Category Archives: Where

1733: William Gordon, almost cheating death

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On this date in 1733, English highwayman William Gordon was hanged at Tyburn (along with three thieves unconnected to him) for stealing a hat, wig, watch and ring while “in a state of intoxication.”

Gordon is hardly notable as a criminal at a time and place hangings were ubiquitous. But the Newgate Calendar relates that he came within a whisker’s breadth of making himself very notable indeed in the history of hangings; indeed, since punching a hole in one’s own neck is far less desperate than the straits of a man expecting the rope, it’s a bit surprising that this relatively favorable experiment didn’t find more imitators.

Mr. Chovot, a surgeon, having, by frequent experiments on dogs, discovered, that opening the windpipe, would prevent the fatal consequences of being hanged by the neck, communicated it to Gordon, who consented to the experiment being made on him. Accordingly, pretending to take his last leave of him, the surgeon secretly made an incision in his windpipe; and the effect this produced on the malefactor was, that when he stopt his mouth, nostrils, and ears, air sufficient to prolong life, issued from the cavity. When he was hanged, he was observed to retain life, after the others executed with him were dead. His body, after hanging three quarters of an hour, was cut down, and carried to a house in Edgware road., where Chovot was in attendance, who immediately opened a vein, which bled freely, and soon after the culprit opened his mouth and groaned. He, however, died; but it was the opinion of those present at the experiment, that had he been cut down only five minutes sooner, life would have returned.

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1478: Pazzi Conspiracy attempted … and suppressed

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On this date in 1478, a coup d’etat against the Medici family in Florence was attempted during Easter mass — and by day’s end, its leading perpetrators had been hanged.

The Pazzi conspiracy implicates, even more than the municipal political rivalries of the Pazzi and Medici families, the peninsular geopolitics pitting Florence against the Pope, each side with its own constellations of allied lords and city-states.

The arrangement of players and their assorted interests is amply covered elsewhere; we shall suffice for this space to say that the Pazzi were a family of wealth and lineage (another death-sentenced Florentine, Dante, had dropped a couple of their ancestors into his infernal tableau), and proceed to the aftermath.

When one strikes a king, one must strike to kill. In this case, the co-ruling Medici brothers, Giuliano and Lorenzo were both attacked — but Lorenzo survived, and visited a terrible vengeance upon the assailants.

An enraged mob — the Pazzi had misjudged the city’s mood to begin with, and committing murder in church was ill-calculated to win sympathy — and a star chamber of Medici loyalists immediately began rounding up the numerous conspirators, many of whom were summarily hanged from the windows of the Palazzo Vecchio.

Along with a number of obscure foot soldiers and family retainers who suffered such indignities as being thrown from high windows onto cobblestones and torn apart by the mob, the most prominent victims this day were Francesco de Pazzi (the link is to his Italian wikipedia page) and Archbishop Francesco Salviati, a papal loyalist whose grievance against Florence for delaying his seat as archbishop of Pisa had done much to instigate the conspiracy.

They were far from the only victims: fugitives who had escaped the city were hunted for weeks and months thereafter, although Lorenzo “the Great” — who cuts the very model of the enlightened prince to posterity, rightly or not — was disposed in several cases to grant mercy to innocents against the dictates of political expediency.

However, the culpable after this day had every reason to fear. Perhaps the most affecting story is that of elderly Pazzi patriarch Jacopo de Pazzi (Italian again), caught in flight by Tuscan villagers whom he tried desperately (and unavailingly) to bribe for the privilege of suicide rather than a return to the fate of his kinsmen. Florentine communal pride celebrated popular participation in vengeance against the papal plot. Botticelli was commissioned to paint the executed conspirators hanging in their death throes on the very facade of the palace where they had in fact been put to death.

The Pazzi family wasn’t quite blotted out literally — later, it would even be restored to the city — but a comprehensive sentence of civic damnatio memoriae followed in the weeks after the immediate danger was checked. The family property was confiscated, its name and coat of arms banished, even the public festival its Crusader forebear had inspired was (unsuccessfully) renamed. For a time, merely to marry a Pazzi was to exclude oneself from public office.

