As a commoner, no dynastic entanglements of his own divided his attentions from the state’s own interest, a fact that Claudia de’ Medici recognized by elevating Biener to the chancellorship in 1638, and that the land’s magnates recognized in the strictly levied taxes Biener extracted from their resentful purses.
Detail view (click for full image) of Karl Anrather’s 1891 painting of Wilhelm Biener holding forth against the Tiroler Landtag, from the Ferdinandeum at Innsbruck.
We’ve seen quiteoftenenough in these pages that the danger undertaken by such figures should their enemies ever find power over them mitigates the honors and emoluments they are like to enjoy while in office. One gets a sense of the undercurrent of biding violence from the remark of the Bishop of Brixen, directed to forward the required revenues in a letter less deferential than a senior cleric thought he was due: “The man deserves to lose the fingers that could write such an intemperate effusion!”
For Biener, the volcano opened under him with the death of his patron Claudia de’ Medici on Christmas Day 1648. Her boy Ferdinand Charles was all of 20 years old now, wet behind the ears and enamored of courtly profligacy. Despite his affection for Biener and his long service to his mother, the young prince would vacillate on sparing the consigliere until it was too late.
Biener’s enemies struck with a secret trial accusing him of wetting his own beak on the imposts he had imposed on Tirol; the account below of what followed from a travelogue probably reflects the posthumous myth of Biener more faithfully than it does the real man.
[Biener] was ultimately condemned, in 1651, to lose his head. Biener sent a statement of his case to the Archduke Ferdinand Karl; and the young prince, believing the honesty of his mother’s faithful adviser, immediately ordered a reprieve. The worst enemy and prime accuser of the fallen favourite was Schmaus, President of the Council … and he contrived by detaining the messenger to make him arrive just too late in Rattenberg, then still a strong fortress, where he lay confined, and where the sentence was to be carried out.
Biener had all along steadfastly maintained his innocence; and stepping on to the scaffold, he had again repeated the assertion, adding, “So truly as I am innocent, I summon my accuser before the Judgment-seat above before another year is out.” When the executioner stooped to lift up the head before the people, he found lying by its side three fingers of his right hand, without having had any knowledge that he had struck them off, though he might have done so by the unhappy man having raised his hand in the way of the sword in the last struggle. [more likely they were folded in prayer. -ed.] The people, however, saw in it the fulfilment of the words of the bishop, as well as a ghastly challenge accompanying his dying message to President Schmaus. Nor did they forget to note that the latter died of a terrible malady some months before the close of the year.
Biener’s wife lost her senses when she knew the terrible circumstances of his death; the consolations of her director and of her son, who lived to his ninetieth year in the Franciscan convent at Innsbruck, were alike powerless to calm her. She escaped in the night, and wandered out into the mountains no one knows whither. But the people say she lives on to be a witness of her husband’s innocence, and may be met on lonely ways proclaiming it, but never harming any. Only, when anyone is to die in Büchsenhausen, where her married life passed so pleasantly, the ‘Bienerweible’ will appear and warn them.
Living on in Tyrol folk tradition, Biener took a leap into the Romantic-era national consciousness thanks to writer Hermann Schmid, who popularized Biener’s legend with a 19th century historical novel, The Chancellor of Tyrol; public domain versions can be read online in two volumes (1, 2); a theatrical adaptation by Josef Wenter is still staged to this day.
Marker honoring Wilhelm Biener in the Austrian Tyrol town of Rattenberg, where Biener was executed on July 17, 1651.
On this date in 756, the imperial consort Yang Guifei was expediently executed during the An Lushan Rebellion.
The Tang dynasty Emperor Xuanzong, whose beloved concubine Yang was, undertook this cruel extremity only in great duress. Initially married to one of the emperor’s sons, Yang so enamored the emperor that he usurped the prince’s place and got the kid a different wife. In the c. 800 classic poem “Song of Everlasting Sorrow” the poet Bai Juyi mused on the smitten sovereign rushing headlong into waiting tragedy.
The emperor neglected the world from that moment,
Lavished his time on her in endless enjoyment.
She was his springtime mistress, and his midnight tyrant.
Though there were three thousand ladies all of great beauty,a
All his gifts were devoted to one person.
Indeed, over the 740s Yang’s relations rose at court on the strength of her hold over the emperor, causing no few resentments among courtiers now obliged to flatter them. She’s been cast as a femme fatale, a siren whose chords called the emperor to capsize his own ship of state.
The general An Lushan was the rock of his ruin. Though An Lushan’s revolt would one day claim Yang’s life, he was a great favorite of hers and eventually adopted as Yang’s son; it was whispered that the imperial gifts showered on this commander might reflect favor with the concubine quite surpassing the bounds of propriety.
