1794: Not Thomas Paine

An avidity to punish is always dangerous to liberty. It leads men to stretch, to misinterpret, and to misapply even the best of laws. He that would make his own liberty secure must guard even his enemy from oppression; for if he violates this duty he establishes a precedent that will reach to himself. -Thomas Paine

On this date in 1794, revolutionary firebrand Thomas Paine got a date with the guillotine when the public prosecutor Antoine-Quentin Fouquier-Tinville put his name on the list for the next batch of heads.

Paine — “Mad Tom” to foes of his fire-eating opposition to despotic church and crown — is best-known for his part in the American Revolution; his pamphlet “Common Sense” made an incendiary and influential case for revolution.

More so than any other high-profile compatriot in the cause of American independence, Paine took to heart the age’s revolutionary spirit, the fine principles of solidarity, the zeal to put life and fortune at liberty’s service.

Not content to retire to the estate granted him for his services to the fledgling United States of America — Paine coined that name, by the way — the hellraiser sailed for the Old World to help overthrow the sclerotic Bourbon despotism whose geopolitically-minded aid* had had such material effect for American liberty.

Paine served in France’s National Convention, one of the highest-profile and least-impeachable members of that body as well as one of only two foreigners. These distinctions offered him some safety in the Revolution’s internecine tempests — some, but not quite enough. He drew the ire of the Montagnards by opposing the execution of Louis XVI.

The terrible gears of mass fratricide which apparently doomed Paine as the Terror unfolded turned out to be his refuge, and that of three fortunate fellows with him. Had he gone to the scaffold as a single high-profile traitor, there would have been no mistake about it; now, at the height of the Terror, jailers marked dozens for death by the fallible expedient of chalking their cell doors. If the guillotine made mass execution feasible, the bureaucratic apparatus to manage it was still catching up.

Here’s the version of a Paine’s preservation that he himself later related — albeit second-hand, since he was suffering this day “a violent fever which had nearly terminated my existence” and “was not in a condition to be removed, or to know of what was passing, or of what had passed, for more than a month. It makes a blank in my remembrance of life. The first thing I was informed of was the fall of Robespierre.”

[T]he manner in which I escaped that fate is curious, and has all the appearance of accident.

The room in which I was lodged was on the ground floor, and one of a long range of rooms under a gallery, and the door of it opened outward and flat against the wall; so that when it was open the inside of the door appeared outward, and the contrary when it was shut. I had three comrades, fellow-prisoners with me, Joseph Vanhuile, of Bruges, since president of the municipality of that town, Michael Robins, and Bastini, of Louvain.

When persons by scores and hundreds were to be taken out of prison for the guillotine, it was always done in the night, and those who performed that office had a private mark or signal by which they, knew what rooms to go to, and what number to take. We, as I have said, were four, and the door of our room was marked unobserved by us with that number in chalk; but it happened, if happening is a proper word, that the mark was put on when the door was open and flat against the wall, and thereby came on the inside when we shut it at night, and the destroying angel passed by it. A few days after this Robespierre fell, and the American ambassador arrived and reclaimed me and invited me to his house.

During the whole of my imprisonment, prior to the fall of Robespierre, there was no time when I could think my life worth twenty-four hours, and my mind was made up to meet its fate.

Presumably this would have been a short reprieve, had not Jacobin rule (and rulers) promptly expired.

We noticed two days ago the U.S. mission’s willingness to exert itself for Lafayette’s wife, who surely had not done better service for the American Revolution than had Paine himself.

Paine waited in vain for American intervention, and was incandescent with rage at George Washington and his envoy Gouverneur Morris for abandoning him (Morris was replaced by the more Paine-friendly James Monroe a few weeks later). In a wide-ranging 1796 denunciation of Washington’s conduct and American political tilt towards Britain and away from France, Paine accused his country** of giving the Jacobins the green light to cut off a gadfly’s head.

Could I have known to what degree of corruption and perfidy the administrative part of the Government of America had descended, I could have been at no loss to have understood the reservedness of Mr. Washington toward me, during my imprisonment in the Luxembourg. There are cases in which silence is a loud language.

Soon after I was put into arrestation and imprisonment in the Luxembourg, the Americans who were then in Paris went in a body to the bar of the Convention to reclaim me. They were answered … that I was born in England, and … their reclamation of me was only the act of individuals, without any authority from the American Government.

