1903: Edgar Edwards, sash weight killer

On this date in 1903, Edgar Edwards was hanged in Wandsworth Prison for a minor-league* triple murder.

Of course, the killing was anything but trivial to its victims, a Camberwell grocer and his wife along with their infant daughter. The couple put their business up for sale: Edwards answered the ad but had a different transaction in mind. Contriving to separate man and wife in the course of the interview, he bashed Beatrice Darby to death and strangled the infant child. Evidently he had some proficiency wielding a five-pound sash weight. The reader may perceive that this weapon, albeit improvised, is a crueler device than its accessorizing name might suggest.

Having done with the wife, he lured unwitting husband John to his makeshift abattoir and murdered him in the same horrid fashion.

That occurred way back in November, but it wasn’t until Edwards tried the same ploy using the same type of bludgeon** against a London businessman a month later that the earlier homicide unraveled. As the investigation led back to Leyton (thanks in part to Edwards’s foolish possession off John Darby’s business cards) the neighbors all started remembering that he’d been awfully keen about burying something in the garden a few weeks back. Rear Window this ain’t.

The motive for all this was just to take possession of the stock and sell it quietly for ready cash. Edwards had little recourse when captured but to try to draw out a family history of insanity, a ploy could not have impressed jurors much in view off the crime’s calculated ferocity.

* A century and God knows how many murders onward, this crime may be an imperceptible drop in the sea; in its day, however, it earned Edwards wax statuary at Madame Tussaud’s.

** The humble sash weight has its niche in the crime annals; it was also the weapon used by Double Indemnity inspirations Ruth Snyder and Judd Gray.

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1910: Hawley Harvey Crippen

On this date in 1910, the notorious wife-murdering doctor Hawley Harvey Crippen was hanged at London’s Pentonville Prison.

The sensational trial, which saw the American-born homeopath convicted for dismembering his shrewish and unfaithful wife Cora in an attempt to take up with his young mistress, fitted Crippen for both a noose and a likeness at Madame Tussaud’s. (More trial background here.) It has also made his case twice a landmark in the history of crime and technology: once at the time of his arrest, and again just last month as of this writing.

The core of a case a jury found so open-and-shut as to require just 27 minutes to convict was the poorly explained disappearance of Crippen’s wife, followed by the discovery of a considerably mutilated female corpse under the Crippens’ home.

Although much of the crown’s evidence was speculative and circumstantial — to say nothing of the bodice-ripping gossip of nymphomania and infidelity — a corpse under the floorboards tends to be a compelling circumstance to a jury.

Presumably that anticipation prompted Crippen to flee the Scotland Yard investigation with his mistress Ethel le Neve under assumed names on an ocean liner bound for Canada. The case made criminological history as the first use of wireless communication to apprehend a suspect when the ship’s alert captain telegraphed Crippen’s presence to land as the ship steamed away — enabling a policeman to board a faster boat and arrest the pair as they docked in Quebec.

In the century since Crippen went to the gallows still maintaining his innocence, the case has endured in popular notoriety. The killer’s life has been novelized, meditated upon and borrowed for fiction, offering a draught of inspiration to Alfred Hitchcock along the way.

Books inspired by the Crippen case …

Given his suspicious behavior, scant had been the credence given Crippen’s protestation of innocence.

Until now.

In a meeting of Edwardian crime and cutting-edge technology, two scientists from Crippen’s home state of Michigan stunningly announced in October that DNA testing proves the body was not Cora Crippen after all.

If true, it would appear to void Crippen’s conviction in its particulars without quite exonerating the hanged man from the natural question: whose was the corpse? The manufacture of clothes on the body dated it to the Crippens’ occupancy of the house.

One of Crippen’s modern sleuths, in a wholly speculative vein, thinks it might harken to an altogether different sort of crime: a botched back-alley abortion, just the sort of thing a financially struggling physician might have been involved in.

Maybe.

But if the test invites a modern investigator to look 97 years backwards, it also suggests a posture of epistemological humility. It’s just possible that the light this test casts on our own time is as searching as that it shines on 1910.

The Prejudice of Science

The Crippen case was a classic 19th century-style detective job — the inspector who made the arrest cut his teeth as a younger man on a Jack the Ripper murder — but it took place on the brink of a revolution in forensic science.

Just a few years before, fingerprinting had been embraced by British and American law enforcement and begun its march towards total institutionalization. On the heels of fingerprinting came a multiplicity of biometric approaches to crime scenes — hair and fiber analysis, blood typology, and most recently and dramatically, DNA.

And they, in turn, have brought a rising faith in science to adjudicate the law.

While the “CSI Effect” — jurors’ expectation of case-breaking scientific evidence — conventionally plays as a hindrance for prosecutors who usually have no such thing, the excess deference given to less-than-conclusive forensic evidence can likewise cut against the defense. Evidence mishandled at crime labs, even cooked outright, factors into numerous recent post-conviction exonerations. The once ironclad credibility of fingerprint evidence has itself been undermined by subsequent forensic advances.

In short, for all its undoubted contributions to criminal justice, forensic science packs along its own set of pitfalls, caveats and blinders reflexively privileging evidence of the laboratory.

This is not a reflex to indulge uncritically. History grants the benefit of hindsight, but rarely the luxury of certitude.

A waxwork Dr. Crippen at Madame Tussaud’s. Image used with permission.

So if the prospect of Crippen’s innocence intrigues, that unexplained body — that sudden flight for Canada — that (permanent) failure of Cora Crippen to resurface — nevertheless remain. They might lead us to question our implicit faith in the finality of DNA’s verdict on history rather than the other way around.

Are we certain that an unbroken line of blood relations really connects Cora Crippen to the modern DNA donors of her “family”?

Are we certain that a reliable chain of custody has preserved the original tissue samples unsullied across a century?

And if we are certain, what do we make of that body after all?

It is humans who must ultimately interpret and contextualize even the firmest forensic science. Whatever we might believe of Dr. Crippen we retain the burden of that belief, with all its intrinsic potential for grievous wrong.

The tales Hawley Crippen has yet to unfold from the grave might or might not shed still another different light on our understanding of what happened at 39 Hilldrop Crescent a century ago.

The gentleman’s place as a continuing attraction at Madame Tussaud’s, however, seems assured.

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