Posts filed under 'Arts and Literature'
September 20th, 2014
On this date in 1246, the Russian prince Mikhail of Chernigov was put to death by the Mongol commander Batu Khan for refusing to make an idolatrous gesture of submission.
In its time, prosperous Chernigov (or “Chernihiv” in a more Ukrainian transliteration) vied with neighboring Kiev for the the pride of place in Rus’.
But Chernigov’s time ended with Mikhail’s time, because the Mongols came crashing through the gates. The “Tatar Yoke” descended on Chernigov, and on Rus’, in the 1230s, and would not be lifted for a quarter of a millennium.
The nomadic Mongols weren’t there to commit genocide or displace the Russian civilization; they just wanted the tribute payments, thank you very much. But the local rulers the Mongols left to collect for them were selected for compliance like any good ploughman would do — and Mikhail found the yoke too disagreeable for his shoulders.
Mikhail knew full well that the Mongols were no joke. He was present at the 1223 Battle of the Kalka River, when the Rus’ principalities had caught word of a horde from the east advancing into present-day Ukraine, rode out to repel them, and lost 10,000 dead.* One of them was the previous prince of Chernigov, which is how Mikhail got the job.
Rus’ had a reprieve because this force was merely the vanguard; the Mongols had business elsewhere. Mikhail would return to the trade negotiations and regional political jockeying that made up the workaday life of a knyaz, thinking who knows what about the mysterious barbarians.
Then the Mongols returned in force.
From December 1237, they overwhelmed and sacked city after city: Ryazan, Kolomna, Moscow, and Vladimir just by March of 1238, and then dozens of cities to follow.** Some held out fiercely; some gave way quickly — but each in its turn succumbed. The “Grand Principality of Chernigov” was no more by 1239.
As the Mongols swept onwards towards Bulgaria, Poland, and Hungary,† the Mongol ruler Batu Khan (grandson of Genghis) set up a capital where the Russian princes would be made to give their ceremonial submissions. Mikhail was one of the last to do so but in 1246 to forestall the prospect of another Mongol attack, he too made the trip.
Although Mikhail consented to kowtow to the Mongol prince, he incensed his host by refusing to prostrate himself before heathen idols. For this he was slaughtered along with an equally faithful boyar named Fedor, their bodies cast into the wilds for animals and elements to devour.
Michael of Chernigov at the camp of Batu Khan, by Vasiliy Smirnov (1883)
For this sacrifice, they became honored as Christian saints and martyrs, with September 20 fixed as the “Feast of the Miracle-Workers of Chernigov” — a liturgical expression of Russian resistance to that Tatar Yoke. When Ivan the Terrible put the Tatars of Kazan and Astrakhan to rout in the 16th century, he also translated the Miracle-Workers’ relics from Chernigov to Moscow — a political expression of their national import.
* Or possibly several times that. Body counts from chroniclers are notoriously unreliable.
** It was to save itself from the Mongols that the mythical city of Kitezh is supposed to have sunk itself like Atlantis into Lake Svetloyar near Nizhny Novgorod.
† As well as points south.
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Entry Filed under: 13th Century,Arts and Literature,Beheaded,Bludgeoned,Capital Punishment,Death Penalty,Execution,God,Heads of State,History,Martyrs,Mongol Empire,Nobility,Occupation and Colonialism,Politicians,Power,Rus',Russia
Tags: 1240s, 1246, batu khan, chernigov, mikhail of chernigov, saint, september 20
September 14th, 2014
On this date two centuries ago, a man on a mission of mercy found his accidental entry into history.
The mercy in question was required for a Maryland fellow named William Beanes. During the War of 1812, the British had seized this 65-year-old doctor on their march back from torching the White House, on grounds of his role jailing British soldiers who were doing some freelance plundering around his beloved Upper Marlboro.
They were making worrying (possibly empty) threats about hanging the man for infringing the laws of war as they held Dr. Beanes in the Chesapeake Bay aboard the H.M.S. Tonnant.* Beanes’s friends recruited a respected lawyer (and amateur poet) to get the venerable gentleman out of the soup.
