A day in the executions of Franz Schmidt

The free imperial city of Nuremberg has been a regular feature on this site thanks to the detailed journal of executions kept by its legendary executioner Franz Schmidt.

We have profiled many of the more remarkable cases individually. Today, we’ll pause for a few of central Europe’s lesser criminals whose deaths at Schmidt’s hand on various August Fourths were more representative of the everyday malefactors who paid the last penalty on early modern scaffolds. All block text records Schmidt’s own words.


August 4, 1586: Hans Weber and Lienhardt Hagen

Hans Weber, of the New Town, a potter and thief, whom I whipped out of Neunkirchen ten years ago; Lienhardt Hagen, of Teusslen, a bath-keeper, alias der Kaltbader, a thief and robber, who with his companion helped to attack people by night, tortured them, burnt them with fire, poured hot grease on them and wounded them grievously; also tortured pregnant women, so that one died at Schwertzenbach; stole all manner of things everywhere. The potter was hanged, the bath-keeper executed on the wheel. The bath-keeper had broken into the church at Lohndorff and stolen the chalice, also helped once to steal 500 florins. (a list of many other small sums follows.)


August 4, 1607: Margaret Marranti

Margaret Marranti, a country girl from the knackers’ sheds, who was in service with the innkeeper there, had intercourse with a carrier whom she did not know, and became pregnant. Took service with the farmer at Dorrenhof at Candlemas, concealing her pregnancy. When she was haymaking in the meadows, was seized with pains and contortions, and when the farmer’s wife said she would send for the midwife, the girl made an excuse, and remaining behind at night, gave birth to a child near a shed by the river Pegnitz. She immediately threw the child into the water and drowned it, though it stirred and struggled. Beheaded with the sword here on this account.


August 4, 1613: Matthew Werdtfritzn

Matthew Werdtfritzn of Furth, a Landzknecht, alias ‘Eightfingers,’ a robber. With the help of a companion he attacked the carrier from Regensburg in the Neuenwald, wounded him and his son mortally, and took about 800 florins’ worth of money and goods. Took 84 florins from the baker woman of Lauff, and wounded her lad in the same way, so that he was thought likely to die. Took 40 florins from a carter and 18 florins from the fisherman of Fach; in all twelve highway roberies. For these crimes he was executed on the wheel as a robber.

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1613: Matthäus Enzlin, fallen favorite

German jurist Matthäus Enzlin was beheaded in Urach on this date in 1613.

Way back in 1514, a need of funds and political support to crush a popular rebellion had forced the Duke of Wurttemberg to conclude with his realm’s patrician class the Treaty of Turbingen — a sort of Magna Carta delineating for elite Wurttembergers a formal role in governance and protection of their rights.*

It was at the University of Tübingen many decades later that Enzlin (German Wikipedia link; most of the succeeding links in this post are to German pages) matriculated as a brilliant young lawyer.†

The new Duke of Wurttemberg from 1593, Friedrich I, elevated Enzlin to his Chancellor. This worldly and well-traveled** Friedrich sported a cutting-edge appreciation for the dawning Age of Absolutism and chafed at the shackles that his predecessor’s treaty had weighted him with. Whatever was a prince for, if not to rule?

Enzlin was game to do this prince’s will.

Enzlin’s legal expertise had been of service to Friedrich since the latter’s pre-Wurttemberg position as Count of Montbeliard, and Friedrich trusted him as his Kammersekretar — a sort of personal privy councilor who could advise the prince and help to work his will upon the annoying (to Friedrich) Wurttemberg polity. He became openly referred to as cor et os principis: the heart and the mouth of the prince.

This also meant that Enzlin gained the enemies of the prince who, since Friedrich was an overweening and aggressive ruler, numered not a few. For instance, according to Ronald Asch in The World of the Favourite (much of the research in this post derives from his essay), Enzlin when he fell copped a corruption charge because

Duke Friedrich had begun to channel an increasingly large share of his revenues not through the Treasury but through his privy purse. Large sums of money from this source were devoted to the purchase of manors, villages and whole lordships from the impoverished nobility living beyond the borders of the duchy or were used to provide these noblemen with loans and mortgages in the hope that they would have to cede their property to the duke, should they fail to repay the money. Enzlin was apparently the duke’s principal agent in these rather complicated and somewhat shady financial transactions, in which Jewish moneylenders and merchants were frequently employed as brokers. Thus large sums of money went through Enzlin’s hands.

Hungry for power as well as real estate, the duke was also able to attain with Enzlin’s help a modification of that obnoxious Treaty of Turbingen in 1607: this required dissolving the Diet, manipulating the election of the next one, and all kinds of arm-twisting.

It was, Asch says, “another triumph for Enzlin, who had been responsible for the negotiations” … but the triumph was mitigated by Friedrich’s death months later.

Inheriting power was a 26-year-old named Johann Friedrich who sympathized with the traditional prerogatives of his subjects (in his time, he voluntarily gave back to the Estates some of the powers his father had wrested from them). To the policy side of his Oedipal complex, add the personal: dad kept many mistresses for himself, and kept tight purse-strings for his boy. How many times must Johann Friedrich have seen or imagined Enzlin at his father’s elbow, counseling some fresh humiliation for the whelp? How many incensed Wurttemberg grandees must have whispered the picture in his ear?

