Tag Archives: william horry

1872: William Frederick Horry, Marwood’s first

Posted on by

If Pa killed Ma, who’d kill Pa?

Marwood.

–Victorian riddle/pun

On this date in 1872, the landmark hanging career of William Marwood commenced — when, having persuaded the authorities at Lincoln Castle Gaol, he executed his very first subject.

The man of the milestone was William Frederick Horry, a Boston native — not Boston, Massachusetts, but the Lincolnshire port that was its namesake.

“Fred” wed Jane and the two ran The George Hotel in Burslem together.

Until Fred’s drunken, possessive outbursts led Jane to flee the house. Let it be said that a partnership in the hospitality industry might not be the ideal choice for your controlling type.

Jane and the couple’s three children actually took refuge with Fred’s own kin, the husband’s father barring his own son from the home. Horry got around that by showing up with a revolver and shooting her dead in an act of coldly calculated passion: he immediately handed the gun to his stunned brother and stayed to await arrest, saying, “You have no notion, Tom, how I loved that woman, but I could not stand the jealousy.” Nor did he show any interest in appealing for clemency; he hanged within days of his conviction.

If this reads to modern eyes like the unedifying passion play of an abusive, loutish spouse, many in Burslem were ready to consider Fred Horry “a martyr, more sinned against than sinning.” (The funeral oration of a rector!) Three thousand people lined the streets to respectfully see Horry’s coffin to its rest; even the requisite crime broadsheet concurred in the apparent public judgment about Jane’s culpably easy virtue.

Now all you who give way to jealous passion,
And the crimes which it entails,
I hope that you will learn a lesson,
From my sad and mournful tale.
Their married life has ended early,
For his wife he says his temper tried
But for them now it is all ended,
For her faults she bled and died.

Supporters erected a monolith in his honor, an unusual tribute for a wife-murderer.

The man tasked to mete out the lesson for Horry’s jealous passion was, heretofore, a Horncastle cobbler.

Already into his fifties by this time, William Marwood was strictly self-educated in the science of hanging … but it is he who would bring the exacting mechanical arts to the hangman’s ancient craft.

(Actually, Marwood was fond of distinguishing himself from the mere hangman. “Calcraft hanged them,” he said of his notoriously slipshod predecessor’s operations. “I execute them.” He went so far as to assert his professionalism with business cards.)

To make this famous mark in the annals of capital punishment, Marwood the cobbler first had to talk his way into the Horry job. This was surely facilitated by the fact that the most recent execution at Lincoln Castle, that of Priscilla Biggadike or Biggadyke, had been a bit of a botch, with one of the realm’s forgettable barely-competent hangmen clumsily fitting the noose to the front of the convict’s throat on the supposition that this would snap her neck. Instead, she strangled.

Marwood’s arrival spelled the quick end to folklore and guesswork on the scaffold; his was the rational hand of industrial Britain finally touching the ancient hanging ritual.

For most of English history, the hanging had entailed simply shoving the unfortunate subject off a ladder or a cart, leaving them to gradually choke to death at the end of the noose. This protracted process was sometimes associated with unruly public scenes, and with “executed” criminals surviving (and even intentionally calculating to survive) the hanging. “Such as have but a very superficial Notion of Anotomy, may easily conceive how a Person very soon cut down may shew even strong Signs of Life,” the Ordinary of Newgate had passingly remarked in 1736, as if it really were no big deal.

Of course, it had long been understood that adding a little plummet could generate the force necessary to break the neck, to the advantage of both speed and certainty. Guy Fawkes is supposed to have exploited the carelessness of a Stuart executioner to hurl himself off the ladder when they were just setting up for the non-fatal hanging portion of his “hanged, drawn, and quartered” sentence — and thereby cleverly offed himself before they could do the agonizing Braveheart bits to his living body.

Small drops came into use with the move towards hanging platforms late in the 18th century, and by the mid-19th century larger drops of some kind were standard operating procedure: witness the description of the setup for the country’s first private hanging a few years before our date.

But the length and the nature of the drop remained very much within individual hangmen’s ad hoc discretion. The science of dropping would only arrive in the 1860s and 1870s. Until then, execution bulletins reporting that the unhappy soul “died hard” denoted the frequent occasions when death was effected via agonizing minutes of choking spasms. Even in the London Times‘ Dec. 22, 1875 report on one such man who “died hard” noted that “in the memory of Mr. John Rowland Gibson, the prison surgeon, extending, in that capacity, over more than 40 years, there are only two instances on record in Newgate of the neck of a convict having been dislocated during execution.”

Aiming to remedy that substandard record, the Irish doctor Samuel Haughton in 1866 published a landmark paper, “On hanging considered from a Mechanical and Physiological point of view” (read it here), in which he noted that whereas a short-dropped prisoner’s death by apoplexy or asphyxiation is “preceded by convulsions, lasting from five to forty-five minutes,” a broken neck “is instantaneous and painless, and is unaccompanied by any convulsive movement whatever.”

“It seems to me unworthy of the present state of science,” Haughton continued, “to continue a mode of execution which, as at present used, is extremely clumsy and also painful to the criminal.”

In a mass of equations abstractly working out foot-pounds’ shock expended on the neck and which vertebrae constituted the superior articulating surface, Haughton proceeded to suggest a protocol (adapted from the American drop method) “to give hanging all the rapidity of death by the guillotine without the painful spectacle of bloodshed.”

Haughton was just a theorist. Marwood actually put those concepts into practice.

Marwood is presumed to have been influenced by Haughton’s studies; although the basis for that renowned hangmanexecutioner‘s calculations is not known, Marwood is distinguished as the creator of the “long drop” hanging method — giving variable 4- to 10-foot falls to his subjects based on their body weight, with the knot stationed under the left jawline.

He was able to do all that because this first hanging of William Horry went off without a hitch. Still, as a nonentity at first, Marwood had to continue to hustle his hanging assignments — as with this solicitous handwritten 1873 pitch (page 1, page 2) to work an upcoming death date.

But Marwood’s clean long drops — he was the only executioner using the technique — soon secured him appointment as state executioner and the official London and Middlesex hangman. Over an 11-year career from 1872 to 1883, Marwood put 178 humans to death, the bulk of British executions during that period.

Marwood’s legacy — not his direct creation, since it was formalized in the years following his death — was the bureaucratic standardization of the hanging in the form of “drop tables” defining the length of rope to use relative to the weight of the executed prisoner to guarantee the death penalty would be implemented “in a becoming manner without risk of failure or miscarriage in any respect.”

On this day..