Niccolo Machiavelli was a boy of eight at the time the Pazzi conspiracy was attempted. As a political theorist in later years, the event would liberally illustrate his writings. In Machiavelli’s Discourses (available free from Project Gutenberg), for instance, the Pazzi conspiracy is a lesson in the danger of conspiring against two princes at once, the risk inherent in having any great number of people aware of the plot, and the unpredictable small turns of fortune and minor slips in execution upon which a great matter may succeed or fail.

[I]n these grave undertakings, no one who is without such experience, however bold and resolute, is to be trusted.

The confusion of which I speak may either cause you to drop your weapon from your hand, or to use words which will have the same results. Quintianus being commanded by Lucilla, sister of Commodus, to slay him, lay in wait for him at the entrance of the amphitheatre, and rushing upon him with a drawn dagger, cried out, “The senate sends you this;” which words caused him to be seized before his blow descended. In like manner Messer Antonio of Volterra, who as we have elsewhere seen was told off to kill Lorenzo de’ Medici, exclaimed as he approached him, “Ah traitor!” and this exclamation proved the salvation of Lorenzo and the ruin of that conspiracy.

Machiavelli also renders his account of this day’s affair in his History of Florence, another Gutenberg freebie.

A detailed exploration of the event is available here.

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1792: Nicolas Pelletier, Madame Guillotine’s first kiss

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On this date in 1792 — a surprisingly late date, just nine months before the king himself would die under its blade — debuted the iconic symbol of the French Revolution, the guillotine.

Today, it turned a thief and killer named Nicolas Pelletier from thug to trivia. Much more illustrious names would follow, and anon.

Though predecessors of the grim machine had been used centuries before in Scotland, Italy and Switzerland, the guillotine ushered in a distinctly modern era of technological application to capital punishment informed by egalitarianism — prior to the French Revolution, nobles and commoners had different modes of execution — and by legal and medical expertise aimed at minimizing pain.*

In fact, the device’s namesake, physician Joseph-Ignace Guillotin, opposed the death penalty altogether; he approved scientific and “painless” execution as a stopgap measure.**

For his troubles, the humane doctor’s name became synonymous with terror, enough so that his descendants changed their handle. One wonders how the doctor judged his own legacy; certainly better for any condemned person to die on the guillotine than the breaking wheel, but the mechanical efficiency of the “French razor” and the depersonalization of the condemned in relation to the headsman and the witnesses also made possible the mass executions the French Revolution is known for.

Singular Guillotin, respectable practitioner: doomed by a satiric destiny to the strangest immortal glory that ever kept obscure mortal from his resting-place, the bosom of oblivion! … “With my machine, Messieurs, I whisk off your head (vous fais sauter la tete) in a twinkling, and you have no pain;”–whereat they all laugh. (Moniteur Newspaper, of December 1st, 1789 (in Histoire Parlementaire).) Unfortunate Doctor! For two-and-twenty years he, unguillotined, shall near nothing but guillotine, see nothing but guillotine; then dying, shall through long centuries wander, as it were, a disconsolate ghost, on the wrong side of Styx and Lethe; his name like to outlive Caesar’s.

–Carlye

Whither the ethical role of the physician dedicated to life in the protocol of dishing out death? It’s a strikingly current dilemma.

Want to know more about how the guillotine was built? Want to build your own?

* Pain reduction was distinctly not the order of the day under the ancien regime. Often, quite the opposite.

** It was still another physician, Antoine Louis, who actually designed the decapitation machine; for a time, it was known as the Louisette. The working model was built from Louis’ design by a piano maker — and it may be more than coincidence that the science of constructing this mechanically complex musical instrument was also bursting with creativity on the cusp of the Industrial Revolution.

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1868: John Millian, who martyred a madam

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On this date in 1868, Mark Twain witnessed a Frenchman hanged in Virginia City, Nevada for murdering a popular prostitute.

