1226: Frederick of Isenberg

On this date in 1226, Count — although he had been stripped of this title — Frederick of Isenberg, a German noble, was broken on the wheel for the murder of his cousin, the Archbishop of Cologne.

The proximate cause of the dispute between the two was said to have been Frederick‘s exploitation for his own benefit of an abbey he administered, to which the Archbishop, Engelbert of Berg, took exception. Underlying the conflict are the the outlines of power politics in fractious medieval Germany.

Engelbert was an aggressive and effective Archbishop, and the power he won for his diocese came at the expense of other claimants. Frederick was not likely the only noble menaced by the inroads of the vigorous bishop. One theory has it that, despite the 47 wounds found on the cleric’s body, the ambush Frederick laid for him aimed only to capture him as a hostage — a not unheard-of negotiating strategem of the period.

No matter Frederick’s intent, what he achieved was excommunication and the loss of all lands, title and wealth — including his castle, razed by the Archbishop’s successor. A year after the murder Frederick was captured returning from Rome, where he had sought to have his excommunication lifted. He suffered one of the more excrutiating forms of execution, his shattered body lingering alive overnight displayed atop a stone pillar.

Engelbert, who in life had been no stranger to worldly politics and himself had been excommunicated in his youth for backing an anti-papal power, was incorporated into the Catholic Church’s martyrology for his death in defense of the abbey and (though never formally canonized) has sometimes been venerated as a saint.

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1831: Nat Turner

On this date in 1831, the slave Nat — remembered to history as Nat Turner after the surname of his original owner — was hanged, flayed and dismembered for leading the most notorious slave rebellion in antebellum America.

A deeply religious man known to other slaves as “The Prophet”, Nat followed what he took to be divine directive to launch a bloody uprising on the night of August 21-22 in Southampton County, Virginia. Using (at first) axes, knives and clubs to avoid attracting attention to gunfire, Nat’s band slaughtered whites from house to house, freeing slaves as they went. At least 55 whites were killed, and a like number of slaves by white militias that mobilized to put down the revolt … and then hundreds more slaves as far away as North Carolina suspected of some tangential involvement or simmering disloyalty.

The uprising was suppressed within two days, but it rooted so deeply in the conscience of the South that it persists to this day.

“I have not slept without anxiety in three months. Our nights are sometimes spent listening to noises.”
-Slaveowner after the rebellion

Nat Turner embodied slaveowners’ terror of the subject population living about them, outnumbering them, resentfully supporting Southern gentility at the end of a whip — the conundrum Jefferson had described barely a decade before as “we have the wolf by the ear, and we can neither hold him, nor safely let him go.” Arguably, the revolt hardened southern whites against moderating slavery; some legislatures tightened restrictions against teaching slaves to read, thinking that literate slaves like Nat were more liable to uprisings.

Conversely, he was a powerful martyr of resistance in the slave quarters, a symbol of scores of other lesser-known uprisings and of the countless more that lurked in dreams and fantasies, awaiting some spark of outrage, some sudden opportunity, some wild carelessness of death.

He was a figure of literature even before his death — The Confessions of Nat Turner, dictated to a white interrogator, left Nat’s own riveting testimony from the shadow of the gallows; the Virginia-born white novelist William Styron used the same title for a controversial 1967 historical novel which earned a Pulitzer but drew a critical rebuttal from many black writers. (Nat Turner also stalks the memory of Styron’s semi-autobiographical narrator in Sophie’s Choice.) More recently, Nat has received graphic novel treatment.

Historians of every stripe, meanwhile, have struggled over the meaning of the man’s deeds and — especially — his paradoxical legacy as symbol.

Update: The occasion received a tribute in Alabama about the time this post went up.

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1589: Peter Stubbe, Sybil Stubbe and Katharina Trump

On Halloween in 1589, the “Werewolf of Bedburg” was put to a horrible death for a supposed slew of crimes committed in lupine form in the environs of the German city of Cologne.

Our knowledge of the strange case of Peter Stubbe comes primarily from a single surviving account, and with many of the potential supplementary sources lost to the ravages of time and war, interpretations are inevitably speculative.

Stubbe reportedly confessed under (or facing) torture to having practiced witchcraft and claimed to have received a magic belt from the infernal powers enabling him to transform into a wolf. The doomed man owned, during the quarter-century riot of sin that ensued this youthful acquisition, to rape, murder, cannibalism, incest, filicide, slaughtering livestock and keeping a succubus in his bed. (Authorities were unable to recover this potent belt, and sighed that Satan must have reclaimed it.)

For these crimes, he was broken on the wheel, beheaded, then burnt — the latter punishment shared with his daughter and his mistress, apparently implicated as accessories.

Was there a real wolf terrorizing the vicinity? Was Stubbe an actual murderer with a supernatural cover story? Was he nursing a genuine delusion of lycanthropy? Did he back the wrong faith as strife over Protestantism rent Germany? Or was he just unluckily caught up in an instance of demonic hysteria?

Whatever the individual circumstances of Stubbe’s death might have been, it occurred during a surge of panic over the venerable superstition of were-beasts and shapeshifters (particularly pronounced in France) coeval with Europe’s crises of religious and political authority on the eve of the Thirty Years’ War.

Yet this troubled period bore the germ of a modernity whose pervasive social changes would upend, among other things, the idea of a real werewolf. As the sixteenth century closed, both medical and theological understandings of “werewolfism” increasingly located it in the realm of the psychological instead of the supernatural.

Within a few years of Stubbe’s torture, werewolves had left the hands of magistrates for those of doctors … bound eventually for the pens of screenwriters with Halloween fare in mind.

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