We’ve just posted a new podcast conversation with Will Francome of One For Ten, a documentary project that’s aiming to produce a series of short films about ten people exonerated from death row in the U.S. Here’s One For Ten’s pilot on Ray Krone.
One For Ten is crowdsourcing £30,000 needed to fund the project. You can donate here. (Full disclosure: I did so myself.)
New Yorkers can check out a launch party this coming Wednesday, February 13th. For the rest of us, there’s much more at OneForTen.com or @one_for_ten.
There exists a receipt for January 9, 1386, in which the executioner of Falaise, France, acknowledges payment of ten sous and ten deniers
for his efforts and salary for having dragged and then hanged at the [place of] Justice in Falaise a sow of approximately three years of age who had eaten the face of the child of Jonnet le Macon, who was in his crib & who was approximately three months old, in such a way that the said infant died from [the injuries], and [an additional] ten s. tournoise for a new glove when the Hangman performed the said execution: this receipt is given to Regnaud Rigaut, Vicomte de Falaise; the Hangman declares that he is well satisfied with this sum and that he makes no further claims on the King our Sire and the said Vicomte.
From this tiny kernel of primary documentation — the only primary source that exists — an impressive legend has grown up around the “Sow of Falaise”. It’s been alleged by subsequent interlocuters that the condemned sow was dressed up as a person for execution, that other pigs were made to attend in order to take warning by their swinish sister’s fate, and even that the incident became so famous as to merit depiction in a church fresco.
The supposed fresco has been whitewashed, but Arthur Mangin’s L’Homme et la Bete (1872) took a stab at reconstructing it.
This bizarre scenario can’t help but raise the question for we later observers — just what was the objective in trying and “executing” a farm animal? Did the human supporting cast to this scene not feel itself ridiculous?
According to Paul Friedland‘s research for his fascinating recent survey of public executions, Seeing Justice Done: The Age of Spectacular Capital Punishment in France, the subsequent embroideries around the Sow of Falaise have no basis in fact. They were simply made up … or rather, they were interpolations of authors who were baffled as we to see a sow hoisted on a gibbet.
“Punishment may be about many things, but in the last instance, we citizens of the modern world have an almost visceral need to believe that it is primarily about one thing: deterrence,” Friedland opines.
“The punishment of a pig for murder violates our modern understanding of the essential purpose of punishment because it punishes an animal, which we ordinarily do not believe to be capable of criminal intent, and because it does not lend itself very well to the principle of exemplary deterrence.” The tale’s evolution in later centuries “allowed an incomprehensible anecdote from the past to fit neatly into the modern paradigm of penal deterrence.”
Seeing Justice Donesituates that murderous pig within an unfolding saga of penal theory and practice stretching from the Roman Empire to the 20th century. And while Friedland’s study focuses on France in particular, the historical threads he teases out will look familiar much further afield.
We had the pleasure of interviewing Dr. Friedland about his book recently, and we’re pleased to present it here not in our customary Q&A form, but as Executed Today‘s debut podcast. The mediocre sound quality is on me, but Dr. Friedland’s insights are more than worth it. (Unlike your host, Friedland is a podcasting natural; catch him in a July 2012 episode of the New Books In Human Rights podcast.)
Trouble seeing the podcast player? Access the interview on podbean.
