1492: Jan van Coppenolle

On this date in 1492 the Flemish rebel Jan van Coppenolle was beheaded at the Vrijdagmarkt in Ghent.

When the formerly doughty duchy of Burgundy faltered as an independent polity after the death of Charles the Bold in 1477, Ghent and its sister Low Countries trading cities had forced upon Charles’s heir Mary an expansive recognition of those cities’ rights.

It was known as the Great Privilege, and it was greatly dependent on the political weakness of the recognizing authority.

Mary expressed this weakness in another way as well: with her marriage to the Habsburg heir Maximilian I of Austria — tying her patrimony to the Austrian empire. Upon this marriage did the House of Habsburg found a redoubling of its already expansive holdings, for Mary herself brought the wealthy Low Countries into the fold while the couple’s son Philip married a Spanish infanta and founded the line of Habsburg Spanish monarchs.* Apt indeed was the House Habsburg motto: “Leave the waging of wars to others! But you, happy Austria, marry; for the realms which Mars awards to others, Venus transfers to you”

Mary, unfortunately, was not around to enjoy the triumph of her matrimonial arrangements, for in early 1482 a horse threw her while out on a ride, breaking her back. Philip might have had a bright future ahead, but he was only four years old.

It was Maximilian’s flex on direct power in the Low Countries — and in particular his ambition to raise taxes to fund expansionist wars — that brought to the stage our man van Coppenolle (German Wikipedia entry | Dutch). He became a preeminent popular leader of a decade-long Flemish rebellion against the future Holy Roman Emperor that verged towards a war of independence.

Briefly forced to flee to exile in France after Maximilian quelled the initial resistance in 1485, van Coppenolle returned with French backing and controlled Ghent from 1487 when the rebellion re-emerged. This second installment had some legs, especially since Maximilian was imprisoned several months by the city of Bruges, allowing van Coppenolle leave enough to even mint his own coinage, the Coppenollen … before the Habsburgs finally suppressed the risings.

* The present Spanish king, Felipe VI, is a descendant of Philip I.

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1492: 27 Jews of Sternberg, for desecrating the Eucharist

On this date in 1492, 27 Mecklenburg Jews were burned together outside the gates of the city of Sternberg.


Illustration of the burning of the Sternberg Jews, from Hartmann Schedel‘s Weltchronik (1493)

These unfortunate victims of the Sternberger Hostienschänderprozess we have already met via their Catholic intercessor, Father Peter Dane. Although Father Dane got away for the moment — his punishment would arrive five months hence — the scandal consisted of Dane’s alleged provision of his parish’s consecrated Host to Mecklenburg’s impious Hebrews for their profanation in occult Semitic liturgies.

Defiling the Eucharist was a recurrent substratum of the old blood libel canard: what blood more dear than the literal flesh of Christ?

Mecklenburg’s elimination of her Jewry — for those spared the stake were banished — had a tortured legacy thereafter, as one might expect. In the immediate aftermath, Sternberg became such a discomfitingly profitable pilgrims’ destination that Martin Luther denounced by name its services to Mammon. (See our previous post on Fr. Dane for the details.)

Centuries afterwards, Weimar hyperinflation put Sternberg’s pyres and the coin of the realm together again when Sternberg issued its own notes, one of them blazoned with its famous burning Jews. Picture pulling one of these out of your wallet at the corner kiosk:

Sternberg’s Church of St. Mary and St. Nicholas, which prospered in the pilgrimage days, has a still-extant chapel of the holy blood built in honor of (and thanks to the donatives earned by) the outraged Eucharist. Today the historic chapel holds a contemporary sculpture titled “Stigma” — a reminder of the dark day in 1492 the chapel once celebrated.

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1492: Sir Nicholas de Mimsy-Porpington, Nearly Headless Nick

(Thanks to Elizabeth M. Hull for the guest post. -ed.)

Post-mortem resident of Gryffindor House, Hogwarts School of Witchcraft and Wizardry, Hogsmeade, U.K.

A minor character in J.K. Rowling’s Harry Potter saga, Nearly Headless Nick remains one of the most memorable. Executed — badly — on Halloween of 1492, Sir Nicholas de Mimsy-Porpington became the ghost of Gryffindor House. The school has about 20 resident ghosts: the Grey Lady (Helena Ravenclaw) and the Bloody Baron of Slytherin House died violently as well, in a murder-suicide.

Rowling says that her editor suggested that she cut a ballad Mimsy-Porpington wrote about himself from The Chamber of Secrets. In the song, the ghost claimed to have been executed for “a mistake any wizard could make,” a “piffling error,” a case of wizardry gone wrong. Asked by Lady Grieve (otherwise unknown) to straighten her teeth, Mimsy-Porpington seems to have given her a tusk. “They” imprisoned the piffler immediately, though he cried all night that he could fix his mistake, and his beheading followed the next morning.

