1841: Peter Robinson, Tell-Tale Heart inspiration?

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On this date in 1841, Peter Robinson hanged for a New Jersey murder. Little could he have imagined that he was on his way to the literary canon.

A wealthy merchant and banker named Abraham Suydam had disappeared, and suspicion quickly settled on Robinson — one of his debtors, who suddenly seemed to be a little bit flush with cash and a timepiece too rich for his station in life.

Robinson was arrested and examined before the Mayor of New Brunswick, and from his confused manner and contradictory statements, it was determined that his house should be searched. Accordingly the Mayor, accompanied by several constables, and a number of citizens, proceeded to Robinson’s house for the purpose of searching it. Every room, nook and corner in the upper stories of the house were searched, but without success. At last one of the constables proposed to adjourn to the cellar and see what could be discovered there. This proposition caused the greatest trepidation on the part of Robinson, who strongly remonstrated against it.

He stated that if the floor of his cellar was removed, it would endanger the safety of the building, and there was no telling what would be the consequences. This only made the party feel the more convinced of Robinson’s guilt, and they immediately commenced operations removing the plank of the cellar. A few boards and the earth underneath only had been removed, when the dead body of the unfortunate Mr. Suydam, to the astonishment of all present, was found. His skull was found to be dreadfully fractured, and his head was horribly disfigured by the marks of blows which had been inflicted on it. From the state of his body, it is supposed that he was murdered eight or nine days ago. (New York Commercial Advertiser (Dec. 15, 1840.)

It is commonly thought — thought there does not appear to be any direct evidence for it — that this nationally infamous body-under-the-floorboards murder helped to inspire Edgar Allan Poe‘s classic short story “The Tell-Tale Heart”.*

Published in January 1843, “The Tell-Tale Heart” features a young man who murders an old man, stashes his body under the floor, then pleasantly dissipates the suspicions of the police until a sensation of the victim’s heart noisily throbbing overwhelms him into a confession:

Was it possible they heard not? Almighty God! — no, no! They heard! — they suspected! — they knew! — they were making a mockery of my horror! — this I thought, and this I think. But anything better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! — and now — again! — hark! louder! louder! louder! louder! —

“Villains!” I shrieked, “dissemble no more! I admit the deed! — tear up the planks! — here, here! — it is the beating of his hideous heart!”

Poe’s nameless character denies a motive for the crime, attributing it only to the victim’s “eye” — a mythologizing device which has surely aided the story’s longevity.

Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! — yes, it was this! He had the eye of a vulture — a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so, by degrees — very gradually — I made up my mind to take the life of the old man, and thus rid myself of the eye forever.

But if Robinson was the source material, the occult power of the old man’s “eye” was nothing but the oldest motive in the world: plain old luchre.

In 1839, Robinson had borrowed $400 from Abraham Suydam to buy a lot and begin construction of a home upon it, but soon found himself (to use a familiar but anachronistic parlance) underwater.

“Every one to whom I owed a few dollars was after me to sue or get me to give my furniture for the debt,” Robinson recounted in a tearful confession 48 hours before his hanging. (We excerpt it here from the April 17, 1841 Baltimore Sun.) “I did so; I did all that I could; I was driven nearly crazy by these debts … I let them take my furniture until there was scarcely any thing left in the house; and I was ashamed to let any one come into it to see how very poor we really was, and how bad off.”

The dunning of creditors and the passion of the crime left the murderer’s mind awash in dollars and cents.

Even facing a far more considerable penalty than bankruptcy, Robinson’s confession is obsessed with the winnowing margins of his former debts; scarcely a paragraph elapses without citation of a meticulous mental ledger-book. Robinson recalled the bills incurred to construct his home (“I bought about $250 worth of lumber … The mason work was done for me by Mr. Chessman; for this I was to pay Mr. C. $210. I paid him $110 in cash, and gave him a mortgage for $100 … I had bought some sash frames for my house of a man, and they came to $22.25” …). He dwelt on his negotiations with Suydam and complained of the lender’s tightfistedness; he recalled the precise value of what he was able to steal from Suydam’s body (“$10 in money, not a cent more … [in] his pantaloons pockets … only two shillings and a penknife”) and the expenses incurred to evade justice (he offered his brother $50 to burn his house down for the insurance, then took a bath unloading Suydam’s gold watch — it “was worth double what I got for it”); yet even so, he was still a little proud of his diligence assailing his debt, in contrast with “Thorne who bought a lot close by mine” and with whom “Mr. Suydam got out of patience.” The killer even had the brass to pat himself on the back for not destroying the papers Suydam had on him: thus, “the relations of Suydam, and his friends, can’t say that they lose any money by the murder.”

So, about that murder.

Luring Suydam to his house to make a payment on Thanksgiving Day, Robinson invited him down to the creepy basement to do business, having prepared his instrument like Patrick Bateman.

At this time I took up a mallet, which I had placed in the basement ready to knock him over with. I then went into the front basement, Mr. Suydam in front of me. I followed behind with the mallet in my hand, he not noticing the same. My intention then was to murder him in the front basement — but my heart failed me. We then went up stairs again in the back room, I carrying the mallet against the palm of my hand. We stood by the fire talking about the house. He was there nearly fifteen minutes. I stated that my wife staid a long time.

He told me that he would go out and take a wall, and return again. He started to go, and I followed, until he got just through the doorway of the back room, which is within three or four feet of the back door, in the entry. I then knocked him down on his knees with the mallet, by striking him n the back of his head, through his hat. He undertook to rise, when I struck him again on the head, and he fell over, and laid still and senseless. I then supposed he was dead, and laid the mallet down; I then went and turned the button of the front door, which all this time was unfastened; and I went down into the front basement. I then went to work and began to dig a small hole; after I had been digging for two minutes, I thought I would not leave the body up stairs; so I went up stairs to bring him down. I saw him on his hands and knees, with his face and hands all bloody. He cried out, “Oh! Peter!” once or twice. Had he begged for his life then, I believe I should have let him off; but I did not want to drag him down stairs alive, and I didn’t want to see him linger there in misery; so I seized the mallet, and again struck him on the head, which knocked him perfectly dead, as I supposed. …

I discovered a chain hanging out of his pocket, and drew from it his gold watch, and put it in my own pocket. I then dug the hole larger, and in throwing out the dirt I threw about half a load of it on his body and head, which completely covered it. He then groaned a little, but I shuddered to hear him, and so I got out and stood upon the dirt and on his head to smother him! He then groaned so hard that I got off from him and struck him with the edge of the spade upon the head, which sunk completely to the brain, and which killed him instantly! …

I now felt as if my heart was completely black, and I was so hardened and callous, and yet so cool and deliberate, that I could have murdered many more. I could, without flinching or hesitating, have killed twenty men if they had come on me one by one.

…

I don’t believe that I was over a half hour doing the whole exercises of the whole thing! For I had a kind of knack of doing work somehow that others hadn’t. And why, sir, I’ve took hold of floor plank before now, and done forty-five of them in one day, that is, planed and ploughed and grooved them; whereas from sixteen to eighteen is a day’s work for some men.**

As if to complete the American Gothic quality of the crime, Robinson fell through the rope on the first attempt to hang him, then painfully strangled to death on the second try.

* Poe took up a very similar theme — the criminal psychology of a domestic murder concealed by subterranean immurement — later that year in “The Black Cat” (published in August 1843).

** His last wish in this confession: “whatever you do, don’t let the doctors get hold of me and make medicine of me.”

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