On February 15, 1573, the brief but scintillating career of insurrectionary Matija Gubec came to a brutal end when he was publicly tortured to death in Zagreb.
You know what they say about the size of a man’s feet: Matija Gubec about to be crowned with a red-hot iron ringlet and quartered.
Although put down inside of two weeks, this revolt and its personification in Gubec have endured as potent national symbols in Croatia.
In the revolutionary 20th century, both left and right claimed Gubec’s standard as their own: a multiethnic company of Yugoslav volunteers fought under his name in the Spanish Civil War, as did multiple partisan units during World War II who took inspiration in his peasant class uprising. By contrast, the Ustasha conceived Gubec as
one man, who was not the exponent of any class, but … a reflection of an entire nation’s beliefs.*
Fascist and communist alike can jam to the rock opera Gubec Beg.**
* See Pavlakovic, Vjeran (2004) ‘Matija Gubec Goes to Spain: Symbols and Ideology in Croatia, 1936-1939’, The Journal of Slavic Military Studies, 17:4, 727 — 755.
** According to Pavlakovic, Gubec’s real given name is unknown and birth records suggest it might have been “Ambroz”. He was known as “Gubec called Beg,” using the Turkish term for a lord.