bending speculative hypothesis out there — cousin to the Shakespeare-focused Prince Tudor theory — that Essex was actually Elizabeth’s secret, illegitimate son. This secret history is obviously more congenial with the queen’s early favoritism for Essex than with her eventually chopping off his head.
** Essex was also a distant cousin of Elizabeth herself: his maternal great-grandmother was Mary Boleyn, sister of Anne Boleyn — who was Elizabeth’s mother.
† Walter Raleigh was a notable Cecil ally in this factional conflict. Raleigh attended Essex’s execution … and, of course, shared that fate many years afterwards.
‡ Elizabeth was nearing age 70; her childless death was imminent. James VI of Scotland was being vetted by Robert Cecil as the successor. Essex tried to stick his thumb in the pie by warning James that the Cecil faction would conspire to foist the English crown on the Spanish infanta — daughter of the Spanish king who had been the Catholic Mary Tudor’s husband. (The infanta was not Mary’s own daughter.) This was no idle threat, as at this point it was only a few years since the Spanish Armada had sallied for English seas.
§ Another noteworthy Shakespeare connection: one of the participants in the Essex Rebellion was the Earl of Southampton (he was spared execution). Southampton, whose given name was Henry Wriothesley, is often identified as the “Fair Youth” to whom Shakespeare dedicated numerous love sonnets. (Some of those are directly addressed to a Mr. “W.H.”)
On this date in 1340, the English and French fought an early naval engagement of the Hundred Years’ War: the Battle of Sluys.
The English won the battle … and the French admiral wound up hanging from a mast.
At the outset of the Hundred Years’ War in 1337, the French bossed the Channel and inflicted devastating sea raids on the English coast. In the long war’s first major battle at sea, a French fleet in September 1338 overwhelmed an English flotilla carrying valuable English wool to the Low Countries.
Nicholas Behuchet, one of the French commanders at this earlier battle, did not hesitate to massacre his prisoners.
Thus conquering did these said mariners of the king of France in this winter take great pillage, and especially they conquered the handsome great nef called the Christophe, all charged with the goods and wool that the English were sending to Flanders, which nef had cost the English king much to build: but its crew were lost to these Normans, and were put to death.
England’s allies were in the Low Countries, so too many battles like this stood to strangle the English cause in the crib. For near two years, French privateers had leave to ravage the English coast, while French troops overran Flanders and made the English Queen Philippa* hostage.
Seeking a breakout, King Edward III requisitioned English merchant cogs — there was no standing navy at the time — into a fleet of perhaps 160 or 200 vessels, heavy with soldiers to invade Flanders.
On June 24, two days after setting out from the Orwell estuary at Ipswich, Edward’s armada boldly fell upon a larger French fleet anchored at the Flanders port of Sluys.
The medieval chronicler Froissart’s account makes for riveting reading.** This was no stately ballet of seamanship but a gory close-quarters melee: as was characteristic for the time, the “sea” battle was mostly just about coming together for the respective fleets’ marines to board one another’s ships and murder anyone on board who wasn’t worth a ransom. The French admiral Behuchet lashed his ships together across the mouth of the harbor, a sort of floating breastwork that would enable the French soldiery to shimmy up and down the entire line no matter where the English focused their attack.
To the sound of “scores of trumpets, horns and other instruments,”
Fierce fighting broke out on every side, archers and crossbowmen shooting arrows and bolts at each other pell-mell, and men-at-arms struggling and striking in hand-to-hand combat. In order to come to closer quarters, they had great iron grappling-hooks fixed to chains, and these they hurled into each others’ ships to draw them together and hold them fast while the men engaged. Many deadly blows were struck and gallant deeds performed, ships and men were battered, captured and recaptured. The great ship Christopher [a large English cog previously captured by the French and situated in the French front row -ed.] was recovered by the English at the beginning of the battle and all those on board were killed or taken prisoner …
An illustration of the Battle of Sluys from Froissart’s chronicle. Note the mast of the ship at far left: it displays the English arms quartered with the French, Edward III’s heraldic assertion of sovereignty over both realms.
It was indeed a bloody and murderous battle. Sea-fights are always fiercer than fights on land, because retreat and flight are impossible. Every man is obliged to hazard his life and hope for success, relying on his own personal bravery and skill … [it] rage[d] furiously from early morning until afternoon, during which time there were many notable feats of arms and the English were hard put to it to hold their own, since they were opposed by hardened soldiers and seamen, who outnumbered them by four to one.
Edward III took an arrow or crossbow bolt to the leg — great-man historical legend has it that it was fired by Nicholas Behuchet himself — but captained his flotilla to an overwhelming victory, capturing most of the French ships and destroying the French, their Genoese allies, “and all who were with them … [they were] killed or drowned, not a single one escaping in the general slaughter.” Poetic license aside, it was a spectacular triumph for the English — and a crushing defeat for the French.†
In the 1596 play Edward III, which might have been co-written by Shakespeare, imagined the scene in the report of an escaped mariner:
Purple the sea, whose channel filled as fast
With streaming gore that from the maimed fell
As did the gushing moisture break into
The crannied cleftures of the through-shot planks.
Here flew a head dissevered from the trunk,
There mangled arms and legs were tossed aloft
As when a whirlwind takes the summer dust
And scatters it in middle of the air.
Then might ye see the reeling vessels split
And tottering sink into the ruthless flood,
Until their lofty tops were seen no more.
Let it not be said that in this instance the commander escaped the consequences of his folly. Behuchet, who insisted against advice on lashing the boats together and thereby sacrificed all maneuverability, didn’t have much room for maneuver himself when the victorious English hanged him at battle’s end from the mast of his own ship.
* Seen elsewhere in these pages successfully begging her husband’s pardon of the famed Six Burghers of Calais later in the war. Philippa was a homegrown native of the Low Countries, and her marriage to Edward III reflects the alliance between their respective regions.
† It is said that no courtier dared give King Philip VI of France the horrifying news until a jester availing his station’s license for cheek informed him that “Our knights are much braver than the English.” Asked why, the fool replied, “The English do not dare jump into the sea in full armour.”