This was accomplished easily enough. Approaching the British warship under a flag of truce, the lawyer and a buddy who was the government’s designated prisoner exchange agent managed to convince Gen. Robert Ross to parole his “war criminal” by producing a packet of testimonials from previous British POWs affirming the honorable treatment Dr. Beanes had accorded them. Problem solved.
There was one minor hitch.
Because the British were preparing to attack Baltimore, and the visiting envoys had perforce become privy to some of the forthcoming operational details whose exposure might complicate matters, the hosts detained the whole party at sea pending the encounter’s conclusion.
There the Americans looked on, helplessly entranced, as the Battle of Baltimore unfolded. On September 12, there was a land battle (the munificent Gen. Ross was slain by an American sharpshooter as he directed troops in this affair). Then at dawn on September 13, the British fleet commenced a withering bombardment of Baltimore’s principal harbor bulwark, Fort McHenry. Safely out of range of the fort’s guns, British cannons rained ordnance on the fort throughout the day, 1,500 bombs in all. At one point a missile ripped a white star from the fort’s gigantic American flag.
The firing continued into the night. The American bystanders, who could do nothing but watch, now could catch nothing but the fleeting illumination of exploding shells. Could the fort possibly survive the assault? As morning approached, the fleet’s firing came to a virtual stop. The Americans could only surmise that this abatement might indicate Fort McHenry’s capture by the British. The suspense over the course of the long, dark night must have been near unbearable.
Dawn’s early light on September 14, 1814 brought for the Yankees a wonderous sight: the tattered American banner somehow still fluttered over the fort, where they had watched it all the day before.
On September 14, 1814, Francis Scott Key beholds the American flag still flying over Baltimore, just as it had at the previous twilight’s last gleaming. (1912 painting by Edward Moran.)
Overjoyed now, Beanes’s deliverer Francis Scott Key put his poetic gifts to patriotic use and dashed off a poem celebrating Baltimore’s fortitude. Originally known as “The Defence of Fort McHenry”, you know it today as “The Star-Spangled Banner” — the American national anthem. We owe it all to Williams Beanes’s capture and prospective hanging.
* A French-built ship captured in Egypt by Horatio Nelson. (Cool painting.) She would go on to fight in the naval prelude to the Battle of New Orleans.
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Entry Filed under: 19th Century,Arts and Literature,Doctors,England,Hanged,History,Innocent Bystanders,Maryland,No Formal Charge,Not Executed,Notable Participants,Occupation and Colonialism,USA,Wartime Executions
Tags: 1810s, 1814, baltimore, battle of baltimore, francis scott key, music, patriotism, poetry, september 14, war of 1812, william beanes
September 13th, 2014
On this date in 1418, the Duke of Milan annulled his marriage at the headsman’s block.
Beatrice (English Wikipedia entry | Italian) was initially the wife of the condottiero Facino CaneFacino Cane, a brutal but successful warrior who gained de facto control of the Duchy of Milan when it was inherited by a teenage Duke.
That teen’s younger brother, Filippo Visconti, spent the early 1400s packed away in Pavia, sickly and marginal, wondering which of the deadly machinations of state playing out above him might unexpectedly come crashing down on his own head. It seems doubtful that Beatrice ever had reason to give the little twerp a thought.
Delivery for Filippo came in May 1412. Big brother was assassinated while Facino Cane lay dying and suddenly the 19-year-old called the shots in Milan. In his day, he would become known as a cunning and cruel tyrant, and would make Milan the dominant power in northern Italy.
And it all was possible because of May 1412, which not only elevated Filippo but widowed our principal Beatrice. From her puissant late husband she inherited 400,000 ducats and huge … tracts of land. Her virtues could hardly fail to appeal to the whelp of a Duke, even at twenty years his senior; indeed, it was Cane himself who sketched out this succession plan from his deathbed.
