Monthly Archives: November 2012

1858: Henry Jackson, in Decatur

Posted on by

On this date in 1858, a slave named Henry — property* of a local farmer named William Jackson — was hanged in Decatur, Georgia for attempted rape.

We have of this occasion a first-person account from a 16-year-old white neighbor of the Jackson farm, Catherine Hewes, and the impressions she recorded of it that evening are reprinted by John C. Edwards in “Slave Justice in Four Middle Georgia Counties” in the Summer 1973 Georgia Historical Quarterly. A few additional paragraph breaks have been added for readability, and [sic] notations where necessary either by myself or by Edwards; however, there are many other minor language irregularities not worth individually noting, and simply presented as-is.

The Execution of Henry Jackson a slave of William Jackson at Decatur Ga. at an early hour this morning I dressed myself and prepared to accompany my brother and Sister to Decatur, a beautiful village an [sic] the County site of DeKalb county Ga. As we lived four miles south of Decatur we crossed the Georgia R Road in sight of the village, where we stopped a few moments to enquire where the gallows had been located and were infomed that it was situated one mile north of the Court-house on the Shallow ford road.

By ten Oclock a great many people throned the streets, and clustered around the old weather beaten jail. Our little company had beome quite a respectable crowd before we reached the Public Square where we drove slowly through the immense mass of living beings. All along the way form the Court-house to the gallows Carriages, Wagons and carts were seen bearing on their living freight to the scene of the execution. The high and low the rich and the poor the free and the bond alike pressing forward to the gallows their desires of seeing the law enforced and crime meet its own reward.

After a slow tedious drive we arrived at the appointd place where the rough benches had been erected in an old field whos [sic surroundings were on the amphitheater order. For several hours I had been pleasantly situated and with good company which caused thime [sic] to pass by almost imperceptibly but when I was confronted by a “gallows,” the simple construction of which was two upright posts and a cross beam from the top of the posts I viewed it with horror.

My reflections gushed forth when my eye took in the surroundings. On one side of the gallows were the colored people and on the other side the white people who had gathered on the little hillock. It was quite gratifying to the feelings to see the willingness of slave owners to teach their Slaves an important lesson by sending them here to day. The gallows, yes here on this gallows ill-fated Henry, will have to give up his life for crime and go to his long home with God in eternity.

In the midst of my reflections I saw a vast crowd of people coming from Town toward the gallows[.] It was announced that “They are a coming.” and I looked and saw on [sic] Ox-cart coming on which rode the unfortunate Henry dressed in a suit of white sitting by the coffn which was to incase his lifeless form. They drove the Ox-cart near the gallows, then the drive unhitched the Sturdy oxen and proceeded to direct the cart by hand.

The Sheriff plased [sic] his guard and when the cart stopped under the gallows by the platform a negro man ascended the stand and sang Hymns. Many joined in singing aloud the praises of God, while I stood gazing on in amazement. At the conclusion of the Hymn he offered a very appropriate prayer which seemed to affect a great many. When he raised up from prayer he began exhorting the people from Acts 6-23 — “For the wages of sin is death, but the gift of God is eternal life through Jesus Christ our Lord.” [sic — she means Romans 6:23] When he had ended his discourse, the Rev. Jns. W. Yarbough got up and made a short, but very appropriate exhortation.

They closed the religious services, but the convict desired to speak to the people. His discourse was very affecting, so much so that some of the black women shouted praises to their immortal King. The mother of Henry screamed aloud and shouted with vehemence while her son stood on the platform speaking to the auditory. At the conclusion of his remarks the Officers began to fix for his execution. The Sheriff, Capt John Jones, a capital man, was very much affected during the Scene. They first tied his feet together, then his hands, and then adjusted his clothing. The Sherff then permitted him to look over the vast multitude which surrounded him for a few moments and then tied a white handkerchief over his face which excluded it from view.

The hangmans Knot was adjusted around his neck then the rope was passed over the cross-bar of the gallows[.]

All things read at 12 N the Sheriff descended the steps to the ground and with help drew the Cart on which the Convict stood from under him — leaving the dangling form of the poor victim suspended in the air by a rope. When the form dropped from the Cart, a loud groan went up from the people and then they people [sic] began to disperse.

After the untwisting of the rope and the shrugging of the shoulder had ceased the Dr. E N Calhoun (I believ [sic]) approached and took hold of the hand and after a few moments announced that life was extinct. We came back to town and staid [sic] a few hours, and while at the Old Washington Hotel Kept by Mr. Banks George, I saw the Sheriff Mr Jones bring the corps [sic] back and carry the coffin up a flight of rickety steps to the door of the second story of the jail and deposit it therein. Doubtlessly the Doctors will take advantage of this subject for anatomical investigation, and be found with sleeves rolled up chatting over the mortal remains of this deluded victim. We left town with Mrs Parker, masters Bob and Miss Betsy, and got home before night.

Cottage House DeKalb Ga.
Catherine M. Hewey
November 3, 1858

* Henry was William Jackson’s only slave, and the latter was not compensated by the state for Henry’s execution: it was a substantial loss to the master.

On this day..