Julia Bulette had turned up murdered in January 1867, her parlor ransacked for valuables. The crime went unsolved for several months until John Millian — or, Millain or Milleain — was caught selling one of her dresses.

The immigrant spoke very little English and was effortlessly convicted, though he maintained his innocence to the gallows.

Some three thousand people turned out for the hanging … among them Mark Twain, who was back to visit the town where he had lived a few years before, writing for a local newspaper.

He wrote about the execution in a letter from Virginia City, published in the Chicago Republican May 31, 1868 and only recently excavated by Nevada archivist Guy Rocha:

NOVEL ENTERTAINMENT.

But I am tired talking about mines. I saw a man hanged the other day. John Melanie, of France. He was the first man ever hanged in this city (or country either), where the first twenty six graves in the cemetery were those of men who died by shots and stabs.

I never had witnessed an execution before, and did not believe I could be present at this one without turning away my head at the last moment. But I did not know what fascination there was about the thing, then. I only went because I thought I ought to have a lesson, and because I believed that if ever it would be possible to see a man hanged, and derive satisfaction from the spectacle, this was the time. For John Melanie was no common murderer — else he would have gone free. He was a heartless assassin. A year ago, he secreted himself under the house of a woman of the town who lived alone, and in the dead watches of the night, he entered her room, knocked her senseless with a billet of wood as she slept, and then strangled her with his fingers. He carried off all her money, her watches, and every article of her wearing apparel, and the next day, with quiet effrontery, put some crepe on his arm and walked in her funeral procession.

Afterward he secreted himself under the bed of another woman of the town, and in the middle of the night was crawling out with a slung-shot in one hand and a butcher knife in the other, when the woman discovered him, alarmed the neighborhood with her screams, and he retreated from the house. Melanie sold dresses and jewelry here and there until some of the articles were identified as belonging to the murdered courtezan. He was arrested and then his later intended victim recognized him.

After he was tried and condemned to death, he used to curse and swear at all who approached him; and he once grossly insulted some young Sisters of Charity who came to minister kindly to his wants. The morning of the execution, he joked with the barber, and told him not to cut his throat — he wanted the distinction of being hanged.

This is the man I wanted to see hung. I joined the appointed physicians, so that I might be admitted within the charmed circle and be close to Melanie. Now I never more shall be surprised at anything. That assassin got out of the closed carriage, and the first thing his eye fell upon was that awful gallows towering above a great sea of human heads, out yonder on the hill side and his cheek never blanched, and never a muscle quivered! He strode firmly away, and skipped gaily up the steps of the gallows like a happy girl. He looked around upon the people, calmly; he examined the gallows with a critical eye, and with the pleased curiosity of a man who sees for the first time a wonder he has often heard of. He swallowed frequently, but there was no evidence of trepidation about him — and not the slightest air of braggadocio whatever. He prayed with the priest, and then drew out an abusive manuscript and read from it in a clear, strong voice, without a quaver in it. It was a broad, thin sheet of paper, and he held it apart in front of him as he stood. If ever his hand trembled in even the slightest degree, it never quivered that paper. I watched him at that sickening moment when the sheriff was fitting the noose about his neck, and pushing the knot this way and that to get it nicely adjusted to the hollow under his ear — and if they had been measuring Melanie for a shirt, he could not have been more perfectly serene. I never saw anything like that before. My own suspense was almost unbearable — my blood was leaping through my veins, and my thoughts were crowding and trampling upon each other. Twenty moments to live — fifteen to live — ten to live — five — three — heaven and earth, how the time galloped! — and yet that man stood there unmoved though he knew that the sheriff was reaching deliberately for the drop while the black cap descended over his quiet face! — then down through the hole in the scaffold the strap-bound figure shot like a dart! — a dreadful shiver started at the shoulders, violently convulsed the whole body all the way down, and died away with a tense drawing of the toes downward, like a doubled fist — and all was over!

