1526: Bianca Maria Gaspardone, the Insatiate Countess

On this date in 1526, Bianca Maria Gaspardone was beheaded at Milan’s Castello di Porta Giova, the present-day Castello Sforzesco.

She was only about 26 years old, but onto her second* dynastic marriage — this to Renato di Challant.

As the story was later recorded in Matteo Bandello‘s Novelle,** the young woman had wealth and options, and with her husband off fighting in Milan’s war against France, she indulged a series of boudoir intrigues — critically for our purposes, one Ardizzino Valperga, Count of Masino.

Per Bandello, the Lady of Challant grew annoyed by him and tried to dispose of him by provoking a quarrel between he and another of her lovers, the Count of Gaiazzo — but the two men compared notes and simply arrived at a mutual contempt for her.

The count made the sign of the cross, and all full of wonder said: Fie, shameless slut that she is. If it weren’t a dishonor for a knight to imbrue his hands in the blood of a woman, I would gouge out her tongue through the back of her neck; but first I would like her to confess how many times she begged me with her arms on the cross, that I have you killed! And so they repeated in public and private the crimes of this dishonest woman until they were on every person’s lips. She, hearing what these gentlemen said about her, even if she pretended no concern for it, was angry with indignation and thought of nothing else but to be highly avenged.

It was in those days in Milan there was one Don Pietro di Cardona, a Sicilian, who governed the company of his legitimate brother Don Artale. This Don Pietro was a young man of twenty-two, dark-faced but proportionate in body and melancholy appearance, who one day seeing Mrs. Bianca Maria fell wildly in love with her. She judging him to be a pigeon of first feather and instrument capable of doing what she so longed for, lured him to better ensnare and dazzle him. He, who had never before loved a woman of account, considering her to be one of the first in Milan, pined miserably for her sake. In the end she made it one night to go and sleep with him, and took such loving pleasure together that he believed himself to be the happiest lover in the world, and not long after asked the young man to kill the Count of Gaiazzo and Signor Ardizzino.

Don Pietro obligingly ambushed Signor Ardizzino and did him to death. Arrested thereafter, he was equally obliging in giving up his paramour as the moving spirit, and she foolishly admitted as much by trying to bribe her way out of trouble.

Don Pietro was permitted to flee from prison. But the unfortunate young woman, having confirmed her lover’s confession with her own mouth, was condemned to have her head cut off. She, having heard this sentence, and not knowing that Don Pietro had run away, could not be prepared to die. At the end, being led onto the ravelin of the castle facing the square and seeing the block, she began to cry in despair and beg for the grace that, if they wanted her to die happy, they would let her see her Don Pietro; but she sang to the deaf. So the poor woman was beheaded. And whoever longs to see her face portrayed in life, should go to the Chiesa del Monastero Maggiore, and there he will see her painted.


Bandello’s closing remark about her painting has commonly been understood to claim her as the model for this fresco of Saint Catherine of Alexandria by Leonardo da Vinci follower Bernardino Luini (1530). More recent research has cast doubt on that notion: scholars now prefer to reckon her image as that of a kneeling patron (along with her first husband) in a different image.

This tale made its way from Bandello’s pen into subsequent literature, notably a Jacobean English sex-romp tragedy called The Insatiate Countess, and a 19th century Italian play, La Signora di Challant; the whole thing appears overall to have unrealized potential for digital-age revival as sultry costume drama for prestige television.

* First hubby Ermes Visconti was beheaded in 1519.

** Bandello’s Novelle stories, which mix history and folklore, also include a version of the pre-Shakespeare Italian Romeo and Juliet drama.

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1526: 2,000 Hungarian prisoners after the Battle of Mohacs

The Sultan, seated on a golden throne, receives the homage of the viziers and the beys, massacre of 2,000 prisoners, the rain falls in torrents.

-Sultain Suleiman the Magnificent (writing of himself in the third person), diary, 31 August 1526

On this date in 1526, two days after the pivotal Battle of Mohács, the Ottomans executed all their Hungarian captives from that battle.

After the 1490 death of Hungary’s greatest king Matthias Corvinus, the Hungarian kingdom began to crumble. Ottoman incursions ate away at that realm’s Balkan possessions.

Squeezed between two stronger empires, Hungary’s King Lajos II put a ring on the non-Turkish one by marrying a Habsburg princess. Fair enough.

Less successful statecraft was his decision not to cut a deal for peace with the Turks and instead force a decisive confrontation … especially since that battle was a tactical debacle. Eschewing a coy retreat towards nearby friendly forces, the belligerent Hungarian nobles hurled their heavy cavalry straight at the numerically superior Turks, basically duplicating the gameplan that the West’s last Crusaders had used when they got their lances handed to them by the Ottomans a century before at Nicopolis.

And those who did not learn from history were here doomed to repeat it. “The Hungarian nation will have twenty thousand martyrs on the day of the battle, and it would be well to have them canonized by the Pope,” a priest is reported to have said when he heard about the decision. By sundown, the Hungarians were routing in disarray, the wounded Lajos himself falling into the Danube in the disorder and drowning in his heavy armor.


Well, we’re boned. The Battle of Mohacs, by Hungarian painter Mor Than (1856).

“May Allah be merciful to him, and punish those who misled his inexperience,” said Suleiman of his 20-year-old opposite number. “It was not my wish that he should thus be cut off, while he had scarcely tasted the sweets of life and royalty.”

Not so tender were Suleiman’s pities for those 2,000 anonymous prisoners of war … and, for that matter, for anyone in the surrounding countryside unfortunate enough to find him- or herself in the path of the now-unchecked Ottoman force.

The cavalry, knowing no mercy, dispersed into the provinces of the wicked one like a stream overflowing its banks and, with the fiery meteors of its sparkling sabers, burned every home to the ground, sparing not a single one…. The contemptible ones were slain, their goods and families destroyed…. Not a stone of the churches and monasteries remained.

Within the fortnight the Turks were sacking defenseless Buda(pest); they would take it for good in 1541 and hold it for 145 years, pressing the Ottoman frontier deep into Europe. It wouldn’t be a Hungarian polity that recaptured it, but the Habsburg empire into which the Magyar wreckage was subsumed — retaking Buda in 1686 in the counterattack after the failed Ottoman Siege of Vienna.

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1526: Antonio Osorio de Acuña

On this date in 1526, Spanish bishop Antonio Osorio de Acuña was beheaded in Simancas for supporting the revolt of the comuneros.

Acuna was in his sixties when the popular revolt rose in Castile.

Given his age and station, he might have been expected to exercise the bishopric of Zamora in the interests of the powers that be. Instead, he threw in with the rebels, even fearlessly leading men into battle.

If that sounds (rightly or wrongly) principled to you, you might be surprised that Acuna has generally been tarred as an opportunist.

Was it “opportunistic” to seize the vacant bishopric of Toledo when that city was under attack by royalists? Or was it a courageous and needful stroke to take the ecclesiastical power in hand and direct the church’s material resources to the cause?

It’s really all in how you look at it. Surely throwing dissenting priests into the dungeon was a little harsh, but then, it was wartime.

Acuna was caught fleeing for France after the revolt broke down, but his execution took four-plus years to arrange through the sluggardly church courts.

Still, he was executed — a fact which underscores the stakes he was playing for, and insured that he would never get the benefit of historiographic doubt.

This Spanish-language page summarizes Acuna’s pre-comuneros career of graft and careerism. This Castilian nationalist page likes him quite a lot better.

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