The most important favor was command of all northern China’s garrisons, with 150,000-plus troops.
His influence (and the fact that he was not ethnically Han, but of Turkic and Iranic extraction) made him rivals at the imperial court, even including the concubine Yang’s cousin, chancellor Yang Guozhong.
One can speculate as to who suspected whom first, but as we’ve seen with the Roman Empire a sufficiently strong inducement to treachery inevitably becomes tantamount to the real thing: eventually one’s intemperate supporters or implacable enemies will cast the die for even the most retiring general. An Lushan was Caesar enough to cross the Tang’s Rubicon, which for him was the Yellow River, above which his armies had been confined.
In the winter of 755-756, An crossed this river and marched towards Chang’an (Xi’an, then the imperial capital and the world’s most populous city), styling himself the Emperor of Yan. This aspirant state proved far from durable, and vanished by 763 — but by the time that long term had come into view, all of our principal characters were dead.
Yang Guifei was the first of them. (Plenty of secondary characters — generals, eunuchs, rivals and family of rivals — were being put to death all along and well before Yang, of course.) As the rebel army advanced on the capital, Xuanzong and his court fled in panic, Yang included. One day’s march further inland towards Chengdu, the royal guards themselves rebelled. Embittered like many others by the sway Yang and her family held — and blaming the consort for the ignominious retreat they were embarked upon — the soldiers refused to proceed without Yang’s execution. Xuanzong had little choice under the circumstances but to assent to her summary strangulation.
The Son of Heaven made good his escape, and his kingdom prevailed in the fight. (An was assassinated in 757.) Xuanzong himself, however, had to abdicate in favor of his son before the chaotic summer was out, and lived out his last five years as Taishang Huang, “Retired Emperor”.
One can only guess at the regrets he had in those days for the beloved mistress sacrificed to the safety of his person and throne. It’s a circumstance that has become a staple of Chinese literature over the centuries since, from the aforeentioned Bai Juyi right down to the present day, in every medium imaginable.
In Bai’s “Song of Everlasting Sorrow”, the bereft former emperor at last sends a Taoist priest to the heavens in search of his lost love, whose spirit has not even appeared to him in a dream. Yang Guifei sends the messenger back with a last pledge of sundered love:
“Our spirits belong together, like these precious fragments,
Sometime, in earth or heaven, we shall meet again.”
And she sent these words, by the Taoist, to remind him
of their midnight vow, secret between them.
“On that Seventh night, of the Herdboy and the Weaver,
In the silent Palace we declared our dream was
To fly together in the sky, two birds on the same wing,
To grow together on the earth, two branches of one tree.”
Earth fades, Heaven fades, at the end of days.
But Everlasting Sorrow endures always.
On this date in 1999, Gary Heidnik was executed in Pennsylvania for a horrific spree that saw him kidnap five African-American women to a makeshift torture dungeon in his Philadelphia basement.
Intelligent but socially maladroit and diagnosed from his youthful U.S. Army service as mentally ill, Heidnik gave a preview of his later notoriety by signing his girlfriend’s sister out of a mental hospital in 1978 and locking her up in his basement to rape. He spent most of his resulting sentence in a mental institution of his own, refusing even to speak for two-plus years after claiming in 1980 that Satan had stopped up his throat.
Afflictions of the infernal and the criminal justice variety somehow failed to impede the growth of Heidnik’s personal sham church and tax dodge, the “United Church of the Ministers of God” from piling up a half-million in assets operating from the mid-1970s until Heidnik’s last arrest in 1987.
Heidnik got out of detention for the 1978 kidnap-rape in 1983. After a short mail-order marriage to a Filipina woman who ditched him in 1986 for beating and raping her, he finally went full Gary Heidnik.
On November 25, 1986, Heidnik authored the first of the abductions that would etch his name in serial killer lore, snatching Josefina Rivera and imprisoning her in the cellar of his house at 3520 North Marshall Street. (Rivera recently published an autobiographical account of her captivity.)
For the next five months, Heidnik’s underdark played host to its owner’s unspeakable depravities. Five women he kept there for various periods, shackled to pipes and subject to the gratifications of his violent sexual predilections. One woman, Sandra Lindsay, died of the maltreatment, leading to Heidnik’s closest accidental brush with the law: the stench of incinerating pieces of her dismembered corpse in his oven attracted the complaints of neighbors. Heidnik coolly shooed away the responding police officers with a story about burning the roast.
His prison’s most distinctive chilling feature was a tomblike hole handy for punishing resistance; a second woman, Deborah Dudley, died when Heidnik flooded and electrocuted this crevasse with her in it.
