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1864: Doctor Edmond-Désiré Couty de la Pommerais, poisoner

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At dawn this morning before the walls of La Roquette, a homeopath convicted of poisoning his mistress was beheaded for one of Paris’s most sensational crime dramas of the 1860’s.

The ill-fated Madame de Pauw had fallen suddenly ill and expired in the doctor’s care; means and opportunity were obvious, and motive readily adduced from the handsome life insurance policies of the expired woman.

La Pommerais was convicted on this basis of killing his paramour in the midst of a farcical insurance scam, with noted forensic scientist Ambroise Tardieu establishing to the court’s satisfaction the presence of the poison digitalin.

(One can read a detailed 1865 critique of Tardieu’s conclusions and testimony, a reminder that the criminal justice system’s struggles with the uses and limitations of forensic science are a longstanding concern. This (if one takes it as such) murder, which reads in retrospection like a classic in the genre of comedic criminality, might have been the perfect crime absent an obvious pecuniary design: the death was put down to a routine cause and only scrutinized when an anonymous tip and/or the suspicious insurance adjusters led the authorities to exhume the body 13 days after burial.)

American newsman George Alfred Townsend chanced to be abroad in Paris on this occasion, and recorded the scene as “thousands of Parisians bent their steps the night before the execution” in Campaigns of a Non-combatant — excerpted at length here for its topicality to this blog.

The news had gone abroad that la Pommerais would not be pardoned. It was also generally credited that this would be the last execution ever held in Paris, since there is a general desire for the abolition of capital punishment in France, and a conviction that the Legislature, at its next session, will substitute life-imprisonment.* This, with the rarity of the event, and that terrible allurement of blood which distinguishes all populaces, brought out all the excitable folk of the town; and at dusk, on the night before the expiation, the whole neighborhood of La Roquette was crowded with men and women. All classes of Parisians were there, — the blouses, or workingmen, standing first in number; the students from the Latin Quartier being well represented, and idlers, and well-dressed nondescripts without enumeration, — distributing themselves among women, dogs, and babies.

Venders of galeaux, muscles, and fruit were out in force. The “Savage of Paris,” clothed in his war plumes, paint, greaves, armlets, and moccasins, was selling razors by gaslight; here and there ballad-mongers were singing the latest songs, and boys, with chairs to let, elbowed into the intricacies of the crowd, which amused itself all the night long by smoking, drinking, and hallooing. At last, the mass became formidable in numbers, covering every inch of ground within sight of the prison, and many soldiers and sergeants de ville, mounted and on foot, pushed through the dense mass to restore order.

At midnight, a body of cavalry forced back the people from the square of La Roquette. A number of workmen, issuing from the prison-gates, proceeded to set up the instrument of death by the light of blazing torches. The flame lit up the dark jail walls, and shone on the helmets and cuirasses of the sabre-men, and flared upon spots of the upturned faces, now bringing them into strong, ruddy relief, now plunging them into shadow. When the several pieces had been framed together, we had a real guillotine in view, — the same spectre at which thousands of good and bad men had shuddered; and the folks around it, peering up so eagerly, were descendants of those who stood on the Place de la Concorde to witness the head of a king roll into the common basket. Imagine two tall, straight timbers, a foot apart, rising fifteen feet from the ground. They are grooved, and spring from a wide platform, approached by a flight of steps. At the base, rests a spring-plank or bascule, to which leather thongs are attached to buckle down the victim, and a basket or pannier filled with sawdust to receive the severed head. Between these, at their summit, hangs the shining knife in its appointed grooves, and a cord, which may be disconnected by a jerk, holds it to its position. Two men will be required to work the instrument promptly, — the one to bind the condemned, the other to drop the axe. The bascule is so arranged that the whole weight and length of the trunk will rest upon it, leaving the head and neck free, and when prone it will reach to the grooves, leaving space for the knife to pass below it. The knife itself is short and wide, with a bright concave edge, and a rim of heavy steel ridges it at the top; it moves easily in the greased grooves, and may weigh forty pounds. It has a terrible fascination, hanging so high and so lightly in the blaze of the torches, which play and glitter upon it, and cast stains of red lights along its keen blade, as if by their brilliance all its past blood-marks had become visible again. A child may send it shimmering and crashing to the scaffold, but only God can fasten together the warm and throbbing parts which it shall soon dissever. And now that the terrible creature has been recreated, the workmen slink away, as if afraid of it, and a body of soldiers stand guard upon it, as if they fear that it might grow thirsty and insatiate as in the days of its youth. The multitude press up again, reinforced every hour, and at last the pale day climbs over the jail-walls, and waiting people see each other by its glimmer. The bells of Notre Dame peal out; a hundred towers fall into the march of the music; the early journals are shrieked by French newsboys, and folks begin to count the minutes on their watches. There are men on the ground who saw the first guillotine at work. They describe the click of the cleaver, the steady march of victims upon the scaffold-stairs, the rattle of the death-cart turning out of the rue Saint Honore, the painted executioners, with their dripping hands, wiping away the jets of blood from the hard, rough faces; nay! the step of the young queen, white-haired with care, but very beautiful, who bent her body as she had never bent her knee and paid the penalty of her pride with the neck which a king had fondled.