The favorite was jailed within months on the corruption charges stemming from his part in the land-aggrandizement slush fund, charges that he was forced to admit under threat of torture. The ex-consigliere and his ex-duchy struck an uneasy bargain: there’d be no official charge, no death sentence, and he would stay under lock and key, disappearing like the Man in the Iron Mask.

Perhaps rating his lawyer’s wiles too highly, Enzlin broke this understanding by having his wife and children† appeal to the imperial authorities — employing the very safeguards of the Treaty of Turbingen which he had so diligently worked to abrogate. Brazenly but accurately, Enzlin pointed out that he had not been brought to trial for any charge. And he made the politically explosive argument that jailing ministers of state for the service they rendered their masters would compromise the entire authority of princes everywhere in the Holy Roman Empire.

Faced with the imminent success of the suit, Wurttemberg called his bluff and brought him immediately to trial and thence the scaffold for the peculation he had been blackmailed into admitting, enhanced now to outright treason. (This is why one should never talk to police.)

German speakers can also grab public-domain sketches of Enzlin’s career from a number of 19th century books available online, such as this and this.

* As one of Europe’s seminal constitutional contracts, the Tübinger Vertrag received 500th anniversary treatment in 2014.

** Shakespeare’s The Merry Wives of Windsor was written for a 1597 Knights of the Garter investiture ceremony. Because Duke Friederich (after a 1592 visit to England) had repeatedly petitioned Queen Elizabeth for this honor, he was inducted on this occasion — but without being notified in time to attend, so that the English court “would not have to put up with him”. As a result, Merry Wives had some in-jokes for its first audience about an absent German duke. Though mostly excised from the play’s subsequent public performance versions, a few traces of them remain, such as this allusion in act 4, scene 3:

Bardolph. Sir, the Germans desire to have three of your
horses: the duke himself will be to-morrow at
court, and they are going to meet him.

Host. What duke should that be comes so secretly? I hear
not of him in the court.

† Enzlin married young and had seven children. He has a stupendous progeny down to the present day but not all have been so solicitous of the powerful as he — witness Gudrun Ensslin.

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1613: Ivan Susanin, a life for the tsar

On an uncertain date in February (perhaps) 1613 — so says a cherished Russian national legend — a villager met a Polish army intent on deposing the Russian tsar, offered to guide it on a “shortcut,” and proceeded to lead it into a forest or fen where it succumbed to the elements.

A monument to Ivan Susanin in Kostroma. Image courtesy of Barbara Partee (Barbara adds: to help prevent future executions of the wrongly convicted, check out the Innocence Project.)

That peasant, Ivan Susanin, is supposed to have been put to death as the army realized its folly and imminent doom — the fate one would expect, although also not the sort that would leave a lot of corroborating witnesses.

Though the particulars are of doubtful veracity, Susanin’s son-in-law was awarded estates for the man’s tortures by enemy armies seeking the tsar — so the story is not completely baseless.

It was tsarist public relations, however, that gave us Susanin in his dramatic, familiar* form with the trackless wilderness.

This Susanin embodies the Russian people’s sacrificial love for their autocrat … and more specifically, since this was the Time of Troubles when the Russian crown’s succession was contested, for the Romanov dynasty whose first scion chosen in February 1613 would have been the Poles’ target.**

Thus, Glinka’s 19th century opera A Life for the Tsar.

But Glinka and Ivan proved up to the shifting needs of authority as the tsar gave way to the Politburo, and that to the post-Soviet state.

In a fascinating 2006 academic disquisition,† Marina Frolova-Walker dissects A Life for the Tsar‘s transmutation into Ivan Susanin, a Stalin-era opera with the same score but a libretto altered to expunge the tsar — and the success this adaptation of a national classic enjoyed vis-a-vis Soviet artists’ original creations under the impossible aesthetic and political restrictions of official censorship.

Not only did this now-nationalist composition thrive in the USSR, it has been successfully re-staged in its Soviet form, or as a fresh amalgamation of Stalin and Glinka, in the Putin era.‡

From the days of serfdom via the days of the gulag past the fall of the Iron Curtain, here’s Ivan Susanin‘s stirring finale performed by the Russian army at the Vatican, and broadcast on Russian television.

* Familiar to Russians, certainly, and you can call one who gets you lost “susanin”.

** And we all know how they left the throne.

† Marina Frolova-Walker, ‘The Soviet opera project: Ivan Dzerzhinsky vs. Ivan Susanin’, Cambridge Opera Journal (2006), 18:2:181-216

‡ In the Yeltsin era, the opera was staged in its pre-Soviet form. Frolova-Walker argues that the version incorporating Stalinist edits actually speaks to contemporary Russia more aptly than the original, an operatic mirror of the state’s re-adopting the Stalinist national anthem after having used a tsarist piece (written by Glinka!) during the 1990’s.

The reappearance of these cultural tokens is occurring because high Stalinism provides the most easily assimilable model for Russian nationalism today: it is less remote than its nineteenth-century counterpart … The eclectic and confident nationalist of the new Susanin contains the appropriate message for those Russian citizens wealthy enough to attend the Bolshoi today.

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