Considering the diabolically systematic nature of the torture dungeon, it’s actually a lucky job that it didn’t go on much, much longer. Remarkably, Heidnik’s last kidnap victim Agnes Adams was able to talk her way into a spot of temporary leave which she naturally used to summon disbelieving police and arrest Heidnik on March 23, 1987.
Once exposed to public view the Marshall Street monster could scarcely fail to leave a cultural impression. Among other things, Heidnik is one of several serial killers on whom Thomas Harris based the fictional murderer “Buffalo Bill” in his 1988 novel Silence of the Lambs.
This date, the second of July, would in 1914 have been the eve of the thirty-first birthday of Franz Kafka, so it seems a fit occasion — shall we call it the centennial? — to mark the death of the the character “Josef K.” in Kafka’s great novel The Trial. In this captivating work — it does not feel sufficient to call it a dystopia of the emerging bureaucratic state, although this story surely helped as much as any other to put the word Kafkaesque in the dictionary — K. has spent the whole novel since his arrest on his 30th birthday grappling with an absurd trial on charges he is never told and upon evidence he cannot know.
In the last, two insipid functionaries arrive at K.’s apartment to whisk him away to his death.
Historically, Kafka began this book in August 1914, a few weeks yet from our spurious dating. It was only published in 1925 — posthumously.
Chapter Ten: End
The evening before K.’s thirty-first birthday — it was about nine o’clock in the evening, the time when the streets were quiet — two men came to where he lived. In frock coats, pale and fat, wearing top hats that looked like they could not be taken off their heads. After some brief formalities at the door of the flat when they first arrived, the same formalities were repeated at greater length at K.’s door. He had not been notified they would be coming, but K. sat in a chair near the door, dressed in black as they were, and slowly put on new gloves which stretched tightly over his fingers and behaved as if he were expecting visitors. He immediately stood up and looked at the gentlemen inquisitively. “You’ve come for me then, have you?” he asked. The gentlemen nodded, one of them indicated the other with the top hand now in his hand. K. told them he had been expecting a different visitor. He went to the window and looked once more down at the dark street. Most of the windows on the other side of the street were also dark already, many of them had the curtains closed. In one of the windows on the same floor where there was a light on, two small children could be seen playing with each other inside a playpen, unable to move from where they were, reaching out for each other with their little hands. “Some ancient, unimportant actors — that’s what they’ve sent for me,” said K. to himself, and looked round once again to confirm this to himself. “They want to sort me out as cheaply as they can.” K. suddenly turned round to face the two men and asked, “What theatre do you play in?” “Theatre?” asked one of the gentlemen, turning to the other for assistance and pulling in the corners of his mouth. The other made a gesture like someone who was dumb, as if he were struggling with some organism causing him trouble. “You’re not properly prepared to answer questions,” said K. and went to fetch his hat.
As soon as they were on the stairs the gentlemen wanted to take K.’s arms, but K. said “Wait till we’re in the street, I’m not ill.” But they waited only until the front door before they took his arms in a way that K. had never experienced before. They kept their shoulders close behind his, did not turn their arms in but twisted them around the entire length of K.’s arms and took hold of his hands with a grasp that was formal, experienced and could not be resisted. K. was held stiff and upright between them, they formed now a single unit so that if any one of them had been knocked down all of them must have fallen. They formed a unit of the sort that normally can be formed only by matter that is lifeless.
Whenever they passed under a lamp K. tried to see his companions more clearly, as far as was possible when they were pressed so close together, as in the dim light of his room this had been hardly possible. “Maybe they’re tenors,” he thought as he saw their big double chins. The cleanliness of their faces disgusted him. He could see the hands that cleaned them, passing over the corners of their eyes, rubbing at their upper lips, scratching out the creases on those chins.
When K. noticed that, he stopped, which meant the others had to stop too; they were at the edge of an open square, devoid of people but decorated with flower beds. “Why did they send you, of all people!” he cried out, more a shout than a question. The two gentleman clearly knew no answer to give, they waited, their free arms hanging down, like nurses when the patient needs to rest. “I will go no further,” said K. as if to see what would happen. The gentlemen did not need to make any answer, it was enough that they did not loosen their grip on K. and tried to move him on, but K. resisted them. “I’ll soon have no need of much strength, I’ll use all of it now,” he thought. He thought of the flies that tear their legs off struggling to get free of the flypaper. “These gentleman will have some hard work to do”.
