Tag Archives: les miserables

1794: Jacques Hebert and his followers

Posted on by

On this date in 1794, firebrand revolutionary pamphleteer Jacques Hebert and his eponymous party of Convention radicals mounted the scaffold during the Paris Terror.

As a 32-year-old, Hebert started putting out his foul-mouthed blog radical newspaper Le Pere Duchesne in the Revolution’s early months.

In this increasingly vituperative rag, Hebert — incongruously writing in the voice of “Old Man Duchesne” — savaged first the royal couple, and then (after that pair lost their well-coiffed heads) whatever the retrograde element of the unfolding Revolution happened to be on any given day: the constitutional monarchist Lafayette; the bourgeois liberal Girondists. His paper valorized the Parisian working-class sans-culottes, and lustily demanded heads for the satisfaction of their various grievances.

Here, he literally channels Marat:

All of these thoughts trouble my brain, and the memory of Marat follows me without end. Last night I saw him in a dream: his wound was still bleeding, dammit. Upon seeing it I cried. Friend of the people, I shouted, is it you? Yes, good Père Duchesne, it’s Marat who comes from the dead to talk with you, because — dammit — the love of freedom pursues me even beyond the grave. Content to have lost my life for my republic, there only remains to me the regret of not having seen it delivered, before my death, from all the scoundrels who tear away at its breast. Père Duchesne, you must do what I couldn’t do. You closely followed me in the revolution; like me you consecrated you life to the defense of the rights of the people. You speak the language of the Sans Culottes, and your foul mouth, which makes little mistresses faint, sounds beautiful to free men, for free men shouldn’t be sought among the beautiful souls. Your joy and your anger have done more than all the dreams of statesmen. They know this well, the worthless fucks, and that’s why they’ve persecuted you like they did me. Courage, old man; don’t back off when you suffer the same trials as me, don’t be afraid: is there a more beautiful death than mine? But since you’re useful to your fellow citizens, try to avoid the daggers of statesmen. Live a while longer in order to denounce them and to complete, if you can, the task I’d undertaken.

…

Yes, Père Duchesne, you have to go after them hammer and tong, and not take it easy on anyone. When three months ago I proposed planting three hundred nooses on the terrace of the Tuileries in order to hang there the perfidious representatives of the people, some took me for a madman, and others as someone thirsty for blood. But nevertheless, if I’d been believed how much bloodshed would have been avoided! More than a million fewer men would have perished! So when I made that proposition I wasn’t speaking as a bloody monster, on the contrary I spoke as a friend of humanity. The moderates have buried more victims than those that fell before the steel of our enemies. Nothing is more harmful in a revolution than half measures. We have finally arrived at the era when we must pare things right down to the bone. … No more quarter for the defeated party, because, dammit, if the statesmen had the upper hand for one moment there wouldn’t exist a single patriot in six months.*

Late in his run, Hebert was on to venting dissatisfaction with the party of Danton, who had followed the monarchists and the liberals off the starboard of acceptable revolutionary opinion. Sensible centrist Maximilien Robespierre would indeed strike that faction down — just two weeks after he’d purged the radical Hebertist gaggle itself.**

Eleven days after Le Pere Duchesne last hit the streets, its author’s head hit the basket.

His printed editorials (like the one above) often assert a modish conviction in his own coming martyrdom, but as proof against a fatal political reversal, Hebert had trusted overmuch to his power base in the Paris commune. When he was carted out this morning, the mob whom his own paper once played to reveled in old Pere Duchesne’s fall just as readily as it had reveled in his enemies’.

some men carrying long sticks, at the end of which were suspended braziers of burning charcoal, symbolical of the “Charcoal-burners” of the “Pere Duchesne,” thrust them into the face of Hebert, insulting him with the same bitter railleries with which he tormented so many other victims (Alphonse de Lamartine)

Hebert was executed at the Place de la Revolution in a batch of 20 fellow-radicals, among whom we also find the eloquent “orator of mankind,” anticlerical† wordsmith Anacharsis Cloots. (Victor Hugo on his revolutionary leader in Les Miserables: “he had too much of Saint-Just about him, and not enough of Anacharsis Cloots.”)

The original La Pere Duchesne was dead, but just as the hot-selling mag had attracted ripoffs in its original run, the name lived on as a symbol of popular revolutionary menace — to be reclaimed by later generations in print and song.


La chanson du pere duchesne (live at RMZ)

* I know, right? Hebert was such a wild man, he thought ill of slavers.

Everywhere and at all times men of commerce have had neither heart nor soul: their cash-box is their God; they only know how to thieve and deceive; they would shave an egg, they would kidnap their own fathers; they traffic in all things, even human flesh; theirs are the ships which sail to the African coasts to capture negroes whom they then treat as worthless cattle.