At four minutes to six o’clock on Thursday morning, the wicket in the prison-gate swung open; the condemned appeared, with his hands tied behind his back, and his knees bound together. He walked with difficulty, so fettered; but other than the artificial restraints, there was no hesitation nor terror in his movements. His hair, which had been long, dark, and wavy, was severed close to his scalp; his beard had likewise been clipped, and the fine moustache and goatee, which had set off his most interesting face, no longer appeared to enhance his romantic, expressive physiognomy. Yet his black eyes and cleanly cut mouth, nostrils, and eyebrows, demonstrated that Couty de la Pommerais was not a beauty dependent upon small accessories. There was a dignity even in his painful gait; the coarse prison-shirt, scissored low in the neck, exhibited the straight columnar throat and swelling chest; for the rest, he wore only a pair of black pantaloons and his own shapely boots. As he emerged from the wicket, the chill morning air, laden with the dew of the truck gardens near at hand, blew across the open spaces of the suburbs, and smote him with a cold chill. He was plainly seen to tremble; but in an instant, as if by the mere force of his will, he stood motionless, and cast a first and only glance at the guillotine straight before him. It was the glance of a man who meets an enemy’s eye, not shrinkingly, but half-defiant, as if even the bitter retribution could not abash his strong courage … he seemed to feel that forty thousand men and women, and young children were looking upon him to see how he dared to die, and that for a generation his bearing should go into fireside descriptions. Then he moved on between the files of soldiers at his shuffling pace, and before him went the aumonier or chaplain, swaying the crucifix, behind him the executioner of Versailles — a rough and bearded man — to assist in the final horror.

It was at this intense moment a most wonderful spectacle. As the prisoner had first appeared, a single great shout had shaken the multitude. It was the French word “Voila!” which means “Behold!” “See!” Then every spectator stood on tiptoe; the silence of death succeeded;** all the close street was undulant with human emotion; a few house roofs near by were dizzy with folks who gazed down from the tiles; all the way up the heights of Pere la Chaise, among the pale chapels and monuments of the dead, the thousands of stirred beings swung and shook like so many drowned corpses floating on the sea. Every eye and mind turned to the little structure raised among the trees, on the space before La Roquette, and there they saw a dark, shaven, disrobed young man, going quietly toward his grave.

He mounted the steps deliberately, looking towards his feet; the priest held up the crucifix, and he felt it was there, but did not see it; his lips one moment touched the image of Christ, but he did not look up nor speak; then, as he gained the last step, the bascule or swingboard sprang up before him; the executioner gave him a single push, and he fell prone upon the plank, with his face downward; it gave way before him, bearing him into the space between the upright beams, and he lay horizontally beneath the knife, presenting the back of his neck to it. Thus resting, he could look into the pannier or basket, into whose sawdust lining his head was to drop in a moment. And in that awful space, while all the people gazed with their fingers tingling, the legitimate Parisian executioner gave a jerk at the cord which held the fatal knife. With a quick, keen sound, the steel became detached; it fell hurtling through the grooves; it struck something with a dead, dumb thump; a jet of bright blood spurted into the light, and dyed the face of an attendant horribly read; and Couty de la Pommerais’s head lay in the sawdust of the pannier, while every vein in the lopped trunk trickled upon the scaffold-floor! They threw a cloth upon the carcass and carried away the pannier; the guillotine disappeared beneath the surrounding heads; loud exclamations and acclaims burst from the multitude; the venders of trash and edibles resumed their cheerful cries, and a hearse dashed through the mass, carrying the warm body of the guillotined to the cemetery of Mt. Parnasse. In thirty minutes, newsboys were hawking the scene of the execution upon all the quays and bridges. In every cafe of Paris some witness was telling the incidents of the show to breathless listeners, and the crowds which stopped to see the funeral procession of the great Marshal Pelissier divided their attention between the warrior and the poisoner, — the latter obtaining the preponderance of fame.

(This attention-getting execution attracted an apocryphal story† (pdf) that the severed head of La Pommerais was subject to a “wink test” to determine whether consciousness survived the fall of the blade.)

The doctor bequeathed the world a book on homeopathic medicine, which the discerning reader of French can peruse free.

* Actually, the last execution in France was still 113 years away.

** Rashomon-like, not all observers concurred as to the event’s quiet solemnity. The New York Times reported that

[t]he language of those non-official persons who assembled to witness this expiation of a great crime was brutal to the last decree. They hissed and hooted as the convict was about to mount the ladder, and were loudest in their brutal demonstrations when the crucifix was pressed to his lips. The blade had scarcely severed his head from his body, when a rush was made to do violence to the trunk. The troops were obliged to interfere, and had some difficulty in repelling the crowd, which was excited by the sight of a ‘gentleman criminal’ to a pitch of savage ferocity … The Pays, in noticing this expiation of a great crime, states that the crowd retired in silence. But I am in a position to affirm that the contrary was the cxase.

† Put about — as a hoax? — by Auguste Villiers de l’Isle-Adam.

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