I saw it all. I took exact note of every detail, even to Melanie’s considerately helping to fix the leather strap that bound his legs together and his quiet removal of his slippers — and I never wish to see it again. I can see that stiff, straight corpse hanging there yet, with its black pillow-cased head turned rigidly to one side, and the purple streaks creeping through the hands and driving the fleshy hue of life before them. Ugh!

This text, as well as a local paper’s report of the hanging, are also here.

Though Twain’s take on the hanging may attract our attention in posterity, the most famous party in the affair is the victim, Julia Bulette. A public figure in life, she was publicly mourned in death and quickly attained mythic status with the full panoply of secular laurels — dimestore paperbacks, “Bonanza” adaptations, and audio book treatment by the Nevada Library and Archives:

[audio:JuliaBulette.mp3]

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1945: Albrecht Haushofer, German Resistance intellectual

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On April 23, 1945, in Nazi Germany’s Berlin-Moabit prison, with the Red Army fast approaching, the SS executed Albrecht Haushofer for his part in the previous year’s July 20 plot to assassinate Adolf Hitler.

A social and political conservative and driving force behind the nascent field of “geopolitics,” which held views of the State “as a geographic organism or a spatial phenomenon” that were incorporated into the National Socialist ideology of “Lebensraum,” Haushofer was an early darling of the drive to find academic and scientific justification for Nazi beliefs and ideals — this despite his own part-Jewish parentage.

Haushofer had reservations about the intentions of the Nazi party following its rise to power in the 1930s, but he nonetheless consented to represent it in foreign affairs, having spent significant time abroad as a geopolitics student in the 1920s. Acting as chief foreign affairs adviser to Rudolf Hess, Hitler’s chief deputy, Haushofer traveled widely to promote German foreign policy. During this time, he wrote a series of historical dramas — Scipio (1934), Sulla (1938), and Augustus (1939) — containing progressively more strident symbolic criticisms of his age.

Believing that Germany must not get involved in another disastrous foreign war, Haushofer was a significant force in negotiating for peace with Britain and France. “The peoples of Europe are in a position in which they have to get on together lest they all perish,” he wrote; “and although one realises that it is not common sense but emotional urges which govern the world, one must try to control such urges.” As Hitler’s desire for war became ever more paramount, however, Haushofer lost his position with the government and returned to Germany, remaining active in secret talks to persuade the British to accept a new peace agreement.

With the outbreak of the Second World War, Haushofer remained a professor of geopolitics at the University of Berlin, but distanced himself from his Nazi past and began associating with elements of the German resistance. As the war wore on, he consistently opposed any attempt on Hitler’s life, but finally agreed to join the July plot as the only way to end the war without bringing further disaster upon Germany. With the plot’s failure, he was arrested by the Gestapo, and executed just days before the Red Army liberated Berlin.

Haushofer composed the Moabiter Sonette (pdf) while in prison, a series of poems posthumously published in 1946 regarded as among the most powerful documents of the German antiwar movement. One of his most well-known sonnets, “Schuld,” attemps to express — in sad retrospect — the weight of his moral guilt in the face of impending death:

“Schuld”

…schuldig bin ich
Anders als Ihr denkt.
Ich musste früher meine Pflicht erkennen;
Ich musste schärfer Unheil Unheil nennen;
Mein Urteil habe ich zu lang gelenkt…
Ich habe gewarnt,
Aber nicht genug, und klar;
Und heute weiß ich, was ich schuldig war.

“Guilt”

I am guilty,
But not in the way you think.
I should have earlier recognized my duty;
I should have more sharply called evil evil;
I reined in my judgment too long.
I did warn,
But not enough, and clear;
And today I know what I was guilty of.

The poem’s last line can be variously translated as “And today I know what I was guilty of” or “And today I know what my obligation had been.” Through this subtle play on words, Haushofer created a powerful poetic link between his failure to act decisively and the supposed “guilt” — “not in the way you think” — for which he had been condemned. His poems remain a testament to the power as well as the responsiblities of the individual under dictatorship, and have earned their writer a place in the annals of history as well as modern-day memorials to the German resistance movement.

