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1781: The slaves of the Zong, for the insurance

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Beginning this day in 1781, the captain of the slave ship Zong began throwing his cargo overboard in a still-notorious case combining the horrors of the Middle Passage with the cruel rapacity of capital.

The Liverpool-based ship was en route from Africa to Jamaica, there to exchange its human chattel for New World produce bound for the European market.

Characteristically for slave ships, it was inhumanly packed: more economical for a slaver to overcrowd its captives and write off the ones who died than to maximize slaves’ chances of survival. And on this particular ship, malnutrition and disease claimed more than 60 slaves (as well as seven crew members).


Underwater sculpture off Grenada commemorating slaves thrown overboard during the Middle Passage.

With many more in danger of expiring, Captain Luke Collingwood reasoned that the cargo would be a loss if it succumbed, but that shippers’ insurance would reimburse the firm “when slaves are killed, or thrown into thrown into the sea in order to quell an insurrection.” Over a three-day span beginning Nov. 29, 1781, Collingwood had 133 still-living but sick slaves cast overboard;* “the last ten victims sprang disdainfully from the grasp of their executioners, and leaped into the sea triumphantly embracing death.” (Source)

This gave the ship’s owners — the good captain himself was not among them — the chance to attempt an insurance scam.

This historical-philosophical book (review, a pdf) analyzes the Zong affair as the emblematic “inauguration of a long twentieth century underwritten by the development of an Atlantic cycle of capital accumulation.”

When the Zong landed having lost in total more than half of its original 440 slaves (and Collingwood himself, that fastidious servant of his shareholders), its owners did indeed attempt to recoup the many who had been intentionally killed. Smelling fraud, the insurer refused to pay.

There followed the signal case of Gregson v. Gilbert, a dry insurance trial that also became a beacon of the slave system’s blood-chilling jurisprudential logic.

After a jury sided with the claimant shippers against the insurers, the matter hit a wide public on appeal before Lord Chief Justice Mansfield when abolitionist activists Granville Sharp and Olaudah Equiano seized upon its conscience-shocking quality.

While Sharp and Equiano agitated unavailingly for a homicide investigation, the insurer — which was itself in the very same business of human bondage as the shipper — self-righteously posed “as counsel for millions of mankind, and the cause of humanity in general.” (Source) Its interests, after all, would be served by the least possible indemnity for slaves murdered in passage.

Solicitor-General John Lee — “the learned advocate for Liverpool iniquity,” in Sharp’s estimation — successfully insisted upon limiting the case to its commercial considerations.

What is this claim that human people have been thrown overboard? This is a case of chattels or goods. Blacks are goods and property; it is madness to accuse these well serving honourable men of murder. They acted out of necessity and in the most appropriate manner for the cause. The late Captain Collingwood acted in the interest of his ship to protect the safety of his crew. To question the judgment of an experienced, well-travelled captain held in the highest regard is one of folly, especially when talking of slaves. The case is the same as if horses had been thrown overboard. (Quoted here; Wikipedia has it “as if wood had been thrown overboard.”)

Lord Mansfield agreed, “(though it shocks one very much) that the case of slaves was the same as … horses,” and simply found with the insurers that no liability attached them since the killings were voluntary rather than necessary.

Nobody was ever prosecuted.


The disturbing 1840 Turner seascape “Slavers throwing overboard the Dead and Dying – Typon [sic] coming on”, also known simply as “The Slave Ship”, is widely thought to have been inspired by the Zong episode. The allusion would have been well-known to his contemporaries.

* One of the 133 survived by climbing back aboard the ship.

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1947: The avatar of Doctor Wonder

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On this date in 1947, according to the modern mystical sect of Daheshism, the eponymous founder Dahesh was shot as a spy at the Iran-Azerbaijan frontier — only to reappear perfectly alive in his native Lebanon.

Not that Dr. Wonder.

This Dr. Wonder:

Now, every theology looks like mummery to an outsider practically by definition, and far be it from Executed Today to impugn anyone’s spiritual truth. But: you might want to strap yourself in for Dahesh.

Born Salim Moussa Achi, “le docteur Dahesh” — “a Franco-Arabic amalgam that translates as ‘Dr. Wonder'” — made his unusual name in Beirut in the 1930’s and 1940’s “for his mesmeric gaze, the sway he held over some highly placed Lebanese (especially women), and his propensity for performing Houdini-like ‘wonders’ — including transmuting strips of paper into banknotes, appearing and disappearing at will, removing his head before retiring, and summoning spirits.”

Expelled from Lebanon, he is supposed to have walked across Syria and Turkey to Azerbaijan,* been caught without papers in that dangerous neighborhood, and shortly thereafter executed as a suspected spy.

Next thing you know, he’s back in Beirut, ready to fulfill his destiny of dying in New York in 1984 as a collector of forgettable 19th century art. And also performing “thousands” of miracles revealing him to be the reincarnation of Jesus Christ, which we know for a fact because he never claimed to be Jesus.

Something like that. Finer points elided.

Daheshism today evidently claims a few thousand followers — including the wealthy Zahid family — and no centralized church-like entity. Its most prominent public billboard is New York’s Dahesh Museum, which houses the late Doc Wonder’s collection of the official French Academy art overthrown by impressionism.

And the miracle on this date in 1947?

Sure, you (o ye of little faith!) might think that he slipped back into Beirut and seized on the shooting of some poor undocumented schmo who happened to resemble him.