A few days after this, all communication from persons imprisoned to any person without the prison was cut off by an order of the police. I neither saw, nor heard from, anybody for six months; and the only hope that remained to me was that a new Minister would arrive from America to supersede Morris …

One hundred and sixty-nine were taken out of the Luxembourg one night, in the month of July, and one hundred and sixty of them guillotined. A list of two hundred more, according to the report in the prison, was preparing a few days before Robespierre fell. In this last list I have good reason to believe I was included. A memorandum in the hand-writing of Robespierre was afterwards produced in the Convention, by the committee to whom the papers of Robespierre were referred, in these words:

Demander que Thomas Payne soit de decrete d’accusation pour les interets de l’Amerique, autant que de la France.

I had then been imprisoned seven months, and the silence of the Executive part of the Government of America (Mr. Washington) upon the case, and upon everything respecting me, was explanation enough to Robespierre that he might proceed to extremities.

This venomous open letter and the deistic tract The Age of Reason he was banging out during the Revolution, combined with the frightening turn of the French Revolution itself, helped send Paine’s public regard into decline. “Atheist,” they tutted, and he’s been the most untouchable Founding Father ever since.

Next year is the bicentennial of his death in obscurity and pauperhood; his homelessness, so to say, in the annals of political thought and national pantheons testifies in some ways to the defeat his principles suffered in his very lifetime. The American Revolution turned conservative; France’s fell to despotism; England’s was strangled in its crib.

Even so, he fired the imaginations of many troublemakers still to come. A man of no wealth or position who etched in fire the spirit of his times, Paine saw further and spoke plainer than most of his contemporaries. If a prophet is not welcome in his own country, it scarcely diminishes the power of the prophecy.

And/or, enjoy this free biography at Google Books.

* Given by the French crown in opposition to France’s great rival Britain, of course.

** Paine certainly considered himself American, though he wouldn’t have made that inconsistent with being French, too. The matter of his citizenship between England (where his pamphlets had him attainted in absentia on a capital charge), France and the United States was a contested one at a time when the very notion was being reforged in the heat of revolution; at any rate, as diplomatic pretext for failing to ask for his life, citizenship makes a feeble excuse.

Republican radicals in England didn’t mind claiming him as their own, developing this alternate lyric sheet to the national anthem:

[audio:God_Save_the_Queen.mp3]

God save great Thomas Paine
His ‘Rights of Man’ explain
To every soul.
He makes the blind to see
What dupes and slaves they be,
And points out liberty,
From pole to pole.

Thousands cry ‘Church and King’
That well deserve to swing,
All must allow:
Birmingham blush for shame,
Manchester do the same,
Infamous is your name,
Patriots vow.

Part of the Themed Set: Thermidor.

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Themed Set: Thermidor

Paris, 1794

It is Thermidor — Month of Heat — by that queer artifact of the times, the Revolutionary calendar, and in the blistering summer the guillotine rots its own scaffold.

It is the climax of that emblematic moment of the French Revolution, often wrongly standing to casual observation as synonymous with the entire revolution. Jarring indeed how brief the span of those pregnant, dangerous days, that upon the storming of the Bastille the guillotine had not yet been erected and from that traditional birthdate of the Revolution were eclipsed successively the Bourbon monarchy, the Constitutionalist Assembly, the Girondin liberals, Marat, Danton … culminating in the bloody hegemony of Robespierre and the fatal test between the Jacobins and their enemies.

By the spring and summer of 1794, Paris is delivered fully to Robespierre. “Terror,” he says, “is only justice prompt, severe and inflexible; it is then an emanation of virtue; it is less a distinct principle than a natural consequence of the general principle of democracy, applied to the most pressing wants of the country.” A blip on the screen chronologically, this period seems endless to those who survive it, and it reverberates endlessly to those who succeed it.

In this Revolution-era cartoon, legendary Parisian headsman Sanson, having run out of victims, guillotines himself.

For the next week, join Executed Today in 1794’s Month of Heat as day by day the Terror rages at its apex, inscrutably suffering citizens to live or die — until of a sudden it succumbs to its own rot.

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1794: Georges Danton and his followers

At twilight this date in 1794, the most magnetic and perhaps most statesmanlike politician of the French Revolution mounted the scaffold at the Place de la Revolution in the revolution — as described by the poet Arnault:

In the dying light of day the great leader seemed to be rising out of his tomb as much as preparing to descend into it. Never was anything more bold than that great athlete’s countenance, never anything more formidable than the look of that profile which seemed to defy the knife. That great head, even as it was about to fall, appeared to be in the act of dictating laws.

The famously ugly revolutionary had been the moving spirit overthrowing the monarchy of Louis XVI in 1792; as the firmest public minister holding up against the ensuing military collapse he was for a few weeks something close to the head of the government.

