Category Archives: Executions Survived

Feast Day of St. Sebastian

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(Thanks to Jeffrey Fisher [jeffreyfisher at me.com] for the guest post.)

Sebastian In Art






Martyrdom — dying for the sake of one’s religious beliefs — has been one of the defining aspects of Christian self-understanding since at least about 100 CE, when the Book of Revelation was composed. Only a few systematic persecutions of Christians can be even minimally documented, but the idea that Christians suffer and even die for their faith — at the hands of the Jewish establishment, or the Roman authorities, or, today, secular humanists — is absolutely central to Christian identity for many Christians.

One of these ancient periods of persecution for which there is some historical evidence is in the late third and early fourth centuries, around the time of the Emperor Diocletian. On this day in 287, according to tradition, Diocletian martyred Saint Sebastian, at the time an officer in the Praetorian Guard.

The story goes that Sebastian’s Christianity was unknown to the Emperor until Sebastian balked at his job of executing Christians who refused to offer a libation to the emperor (a god, according to the emperor cult of the time). Indeed, Sebastian went so far as to encourage two Christians martyrs in their faith, and to convert several others. Upon hearing of all this, Diocletian ordered Sebastian tied to a tree and shot to death with a firing squad of the ancient sort: bows and arrows.

This, then, is how Sebastian is best known and most commonly represented: as a beautiful youth tied to a tree or a pillar and pierced with arrows.

Like the martyr Saint Catherine, however, whose iconic imagery is also a form of execution* survived by the saint, Sebastian was riddled with arrows and left for dead but did not die. He was rescued by St. Irene, who nursed him back to health. He lived until he heckled the Emperor sometime later, at which point Diocletian had him beaten and, making certain he was dead, threw him into a privy.

The truth is that we know next to nothing of the historical Sebastian. The Catholic Encyclopedia has a very short article that says mainly that. But this has not diminished his importance or cultural prominence, and he has quite the account in the Golden Legend.

Sebastian walks in a solid tradition of military martyrs, including St. George and St. Martin of Tours, and is like George a patron saint of soldiers. Interestingly, while George was also martyred, George is typically represented in strength, slaying a dragon, while Sebastian is represented (again, like Catherine) at an ostensibly powerless moment that is simultaneously his nadir as a human and his pinnacle as a saint.

The image has fascinated artists (and writers) for millennia, including most especially Renaissance Italian artists and early modern artists from all over Europe. Botticelli painted Sebastian twice, but perhaps the single most famous painting is that of Andrea Mantegna, who painted the saint three times. The fame of these paintings may be due in part to the way in which they typify the conception of the saint and his representation as a complex icon of fantastic vulnerability and strength, suffering and fortitude, and with striking homoerotic potential (perhaps having to do with the complex relationship between pain and pleasure), which is more fully realized in, for example, Botticelli’s earlier work or in Guido Reni’s painting.

More recently, St. Sebastian has a cameo in the video for REM’s “Losing My Religion,” which seems to be very much about the hazards of being young and gay in a heteronormative culture.

There is no more or less reason to think that Sebastian himself was gay than to think that he was in the Praetorian Guard, from Gallia Narbonensis, or even, really, that he was martyred. But he has been an important icon in what we might call gay culture since at least the Italian Renaissance, and it’s not clear that it matters whether he was gay any more than it matters whether or not he even existed.

* The breaking wheel, which is said to have shattered at her touch.

On this day..

Feast Day of St. Catherine of the Wheel

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This date annually is the feast of iconic — perhaps mythological — Christian martyr Saint Catherine, said to have been put to death in the 4th century for her faith.

St. Catherine in a 700-year-old stained glass at St. Mary’s Church of Deerhurst. Image courtesy of the Sacred Destinations Travel Guide.

One of the most popular Catholic saints, St. Catherine was reputed to have been a beautiful young maiden of Alexandria — so wise as to convert every pagan scholar sent to dispute her, so devoted as to be mystically betrothed to Christ.

Catherine was condemned by one of the last pagan rulers of Rome to torture on a breaking wheel, which shattered when it touched her — so she was simply beheaded. (The story is related in didactic iconography in this triptych.)

Despite this inauspicious debut, the breaking wheel was Catherine’s iconic attribute, by which her frequent appearances in devotional art can be recognized.

This gruesome instrument of torture was also known as the “Catherine wheel” in medieval Europe, from which English derives the deceptively winsome-sounding name of a firework.

The saint became the patron of those condemned to this horrific death as well as a diverse swath of the wider society: wheelwrights, mechanics, and other laborers who worked with wheels for apparent reasons; teachers, philosophers and scribes for her learning; girls, virgins and young maids for her purity. Single women seeking husbands still offer her supplication:

St. Catherine, St. Catherine, O lend me thine aid
And grant that I never may die an old maid.
A husband, St. Catherine.
A handsome one, St. Catherine.
A rich one, St. Catherine.
A nice one, St. Catherine.
And soon, St. Catherine.

Catholic recountings of the saint’s legend can be read here and here. More St. Catherine’s Day customs are enumerated here.

On this day..

1740: Not William Duell

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On this date in 1740, five criminals were hanged at Tyburn.

Sixteen-year-old William Duell was among them. He was hanged — but he did not die. As recounted in The Newgate Calendar:

WILLIAM DUELL was convicted of occasioning the death of Sarah Griffin, at Acton, by robbing and ill-treating her. Having suffered, 24th of November, 1740, at Tyburn, with Thomas Clock, William Meers, Margery Stanton and Eleanor Munoman (who had been convicted of several burglaries and felonies), his body was brought to Surgeons’ Hall to be anatomised; but after it was stripped and laid on the board, and one of the servants was washing it, in order to be cut, he perceived life in him, and found his breath to come quicker and quicker, on which a surgeon took some ounces of blood from him; in two hours he was able to sit up in his chair, and in the evening was again committed to Newgate, and his sentence, which might be again inflicted, was changed to transportation.

Failed hangings were not unheard-of at this time … and if transportation was no mean sentence, the young criminal must have reflected that matters certainly could have gone much worse for him.

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