** These rival factions linked as fellow-victims of Robespierre’s Terror are neatly symbolized by the spouses of their respective antipathetic scribblers: Jacques Hebert’s wife Marie, and Lucile Duplessis, wife of the Dantonist journalist Camille Desmoulins. Marie and Lucile were guillotined together that April, having forged a friendship while awaiting the chop.

† “The personal enemy of Jesus Christ,” Cloots called himself. He also remarked, “What is man’s chief enemy? Each man is his own.” A lot of enemies, this one had.

On this day..

1832: Not Javert, spared by Jean Valjean

Posted on by

On this, the second day of the abortive 1832 June Rebellion in Paris, police inspector Javert is faux-executed — and mercifully released — by his longtime quarry Jean Valjean in Victor Hugo’s classic Les Miserables.


Javert depicted in an theatrical poster, from the Les Miserables Gallery. The site identifies this as an 1899 poster, which may be mistaken since the actor billed for Javert died in January 1898.

Hugo’s monumental novel is structured by the implacable policeman’s pursuit of Jean Valjean, an absconded ex-con with a heart of gold.

Fate brings them together accidentally at the barricade of the (historical, but now forgotten) student uprising — Javert to spy on the student revolutionaries, who unmask him, and Jean Valjean to keep an eye on his adoptive daughter’s idealistic lover.

Jean Valjean’s timely contribution to the hopelessly outgunned revolutionaries gives him the pull to ask the favor of being the one to execute the spy.* Since Valjean has been hunted relentlessly by the lawman since breaking parole nearly two decades before, the hero has ample motivation to turn executioner.

Instead…

When Jean Valjean was left alone with Javert, he untied the rope which fastened the prisoner across the middle of the body, and the knot of which was under the table. After this he made him a sign to rise.

Javert obeyed with that indefinable smile in which the supremacy of enchained authority is condensed.

Jean Valjean took Javert by the martingale, as one would take a beast of burden by the breast-band, and, dragging the latter after him, emerged from the wine-shop slowly, because Javert, with his impeded limbs, could take only very short steps.

Jean Valjean had the pistol in his hand.

In this manner they crossed the inner trapezium of the barricade. The insurgents, all intent on the attack, which was imminent, had their backs turned to these two.

Marius alone, stationed on one side, at the extreme left of the barricade, saw them pass. This group of victim and executioner was illuminated by the sepulchral light which he bore in his own soul.

Jean Valjean with some difficulty, but without relaxing his hold for a single instant, made Javert, pinioned as he was, scale the little entrenchment in the Mondetour lane.

When they had crossed this barrier, they found themselves alone in the lane. No one saw them.

…

Jean Valjean thrust the pistol under his arm and fixed on Javert a look which it required no words to interpret: “Javert, it is I.”

Javert replied:

“Take your revenge.”

Jean Valjean drew from his pocket a knife, and opened it.

“A clasp-knife!” exclaimed Javert, “you are right. That suits you better.”

Jean Valjean cut the martingale which Javert had about his neck, then he cut the cords on his wrists, then, stooping down, he cut the cord on his feet; and, straightening himself up, he said to him:

“You are free.”

Javert was not easily astonished. Still, master of himself though he was, he could not repress a start. He remained open-mouthed and motionless.

Jean Valjean continued:

“I do not think that I shall escape from this place. But if, by chance, I do, I live, under the name of Fauchelevent, in the Rue de l’Homme Arme, No. 7.”

Javert snarled like a tiger, which made him half open one corner of his mouth, and he muttered between his teeth:

“Have a care.”

“Go,” said Jean Valjean.

Javert began again:

“Thou saidst Fauchelevent, Rue de l’Homme Arme?”

“Number 7.”

Javert repeated in a low voice: — “Number 7.”

He buttoned up his coat once more, resumed the military stiffness between his shoulders, made a half turn, folded his arms and, supporting his chin on one of his hands, he set out in the direction of the Halles. Jean Valjean followed him with his eyes:

A few minutes later, Javert turned round and shouted to Jean Valjean:

“You annoy me. Kill me, rather.”

Javert himself did not notice that he no longer addressed Jean Valjean as “thou.”

“Be off with you,” said Jean Valjean.

Javert retreated slowly. A moment later he turned the corner of the Rue des Precheurs.

When Javert had disappeared, Jean Valjean fired his pistol in the air.

Then he returned to the barricade and said:

“It is done.”

Or, has played in the modern hit musical adaptation:

In saving his own soul, Jean Valjean (conveniently!) manages to kill his pursuer just the same: the cognitive dissonance for such a hard, emotionless man being on the receiving end of this bit of redemptive mercy leads Javert to break character so far as to allow his man to escape. The inspector then commits suicide.

Les Miserables is available free several places online, including Gutenberg.org and The Literature Network.

* While the recent musical production of Les Miserables soft-pedals what was planned for Javert, Hugo leaves no room for doubt: as the students prepare for the fatal onslaught, their leader Enjolras decrees that “[t]he last man to leave this room will smash the skull of this spy.”

On this day..