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1794: The last cart of the Terror, not including the Marquis de Sade

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July 27th, 1794 — the 9th of Thermidor, year II — is inscribed in history as the day Robespierre fell, when a parliamentary coup d’etat between the right and the remnants of the parties he had destroyed shouted him down as he readied the National Convention for his next purge.

This scene from the multinational bicentennial epic La Revolution Francaise conflates the events of 8 Thermidor — when Robespierre delivered a menacing two-hour address but provoked outcries by failing to name the deputies he implicated in “conspiracy” — and 9 Thermidor, when Robespierre’s lieutenant Saint-Just was shouted down from the podium and Robespierre ended up staggering through the benches appealing against the imprecations of his colleagues as his arrest is decreed.

Even as the month of Thermidor’s eponymous epochal event was unfolding, the daily gears of Revolutionary justice were turning: the usual haul of unfortunates condemned, including seven women from the previous day’s batch of Saint Lazare prison conspirators who had pled their bellies to buy a day.

That day was one day too little.

Stanley Loomis is overtly hostile to the Revolution, but his middlebrow sensibilities are well-tuned for the pathos of the scene:

Indifferent to the storms that were raging in the Convention, the Revolutionary Tribunal continued to go about its implacable business with cold efficiency. The arrest of its President [the Robespierrist Rene-Francois Dumas (the link is French), who was taken in the courtroom] startled no one. Since its inception that court had been witness to too many dramas to be astonished any further. Dumas quietly departed; the trials continued. Forty-two prisoners were sentenced to death. By four o’clock their hair had been cut and they were ready to be sent on their way. But Samson, aware of disturbances in the St. Antoine quarter of the city, suggested to [prosecutor] Fouquier[-Tinville] that the executions be deferred until the morrow.*

“Justice must take its course,” snapped the Public Prosecutor. “Do your work.”

And so the last “batch” lumbered off in the direction of the Faubourg St. Antoine and the Place de la Nation. With the exception of the Princesse de Monaco, they were nearly all obscure and humble members of the petite bourgeoisie. Hanriot, waving his sabre, conducted the procession to the place of execution. By seven o’clock that evening, as the minutes of the military escort poignantly show, the unfortunate victims, who had been so close to deliverance, had all been executed.

Henriot proceeded directly from his escort service to the Convention to liberate Robespierre for the night’s brief pitched battle against the Convention, and here we take our leave of them, for now. We shall meet both of them on the scaffold tomorrow.

Not on the wagon** with the Princess of Monaco was a man whom Loomis would have pitied rather less.

The bloated, penniless 54-year-old fruit of an ancient noble house, Donatien Alphonse François de Sade, Marquis de Sade had, in the most recent chapter of his astounding career, navigated the Revolution in the improbable guise of a proletarian section head and revolutionary tribunal judge, until his own arrest late the previous year.

This day, de Sade’s name was on a list of prisoners to be seized from Madelonnettes Prison — “Sade, former count, captain of Capet’s guards in 1792, has corresponded with enemies of the republic,” it said — which he had occupied until a recent transfer to Picpus, a monastery converted into a prison adjacent to the guillotine’s place at the Place de la Nation. Whether the result of another of the many bureaucratic snafus we’ve witnessed this week or a well-placed bribe from his friend and/or mistress Marie-Constance Quesnet, the guards were in the wrong place, didn’t find him, and didn’t care to dig any further.

Three months later, he was — for the last time in his life — a free man.

One could hardly say that the Revolution made the author of Justine the man he so (in)famously was — but having lived within sight of the blade that might any day be called upon to chop off his own head, and the entire tableau of the years preceding, left their impression. Hundreds of bodies from the Terror were stuffed in the unpropitious clay of the makeshift jail’s yards under de Sade’s cell. “Those few months in the shadow of the guillotine did me more harm than all the years of my incarceration under the King,” he wrote a friend.