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1980: Thirteen deposed Americo-Liberian officials

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On this date in 1980, days after the coup d’etat that overthrew the Liberian government, thirteen of its former officials were shot on the beach near an army barracks in Monrovia.

This day’s scene — messily conducted, according to journalist witnesses, and with four forced to watch the first nine shot owing to a shortage of stakes — got its start in antebellum America, where a weird coalition of slaveholders, abolitionists and slaves themselves conceived ex-slave colonies in Africa as the way to let off the domestic pressure of the “peculiar institution.”

And thus was born Liberia, where African-American settlers promptly assumed the role of privileged elite vis-a-vis the natives that white colonists had elsewhere in the colonial world. The tiny “Americo-Liberian” population ran the country for over a century through the True Whig Party — an aptly retro title.

This was a better deal for the Americo-Liberians than for the other 15 or so ethnic groups, and resentment over economic disparities started gathering head through the 1970’s.

On April 12, 1980, an ethnically Krahn officer named Samuel Doe overthrew — and personally murdered — the last Americo-Liberian president, William Tolbert.

Ten days later, Tolbert’s older brother and an assortment of cabinet officers and other ministers of the True Whig government followed the ex-president into the hereafter* — setting the stage for Doe’s brutal turn in power and the almost continual civil war that has become Liberia’s watchword over the past generation.

* Only four had actually been death-sentenced by their military tribunals, but Doe had the more lenient sentences overruled.

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1792: Tiradentes, for a Brazilian republic

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On this date in 1792, Joaquim José da Silva Xavier — better known to Brazilian history as Tiradentes — was hanged in Rio de Janeiro and his body quartered for public exposition.

Pedro Americo’s 1893 Tiradentes Esquartejado delivers what it promises.

Tiradentes — “tooth-puller,” a scornful nickname its owner has made glorious, alluding to the span of his itinerant career spent in dentistry — had participated in a conspiracy to detach the province of Minas Gerais from the Portuguese empire.

The Inconfidência Mineira featured the unpromising combination of a large number (the conspiracy was betrayed from within) of middle-class intellectuals (Tiradentes was of an unusually low social strata) without a common programme or a practical notion of what to do once they had seized power. That the Portuguese monarch felt at liberty to commute every other death sentence seems a measure of the plotters’ — if one may put it this way — toothlessness.

Tiradentes was obstinate in maintaining responsibility for the plot, although he wasn’t the leader in particular; for his resulting pains on the scaffold, he traded dentistry for immortality. Now officially recognized as a hero of Brazil, his name adorns the square where he was dismembered and (like Zumbi dos Palmares) his execution date is a public holiday.

When the tides of national fervor made such a rehabilitation politic, the would-be free state of Minas Gerais likewise adopted the conspirators’ banner as its own flag: the motto reads “Liberty, although overdue”.

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1622: Antonio di Nicolo Foscarini

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(Thanks to Melisende at Women of History and Historic Biography for the guest post -ed.)

As dawn broke over the Piazzetta San Marco in Venice, the body of a man hung from the gallows between the columns. There were no witnesses to this execution — it was a quiet affair carried out under the veil of night. The citizens of the Serenissima were understandably worried. This man was not common criminal — he was a man from a distinguished noble family.

What events had led to a man of such stature becoming victim of such a fate?

Antonio the Ambassador

Antonio Foscarini was the third son of Nicolo di Alvise de ramo di S.Polo and Maria Barbarigo di Antonio.

Antonio began his diplomatic career as one of the representatives of the Republic of Venice to the Court of King Henri IV of France (1601) and was there, at Paris, in this capacity to celebrate Henri’s wedding to Marie de Medici. Despite being elected as Ambassador to France — “Ambasciatore ordinario in Francia” — (26th May 1607), he did not actually take up his position until February of the following year.