Just then, Miss Bürstner came up into the square in front of them from the steps leading from a small street at a lower level. It was not certain that it was her, although the similarity was, of course, great. But it did not matter to K. whether it was certainly her anyway, he just became suddenly aware that there was no point in his resistance. There would be nothing heroic about it if he resisted, if he now caused trouble for these gentlemen, if in defending himself he sought to enjoy his last glimmer of life. He started walking, which pleased the gentlemen and some of their pleasure conveyed itself to him. Now they permitted him to decide which direction they took, and he decided to take the direction that followed the young woman in front of them, not so much because he wanted to catch up with her, nor even because he wanted to keep her in sight for as long as possible, but only so that he would not forget the reproach she represented for him. “The only thing I can do now,” he said to himself, and his thought was confirmed by the equal length of his own steps with the steps of the two others, “the only thing I can do now is keep my common sense and do what’s needed right till the end. I always wanted to go at the world and try and do too much, and even to do it for something that was not too cheap. That was wrong of me. Should I now show them I learned nothing from facing trial for a year? Should I go out like someone stupid? Should I let anyone say, after I’m gone, that at the start of the proceedings I wanted to end them, and that now that they’ve ended I want to start them again? I don’t want anyone to say that. I’m grateful they sent these unspeaking, uncomprehending men to go with me on this journey, and that it’s been left up to me to say what’s necessary”.
Meanwhile, the young woman had turned off into a side street, but K. could do without her now and let his companions lead him. All three of them now, in complete agreement, went over a bridge in the light of the moon, the two gentlemen were willing to yield to each little movement made by K. as he moved slightly towards the edge and directed the group in that direction as a single unit. The moonlight glittered and quivered in the water, which divided itself around a small island covered in a densely-piled mass of foliage and trees and bushes. Beneath them, now invisible, there were gravel paths with comfortable benches where K. had stretched himself out on many summer’s days. “I didn’t actually want to stop here,” he said to his companions, shamed by their compliance with his wishes. Behind K.’s back one of them seemed to quietly criticise the other for the misunderstanding about stopping, and then they went on. The went on up through several streets where policemen were walking or standing here and there; some in the distance and then some very close. One of them with a bushy moustache, his hand on the grip of his sword, seemed to have some purpose in approaching the group, which was hardly unsuspicious. The two gentlemen stopped, the policeman seemed about to open his mouth, and then K. drove his group forcefully forward. Several times he looked back cautiously to see if the policeman was following; but when they had a corner between themselves and the policeman K. began to run, and the two gentlemen, despite being seriously short of breath, had to run with him.
In this way they quickly left the built up area and found themselves in the fields which, in this part of town, began almost without any transition zone. There was a quarry, empty and abandoned, near a building which was still like those in the city. Here the men stopped, perhaps because this had always been their destination or perhaps because they were too exhausted to run any further. Here they released their hold on K., who just waited in silence, and took their top hats off while they looked round the quarry and wiped the sweat off their brows with their handkerchiefs. The moonlight lay everywhere with the natural peace that is granted to no other light.
After exchanging a few courtesies about who was to carry out the next tasks — the gentlemen did not seem to have been allocated specific functions — one of them went to K. and took his coat, his waistcoat, and finally his shirt off him. K. made an involuntary shiver, at which the gentleman gave him a gentle, reassuring tap on the back. Then he carefully folded the things up as if they would still be needed, even if not in the near future. He did not want to expose K. to the chilly night air without moving though, so he took him under the arm and walked up and down with him a little way while the other gentleman looked round the quarry for a suitable place. When he had found it he made a sign and the other gentleman escorted him there. It was near the rockface, there was a stone lying there that had broken loose. The gentlemen sat K. down on the ground, leant him against the stone and settled his head down on the top of it. Despite all the effort they went to, and despite all the co-operation shown by K., his demeanour seemed very forced and hard to believe. So one of the gentlemen asked the other to grant him a short time while he put K. in position by himself, but even that did nothing to make it better. In the end they left K. in a position that was far from the best of the ones they had tried so far. Then one of the gentlemen opened his frock coat and from a sheath hanging on a belt stretched across his waistcoat he withdrew a long, thin, double-edged butcher’s knife which he held up in the light to test its sharpness. The repulsive courtesies began once again, one of them passed the knife over K. to the other, who then passed it back over K. to the first. K. now knew it would be his duty to take the knife as it passed from hand to hand above him and thrust it into himself. But he did not do it, instead he twisted his neck, which was still free, and looked around. He was not able to show his full worth, was not able to take all the work from the official bodies, he lacked the rest of the strength he needed and this final shortcoming was the fault of whoever had denied it to him. As he looked round, he saw the top floor of the building next to the quarry. He saw how a light flickered on and the two halves of a window opened out, somebody, made weak and thin by the height and the distance, leant suddenly far out from it and stretched his arms out even further. Who was that? A friend? A good person? Somebody who was taking part? Somebody who wanted to help? Was he alone? Was it everyone? Would anyone help? Were there objections that had been forgotten? There must have been some. The logic cannot be refuted, but someone who wants to live will not resist it. Where was the judge he’d never seen? Where was the high court he had never reached? He raised both hands and spread out all his fingers.