It seems, however, that having taking possession of the wealth and legitimacy that came with Beatrice’s hand, Filippo soon grew irritated with the rest of her — enough so that he at last determined to put her aside. His paranoid Excellency wasn’t the quietly-retire-you-to-a-monastery type; instead, he went for the full Anne Boleyn.
Accusing his consort of consorting with a young troubadour in her court, Michele Orombelli, Filippo had the accused cuckold and two of Beatrice’s handmaidens tortured until they produced the requisite confession/accusation of faithlnessness. Upon that basis he had Orombelli and Beatrice di Tenda both beheaded at the castle of Binasco. A plaque placed there to commemorate the spurned wife is still to be seen today.
Bellini’s second-last opera was based on this tragic story. Beatrice di Tenda premiered in 1833; it’s noteworthy in Bellini’s biography because deadline disputes in its composition ruined the composer’s longstanding collaboration with librettist Felice Romani.
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Entry Filed under: 15th Century,Arts and Literature,Beheaded,Capital Punishment,Death Penalty,Execution,History,Italy,Milan,Nobility,Sex,Torture,Women,Wrongful Executions
Tags: 1410s, 1418, adultery, beatrice di tenda, binasco, facino cane, filippo visconti, milan, opera, septmeber 13, vincenzo bellini
September 12th, 2014
Daryl Holton went to the Tennessee electric chair.
Holton was an depressive Gulf War veteran with an acrid relationship with his ex-wife Crystle.
Bitter at being kept from his children for weeks on end, Holton picked up his three kids and their half-sister on November 30, 1997 and told them they’d be going Christmas shopping.
According to the confession that he gave when he turned himself in later that night, he instead drove them to an auto repair shop in Shelbyville, where he shot them in two pairs by having first Stephen and Brent (aged 12 and 10) and then Eric and Kayla (aged 6 and 4) stand front-to-back facing away from him, then efficiently shot them unawares through the back with an SKS. (Eric and Kayla played elsewhere while the older boys were murdered. Eric was hearing-impaired.)
“They didn’t suffer,” Holton would tell his shocked interrogators that night. “There was no enjoyment to it at all.”
The original plan was to complete a family hecatomb by proceeding to murder Crystle and her boyfriend, and then commit suicide. But on the drive over, Holton lost his zest for the enterprise, smoked a joint, and just went straight to the police where he announced that he was there to report “homicide times four.”
Holton had a light trial defense focused on disputing his rationality and competence at the time of the murders — a theme that appellate lawyers would attempt to return to, hindered significantly by Holton’s refusal to aid them or to participate in legal maneuvers that would prevent his execution. A spiritual advisor reported him at peace with his impending death: “He’s very clear, very focused.”
Holton is met in depth in the 2008 documentary Robert Blecker Wants Me Dead, detailing his remarkable relationship — even friendship — with vociferous death penalty proponent Robert Blecker.
Holton’s was Tennesee’s first electrocution in 47 years and, as of this writing, its last. The Volunteer State subsequently removed electrocution from its statutes altogether — but in 2014 it re-adopted the electric chair as a backup option in view of the nationwide shortage of lethal injection drugs.
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Entry Filed under: 21st Century,Arts and Literature,Capital Punishment,Common Criminals,Crime,Death Penalty,Diminished Capacity,Electrocuted,Execution,History,Murder,Tennessee,USA,Volunteers
Tags: 2000s, 2007, cinema, daryl holton, depression, documentaries, family, filicide, mental illness, robert blecker, september 12
September 6th, 2014
On this date in 1771, the German outlaw Matthias Klostermayr was broken on the wheel in Dillingen.
The “Bavarian Robin Hood” (English Wikipedia entry | German) led a band of poachers (their merriness or lack thereof is unrecorded) who in the 1760s did a famous business, exploiting the jigsaw of tiny statelets in the region to keep the heat off by ducking across a border every few weeks.