Some credit him with saving Paris from military rout or internal anarchy during this time; some implicate him in the horrific September Massacres — and it may well be that neither view is mistaken.

He was destroyed by his sometime ally Robespierre — Danton had returned from semi-retirement on his farm late in 1793 to engage this losing power struggle — and the two are easily, albeit simplistically, read as yin and yang in the Revolution.

Danton’s earthy, all-too-human joie de vivre — his carnality, profanity, arrogance, venality — opposed to cold-blooded, sexless Robespierre, “the Incorruptible”; Danton’s (arguable) far-seeing vision of Revolutionary France’s place in the wider world opposed to Robespierre’s bloodthirsty peccadilloes of “virtue”. For most observers, though by no means all, the comparison profits Danton. (Just see if France ever names a warship for Robespierre.)

“We must dare, and again dare, and forever dare.”

Like many before him, most especially the Girondins who had (fatally to both parties) scorned an alliance with the Dantonists, Danton sought to arrest the revolution where he stood. The confrontation that finished him was precipitated by Danton’s attempt — with the assistance of his longtime confederate Camille Desmoulins, the most notable of the other men to lose their heads this day — to apply the brake to the excesses of Robespierre’s Committee of Public Safety, that lethal organ he himself established as a pillar of order for a time of peril now abated. With the worst of the very real dangers to the Revolution checked, Danton in the Convention and Desmoulins in his fiery journalistic writings proposed to rein in the bloodbath and overturn the power of the sans-culottes.

The time was not yet ripe for the former, although the far-left Hebertist party preceded Danton to the guillotine by a few weeks. In this clip from the 1983 film Danton (review | another | still another (pdf)), Robespierre — who had long resisted denouncing Danton, but did it with characteristic gusto once he committed to the course — turns the terrified Convention against the title character:

Danton’s action in those last days seems vacillating, uncertain; fate devours him. For Georg Buchner in Danton’s Death (here it is free in the original German), he’s paralyzed by the contradictions and uncertainties of an unknown new world in its birth pangs, despairing as all his good-natured philosophies drench themselves in gore.

He roused himself one last time for a ferocious and hopeless defense before the Revolutionary Tribunal, coming near enough to swinging the mob in his favor that the Convention felt obliged to vote a measure to gag him.*

He went to his death this day in full character, making the most of his last turn on that stage — strutting, jesting,** boastful to the very end, prophesying (accurately) Robespierre’s imminent demise. He was the last to lose his head, having seen Desmoulins and his fellows die before him, “with such coolness as does not belong to man,” the headsman Sanson recalled. His last words were an instruction to the executioner: “Show my head to the people. It will be worth it.”

* Later codified into a regulation preventing any prisoner mounting a defense, the law would boomerang against its authors when Robespierre’s cadre was hailed before the Tribunal and condemned without a hearing.

** Another in the doomed party, Fabre d’Eglantine, was a writer who on the day of the execution complained of the loss of his verses, vers, a French word also meaning “worms.” Danton observed that he’d soon be making plenty more vers.

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1793: Sydney Carton posing as Charles Darnay

On an unspecified date in December 1793 is set one of literature’s immortal execution scenes, when ne’er-do-well Sydney Carton heroically goes to the guillotine in the place of his aristocratic doppleganger Charles Darnay at the climax of A Tale of Two Cities.

In Charles Dickens‘ classic 1859 novel of the French Revolution, Darnay, the good-hearted scion of the cruel Evremonde line, falls prey to the Revolutionary Terror.

The dissolute, tormented Carton is the respectable Darnay’s literary dark twin, whose appearance he also happens to strikingly resemble. Driven by an unrequited love for Darnay’s wife, who stands in danger not only of losing her husband but of following him to the scaffold, Carton contrives to switch places with the doomed noble.

While those saved by his sacrifice flee for England, Carton goes to the guillotine in a batch of 52 condemned prisoners,* one of them a sweet and frightened girl he comforts tenderly.

His prophetic thoughts as he awaits the blade form the conclusion of the novel, and the last sentence ranks among literature’s most recognizable lines.

“I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both.

“I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place — then fair to look upon, with not a trace of this day’s disfigurement — and I hear him tell the child my story, with a tender and a faltering voice.

“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

A Tale of Two Cities is one of thousands of public-domain books available for free at Project Gutenberg. Stanford’s “Discovering Dickens” community reading project guide annotates the novel here.

* Never one for understatement, Dickens crowds his mass execution tableau with far too many extras. “The Terror” is usually dated from September 1793 through July 1794, but only during its bloodiest last two months would so many as 52 have been guillotined together; at the time of Carton’s execution, half as many would have constituted a large group.

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