According to Writing the Orgy: Power and Parody in Sade, Revolutionary France would inexorably influence his subsequent work,

strangely mixing real memories with very Sadean embellishments … Plots, betrayals, denunciations, beheadings: these fictional motifs and Sadean phantasies are linked with the reality and the imaginary of the Revolution.

Good for what ails you.

* Sanson’s diaries — a memoir of the family business constructed by the famous executioner’s grandson — leave off before the events of Thermidor and suggest that the hecatombs of the Terror were taking their toll on the aging headsman. Other accounts of this day have the tumbrils stopped in the streets by clemency-inclined onlookers, only to be forcibly extricated by Henriot.

** Also not (really) on the cart: the fictional occultist Zanoni, who is beheaded in this batch in the novel of the same title by legendary awful writer Edward George “it was a dark and stormy night” Bulwer-Lytton.

Part of the Themed Set: Thermidor.

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1794: Loizerolles and others for the Conspiracy of the Prisons

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On this date in 1794, the Jacobin government struck what would prove to be its last blow against the “Conspiracy of the Prisons.”

The “conspiracy” was really a cover story for Robespierre‘s boys to wield their purifying torch against prisons and (of course) tighten the grip of authority by wild reference to treasonable plots abroad.

Supposedly, the prisons had birthed a scheme to effect a mass escape further to some sort of counterrevolutionary insurrection, or assassination of Robespierre. Marvelously, these conspiracies simultaneously spanned most all of Paris’ prisons, and their “authors” formed a dominant demographic among the Terror’s last tumbrils as the authorities purged each prison in turn.

While we have tarried to profile select victims individually this week, we have in fact repeatedly met so-called prison conspirators.

Luxembourg Prison — whose warders had concocted the earlier “conspiracy” involving Camille Desmoulins’ wife — had been purged repeatedly earlier in the month; its last spasm swept up the Noailles women.

An efficient detour to the Carmelite Monastery converted by revolutionary Paris into another gaol netted Alexandre de Beauharnais.

And the first batch of St. Lazare Prison felled Andre Chenier, where, as elsewhere, dozens were punished for some impressively villainous designs.

Being convicted of having declared themselves the enemies of the republic, by keeping up communications with the enemies of the state; by furnishing them with assistance; by participating in the plots, conspiracies, and assassinations of the tyrant and his wife, against the people; by conspiring in the maison d’arret (lock-up house), called Lazare, to escape, and to dissolve, by the assassination and murder of the representatives of the people, and more especially of the members of the committees of public safety and general security, the republican government, and to re-establish royality; — in fine, by wishing to destroy the unity and indivisibility of the republic.

(The march of the penal inquisitors through the plots is covered in a French Wikipedia page.)

Charles-Louis Muller’s 19th century painting of the Saint Lazare Prison “conspirators” being summoned to their doom. Seated in the center is Andre Chenier.

Each of these famous figures is a noticeable face among dozens of hapless wretches, largely drawn from the Third Estate and often laughably implausible escape artists and assassins — such as, among this day’s victims, an 80-year-old priest. The most poignant fate among the many forgotten threads threads of life clipped short is undoubtedly one Jean Simon Loizerolles, who was imprisoned with his son.

On the 7th Thermidor, about four o’clock, p.m., the bailiff of the tribunal presented himself at the prison with the mortuary list, or, in other words, the death-warrant.

Loizerolles was called for: it was Loizerolles, junior, whom death surrounded. Loizerolles, the father, did not hesitate to present himself; and, comparing his sixty-one years to the twenty-two years of his son, he determined to give him life a second time: the father went down, and was conducted to the Conciergerie.

He there received the bill of accusation, drawn up by order of the Committee of Public Safety, and headed Prison Conspiracy.

This bill bore the name of Loizerolles, junior.

The next day the father appeared for examination, with his twenty-five companions of misfortune.

The bill of accusation, which was joined to the depositions, stated that it was Francois Simon Loizerolles, junior, aged twenty-two.

The declaration of the sentence, prepared in anticipation upon the bill, bore the same designations. The recorder contented himself with effacing the name of Francois, and putting above it Jean.

Finally, the questions submitted, for the sake of form, to the jury, and drawn up in anticipation upon the same bill of accusation, contained the names and the designation mentioned in the accusation. But, at the time of the trial, when the charge was made to the jury, Coffinhal took care to efface the name of Francois, to substitute that of Jean, and to erase te word son, which was replaced by the word father. He rudely altered the two figures from twenty-two to sixty-one, and added the former profession of the father, which the accusation did not state.

And Jean Simon Loizerolles, against whom there was no accusation, was put to death on the 8th Thermidor.

Loizerolles is renowned for nothing in life save the touching valor of his death, but his name was a watchword for paternal devotion in France in the 19th century; Jadin wrote a short opera to his honor, and Victor Hugo references Loizerolles (bizarrely side by side with Robespierre’s younger brother) in Les Miserables as the sort of paragon of loyalty disdained by a gauche skeptic. But the gambit worked: Loizerolles junior survived the last days of the Terror, and was later pensioned by Charles X.

For every triumph, there were countless tragedies. The prisoners had wind of the enterprise to decimate their number days before; an anonymous account printed here (also the source of the Loizerolles story) describes a ramping-up of abuses great and petty in an effort to provoke a rising that would license a bloodbath, and the fear and desperation of the prisoners as death circled them.

Our melancholy and dejected hearts prepared themselves for death. The prison appeared surrounded by a funeral veil, and the death-like silence which pervaded it produced a dreadful feeling of misery in its inmates. Games and amusements were banished from the grounds, and our cadaverous countenances afforded an index of our afflicted souls; the refectory, which was wont to inspire a sentiment of cheerfulness, became a meeting of moving spectres, who quitted each other without exchanging a word.

…

The prisoners at St. Lazare could no longer indulge in illusions on the fate that awaited them … old age and infancy had ceased to be respected; all were alike condemned as guilty of the project of escape; and the man who was the most harmless and the most devoted to his country was no longer exempt from accusation.

But there was a small favor: a third repetition of the scene was postponed two days, which turned out to be all the difference between life and death.

[T]he Robespierrists, delighted in perpetuating our terrors, announced that the tragic scene would be renewed on the 10th.

The two days which we passed in anticipation of our destiny were two days of unmitigated agony: a general mourning reigned through our asylum; our eyes, in fancy, beheld on all sides the palpitating and struggling bodies of the victims of Robespierre, and of the villainy of his agents; tranquility quite abandoned us; death was hovering over our heads; and the prison appeared, to our diseased fancies, like a sea of blood, on which we had suffered shipwreck …

In this deplorable situation we saw no end to our sorrows but in death; and, however terrifying the grim visitant may naturally be, yet we deemed his arrival too long delayed, and invoked his coming, while we regretted that we had not been of the number of the first victims. When, about ten o’clock, p.m., of the 9th Thermidor, it was reported in the prison, that Robespierre was formally accused, the news, which had been brought by three new prisoners from without, inspired distrust, and savoured too much of the miraculous to be easily believed.

…

The following morning … the information was confirmed … in such a positive and circumstantial manner that we could no longer entertain a doubt of its truth.

It may easily be conceived how sudden was the change which was effected in the prison of St. Lazare: the prisoners began, for the irst time, since the 5th, to breathe more freely; their hearts, which had been so long cast down, received a fresh inspiration; their countenances cleared up; the full use of their suspended faculties was restored; and the images of death, which had affrighted them, were dissipated; and if they could have forgotten the assassination of their companions, they might have entirely lost the recollection of their misfortunes.

The death of Robespierre, and the close of his dark crimes, were the subject of an epigram, which an individual wrote upon the wall; it describes the monster too accurately, not to find a place here:

Il s’abreuva du sang d’un million de victimes, —
Il parla de vertus, et commit tous les crimes.

A thousand victims slaked his thirst for blood,–
He spoke of virtues while he swam in crimes.

Part of the Themed Set: Thermidor.

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1794: Three generations of Noailles women, but not the Marquise de Lafayette

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On this date in 1794, three women of the Noailles family were guillotined in Paris.

The grandmother, mother and sister of Adrienne Noailles all shed their blue blood on the scaffold (grandpa, with impeccable timing, had died of natural causes the previous summer) for their aristocratic stock — the eldest had been Marie Antoinette‘s etiquette tutor.

They are noteworthy of themselves because their courageous Catholic confessor, one Abbe Carrichon, made good a promise to accompany them to the very shadow of the blade to give them absolution and left to us in a description of these pious ladies’ nerve-wracking journey on the tumbrils one of the surprisingly few first-hand narrative descriptions of the Terror’s guillotine at work. We’ll come to it momentarily.

But they are noteworthy, too, for the fourth kinswoman who stood in the same mortal peril but did not join them. Adrienne was the wife of the the Marquis de Lafayette.

Adrienne and Lafayette had hitched wagons in their teens — an arranged match, but one that evidently blossomed into real love between like-minded partners — before the Marquis ran off to become that famous imported general and patron of the American Revolution.

Such liberal credentials made him an early star in the French Revolution, but by the time of the Terror the reformist gentleman rated a hidebound right-winger on the political spectrum and in short order a refugee in Prussia and Austria; neither his name nor (obviously) his title would have availed him safety had he had the misfortune to be captured in France.

A (possible) portrait of the Marquise de Lafayette, c. 1790. (More.)

But American regard for the name remained high — and at a time when virtually the whole world set its hand against France. Future U.S. president James Monroe arrived in Paris as ambassador just after the Terror, when his predecessor Gouverneur Morris had delicately impressed upon the Committee of Public Safety the damage Adrienne’s beheading would do to one of France’s few remaining friendly foreign relations. Together with his wife Elizabeth, who visited the still-imprisoned Adrienne in an intentionally theatrical gesture, Monroe was able to procure her eventual her release.

(Adrienne decamped to Austria where her husband was considered not a dangerous reactionary but a dangerous radical, and had been imprisoned on that ground. She voluntarily shared his dungeon until Napoleon forced their release. There’s a short account of her life from the New York Times here (pdf))

If Adrienne’s married name was insufficient to purchase the lives of her own family, the latter have acquired a measure of remembrance in their death in one of the Revolution’s most human and emotional scenes, and not least because one is conscious in the account that the priest who gives them comfort and absolution and whose narrative remains for us was himself running a mortal risk at every step (he confesses in the narrative to his nerve having failed him in such a mission on a previous occasion, as it nearly fails him this time).

Here — because it is of such deep interest not only to the theme not only of this week, but of this blog altogether — is the Abbe Carrichon’s account excerpted at length, as drawn from Madame de Lafayette and Her Family, a biography in the public domain and available free at Google Books. (There is another free biography whose focus is the Marquis Lafayette that also treats this episode here.)

One day, as the ladies were exhorting each other to prepare for death, I said to them, as by foresight: ‘If you go the scaffold and if God gives me strength to do so, I shall accompany you.’

They took me at my word and eagerly exclaimed: ‘Will you promise to do so?’ For a moment I hesitated.

‘Yes,’ I replied, ‘and so that you may recognize me, I shall wear a dark blue coat and a red waistcoat.’ … On the 22nd of July on a Tuesday morning, as I was just going out, I heard a knock. I opened the door and saw the Noailles children with their tutor. The children were cheerful … the tutor looked sad, careworn, pale, haggard. ‘Let us go to your study,’ said he, ‘and leave the children in this room.’ We did so. He threw himself on a chair.

‘All is over, my friend,’ he said. ‘The ladies are before the Revolutionary Tribunal. I summon you to keep your word. I shall take the boys to Vincennes to see [their sister]. While in the woods I shall prepare those unfortunate children for their terrible loss.’

Although I had been prepared for this news, I was greatly shocked … I soon recovered myself, and after a few questions and answers full of mournful details, I said to M. Grellet:

‘You must go now, and I must change my dress. What a task I have before me! Pray that God may give me strength to accomplish it.’

…

Thoughtful and irresolute, I slowly retraced my steps to the ‘Palais de Justice,’ dreading to get there and hoping not to find those for whom I was seeking. I arrived before five o’clock. There were no signs of departure. Sick at heart, I ascended the steps of the Saint-Chapelle, then I walked slowly unto the Grande salle, and walked about. I sat down, I rose again, but spoke to no one. From time to time I cast a melancholy glance towards the courtyard, to see if there were any signs of departure. My constant thought was that in two hours, perhaps one, they would be no more. I cannot say how overwhelmed I was by that idea, which has affected me all through life on such occasions, and they have been only too frequent. While a prey to these mournful feelings, never did an hour appear to me so long or so short as the one which elapsed between five and six o’clock on that day. Conflicting thoughts were constantly crossing my mind, which made me suddenly pass from the illusions of vain hopes to fears, alas! too well founded. At last I saw from a movement in the crowd, that the prison door was on the point of being opened. I went down and placed myself near the outer gate … The first cart was filled with prisoners and came toward me. It was occupied by eight ladies whose demeanor was most edifying. Of these seven were unknown to me. The last, who was very near me, was the Marechale de Noailles. A transient ray of hope crossed my heart when I saw that her daughter and grand-daughter were not with her, but alas! they were in the second cart.

…

I heard one near me say: ‘Look at the young one; how anxious she seems. See how she is speaking to the other one.’ For my part, I felt as if I had heard all they were saying. ‘Mama, he is not there.’ ‘Look again.’ ‘Nothing escapes me — I assure you he is not there!’ The first cart stopped before me during at least a quarter of an hour. It moved on, the second followed. I approached the ladies, they did not see me. … I followed the cart over the bridge, and thus kept near the ladies, though separated from them by the crowd. Mme. de Noailles still looking for me, did not perceive me. … I felt tempted to turn back. Have I not done all that I could, I inwardly exclaimed? Everywhere the crowd will be greater; it is useless to go any further. I was on the point of giving up the attempt. Suddenly the sky became overclouded, thunder was heard in the distance. I made a fresh effort. A short distance brought me before the carts to the Rue Saint-Antoine, nearly opposite the too famous La Force [prison]. At that moment the storm broke forth, the wind blew violently; flashes of lightning and claps of thunder followed in rapid succession; the rain poured down in torrents. I took shelter at a shop door. In one moment the street was cleared; the crowd had taken refuge in the shops and gateways. … By a precipitate and involuntary movement I quitted the shop door and rushed towards the second cart and found myself close to the ladies. Mme. de Noailles perceived me, and, smiling, seemed to say:

‘There you are at last! How happy we are to see you! How we have looked for you! Mama, there he is!’

… all the irresolution vanished from my mind. By the grace of God, I felt possessed of extraordinary courage. Soaked with rain and perspiration I continued to walk by them …

…

We were close to the carrefour preceding the Faubourg Saint-Antoine. I went forward, examined the spot, and said to myself, ‘This is the place for granting them what they so much long for.’

The cart was going slower. I turned towards the ladies and made a sign which Mme. de Noailles understood perfectly.

‘Mama, M. Carrichon is going to give us absolution,’ she evidently whispered. They piously bowed their heads with a look of repentance, contrition and hope. Then I lifted my hand, and, without uncovering my head, pronounced the form of absolution and the words which follow it distinctly and with supernatural attention. Never shall I forget the expression on their faces. From that moment the storm abated, the rain diminished, and seemed only to have fallen for the furtherance of our wishes. I offered up my thanks to God, and so did, I am sure, those pious women. Their exterior appearance spoke contentment, security and joy. …

At last we reached the fatal spot. I cannot describe what I felt. What a moment! What a separation! What an affliction for the children, husbands, sisters, relations, and friends who are to survive those beloved ones in this valley of tears! There they are before me full of health, and in one moment I shall see them no more. What anguish! Yet not without deep consolation at beholding them so resigned. … A ring of numerous spectators soon formed, most of whom were laughing and amusing themselves at the horrible sight. It was dreadful to be amongst them.

While the executioner and his two assistants were helping the prisoners out of the first cart, Mme. de Noailles’s eyes sought for me in the crowd. She caught sight of me. What a wonderful expression there was in those looks! Sometimes raised towards heaven, sometimes lowered towards earth, her eyes so animated, so gentle, so expressive, so heavenly, were often fixed on me in a manner which would have attracted notice if those around me had had time for observation. I pulled my hat over my eyes without taking them off her. I felt as if I could hear her say: ‘Our sacrifice is accomplished; we have the firm and comforting hope that a merciful God is calling us to him. How many dear to us we leave behind! but we shall forget no one. Farewell to them, and thanks to you. Jesus Christ who died for us is our strength. May we die in Him. Farewell. May we all meet in heaven!’

It is impossible to give an idea of the animation and fervour of those signs, the eloquence of which was so touching that a bystander exclaimed: ‘Oh, that young woman, how happy she seems, how she looks up to heaven, how she is praying! But what is the use of it all?’ and then, on second thoughts, ‘Oh, the rascals, the bigots!’

The mother and daughter took a last farewell of each other and descended from the cart. As for me, the outer world disappeared for a moment. At once broken-hearted and comforted, I could only return thanks to God for not having waited for this moment to give them absolution, or, what would have been still worse, delayed it until they had ascended the scaffold. We could not have joined in prayer while I gave and they received this great blessing as we had been enabled to do in the most favourable circumstances possible at such a time. I left the spot where I was standing and went over to the other side, while the victims were getting out. I found myself opposite to the wooden steps which led to the scaffold. An old man, tall and straight, with white hair and a good-natured countenance, was leaning against it. I was told he was a fermier general. Near him stood a very edifying lady whom I did not know. Then came the Marechale de Noailles [the grandmother] exactly opposite me, dressed in black taffetas, for she was still in mourning for her husband. She was sitting on a block of wood or stone which happened to be there, her large eyes fixed with a vacant look. … All the others were drawn up in two lines looking towards the Faubourg Saint-Antoine. From where I stood I could only see Mme. d’Ayen [the mother], whose attitude and countenance expressed the most sublime, unaffected, and devout resignation. She seemed only occupied with the sacrifice she was about to make to God, through the merits of the Saviour, his divine son. She looked as she was wont to do when she had the happiness of approaching the altar for holy communion. I shall never forget the impression she made on me at that moment. It is often in my thoughts. God grant that I may profit by it!

The Marechale de Noailles was the third person who ascended the scaffold. The upper part of her dress had to be cut away in order to uncover her throat. I was impatient to leave the place, yet I wished to drink the cup of bitterness to the dregs and to keep my promise, as God was giving me strength to do so, even in the midst of all my shuddering horror. Six ladies followed; Mme. d’Ayen was the tenth. How happy she seemed to die before her daughter! The executioner tore off her cap, as it was fastened by a pin which he had forgotten to remove; he pulled her hair violently, and the pain he caused was visible on her countenance.

The mother disappeared; the daughter took her place. What a sight to behold that young creature, all in white, looking still younger than she really was, like a gentle lamb going to the slaughter! I fancied I was witnessing the martyrdom of one of the young virgins or holy women whom we read of in the history of the church. What had happened to the mother also happened to her; the same pin in the removal of her cap, then the same composure, the same death. Oh! the abundant crimson stream that gushed from her head and neck; how happy she is now, I thought, as her body was thrown into that frightful coffin!

May Almighty God in his mercy bestow on the members of that family all the blessings which I ask and entreat them to ask for mine! May we all be saved with those who have gone before us to that happy dwelling where revolutions are unknown, to that abode which, according to the words of Saint Augustine, has truth for its King, Charity for its law, and will endure for eternity!

(Also in this batch: Gen. Louis-Charles de Flers, who was recalled on trumped-up charges of treason by Revolutionary commissars after he lost a battle against the Spanish in the War of the Pyrenees.)

Part of the Themed Set: Thermidor.

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