But actually, the trick was to swap places with one of your six celestial avatars, a race of real good sports about suffering martyrdom since that’s also what the “crucified” Jesus did.**


* The sourcing is mixed on whether “Azerbaijan” here should be considered the Azerbaijan Soviet Socialist Republic then a constituent of the USSR, or its neighboring Iranian region, also called Azerbaijan.

** In this, Daheshism echoes very longstanding mystical approaches to spirit/body dualism; some early Gnostic Christians seem to have believed that Christ was not flesh in the literal human sense, and therefore his apparent death was otherwise. The Koran also supports the notion that Christ did not die bodily.

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1521: The Comuneros of Castile

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On this date in 1521, the day after winning the decisive battle in the Castilian War of the Communities, royalist forces beheaded its three principal leaders in Villalar.

Even while the Spanish Empire was burgeoning in the New World, its home peninsula remained a house divided.

The Iberian Kingdoms of Aragon and Castile had joined in a personal union with the marriage of Ferdinand and Isabella in the late 15th century.

When the couple passed, it was not a given that their conjoined territory would become, as it did, the germ of a unified Spain.

Instead, the royal power couple’s crazy daughter was kept under lock and key while her infant son grew into the redoubtable Emperor Charles V. To exacerbate the local annoyance, Chas had continent-spanning territories, and ambitions; Spain was not his base, merely one of his provinces. (He’d grown up in Flanders. Ah, dynastic politics.)

The Emperor was only a teenager when his Castilian subjects rose against his levies, and against the paradoxical perception that the first true King of Spain was a foreign ruler.

A riot in Toledo mushroomed into a revolt, and everyone started drawing up sides. (Spanish link) Things went south when the commoner rebels started adopting an unwelcome radicalism (beyond rebelling against the king, that is), enabling the imperial rep (and future pope) Adrian of Utrecht to pull back into the royalist camp rebellious nobles increasingly fearful of expropriation at the hands of the firebrands.

After the balance of forces decided in Charles V’s favor, all that remained was to give the chop to the primary troublemakers. Juan Lopez de Padilla, Juan Bravo and Francisco Maldonado were obligingly captured after the Battle of Villalar.


The Execution of the Comuneros of Castile, by Antonio Gisbert. Segovian Juan Bravo allegedly asked to die first, so as not to witness the death of so good a knight as Padilla.

The demise of the “Caballeros Comuneros” pretty much squelched the revolt — although Padilla’s widow Maria Pacheco defended the rebel ground zero of Toledo for several months more.

The comuneros have lived on ever since as a symbol in literature and propaganda, among monarchists (for whom they are a symbol of perfidy), liberals (rather the reverse) and Castilian nationalists. Though “comuneros” was for a period an all-purpose smear against agitators in the Spanish dominions, April 23 (the date of the fateful battle) has been Castile and Leon Day, a public observance, since 1986.


This monolith in the Villalar town plaza commemorates the Comuneros. Image (c) Julio Alvarez, and used with permission.

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1355: Marino Faliero, Doge of Venice

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On this date in 1355, Marino Faliero* was escorted to the spot where he had been crowned Doge of Venice scant months before. There, he was ceremoniously relieved of his robes of state … and then his head.


The Execution of Marino Faliero, by Eugene Delacroix (1827).

Some fog surrounds the day’s proceedings, product not only of time but of the Doge’s executioners’ damnatio memoriae upon their victim. What was written was circumspect; even Faliero‘s portrait in the great hall of the Doge’s Palace was veiled.

What is known — or at any rate, was admitted by the elderly first citizen — is that the ruler attempted a coup against the overweening power of Venice’s great families.

The putsch was supposed to occur on April 15, with the bell of St. Mark’s Cathedral tolling on a fabricated hue and cry. In the tumult, the Doge’s supporters meant to cut down the nobles who flexed the real political muscle in the maritime republic and consolidate ducal power.

Why?

The salacious version has the old goat in a tiff with a noble, who made fun of his May-December marriage —

Marino Faliero of the beautiful wife,
Others enjoy her while he maintains her

A tribunal of fellow-nobles let the rascal off with a slap on the wrist.

Power being what it is, and princes and nobilities being born for conflict with one another across the centuries in Europe, one may as well discern a straightforward political intent — heightened, perhaps, by the then-dire state of Venice’s naval contest with Genoa.

Downright Byronic under either scenario … and Byron wrote a play about Faliero. The doomed ruler gives throat to quite a magnificent curse upon his city, with all the foresight of Byron’s half-millennium of hindsight:

I perish, but not unavenged; far ages
Float up from the abyss of time to be,
And show these eyes, before they close, the doom
Of this proud city, and I leave my curse
On her and hers for ever! —

…

          — She shall be bought
And sold, and be an appanage to those
Who shall despise her! — She shall stoop to be
A province for an empire, petty town
In lieu of capital, with slaves for senates,
Beggars for nobles, panders for a people!

…

Amidst thy many murders, think of mine!
Thou den of drunkards with the blood of princes!
Gehenna of the waters! thou sea Sodom!
Thus I devote thee to the infernal gods!
Thee and thy serpent seed!
[Here the Doge turns, and addresses the executioner.]
          Slave, do thine office!
Strike as I struck the foe! Strike as I would
Have struck those tyrants! Strike deep as my curse!
Strike — and but once!

This sort of thing knocking about among litterateurs in the 19th century practically guarantees an opera.

* Or simply “Marin Falier”, in the Venetian dialect.

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