But the hands of one of the gentleman were laid on K.’s throat, while the other pushed the knife deep into his heart and twisted it there, twice. As his eyesight failed, K. saw the two gentlemen cheek by cheek, close in front of his face, watching the result. “Like a dog!” he said, it was as if the shame of it should outlive him.
The Trial can be enjoyed (if that’s the right word) in a public domain English translation here.
On this date in 1340, the English and French fought an early naval engagement of the Hundred Years’ War: the Battle of Sluys.
The English won the battle … and the French admiral wound up hanging from a mast.
At the outset of the Hundred Years’ War in 1337, the French bossed the Channel and inflicted devastating sea raids on the English coast. In the long war’s first major battle at sea, a French fleet in September 1338 overwhelmed an English flotilla carrying valuable English wool to the Low Countries.
Nicholas Behuchet, one of the French commanders at this earlier battle, did not hesitate to massacre his prisoners.
Thus conquering did these said mariners of the king of France in this winter take great pillage, and especially they conquered the handsome great nef called the Christophe, all charged with the goods and wool that the English were sending to Flanders, which nef had cost the English king much to build: but its crew were lost to these Normans, and were put to death.
England’s allies were in the Low Countries, so too many battles like this stood to strangle the English cause in the crib. For near two years, French privateers had leave to ravage the English coast, while French troops overran Flanders and made the English Queen Philippa* hostage.
Seeking a breakout, King Edward III requisitioned English merchant cogs — there was no standing navy at the time — into a fleet of perhaps 160 or 200 vessels, heavy with soldiers to invade Flanders.
On June 24, two days after setting out from the Orwell estuary at Ipswich, Edward’s armada boldly fell upon a larger French fleet anchored at the Flanders port of Sluys.
The medieval chronicler Froissart’s account makes for riveting reading.** This was no stately ballet of seamanship but a gory close-quarters melee: as was characteristic for the time, the “sea” battle was mostly just about coming together for the respective fleets’ marines to board one another’s ships and murder anyone on board who wasn’t worth a ransom. The French admiral Behuchet lashed his ships together across the mouth of the harbor, a sort of floating breastwork that would enable the French soldiery to shimmy up and down the entire line no matter where the English focused their attack.
To the sound of “scores of trumpets, horns and other instruments,”
Fierce fighting broke out on every side, archers and crossbowmen shooting arrows and bolts at each other pell-mell, and men-at-arms struggling and striking in hand-to-hand combat. In order to come to closer quarters, they had great iron grappling-hooks fixed to chains, and these they hurled into each others’ ships to draw them together and hold them fast while the men engaged. Many deadly blows were struck and gallant deeds performed, ships and men were battered, captured and recaptured. The great ship Christopher [a large English cog previously captured by the French and situated in the French front row -ed.] was recovered by the English at the beginning of the battle and all those on board were killed or taken prisoner …
An illustration of the Battle of Sluys from Froissart’s chronicle. Note the mast of the ship at far left: it displays the English arms quartered with the French, Edward III’s heraldic assertion of sovereignty over both realms.
It was indeed a bloody and murderous battle. Sea-fights are always fiercer than fights on land, because retreat and flight are impossible. Every man is obliged to hazard his life and hope for success, relying on his own personal bravery and skill … [it] rage[d] furiously from early morning until afternoon, during which time there were many notable feats of arms and the English were hard put to it to hold their own, since they were opposed by hardened soldiers and seamen, who outnumbered them by four to one.
Edward III took an arrow or crossbow bolt to the leg — great-man historical legend has it that it was fired by Nicholas Behuchet himself — but captained his flotilla to an overwhelming victory, capturing most of the French ships and destroying the French, their Genoese allies, “and all who were with them … [they were] killed or drowned, not a single one escaping in the general slaughter.” Poetic license aside, it was a spectacular triumph for the English — and a crushing defeat for the French.†
In the 1596 play Edward III, which might have been co-written by Shakespeare, imagined the scene in the report of an escaped mariner:
Purple the sea, whose channel filled as fast
With streaming gore that from the maimed fell
As did the gushing moisture break into
The crannied cleftures of the through-shot planks.
Here flew a head dissevered from the trunk,
There mangled arms and legs were tossed aloft
As when a whirlwind takes the summer dust
And scatters it in middle of the air.
Then might ye see the reeling vessels split
And tottering sink into the ruthless flood,
Until their lofty tops were seen no more.