When he was elected Ambassador to England — “Ambasciatore ordinario in Inghilterra” — (July 1610), he again did not take up his position until the following year (4th May 1611). Unfortunately, Foscarini’s position came under question in Venice. One of Foscarini’s secretaries denounced his to the Council of Ten, accusing him of selling state secrets to Venice’s mortal enemy at the time — Spain.

Foscarini was summoned to return to Venice immediately. Upon his arrival he was imprisoned, where he remained for three years whilst in inquiry into the allegations took place. Foscarini was duly released upon being found “not guilty” (30th July 1618) — there was no blemish on his service record. Two years later he was elected Senator (1620).

The Council of Ten

The Council of Ten was formed in 1310 “to preserve the liberty and peace of the subjects of the republic and to protect them form the abuses of personal power”. In effect, the Council of Ten was actually made up of 17:

  • the Doge – who presided over all and was elected ruler for a specific term.
  • the Prime Minster – elected chairman of the government
  • the Signoria – comprised of three Capi (three chiefs of the Great Council); six Savii Grandi (modern-day Cabinet); three Savii da Terra Firma and three Savii agli Ordini or da Mar (Ministers of War, Finance and Marine).

These men, for there were no women, were elected for a specific term, depending upon their position. In effect, this ensured that any attempt on the part of one person or a family or a group to gain sole power was neutralized. Even the Church was excluded from taking any part in the government of the Republic.

The Countess of Arundel

At the age of 35, this formidable woman arrived in Venice in 1621.

Alatheia Talbot was the granddaughter of the infamous Bess of Hardwick (goddaughter of Queen Elizabeth I of England) and the wife of Thomas Howard, 2nd Earl of Arundel, and a leading figure at the court of King James I of England. Both Alatheia and Thomas were passionate art lovers, and used their boundless wealth to amass the first great private art collection in England. And this was the reason for Alatheia’s journey to Venice – that and the education of their sons. Alatheia left her children at the villa in Dolo whilst she continued onto Venice and settled in Palazzo Mocegnigo on Grand Canal.

The Senator & the Countess

It was whilst situated in the Palazzo Mocegnigo, that the Senator possibly renewed his acquaintance with the Countess. In his position as Ambassador to England, Foscarini would have come into contact with both the Countess and her husband, who was, we must remember, a prominent official of the royal Court. As to the true nature of this acquaintance, it has been suggested that the two were not particularly close.

Whatever the suggestion, on the evening of 8th April 1622 as Foscarini was departing the Senate, he was arrested on the orders of the Consiglio dei Dieci and charged with:

… having secretly and frequently been in the company of ministers of foreign powers, by day and by night, in their houses and elsewhere, in this city and outside it, in disguise and in normal dress, and having divulged to them, both orally and in writing, the most intimate secrets of the Republic, and having received money from them in return …

Less than a fortnight later, Foscarini was strangled in prison and the following morning found hung between the two columns in Piazzetta San Marco.

Aftermath

The news of Foscarini’s execution spread like wildfire throughout the length and breadth of Europe. Many rulers, upon hearing the news, were shocked.

Countess Alatheia was perturbed for her name had been linked with that of Foscarini. It was in her house that Foscarini had been accused of passing state secrets to Venice’s enemies — notably Spain (via the Secretary of Emperor Ferdinand) and the Church (via the Papal Nuncio).

Sir Henry Wotton, England’s Ambassador to Venice, notified Alatheia by letter that the Council of Ten would be passing a sentence of banishment upon her, and that it would be in her best interests to leave immediately.

But Sir Henry had greatly underestimated this woman — for she was aggressive adversary (they had crossed swords many times). Instead, Alatheia went immediately in person to Sir Henry, vigorously denying the charges and informing him of her intentions to seek an audience with the Doge, Antonio Priuli. Alatheia laid the blame for Foscarini’s death firmly at his doorstep, and let him know in no uncertain circumstances that she intended to bring about his dismissal.