1801: James Legg, crucified ecorche

Posted on by

On this date in 1801, 73-year-old James Legg(e) was hanged for murdering his mate William Lamb(e) at Chelsea Hospital.

Both men were pensioned ensigns from His Majesty’s service. According to the trial transcript, Legg was sinking into obvious depression. A nurse of long acquaintance remarked on

a lowness, a melancholy and deranged state; knowing him so long, I took the opportunity of asking him what was the matter with him, and the reason of his melancholy; he told me his mind was confused; that he had no rest night or day; that he was hurried from place to place, and could not tell what he was doing; and I really was afraid he would make away with himself; I was always unhappy when he was out of my sight, for fear he should do himself an injury; I never mentioned it to the doctor, because he was harmless … sometimes when I spoke to him, he would start like a person surprized out of a sleep; sometimes he would give me an answer, and sometimes only just a bow; I still observed that lowness and melancholy, and that his head was always confused down to the time of this unfortunate event.

Ah. The “unfortunate event.” Legg took it to mind that Lamb was “a tyrannical tempered man” who gave him “repeated insults” and challenged him to a duel. (Lamb’s widow, the only witness to the murder, said her husband had no beef with his killer.)

When Lamb quizzically (or scornfully) discarded the pistol that the irate Legg had forced into his hand, Legg just shot him dead.

He probably had no expectation that he’d just punched his ticket to artistic immortality.

Legg hanged exactly a month after the homicide. During the interval, three Royal Academy of Arts members — sculptor Thomas Banks and painters Benjamin West and Richard Cosway — pulled some strings with the Chelsea Hospital surgeon Joseph Carpue to get Legg’s body after death.

These gentlemen had an idea that centuries of artistic representation of Christ’s crucifixion were nonsense from a physiological point of view.


Giotto crucifixion fresco, c. 1300.

It was a natural outgrowth of Europe’s long fascination with anatomical accuracy — a fascination that made liberal use of executed bodies.

Despite the centrality of Christ’s crucifixion to western culture, nobody had seen an actual crucifixion — not for centuries. So, sure, you can make the guy on the cross look like a proportioned, three-dimensional human being …


Possible Michelangelo (otherwise, Marcello Venusti) Crucifixion with the Madonna, St. John and Two Mourning Angels.

… but is this really what a proportioned, three-dimensional human being would look like when nailed to a cross?

That Chelsea surgeon Carpue and his artist friends had the best way to find out. (Well … the second-best.)

“A building was erected near the place of the execution; a cross provided,” Carpue recorded. After hanging, “the subject was nailed on the cross; the cross suspended … the body, being warm, fell into the position that a dead body must fall into … When cool, a cast was made, under the direction of Mr. Banks, and when the mob was dispersed it was removed to my theatre.” West supposedly exclaimed that he had “never before seen the human hand” until he saw James Legg’s nailed and stretched.

Carpue proceeded to flay the cadaver and make a second cast from the grisly skin-less ecorche … an artistic/anatomical practice of the age whose best-known product is Smugglerius, also cast from a hanged man.

That latter ecorche still survives, and the despondent veteran James Legg’s last pose, hypothetically in the manner of the Savior, can be seen to this day the Royal Academy.

(Debate and experimentation over the particulars of an execution by cross also continue to this day.)

On this day..

1912: George Redding, making Emile Gauvreau’s career

Posted on by

On this date in 1912, investigative reporter Emile Gauvreau saw George Redding hanged at the Connecticut State Prison in Wethersfield.

“When I left the prison to write my story,” Gauvreau later wrote in his memoir My Last Million Readers,* “I found out why newspapermen drank and I had my first half tumbler of cognac.”

Gauvreau was 21 years old, and he wasn’t a pup any longer.

This hard-charging journo from a rough-and-tumbler age would later make a name for himself pioneering the lowbrow Big Apple tabloid style with his New York Graphic. (“The PornoGraphic”, it was nicknamed.)

And he made his bones for that classic career in newsprint — from high school dropout to cub reporter to the heights of the profession — by making bones of George Redding.

The case was the mysterious February 1912 murder of a Hamden produce peddler by the name of Morris Greenberg. Greenberg was lured to a wooded area en route to buy from a local farmer and shot dead there for his cash. Police were stumped.

Gauvreau at the time was busting hard at the police desk of the New Haven Journal-Courier (since merged into the New Haven Register). He took a page from Sherlock Holmes and went to work on the sensational case freelance … painstakingly eliminating Hamden residents until he was left with George Redding.

Redding was a young man on the make himself, a charming 21-year-old playwright who’d been throwing a lot of money around lately and was known to carry a sidearm.

Circling his friends and paramours, Gauvreau sealed the young man’s fate by laying hands on a damning confessional that Redding had sent a friend. Gauvreau even stage-managed the arrest so that he could shock rival papers and police detectives by breaking the whole story in his paper. All that was left for police was extracting Redding’s confession.

(According to Legal executions in New England: A Comprehensive Reference, 1623-1960, the perp at first denied the crime. “By the following day, however, there was a marked change in Redding. He said that Greenberg’s ghost had appeared to him in the night and so he dare not deny his guilt any longer.”)

* Quote via this Columbia Journalism Review profile.

On this day..