Their exploits zestily raiding the hated private hunting preserves of haughty lords elevated them in the popular imagination to social bandits. They’re really said to have distributed a portion of their booty to the poor. They were slated with nine homicides during their run, of game wardens or soldiers whom they did not hesitate to handle much less generously. The gang’s long run proliferated legends multiplying their prowess, even crediting them with supernatural powers like invulnerability to bullets.
Klostermayr was the subject of folk songs even in his lifetime, and that exposure meant that he eventually became the subject of multilateral coordination among the principalities whose limited jurisdictions he so expertly exploited. A 1769 mutual-assistance arrangement permitted authorities to cross the border in hot pursuit; by the end of 1770, an outright military expedition with 300 troops had been arranged. They took Klostermayr by storm on January 14, 1771 in the town of Osterzell; the theater and the shooting club still carry Klostermayr’s name in Osterzell, a small testament to the robber’s enduring popularity two and a half centuries on from his death.
That death was bound to be a demonstrative one, revenging all the offenses Klostermayr had done to his superiors.
The agonizing public shattering of his bones on the breaking wheel, preserved for us in graphic drawings, did no disfavors to the bandit’s fame. Buttressed by his thinly-veiled appearance a few years later as the protagonist of Schiller‘s first play, The Robbers, Klostermayr’s renown persists in Germanophone Europe right down to the present day.
Detail view (click for a larger image) of the terrifying device on which Bavarian outlaw Matthias Klostermayr was stretched out to have his limbs crushed with a breaking-wheel on September 6, 1772.
Detail view (click for a larger image) of Matthias Klostermayr being broken on the wheel.
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Entry Filed under: 18th Century,Arts and Literature,Broken on the Wheel,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Famous,Germany,History,Murder,Outlaws,Popular Culture,Public Executions,Theft
Tags: 1770s, 1771, dillingen, friedrich schiller, literature, matthias klostermayr, september 6, social bandits, theater
August 15th, 2014
Three centuries ago today, Wallachian prince Constantine Brancoveanu was beheaded in Istanbul with his four sons.
Brancoveanu (English Wikipedia entry | Romanian) had fallen foul of the Sublime Porte, which dominated Wallachia, by dallying with the Ottomans’ European rivals, the Habsburgs and the Russians.
During the then-current installment the oft-renewed Russo-Turkish War derby, he actually massed armies for a potential swing all the way to the anti-Ottoman team. Breaking those up and returning Peter the Great’s gifts after the Russian clock got cleaned did not a tribute of loyalty make in the eyes of Turkey.
Not only Contantine but his entirely family — wife, four sons, and six daughters — were carried thereafter to Istanbul prisons. On the Feast Day of the Blessed Virgin, in the presence of the Sultan himself and of Christian diplomats who would be sure to put the word out, his four sons Constantine, Stefan, Radu and Matei were beheaded in his presence, as was the Wallachian treasurer Enache Vacarescu. The 60-year-old prince exhorted them as they endured their martyrdoms to remain steadfast, until at last he too lost his head. (Istanbul Christians managed to give the bodies honorable burials after fishing them out of the Bosphorus. The remains were later translated to Bucharest.*)
Most of the web sites about Branacoveanu and family are in Romanian; he was in his quarter-century reign a great cultural patron. The first Romanian Bible was completed in his time, and he undertook a great building program whose distinctive architectural stile still bears his name — Brancovenesc.
The Romanian Orthodox church conferred upon the martyred family the laurels of sainthood in 1992, a fine time to honor Romanian independence from foreign domination although of course by that time the Ottomans were yesteryear’s news and the outside heavy in question was the Russians.
Constantine also has a full panoply of secular miscellany in his honor: roads, statues, ballads, a metro station named after him, and so forth.