Let it not be said that in this instance the commander escaped the consequences of his folly. Behuchet, who insisted against advice on lashing the boats together and thereby sacrificed all maneuverability, didn’t have much room for maneuver himself when the victorious English hanged him at battle’s end from the mast of his own ship.
* Seen elsewhere in these pages successfully begging her husband’s pardon of the famed Six Burghers of Calais later in the war. Philippa was a homegrown native of the Low Countries, and her marriage to Edward III reflects the alliance between their respective regions.
† It is said that no courtier dared give King Philip VI of France the horrifying news until a jester availing his station’s license for cheek informed him that “Our knights are much braver than the English.” Asked why, the fool replied, “The English do not dare jump into the sea in full armour.”
And what is more, the deed was caught on film — pre-emptively balking the crumbling Nicaraguan dictatorship of the ability to, say, blame the killing on the Sandinista rebels.
Warning: This is the execution footage.
Stewart was stopped in a marked press vehicle in Managua, ordered to lie down, and then kicked and shot through the head while colleagues looked on. Though his summary execution by national guardsmen was taped by fellow journos in the convoy, the reasons for it are well into the fog of war: even the identity of the guardsman who pulled the trigger isn’t known. (The commander of the roadblock would claim that it was a “Private Gonzalez” who conveniently died in combat later the very same day.) The immediate “investigation” promised by dictator Anastasio Somoza didn’t really have much chance to get off the ground before Somoza himself had to take to the skies fleeing, on July 17, the collapse of his own regime. Whether the executioner also escaped the revolution, fled into exile, became a Contra guerrilla, or actually did die in the fighting, only God can say.
“The murder of American newsman Bill Stewart in Nicaragua was an act of barbarism that all civilized people condemn,” said U.S. President Jimmy Carter, who of course was backing Somoza.* “Journalists seeking to report the news and inform the public are soldiers in no nation’s army. When. they are made innocent victims of violence and war, all people who cherish the truth and believe in free debate pay a terrible price.”
Stewart’s career and murder are a principal inspiration for the 1983 film Under Fire.
On this date in 1800 — which was the same date they buried his victim — the 23-year-old student Suleiman al-Halabi was put to death in Cairo for assassinating French General Jean Baptiste Kleber.
Casualty of the brief Napoleonic adventure in Egypt, Kleber had received supreme command of the expedition when Napoleon himself returned to France the previous year — a mission which involved running the English naval blockade that trapped the Armee d’Orient.
Kleber, a product of the French Revolution’s military meritocracy who had attained his rank capably suppressing the Vendee royalists, was certainly up to the martial tasks at hand. He routed a larger Ottoman-English-Mamluk force in March of 1800, and then smashed a revolt in Cairo.
But the Napoleonic invasion often figures as a periodization marker for this region: the germ of liberalism and nationalism that would tear apart the Ottoman Empire and set the scene for a recognizably modern Middle East. So it’s somewhat fitting that Kleber would be undone by a figure who could be lifted from the evening news,* the anti-occupation insurgent.
He had been in Cairo to study, but after a return visit home was induced by the Turks to attend himself to punishing the invader instead. He then made his way back to to Egypt where, disguising himself as a beggar, where he was able to approach the general innocuously and dagger him to death.
The French, of course, had just a few years before this point introduced its most distinctive execution device in place of the ghastly old methods, and employed it with egalite for commoner and king alike. Nor was France, as an imperial power, reluctant about exporting its invention to the everycornerofearth.
But in this particular instance, the French decided to prioritize, er, cultural sensitivity.
The committee, after carrying through the trial with all due solemnity and process, thought it necessary to follow Egyptian customs in its application of punishment; it condemned the assassin to be impaled after having his right hand burned; and three of the guilty sheikhs to be beheaded and their bodies burned.
The “guilty sheikhs” in question were men to whom the killer had confided — not his plan, exactly, but the fact that he was on a jihad mission. Hey, close enough.
As for Suleiman al-Halabi himself,
The executioner Barthèlemy sat down on Suleiman’s belly, drew a knife from his pocket, and made a large incision to widen the rectum, then hammered the point of the stake into it with his mallet. Then he bound the patient’s arms and legs, raised the stake the air and mounted it in a prepared hole. Suleiman lived for four hours, and he had lived longer save that, during the absence of Barthèlemy, a soldier gave him a drink which caused his immediate death.
(Impaling victims could live for agonizing days, but the water caused Suleiman, mercifully, to quickly bleed out.)
Not content with going all Vlad the Impaler, the French then paid homage to the invasion’s scientific sub-theme** by shipping Suleiman’s remains back to France for use as an anthropological exhibit.† His skull still remains at the Musee de l’Homme to this day. What’s left in his homeland(s) is a martyr’s memory.