Alatheia was granted her audience with the Doge. She was warmly received and assured that there was never any question of neither her banishment not implication in the recent tragic events. She generously accepted his assurances, but requested a public exoneration in writing in both Venice and London; this duly occurred. She was given lavish gifts by the Doge and with her wagons heavily laden with, left Venice six months later.

Exoneration

Murray Brown begins his “The Myth of Antonio Foscarini’s Exoneration” (.pdf) thus:

In January of 1623, a unique event occurred in Venice: Antonio Foscarini was posthumously exonerated by the Council of Ten. Ten months previously, it had unanimously found him guilty of treason and had him executed. King James I’s ambassador to the Serenissima, Sir Henry Wotton, characterized the event: “…surely in 312 years that the Council of Ten hath stood, there was never cast a greater blemish upon it.”

And so, after much investigation, Antonio Foscarini was officially exonerated of all charges (16th January 1623).

Throughout the summer, proof of Foscarini’s innocence gathered momentum, and was such that none could ignore it. Those who had accused Foscarini of the act of treason were brought before both the Inquisitors of the State and the Council of Ten themselves to answer certain questions. It was determined, during the course of events, that both accused had perjured themselves by making false accusations against Foscarini. Why they did so is not known, but Murray Brown presents a number of credible scenarios in his “The Myth of Antonio Foscarini’s Exoneration”.

The Council of Ten publicly confessed its error — copies were given to Foscarini’s family and were also distributed throughout Europe. Foscarini’s body was exhumed and he was given a state funeral. A statue of Foscarini is in Foscarini Chapel of the Church of S.Stae.

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1995: Richard Snell – did he go out with a bang?

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At 9 p.m. this evening on this date, white supremacist Richard Snell was executed for murder in Arkansas.

He went out full of venom and smugness, his last words menacing the state’s governor:

Governor Tucker, look over your shoulder; justice is coming. I wouldn’t trade places with you or any of your cronies. Hell has victories. I am at peace.

(Source — but possibly erroneous; note the comments to this post)

It had been as satisfying* for Snell as last days on earth come: the very morning of his execution, militia fellow-traveler Timothy McVeigh blew up Oklahoma City’s Murrah Federal Building.

It is not for this venue to attempt any definitive judgment on the connections and cul-de-sacs of the much-scribbled-about white supremacist labyrinth. It is enough for our purposes to note several items which may be coincidence and have sometimes been reckoned rather more.

  • April 19 had already become the militia movement’s holy day: April 19, 1775, had sparked the American Revolution; more to the point, it had been the date in 1993 of the slaughterous Waco siege. Snell’s execution was slated for that date intentionally, much to the outrage of his sympathizers: so was McVeigh’s plot.
  • Twelve years before his death, Snell himself had schemed to blow up the very same building.
  • Snell has been reported to have predicted that there would be a bombing on his execution date.

After his execution, Snell was returned to Oklahoma Christian Identity mecca (and possible McVeigh haunt) Elohim City, where he lay three days in an open casket before being interred in the community’s cemetery under a headstone marked “Rev Richard Wayne Snell. Patriot.”

* Snell was “smiling and chuckling and nodding” on his last day as he watched coverage of the bombing.

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1763: Marie-Josephte Corriveau, Quebec murderess

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On this date in 1763, a young woman shuffled off this mortal coil and into Quebecois folklore.

She’d made the mistake of outliving two husbands, and was convicted (with her father) of having been the instrument of their demise. Gibbeted after her death — a punishment not used in France, but Quebec had been captured by the English in the French and Indian War — her corpse became a figure of ghost stories and popular superstition, haunting passersby and playing poltergeist.

But why take it from me? Here’s the unhappy fate of Madame Corriveau, in puppet theater.

Or a stylish graphic novel-style cartoon.

Devotees of the written word can get their fill in two 19th century texts available free from Google Books: a passage in Maple Leaves, and a historical novel in which she figures as a character, The Golden Dog. Her French Wikipedia page is here.

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