Tag Archives: billy the kid

1928: Marshall Ratliff lynched for the Santa Claus Bank Robbery

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On this date in 1928, the man whose disguise christened one of the most bizarre crimes in Texas’s colorful history was lynched behind a theater … producing “The Noose”.

The Santa Claus Bank Robbery was, in the words of one columnist present for the affair,

the most spectacular crime in the history of the Southwest … surpassing any in which Billy the Kid or the James boys had ever figured.

The story begins on December 23, 1927, in the town of Cisco, where a genial man dressed as Saint Nick strolled down the main drag dandling playful children en route to the First National Bank.

Santa — Marshall Ratliff — and three accomplices then conducted one of the most inept bank robberies in that craft’s ample stock of ineptitude.

A general gun battle erupted during the robbery, owing to the general citizenry being armed, and a standing reward available from the bank association for shooting a bank robber in the act. When the quartet finally fought their way to the getaway car — killing two cops in the process — they realized it was almost out of gas.

After a few days’ dodging a manhunt, everyone was rounded up, one of them in corpse form. Two of the surviving three drew death sentences, and Henry Helms sat in the Lonestar State’s electric chair on September 6, 1929.

But Kris Kringle — er, Ratliff — had his execution delayed by a sanity hearing that brought him back to Eastland County, where he feigned illness and killed a guard in an abortive escape attempt. The good folk decided they’d had about enough of due process.

Quoth a newspaper report of the day (reproduced in A.C. Greene’s book on the case):

All yesterday afternoon they gathered in little groups about the town and muttered about [the guard] Jones’ shooting which physicians said probably would prove fatal. Last night a crowd in front of the jail swelled to nearly a thousand at 8:30 o’clock.

At about 9 o’clock, some 200 men slipped into a side door of the jail and asked for the man. Jailer Gilborn refused to give him up. They overpowered Gilborn, took his keys and got Ratliff.

… He was dragged in the direction of the public square, but the crowd would not wait to go those few blocks.

At 200 yards from the jail a strong telephone cable was pointed out, a rope flung across it. A noose was put around Ratliff’s neck, a dozen men on the other end of the rope bent their weight, and Ratliff was jerked from the ground.

The rope broke. Messengers were sent for another, and again the mob set to its task. Then someone remembered that men about to die are usually given a chance to say a last word. For another moment he was lowered to the ground, but, displeased at his mumbling, the crowd yelled, “String him up!”

Part of the Themed Set: The “Ex” Stands For “Extrajudicial”.

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1881: Not Billy the Kid

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“You will be hanged by the neck, Billy, until you are dead, dead, dead!”

“You can go, Judge, to hell, hell, hell!”

We have no source for whether William Bonney’s reply to the judge who sentenced him to hang was vindicated by the Almighty. But the judge’s sentence, due to be executed this day, assuredly never came to pass: two weeks before, Billy the Kid effected the last of his famous escapes.

The exploits of this legendary gunfighter — and his legend rather exceeds his exploits — are exhaustively chronicled online. The Manhattan-born Kid, a pup of 21 at his death, was a gunfighter in the Lincoln County War, a fight between two frontier magnates. Billy counted himself among the Regulators, a deputized posse (so it claimed, by way of legality) that was the armed militia of a murdered rancher.

Billy’s winning way with the press after his capture helped endear him to popular imagination, even after he was condemned in Mesilla, New Mexico for ambushing a lawman.

Here’s how Emilio Estevez played the crime in Young Guns:

On April 28, in a building that still stands in Lincoln, New Mexico, Bonney got the drop on one of his guards and high-tailed it out of town.

Though spared the ignominy of the gallows, Billy the Kid would not long outlive his judicially appointed hour. Lincoln County sheriff Pat Garrett found and killed the fugitive a few months later.

Ironically, this transaction darkened the reputation of the successful officer of the law — the circumstances of the killing were ambiguous, and seem less than honorable to some — while helping valorize the young outlaw who by all rights should long since have been at the end of a rope. And for this, maybe Billy’s shade has stood Garrett’s a drink or two, because a shadowy and youthful disappearance from the scene helped catapult Billy into folklore that has long outlasted the forgotten Lincoln County War.

Billy the Kid — even the name evokes the American self-image with perfect pitch — has come to so fully embody the floating signifiers of the Wild West, of America in its adolescence, that around the same time Bob Dylan composed “Knockin’ on Heaven’s Door” for the clip above (the 1973 film Pat Garrett and Billy the Kid), Billy Joel took the gunslinger for an all-purpose western motif in “The Ballad of Billy the Kid”. Joel’s song’s describes a life that seems to be just what the listener thinks it ought to be while remaining factually untrue of its titular character in almost every particular, including, in his version, a picturesque death by hanging:

The ballad form of romanticized narrative poetry suits our elusive subject well. Skip music and cinema a generation ahead and we have Guns n’ Roses covering “Knockin’ on Heaven’s Door” and power balladeer par excellence Jon Bon Jovi climbing the charts with this signature hit from the Young Guns II soundtrack:

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