According to the scholar al-Jabarti, whose chronicle is one of the principal sources on this episode, the investigation indicated that Suleiman undertook his mission for no ideology save his family’s desperate need of the purse the Porte was willing to offer. But in the ensuing decades’ growth of nationalism and, eventually, anti-colonialism, the brave young Muslim dying on a spike to slay the French commander could not help but be viewed in an exalted light. (Notably, at the acme of Arab nationalism, the Egyptian writer Alfred Farag celebrated Suleiman as an avatar of resistance in a 1965 play. “I do not kill for revenge,” Farag’s Suleiman avers — and when pressed for the reason, he has a one-word reply: “Justice.”)
* Indeed, the name has been in the news: there’s a Suleiman al-Halabi neighborhood in Aleppo that has seen fighting during the ongoing Syrian civil war. Since it’s even a Kurdish neighborhood one can’t but suspect that it’s named for the man featured in this post; however, I haven’t been able to establish that with certainty. If any reader knows, a comment would be most welcome.
On this date in 1578, Cossack hetman Ivan Pidkova lost his head in Lviv.
Pidkova* — the name means “horseshoe” and alludes to the horsemanship that would be de rigueur for a Cossack leader — had risen by his aptitude to leadership of the Zaporozhian Cossacks in present-day Ukraine.
His death was a bid to promote himself from the steppe to power over neighboring Moldavia, and in fairness to Ivan Moldavia was worth a go.
Its throne was held at that time by a new guy named Peter the Lame, and although the nickname just referred to Peter’s physical deformity, he was a creature of the Ottoman court who scarcely knew Moldavia before he became its vassal ruler in 1574. He was twice temporarily deposed before finally voluntarily resigning in 1591 so that he could retire to the comforts of Italy.
The first deposition came courtesy of our man Pidkova.
Claiming kinship with Peter’s late predecessor Ivan III,** Pidkova seized Iasi and proclaimed himself hospodar of Moldavia until the arrival of Ottoman reinforcements refuted the conceit.
This whole border region between the Polish-Lithuanian Empire to the north and the Ottomans to the south was a perennial trouble spot. Putatively subjects of the Polish crown, the refractory Cossacks were known to raid Ottoman territory illicitly and provoke diplomatic headaches on both sides of the border.
At this particular moment — 1578, that is — the Polish king Stephen Batory had only just concluded a truce with the Ottomans. As Batory had war with Russia to worry about, he was more than keen to keep his southern frontier calm; Polish troops captured the Cossack pretender and had him put to an exemplary death.
Ukraine’s national bard Taras Shevchenko celebrated Ivan Pidkova in an eponymous 1839 poem:
There was a time in our Ukraine
When cannon roared with glee,
A time when Zaporozhian men
Excelled in mastery!
They lived as masters — freedom’s joy
And glory were their gain:
All that has passed, and what is left
Is grave-mounds on the plain!
High are those ancient tumuli
In which were laid to rest
The Cossacks’ fair white bodies
In silken cerements dressed.
High are those mounds, serene and dark
Like mountains they appear,
Their gentle whispers in the wind
Of freedom’s fate we hear.
These witnesses of ancient fame
Hold converse with the breeze;
The Cossacks’ grandson reaps the grass
And sings old memories.
There was a time when in ukraine
Even distress would dance,
And sorrow in a tavern drank
In honeyed brandy’s trance.
There was a time when life was good
In that Ukraine of ours …
Recall it then — perhaps the heart
May briefly bathe in flowers.
A murky cloud from Liman’s shore
Covers the sun from sight;
The sea is like an angry beast
That groans and howls with might.
It floods the mighty Danube’s mouth.
”My fellows, come with me
Within our barks! The waves are wild.
Let’s have a merry spree!”
The Zaporozhians rushed out;
The stream with ships was roiled.
“Roar on, O sea!” they all sang out,
As waves beneath them boiled.
Billows like mountains round them surged,
They saw no land, no sky.
Yet not a Cossack heart grew faint,
Their eagerness ran high.
A bold kingfisher flies o’erhead
As on they sail and sing;
The brave otaman in the van
Leads on their mustering.
He strides the deck, and in his mouth
His pipe grows cold from thought;
He casts his glances here and there
Where exploits may be wrought.
He curled his long black whiskers,
He twirled his forelock free,
Then raised his cap — the vessels stopped:
:”Death to the enemy!
Not to Sinope, comrades,
Brave lads beyond all doubt!
We’ll drive on full to Istanbul
To seek the Sultan out!”
“Well spoken, our fine chieftain!”
They roared in chorus back.
“I thank you, lads!” He donned his cap.
