Tag Archives: james ii

1661: Oliver Cromwell, posthumously

Posted on by

On this anniversary date of King Charles I’s beheading, the two-years-dead corpse of the late Lord Protector Oliver Cromwell was hung in chains at Tyburn and then beheaded, along with the bodies of John Bradshaw and Henry Ireton.

The great-great-grandnephew of ruthless Tudor pol Thomas Cromwell rose higher than any English commoner, high enough to be offered the very crown he had struck off at Whitehall. Oliver Cromwell declined it in sweeping Puritan rhetoric just as if he hadn’t spent weeks agonizing over whether to take it.

“I would not seek to set up that which Providence hath destroyed and laid in the dust, and I would not build Jericho again.”

The House of Stuart never could rebuild its Jericho while the Lord Protector ran the realm* — thirteen years, writes Macaulay, “during which England was, under various names and forms, really governed by the sword. Never, before that time, or since that time, was the civil power in our country subjected to military dictation.”

“Cromwell lifting the Coffin-lid and looking at the body of Charles I”, by Hippolyte (Paul) Delaroche — a French painter with an affinity for English execution scenes. The painting is based on an apocryphal but irresistible legend, also used by Nathaniel Hawthorne in a tedious short story.

And not only England. Cromwell’s prodigious depredations in Ireland — justifiably or not — remain a source of bad blood.

The English Commonwealth foundered after Cromwell’s death, however, and restoration of the monarchy — a rock, as it turned out, on which the Puritans’ bourgeois revolution could erect its colossus — came with the price of a few examples being made.

Of course, “executing” dead guys displays about as much strength as it does sanitation, and for all Charles II‘s demonstrative vengeance, the politically circumscribed throne he resumed was very far from his father’s dream of absolutism. Between the late dictator and the new king, the future belonged to the corpse clanking around on the gibbet.

When the able Charles II followed Cromwell into the great hereafter, his brother James II promptly fumbled away the crown with his anachronistic insistence on royal authority and his impolitic adherence to Catholicism.**

In the emerging England of the century to come, the divine right would depart the Stuarts for another dynasty more amenable to the rising authority of the parliament whose sword Oliver Cromwell once wielded.

* Resources on the particulars of Cromwell’s career, the English Civil War, et al, are in plentiful supply online. This BBC documentary is a very watchable overview: part I; part II; part III; part IV.

** James II remains England’s last Catholic monarch.

On this day..

1685: James Scott, Duke of Monmouth

Posted on by

On this date in 1685, the haughty Duke of Monmouth mounted the scaffold at London’s Tower Hill to suffer beheading for treason, and tipped the headsman with the words, “Here are six guineas for you and do not hack me as you did my Lord Russell. I have heard you struck him four or five times; If you strike me twice, I cannot promise you not to stir.”*

Upon this tart public reminder of his recent and infamous failure of craft, the eponymous executioner Jack Ketch quite came apart.

Monmouth, certainly, would have appreciated the advance that would bring the guillotine. Beheading by a free-swinging axe was a ghoulishly inexact procedure: bad aim, insufficient force, an untimely flinch, or the tough neck muscles of a grizzled campaigner regularly complicated the process, often to the fury of spectators. Jack Ketch is sometimes reported a sadist, and sometimes a professional hangman so rarely summoned to give a nobleman the chop that he simply lacked proficiency. Either way, he’d been on the job for a generation by this time: his reputation for infelicity with the blade preceded him.

Historical fiction from the perspective of the Duke of Monmouth.

Monmouth, an illegitimate son of King Charles II, had cause to dread Ketch’s offices for the rebellious culmination of a long power struggle with his uncle, the future King James II.

The personal contest between these men for the throne of England was the echo of the decades-old struggles straining the English polity — the Reformation and the reach of royal authority.

As it became known that the king’s brother James had gone from Catholic sympathizer to Catholic convert, Protestants began maneuvering to keep him from inheriting the crown. For three years, Parliament pushed the Exclusion Bill, which would have excluded James from succession.**

Favor among the bill’s supporters settled on the Protestant playboy Monmouth — politically convenient rumors that he was actually a legitimate child began circulating. “Weak, bad, and beautiful,” this unfriendly-to-Monmouth free book has him; whatever he was, his allies in the House of Commons were handily outmaneuvered. The Exclusion measures failed, and in 1685, James II began his reign as England’s last Roman Catholic monarch.

Monmouth’s hopes had been raised, however, and he proceeded to invade England at Dorset with a somewhat ragtag army that was routed by the Protestant royal troops who remained loyal to James at the Battle of Sedgemoor — not quite the last battle fought on English soil, but the last consequential one (the last fought with pitchforks makes a livelier distinction). Monmouth was caught trying to get away in a shepherd’s disguise. Other fugitives of his cause were hunted mercilessly.

The defeated duke was reputedly not above begging the sovereign for his life; obviously, that didn’t work out. But his cause was a popular one, nearing reverence among some commoners. Jack Ketch may have had a case of the butterflies even before the duke undressed him … and as it turns out, Ketch almost left the scaffold worse than his victim.

Here is the scene in Macaulay’s words:

The hangman addressed himself to his office. But he had been disconcerted by what the Duke had said. The first blow inflicted only a slight wound. The Duke struggled, rose from the block, and looked reproachfully at the executioner. The head sank down once more. The stroke was repeated again and again; but still the neck was not severed, and the body continued to move. Yells of rage and horror rose from the crowd. Ketch flung down the axe with a curse. ‘I cannot do it,’ he said; ‘my heart fails me.’ ‘Take up the axe, man,’ cried the sheriff. ‘Fling him over the rails,’ roared the mob. At length the axe was taken up. Two more blows extinguished the last remains of life; but a knife was used to separate the head from the shoulders. The crowd was wrought up to such an ecstasy of rage that the executioner was in danger of being torn in pieces, and was conveyed away under a strong guard.

In the meantime many handkerchiefs were dipped in the Duke’s blood; for, by a large part of the multitude he was regarded as a martyr who had died for the Protestant religion.

Just the sort of soil for posthumous tall tales — that his execution was bogus and he was in hiding to return again, or had been packed off to France to become the Man in the Iron Mask. One possibly better-founded legend is that his head was set back upon its stump to sit him for what must have been a pungent portrait.

Protestant opponents of James were much thicker on the ground than the Duke’s own person, of course. They soon succeeded where Monmouth had failed.

* Slightly different versions of this address from the Duke to the executioner are recorded. Macaulay omits the “if you strike me twice” clause but adds “My servant will give you some more gold if you do the work well”; a more polite (barely) construction suggests “Do not serve me as you did my Lord Russell.”

** The factions in this dispute — the “Petitioners” (supporting the bill) and the “Abhorrers” (supporting the king) — evolved into the Whig and Tory political parties.

Part of the Themed Set: Embarrassed Executioners.

On this day..