Tag Archives: liege

1485: William de La Marck, the Wild Boar of the Ardennes

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On this date in 1485, the German warrior William de La Marck was beheaded at Maastricht.

“There is, moreover, in the land, a nobleman of good descent, and fame in warlike affairs, but otherwise, so to speak, Lapis offensionis et petra scandali — and a stumbling block of offence to the countries of Burgundy and Flanders. His name is William de la Marck.”

“Called William with the Beard,” said the young Scot, “or the Wild Boar of Ardennes?”

“And rightly so called, my son,” said the Prior, “because he is as the wild boar of the forest, which treadeth down with his hoofs and rendeth with his tusks. And he hath formed to himself a band of more than a thousand men, all, like himself, contemners of civil and ecclesiastical authority, and holds himself independent of the Duke of Burgundy, and maintains himself and his followers by rapine and wrong, wrought without distinction upon churchmen and laymen.”

–Sir Walter Scott, Quentin Durward. The boar is a major antagonist in this novel, but Scott has him killed, ahistorically, in melee.

Le Sanglier des Ardennes — The Wild Boar of the Ardennes, so christened for his resemblance to that ferocious beast; “he affected to delight in this surname, and endeavoured to deserve it by the unvarying cruelty and ferocity of his life” — tusked his way onto history’s stage in the power vacuum following the collapse of Burgundy as an independent power.

Among other effects, Burgundy’s fall greatly widened the local autonomy of the city of Liege, in present-day Belgium — a city that Burgundy in its recent heyday had violently brought to heel.

And not merely the city, but the entire Prince-Bishopric of Liege.

A tasty truffle for the snuffling, to porcine eyes.

In 1482, the Wild Boar assassinated the sitting Prince-Bishop of Liege, Louis de Bourbon. It’s a scene captured in dark melodrama by Executed Today‘s court painter Eugene Delacroix.

He intended by this stroke to set up his son Jean de La Marck as the Prince-Bishop. Instead he kicked off a civil war and in lieu of the mitre he obtained a payoff from the Prince-Bishopric as Liege turned to resisting the inroads of the Austrian Empire. The Boar now allying with Liege in this endeavor, he was ingloriously ambushed by imperial forces and brought in for butchering.

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1622: Anne de Chantraine, young witch

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On this date in 1622, Anne de Chantraine was burned at the stake for witchcraft in Waret-la-Chaussee, Belgium.

Our day’s heroine answers most prominently to fictional modern interpretations — about which more in a moment — but Anne de Chantraine was a flesh-and-blood person, at least for 17 years.*

In outline form, Anne is said to have faced the usual litany of sorcerous allegations and the usual ordeals to demonstrate guilt, with the usual result: confession, execution. Here in the opening years of the Thirty Years’ War coeval with the the conflicts of the Protestant Reformation, one cannot but suspect the fearful hand of endangered authority in witch-hunts. Historian Hugh Trevor-Roper argued that

this recrudescence of the witch-craze in the 1560s was directly connected with the return of religious war … It can be shown from geography: every major outbreak is in the frontier-area where religious strife is not intellectual, a dissent of opinion, but social, the dissidence of a society. … Thereafter, almost every local outbreak can be related to the aggression of one religion upon the other.

Anne de Chantraine’s environs fit the theorem.

The Walloon region of Liege at this point was governed by a Catholic Prince-Bishop of Habsburg stock, just as the Holy Roman Empire was putting down the Protestant stirrings in Bohemia that would initiate Europe’s epochal war and send armies to and fro through the Low Countries. Said Prince-Bishop, name of Ferdinand of Bavaria, would win renown as a zealous persecutor of the diabolical in his realms.

Alas for Anne.

She’s a bit better documented among Francophones (see this biography in French, for instance, full of sensual details like the gorgeous red hair, a spurned lover accusing her, and the rough play of medieval torture; there’s also a brief roundup in German here), but worldwide, she’s a literary character of some consequence — most notably, perhaps, through the work of Belgian author Francoise Mallet-Joris: her 1968 Trois âges de la nuit (translated to English as simply The Witches) presents Anne de Chantraine as the focal point of one of three vignettes reimagining real historical “witches” as persons struggling for spiritual growth.

Anne, in this version, does participate in (staged, not-really-supernatural) witches’ sabbaths, plus a lesbian affair with a fellow participant. Her seekings both godly and infernal (paralleled by lifestyles both monastic and hedonistic) fall short of satisfactory; in the end, exercising magic unto her own death is a form of self-actualization among fellow people who, unable to recognize her humanity, brutalize or ignore her.

Players of the long-running video board game Atmosfear (or Nightmare) will also recognize Anne de Chantraine as a recurring witch character. The series uses recordings (VCR tapes originally; DVDs now) played during gameplay; “the witch” is featured as the central character in Atmosfear III/Nightmare III:

(In the comment thread for this video on YouTube, the French actress Frederique Fouche drops in to confirm her part as the witch. According to this French interview, the role caused her to become an emigre in Australia.)

* Some reports say she was burned at age 17, others that she was arrested at 17, which would have made her 18 or 19 at her death.

Part of the Themed Set: Belles Epoque.

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