Again the seaward track
Beneath their keels began to boil;
And once more thoughtfully
He paced the deck in mute content
And gazed upon the sea.
June 15 is the feast date of the early Christian saint and martyr Vitus.
The 6th century roster Martyrologium Hieronymianum gives us “In Sicilia, Viti, Modesti et Crescentiae”. From this nub grew a legend of the young child of a Roman Senator who turned to Christianity and would not apostatize, fleeing finally to Lucania with his tutor Modestus and his nanny Crescentia and eventually exorcising a demon possessing the son of the Christian-hunting, Empire-quartering Roman sovereign Diocletian. They were all — boy, tutor, and nanny — tortured to death for their troubles; that occurred either by means of or (manifesting God’s customary disdain for the pagan persecutors) after surviving execution in a boiling pot, which has become Vitus’s most typical iconographical emblem. (For example, as seen on the coat of arms of the Austrian town Sankt Veit im Pongau.)
The Martyrdom of St. Vitus, anonymous c. 1450 painting
This story doesn’t have much historical merit, but shrines and chapels to Vitus date as far back as the 5th century so Vitus, whomever he was, had real importance to early Christians.
While many places are dedicated to St. Vitus in Germany, Hungary, and Croatia, the man has red-letter treatment in Serbia — owing to this also being the date in 1389 that the Serbs’ Tsar Lazar was martyred by the Turks at the Battle of Kosovo. As a result, the feast date Vidovdan is a major celebration in Serbia (and to some extent Bulgaria and Macedonia), where it is observed on June 28th — the Gregorian date presently corresponding to the Julian calendar’s June 15th.
The same Vitus who cheers Balkan nationalists trod a completely different path into medical textbooks.
For centuries, Europeans were known to break out in curious ecstatic mass dancing, even sometimes dancing themselves to death. Generally believed today to be psychosocial afflictions, these dancing manias became widely associated with St. Vitus (his patronage includes both dancers and epileptics), whose intercession would be sought to calm the capering souls.
Dancing manias stopped happening in the 17th century or so, but the link between Vitus and involuntary rollick gave the name St. Vitus’s Dance to the condition Syndenham’s chorea — which is characterized by uncontrolled dance-like movement.
** Speculatively, Sanct Vid might have been selected for Christian veneration in this area to facilitate replacement of the similarly-named Slavic god Svantovid. An active (albeit declining) pagan community persisted in Prague as late as the 12th century.
As with most Slavic deities, Svantovid’s exact characteristics and the extent of his veneration are very poorly documented; however, in 1168, the Wendish fortress of Arkona was conquered by the Danes and the forced Christianization of its inhabitants is commemorated in Laurits Tuxen‘s late 19th century image of Archbishop Absalon casting down Arkona’s idol of Svantovid. (It’s also commemorated by the name of the neo-pagan Russian metal band Arkona.)
On this date in 1902, the Jewish socialist Hirsh Lekert was hanged in Vilna (Vilnius) for his attempt on that city’s governor.
The 22-year-old shoemaker, active in the Bund since childhood, was aggrieved along with many others by repressive measures taken against that leftist council by Vilna governor Victor von Wahl — culminating with the calculated humiliation he inflicted by personally overseeing the flogging of 20 Jews and 6 Poles arrested at a May Day demonstration.
As was thestyleatthetime, Lekert took some retaliatory potshots at the municipal dictator on May 18, 1902. He scored a couple of flesh wounds before the police on hand beat him all to hell.
And that was pretty well that. Lekert got sent to face a military tribunal with a foreordained result. But he made his bones with posterity by refusing to apologize and instead fearlessly vindicating his action as a defense of the Jewish worker’s dignity.
This carried his legend in the early 20th century Jewish community much further than one might assume.
For Jewish Workers Bund, “the first great attempt at the organization of the Jewish masses for secular and independent political activity,”* Lekert’s uncompromising embrace of revolutionary violence created an internal controversy: radical workers saw a martyred hero; elites, and the Bund officially, were much more wary of terrorism provoking official backlash in an empire where Jewish communities were still liable to be targeted by pogroms at any time. All this during a renaissance of cultural and political thought among Eastern European Jewry.
Even decades later, the esteem remaining Lekert from his sacrifice gave his name power. Another generation of Jewish terrorists — in Mandate Palestine — was incensed at the British for flogging some Irgun members, leading Menachem Begin to invoke Lekert as his justification for kidnapping several British soldiers and flogging them. (Source) The British had no stomach for this, and desisted with floggings.
Artistic tributes followed as well — folk songs; plays by Arn Kushnirov and H. Leyvik; the bust that illustrates this post; a monument in Soviet Minsk; even this appearance in a 1927 silent film called His Excellency: