356 BCE: Herostratus burns the Temple of Artemis

By the ancient world’s tradition, it was on July 21, 356 — the night of Alexander the Great‘s birth* — that a theretofore forgettable man set fire to the wooden rafters of the Temple of Artemis in Ephesus.

Situated on the Hellenized coast of Asia Minor, near present-day Selcuk, Turkey, Ephesus was one of the great cities of the Mediterranean. It counted Artemis (Diana) its patron deity, and gloried in a jaw-dropping marble temple, bankrolled two centuries before by the Lydian king Croesus, that would have nearly covered a modern football pitch. Ephesians took their Artemis seriously: 400-plus years later, St. Paul would barely escape lynching at the hands of enraged Artemis devotees when he proselytized there.

What a horror it must have been for 4th century BCE Ephesians to awake this day to the destruction of their city’s own sacred pride.

Even more shockingly, the temple’s destroyer made no effort to conceal himself. He openly boasted of his act, and of the horrifying reason for it: merely to exalt his obscure name with the luster of infamy.

Ephesus not only put this man to death, but passed a damnatio memoriae upon him, forbidding any mention of his name, in order to deny him his victory.

But the the historian Theopompus, who was not Ephesian, cheated the city of its sentence by recording it: Herostratus. It’s a word that has become a metonym in many languages and an allegory in many books for any villain impelled to his wickedness by the allure of celebrity.

We have no specific date for Herostratus’s execution. But we do have his last tortured victory. We do have his name.

The Ephesians in time rebuilt the magnificent temple, bigger and more awe-inspiring than before. It stood some 600 years more until the Goths sacked it in 268 AD, long enough to secure its place among the Seven Wonders of the Ancient World.

“I have set eyes on the wall of lofty Babylon on which is a road for chariots, and the statue of Zeus by the Alpheus, and the hanging gardens, and the colossus of the Sun, and the huge labour of the high pyramids, and the vast tomb of Mausolus,” wrote Antipater of Sidon of the reconstructed, post-Herostratus temple. “But when I saw the house of Artemis that mounted to the clouds, those other marvels lost their brilliancy, and I said, ‘Lo, apart from Olympus, the Sun never looked on aught so grand.'”


The Temple of Artemis today: a weedy rubble. (cc) image from LWY.

* Plutarch remarked that Artemis was too distracted delivering the conqueror into the world to protect her shrine.

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41 B.C.E.: Arsinoe IV, Cleopatra’s sister

On an unknown date late in 41 B.C.E., Cleopatra’s younger sister and rival Arsinoe was put to death in Asia Minor as the famous queen cemented her fatal alliance with Mark Antony.

Like Cleopatra herself, Arsinoe lived her short life in the internecine maelstrom of Ptolemaic politics under the sway of a Roman Empire itself immersed in civil strife. Violent death was something of an occupational hazard.

Nevertheless, had some flash of prescient irony visited her when Antony’s legionaries unsheathed their blades, she might well have wondered at the small happenstances of fate that left her a nigh-forgotten footnote in her sister’s story, rather than the other way around.

Three siblings had grasped at the Egyptian throne during the Alexandrian War, and whether it was charm or cold calculation won Caesar’s backing for Cleopatra, Arsinoe and her brother Ptolemy XIII still pressed the Roman garrison of Alexandria with a vastly superior force in a battle that was said to have set the Library of Alexandria aflame.

Timely Roman reinforcements decided the matter, and Arsinoe was marched in chains at Caesar’s sumptuous quadruple Triumph of 46 B.C.E. — though she was spared the execution that typically concluded such an ignominy and instead packed off to a temple on the coast of modern-day Turkey.*

In Margaret George’s historical novel The Memoirs of Cleopatra, the danger of maintaining an enemy who has styled herself Queen is neatly summarized in a conversation between Caesar and Cleopatra set after the Triumph:

“I have spared Arsinoe.” [said Caesar]

My [Cleopatra’s] first feeling was a rush of relief. My second was worry. Arsinoe the proud would not retire quietly.

“Where is she to go?”

“She has requested sanctuary at the great Temple of Diana in Ephesus,” he said. “And I will grant it, if you agree.”

Ephesus! Too close to Egypt! Better send her to Britain! Yet … I would gamble, and be merciful. Perhaps I was not enough of a Ptolemy after all. Arsinoe would not have granted it.

“Yes, I will allow it.”

That very perception of her potential danger hung over Arsinoe like the sword of Damocles.

The sword fell — figuratively and literally — five years later after Cleopatra seduced Mark Antony at Tarsus in the autumn of 41. Her terms for Egypt’s alliance supposedly included elimination of this lingering rival — though if Arsinoe had made common cause with Caesar’s Republican assassins, Antony may well have had his own reasons to dispatch the young woman.

Arsinoe’s death helped seal a pact that was itself destined for a bloody end. Distracted by his foreign paramour, Antony steadily lost political ground to his adversary Octavian. In another decade’s time, open war broke out again.

The Egyptian fleet would gather at Ephesus, not far from Arsinoe’s final resting place, bound for the catastrophic Battle of Actium whose outcome added Cleopatra’s and Antony’s blood to the soil from which sprung the long reign of Octavian — soon to be styled Augustus Caesar, the first emperor of Rome.

* A Temple of Artemis — either in Miletus (as Appian has it), or the wonder of the world in Ephesus (as Josephus has it). She met her death at the temple — whichever it was — dragged to its steps and put to the sword. Ephesus seems to be the more generally accepted locale, and an octagonal tomb there has been speculatively identified as Arsinoe’s.

Part of the Themed Set: The Fall of the Roman Republic.

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