Unfortunately for Mimsy-Porpington, his was not the only incompetence: “they’d mislaid the rock/Where they usually sharpened the axe”! The “cack-handed twit” of a headsman said “this may sting a bit” to the gibbering wizard, and swung the axe in the air. Alas, unable to sharpen the blade, the executioner was reduced to bestowing numerous blows: “But oh the blunt blade! No difference it made,” the ghost sang,

My head was still definitely there.
The axeman he hacked and he whacked and he thwacked,
“Won’t be too long,” he assured me,
But quick it was not, and the bone-headed clot
Took forty-five goes ’til he floored me.

(The full ballad is here and here; the original handwritten version can be seen here.)

After repeated strokes of the edgeless axe, Mimsy-Porpington finally expired. On festival occasions, he re-enacts his near-beheading, a show quite popular with the Hogwarts student body (Prisoner of Azkaban, p. 159).

However, the bone-headed, cloddish headsman was unable to completely behead the wizard. As Ron Weasly notes, the ghost is merely nearly headless.


Nick, as played in the Harry Potter films by John Cleese. Rowling’s own original sketch of Nearly Headless Nick is here.

While he gets a great deal of pleasure from entertaining Hogwarts residents by swinging “his whole head . . . off his neck and . . . onto his shoulder as if it was on a hinge” (Sorceror’s Stone, p. 124), his condition limits his access to the dizziest heights of post-mortem society. Beheading was an aristocratic execution, meant to bring a swift death to the privileged, those able to hunt legally in their lifetime. In the afterlife, the beheaded aristocrats have established a “Headless Hunt” Club, and have blackballed Mimsy-Porpington, who misses their entrance requirements by that much: “‘half an inch of skin and sinew holding my neck on.'” Unable to participate in Club sports like “Horseback Head-Juggling and Head Polo,” Mimsy-Porpington is denied admission into the elite society (Chamber of Secrets, p. 124).

Sadly, their scorn for his crippling condition is not limited to exclusion from their company.

Mimsy-Porpington’s five hundredth Deathday anniversary party, held on Halloween 1992, welcomes hundreds of ghosts from as far away as Kent to a feast of rotten fish, putrid, “maggoty haggis,” and a tombstone cake with grey icing, while an orchestra of 30 musical saws plays waltzes. The Deathday Boy’s speech is interrupted by the members of the Headless Hunt: “Sir Properly Decapitated-Podmore” begins a game of Head Hockey, sending his own head sailing past the humiliated Mimsy-Porpington as he tries to address his guests (Chamber of Secrets, p. 132-7).

Somehow the courageous Gryffindor ghost overcomes this diabolical heads-up-manship and several months as a petrified cloud to live a useful afterlife, helping Harry many times. Most significantly, in the final pages of The Order of the Phoenix, a traumatized and grieving Harry turns to Mimsy-Porpington, hoping to discover a way to keep his dead friend and guardian Sirius Black alive. “‘You’re dead,'” Harry says, “‘But you’re still here, aren’t you? … People can come back, right? As ghosts. They don’t have to disappear completely.'” Mimsy-Porpington gently tells Harry that he can only “‘walk palely'” where his living self once trod, “‘neither here nor there,'” hovering between life and death for fear of the unknown. However, Black risked his life joyously and died laughing; he will not linger between death and life. Harry must live on without him.

There may be historical precedent for Mimsy-Porpington’s death in the botched execution of James Scott, Duke of Monmouth (1685), when the notorious Jack Ketch took five blows to kill the rebel, and finally had to use a knife to sever the last “skin and sinew” connecting the head to the corpse. Monmouth’s hairstyle in portraits from the late 1600s resembles that drawn by Rowling in her sketch of Nearly Headless Nick, although that sketch shows a beard style from the early 1600s, nearly 70 years earlier. Moreover, the ghost enters Harry Potter’s life wearing an Elizabethan neck ruff and says that he has not eaten in nearly 400 years, implying a death in the late 1500s.

In spite of this wibbly-wobbly timeline, Mimsy-Porpington’s deathdate establishes the firm chronology of Rowling’s series: the five hundredth anniversary of his death in 1492 would fall in 1992; therefore the events of Chamber of Secrets (published in 1997) must occur in 1992. The dating of the series is confirmed five books later by the tombstones of Harry’s parents, who died on Halloween Day, 1981 (Deathly Hallows, p. 328). For J.K. Rowling, death, the last enemy — not life — marks the measure of this world’s time.

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