* At least, the alleged remains; it is well not to turn a forensic lens on saintly relics, and when Brancoveanu’s tomb was opened at the bicentennial of his death the skeleton therein appeared by the state of its teeth to be that of a man half Brancoveanu’s age. (Source)
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Entry Filed under: 18th Century,Arts and Literature,Beheaded,Capital Punishment,Death Penalty,Execution,Heads of State,History,Martyrs,Mass Executions,Nobility,Occupation and Colonialism,Ottoman Empire,Politicians,Popular Culture,Power,Religious Figures,Romania,Torture,Treason,Turkey
Tags: 1710s, 1714, august 15, constantine brancoveanu, constantinople, istanbul
August 3rd, 2014
On this date in 1530, Francesco Ferruccio (or just Ferrucci) and his executioner Fabrizio Maramaldo clinched their immortality at the Battle of Gavinana.
The battle was the tragic final scene of the War of the League of Cognac, in which an alliance of Italian city-states tried to expel the Habsburg Holy Roman Emperor Charles V from the peninsula. Charles had already in effect decided matters by forcing the French out of the fight, which also brought about the capitulation of the Vatican.
Left alone in the fray, doughty Florence — ever so briefly at this moment restored as a Republic, having given the Medici the boot — continued to hold out against impossible odds. A vast imperial army swollen by landsknechts whose mercenary arms were now unnecessary elsewhere in Italy besieged Florence on October 24, 1529.
The intrepid Florentine commander Francesco Ferruccio (English Wikipedia entry | Italian) strove to take his hopeless fight to the enemy. After a plan to coerce papal support by striking Rome was vetoed, Ferruccio mounted a march through the Apennines to threaten the Imperials’ rear.
He was intercepted at Gavinana, a battle decided by the arrival of landsknecht reinforcements under the command of the notoriously cruel condottiere Fabrizio Maramaldo.
Maramaldo would elevate himself for posterity out of the ranks of his merely brutal brethren by finding Ferruccio, badly wounded, his prisoner, and putting him to immediate death by his own hand — an execution that resulted in Florentine capitulation one week later, and the installation of Alessandro de’ Medici as Duke of the now ex-Republic.*
While admittedly borderline as an “execution” suitable for this here site, Ferruccio’s defiance in the face of his killer and his last denunciation of Maramaldo — “Coward, you kill a dead man!” — became the stuff of legend in a later Italy. (It also helped Ferruccio’s case for the nationalist pantheon that he died fighting against the Germans, not against the next city-state over.)
The romantic novelist Francesco Domenico Guerrazzi** made Ferruccio the subject of his magnum opus L’Assedio di Firenze, and before you knew it the name was on the lips of every risorgimento Tom, Dick and Francesco. Garibaldi invoked him in speech; Goffredo Mameli wrote him into the national anthem.
Every man has the heart
and hand of Ferruccio …
Under the Italian state those men helped to make, Ferruccio was appropriated as the name of a battleship; fascist Italy especially found Ferruccio congenial to the national-pride project and valorized the martyr relentlessly.
1930 Fascist Italy stamp depicting — for the 400th anniversary of the occasion — Fabrizio Maramaldo murdering his prisoner Francesco Ferruccio. Other Februccio stamps from the same period can be found on the man’s Italian Wikipedia page.
For Maramaldo, a less flattering but possibly more durable legacy: Italian gained the noun maramaldo, the adjective maramaldesco, and the verb maramaldeggiare to signify bullying or cruel domineering.
* Alessandro had a reputation for despotism, and was assassinated a few years later by his cousin Lorenzino de’ Medici in a tyrannicide that was Brutus-like in both its motivation and effect. That later affair is the subject of the 19th century play Lorenzaccio.
** Guerrazzi also did his bit for the legend of Beatrice Cenci.
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Entry Filed under: 16th Century,Arts and Literature,Borderline "Executions",Execution,Famous,Famous Last Words,Florence,Habsburg Realm,History,Holy Roman Empire,Italy,Language,Martyrs,No Formal Charge,Notable Participants,Occupation and Colonialism,Popular Culture,Put to the Sword,Soldiers,Summary Executions,Wartime Executions
Tags: 1530, 1530s, alessandro de medici, august 3, battle of gavinana, fabrizio maramaldo, francesco ferrucci, francesco ferruccio, francesco guerrazzi, giuseppe garibaldi, goffredo mameli, literature, risorgimento, stamps, war of the league of cognac
July 17th, 2014
On this date in 1651, Wilhelm Biener, late the chancellor of Tyrol, lost his head to the rancor of Tyrol’s landed aristocracy.
A barrister by training and eventually a judge, Biener or Bienner (English Wikipedia entry | German) transitioned into a court position under Leopold V, Archduke of Austria. Leopold’s death in 1632 left a four-year-old heir, Ferdinand Charles; the boy’s mother, Claudia de’ Medici, leaned increasingly on Biener’s counsel as she ably kept Tyrol in order (and out of the devastating Thirty Years’ War) while little Ferdinand aged towards his majority.
As a commoner, no dynastic entanglements of his own divided his attentions from the state’s own interest, a fact that Claudia de’ Medici recognized by elevating Biener to the chancellorship in 1638, and that the land’s magnates recognized in the strictly levied taxes Biener extracted from their resentful purses.
Detail view (click for full image) of Karl Anrather’s 1891 painting of Wilhelm Biener holding forth against the Tiroler Landtag, from the Ferdinandeum at Innsbruck.
We’ve seen quite often enough in these pages that the danger undertaken by such figures should their enemies ever find power over them mitigates the honors and emoluments they are like to enjoy while in office. One gets a sense of the undercurrent of biding violence from the remark of the Bishop of Brixen, directed to forward the required revenues in a letter less deferential than a senior cleric thought he was due: “The man deserves to lose the fingers that could write such an intemperate effusion!”
For Biener, the volcano opened under him with the death of his patron Claudia de’ Medici on Christmas Day 1648. Her boy Ferdinand Charles was all of 20 years old now, wet behind the ears and enamored of courtly profligacy. Despite his affection for Biener and his long service to his mother, the young prince would vacillate on sparing the consigliere until it was too late.
Biener’s enemies struck with a secret trial accusing him of wetting his own beak on the imposts he had imposed on Tirol; the account below of what followed from a travelogue probably reflects the posthumous myth of Biener more faithfully than it does the real man.
[Biener] was ultimately condemned, in 1651, to lose his head. Biener sent a statement of his case to the Archduke Ferdinand Karl; and the young prince, believing the honesty of his mother’s faithful adviser, immediately ordered a reprieve. The worst enemy and prime accuser of the fallen favourite was Schmaus, President of the Council … and he contrived by detaining the messenger to make him arrive just too late in Rattenberg, then still a strong fortress, where he lay confined, and where the sentence was to be carried out.
Biener had all along steadfastly maintained his innocence; and stepping on to the scaffold, he had again repeated the assertion, adding, “So truly as I am innocent, I summon my accuser before the Judgment-seat above before another year is out.” When the executioner stooped to lift up the head before the people, he found lying by its side three fingers of his right hand, without having had any knowledge that he had struck them off, though he might have done so by the unhappy man having raised his hand in the way of the sword in the last struggle. [more likely they were folded in prayer. -ed.] The people, however, saw in it the fulfilment of the words of the bishop, as well as a ghastly challenge accompanying his dying message to President Schmaus. Nor did they forget to note that the latter died of a terrible malady some months before the close of the year.
Biener’s wife lost her senses when she knew the terrible circumstances of his death; the consolations of her director and of her son, who lived to his ninetieth year in the Franciscan convent at Innsbruck, were alike powerless to calm her. She escaped in the night, and wandered out into the mountains no one knows whither. But the people say she lives on to be a witness of her husband’s innocence, and may be met on lonely ways proclaiming it, but never harming any. Only, when anyone is to die in Büchsenhausen, where her married life passed so pleasantly, the ‘Bienerweible’ will appear and warn them.
Living on in Tyrol folk tradition, Biener took a leap into the Romantic-era national consciousness thanks to writer Hermann Schmid, who popularized Biener’s legend with a 19th century historical novel, The Chancellor of Tyrol; public domain versions can be read online in two volumes (1, 2); a theatrical adaptation by Josef Wenter is still staged to this day.
Marker honoring Wilhelm Biener in the Austrian Tyrol town of Rattenberg, where Biener was executed on July 17, 1651.
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Entry Filed under: 17th Century,Arts and Literature,Beheaded,Capital Punishment,Death Penalty,Execution,Germany,History,Judges,Last Minute Reprieve,Lawyers,Pardons and Clemencies,Politicians,Power,Public Executions,Reprieved Too Late,The Supernatural,Wrongful Executions
Tags: 1650s, 1651, hermann schmid, july 17, karl anrather, literature, novels, wilhelm biener
July 15th, 2014
On this date in 756, the imperial consort Yang Guifei was expediently executed during the An Lushan Rebellion.
The Tang dynasty Emperor Xuanzong, whose beloved concubine Yang was, undertook this cruel extremity only in great duress. Initially married to one of the emperor’s sons, Yang so enamored the emperor that he usurped the prince’s place and got the kid a different wife. In the c. 800 classic poem “Song of Everlasting Sorrow” the poet Bai Juyi mused on the smitten sovereign rushing headlong into waiting tragedy.
The emperor neglected the world from that moment,
Lavished his time on her in endless enjoyment.
She was his springtime mistress, and his midnight tyrant.
Though there were three thousand ladies all of great beauty,a
All his gifts were devoted to one person.
Indeed, over the 740s Yang’s relations rose at court on the strength of her hold over the emperor, causing no few resentments among courtiers now obliged to flatter them. She’s been cast as a femme fatale, a siren whose chords called the emperor to capsize his own ship of state.
The general An Lushan was the rock of his ruin. Though An Lushan’s revolt would one day claim Yang’s life, he was a great favorite of hers and eventually adopted as Yang’s son; it was whispered that the imperial gifts showered on this commander might reflect favor with the concubine quite surpassing the bounds of propriety.
The most important favor was command of all northern China’s garrisons, with 150,000-plus troops.
His influence (and the fact that he was not ethnically Han, but of Turkic and Iranic extraction) made him rivals at the imperial court, even including the concubine Yang’s cousin, chancellor Yang Guozhong.
One can speculate as to who suspected whom first, but as we’ve seen with the Roman Empire a sufficiently strong inducement to treachery inevitably becomes tantamount to the real thing: eventually one’s intemperate supporters or implacable enemies will cast the die for even the most retiring general. An Lushan was Caesar enough to cross the Tang’s Rubicon, which for him was the Yellow River, above which his armies had been confined.
In the winter of 755-756, An crossed this river and marched towards Chang’an (Xi’an, then the imperial capital and the world’s most populous city), styling himself the Emperor of Yan. This aspirant state proved far from durable, and vanished by 763 — but by the time that long term had come into view, all of our principal characters were dead.
Yang Guifei was the first of them. (Plenty of secondary characters — generals, eunuchs, rivals and family of rivals — were being put to death all along and well before Yang, of course.) As the rebel army advanced on the capital, Xuanzong and his court fled in panic, Yang included. One day’s march further inland towards Chengdu, the royal guards themselves rebelled. Embittered like many others by the sway Yang and her family held — and blaming the consort for the ignominious retreat they were embarked upon — the soldiers refused to proceed without Yang’s execution. Xuanzong had little choice under the circumstances but to assent to her summary strangulation.
The Son of Heaven made good his escape, and his kingdom prevailed in the fight. (An was assassinated in 757.) Xuanzong himself, however, had to abdicate in favor of his son before the chaotic summer was out, and lived out his last five years as Taishang Huang, “Retired Emperor”.
One can only guess at the regrets he had in those days for the beloved mistress sacrificed to the safety of his person and throne. It’s a circumstance that has become a staple of Chinese literature over the centuries since, from the aforeentioned Bai Juyi right down to the present day, in every medium imaginable.
In Bai’s “Song of Everlasting Sorrow”, the bereft former emperor at last sends a Taoist priest to the heavens in search of his lost love, whose spirit has not even appeared to him in a dream. Yang Guifei sends the messenger back with a last pledge of sundered love:
“Our spirits belong together, like these precious fragments,
Sometime, in earth or heaven, we shall meet again.”
And she sent these words, by the Taoist, to remind him
of their midnight vow, secret between them.
“On that Seventh night, of the Herdboy and the Weaver,
In the silent Palace we declared our dream was
To fly together in the sky, two birds on the same wing,
To grow together on the earth, two branches of one tree.”
Earth fades, Heaven fades, at the end of days.
But Everlasting Sorrow endures always.
Yang Guifei’s tomb remains a popular tourist destination to this date.
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Entry Filed under: Arts and Literature,China,Early Middle Ages,Execution,History,Myths,No Formal Charge,Political Expedience,Popular Culture,Power,Sex,Strangled,Summary Executions,Wartime Executions,Women
Tags: 756, an lushan, bai juyi, femme fatale, july 15, literature, love, opera, poetry, song of everlasting sorrow, xi'an, xuanzong, yang guifei
July 6th, 2014
On this date in 1999, Gary Heidnik was executed in Pennsylvania for a horrific spree that saw him kidnap five African-American women to a makeshift torture dungeon in his Philadelphia basement.
Intelligent but socially maladroit and diagnosed from his youthful U.S. Army service as mentally ill, Heidnik gave a preview of his later notoriety by signing his girlfriend’s sister out of a mental hospital in 1978 and locking her up in his basement to rape. He spent most of his resulting sentence in a mental institution of his own, refusing even to speak for two-plus years after claiming in 1980 that Satan had stopped up his throat.
Afflictions of the infernal and the criminal justice variety somehow failed to impede the growth of Heidnik’s personal sham church and tax dodge, the “United Church of the Ministers of God” from piling up a half-million in assets operating from the mid-1970s until Heidnik’s last arrest in 1987.
Heidnik got out of detention for the 1978 kidnap-rape in 1983. After a short mail-order marriage to a Filipina woman who ditched him in 1986 for beating and raping her, he finally went full Gary Heidnik.
On November 25, 1986, Heidnik authored the first of the abductions that would etch his name in serial killer lore, snatching Josefina Rivera and imprisoning her in the cellar of his house at 3520 North Marshall Street. (Rivera recently published an autobiographical account of her captivity.)
For the next five months, Heidnik’s underdark played host to its owner’s unspeakable depravities. Five women he kept there for various periods, shackled to pipes and subject to the gratifications of his violent sexual predilections. One woman, Sandra Lindsay, died of the maltreatment, leading to Heidnik’s closest accidental brush with the law: the stench of incinerating pieces of her dismembered corpse in his oven attracted the complaints of neighbors. Heidnik coolly shooed away the responding police officers with a story about burning the roast.
His prison’s most distinctive chilling feature was a tomblike hole handy for punishing resistance; a second woman, Deborah Dudley, died when Heidnik flooded and electrocuted this crevasse with her in it.
Considering the diabolically systematic nature of the torture dungeon, it’s actually a lucky job that it didn’t go on much, much longer. Remarkably, Heidnik’s last kidnap victim Agnes Adams was able to talk her way into a spot of temporary leave which she naturally used to summon disbelieving police and arrest Heidnik on March 23, 1987.
Once exposed to public view the Marshall Street monster could scarcely fail to leave a cultural impression. Among other things, Heidnik is one of several serial killers on whom Thomas Harris based the fictional murderer “Buffalo Bill” in his 1988 novel Silence of the Lambs.
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Entry Filed under: 20th Century,Arts and Literature,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,History,Infamous,Kidnapping,Lethal Injection,Murder,Pennsylvania,Rape,Serial Killers,USA
Tags: 1990s, 1999, gary heidnik, july 6, philadelphia