Tag Archives: january 7

1611: Three accomplices of Elizabeth Báthory, the Countess of Blood

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Four hundred years ago today, on Jan. 7 1611, three servants of the legendary “Countess of Blood” Elizabeth Bathory (Báthory Erzsébet, in the Hungarian) were tried, convicted, and immediately put to death for the noblewoman’s stupendous career of homicide.

This date’s entry is occasioned by the deaths of three subalterns — manservant Janos Ujvary, beheaded; and female attendants Ilona Jo and Dorottya Szentes, fingers ripped off and burned — but the headline attraction is their employer, who was never tried or condemned.

Not, at least, juridically. Posterity’s condemnation of this classic vampire inspiration has been little short of … voluptuous.


A 1971 film based on Elizabeth Bathory’s exploits. Horror star Ingrid Pitt later reprised her “role” with guest vocals on a Cradle of Filth concept album devoted to the Countess, Cruelty and the Beast.

Bathory was rarefied Hungarian nobility, the niece of the King of Poland, which is also the biography of countless aristocrats you’ve never heard of.

The world remembers Elizabeth Bathory because she exploited her rank to butcher hundreds of peasant girls, allegedly to bathe in their rejuvenating blood.

On one occasion, a lady’s-maid saw something wrong in [Elizabeth Bathory’s] head-dress, and as a recompence for observing it, received such a severe box on the ears that the blood gushed from her nose, and spirted on to her mistress’s face. When the blood drops were washed off her face, her skin appeared much more beautiful — whiter and more transparent on the spots where the blood had been.

Elizabeth formed the resolution to bathe her face and her whole body in human blood so as to enhance her beauty.


McFarlane Toys figurine of Erzsebet (Elizabeth) Bathory from its grotesque “Faces of Madness” series.

These scrub-ups are what the Countess of Blood is best remembered for, but however striking the visual, it’s an atrocity that actually doesn’t turn up in the trial records.

But she could hardly complain of the embroidery, having given her interlocutors so much material.

Elizabeth Bathory is supposed to be responsible for over six hundred deaths, starting while her husband was away on campaign, and then carrying on into a wholesale operation after he died. When she and her servants were finally busted at Csejte Castle the end of 1610, their captors found a dead girl, a dying girl, and several others imprisoned and awaiting that fate.


Elizabeth Bathory, a sexually charged 1893 painting by Hungarian impressionist Istvan Csok depicting one of the countess’s victims being drenched in icy water for death by exposure.

So although the confessions the servants made this date to seal their own fates were undoubtedly torture-adduced, the documentary record turns out to be amazingly strong for such a fantastical spree. Hungarian King Matthias II convened a tribunal that examined 200 to 300 witnesses.

One can postulate that the woman ran afoul of a patriarchal culture affronted by her exercise of power or that she became a parable for the “unnatural” lust of a middle-aged woman … but so far as we are left to understand, Erzsebet Bathory really did lure young girls to her castle, and then inflict (pdf) a Nazi doctors’ litany of sadism on them … like jabbing them with needles to drain out their blood. She even kept a log of the victims in her own hand.

So, locals disappearing into the creepy castle, never to be seen again, or possibly to turn up pallid and dead. (Disposing of all those corpses became a logistical problem for the creepy castle.) No surprise to find it associated with the vampire legend.*

And no surprise that the tale became magnified, twisted, and reconfigured by popular culture.

In 1817, as accounts of the testimonies about the alleged murders and sadistic tortures were published for the first time, national and international headlines sensationalized the already misconceived story. From that on [sic], the literary countess took on a life of her own: the Grimm brothers wrote a short story about her, the romantic German writer, Johann Ludwig Tieck (1774 – 1853), cast her as a Gothic femme fatale, Swanhilda, in his short story Wake Not the Dead. It is alleged that Sheridan le Fanu shaped his female vampire Carmilla on Elizabeth Bathory. If we can believe some etymological explanation the compound English word blood-bath is of mid-nineteenth century origin possibly connected to the bloody countess’ rising popularity in England.

-László Kürti, “The Symbolic Construction of the Monstrous — The Elizabeth Bathory Story,” Croatian Journal Of Ethnology and Folklore Research, Jan. 2009

A few books about Erzsebet Bathory

To say nothing of the death porn (link not safe for work).

The noblewoman never faced an executioner herself, owing to her rank; she was shut up in the castle.

* As it turns out, a Bathory ancestor actually fought with the “original Dracula” Vlad the Impaler in the 15th century.

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2009: Haidar Ghanem, human rights activist

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On this date last year, in the midst of Israel’s bloody incursion, Gaza’s Hamas government executed Palestinian journalist and human rights activist Haidar Ghanem as an Israeli spy.

Ghanem was the best-publicized of a number of Israeli collaborators to suffer that fate during the one-sided, three-week war.

“He was taken to an abandoned building in southern Gaza and shot to death,” a Palestinian source said. “Others were executed the same way.”

The Rafah resident had actually been a minor cause celebre back in 2002, when the Palestinian Authority condemned him to death for pinpointing Fatah activists for assassination by Israeli security, for which assignment he was supposedly recruited in the 1990’s while working as a field researcher for the Israeli human rights organization B’Tselem. International pressure got him released.

The Jerusalem Post reported that Ghanem confessed (as he had in the 2002 case) to the charges.

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1898: Theodore Durrant, the Demon of the Belfry

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The annals of crime will attest that malefaction, like any other history, repeats itself — as tragedy and then as farce and then simply with numbingly grisly monotony.

Which brings us to San Francisco, for another forgotten crime of the century — a theater of the time actually produced a play called Criminal of the Century — that sent the Nancy Graces of the Gilded Age aswoon.

Theodore Durrant‘s basic profile — normal-seeming medical student and Sunday school superintendent with a secret pervy side — might not seem so remarkable with a century’s worth of serial killer profiles in the books, but ponder what programming hours Court TV would fill with mutilated, violated female parishioners found stuffed in the cupboard and belfry at any of the nation’s Emanuel Baptist Churches.

That Durrant was the last person seen with either of them anchored what the Associated Press would call (only a week after the bodies were discovered) a “chain of circumstantial evidence that has been welded link by link … so strong that it seems hardly possible that it can be rent asunder.”

Why,

information poured in … proving that the prisoner was a degenerate of the most depraved class. For obvious reasons, names cannot be given of young ladies to whom he made the most disgusting propositions, and the wonder of it is that he was not killed, or at least exposed before. But in most instances the nature of his insults were such that the young ladies offended feared to inform their relatives, lest they would take the law in their own hands. One young lady told her mother that some time previous to these murders, Durrant had inveigled her into this same library and excusing himself for a moment, returned stark naked and she ran screaming from the church.

The particulars were nationwide news copy from the outset in 1895 to hanging in 1898, and the city had a difficulty scraping together a jury qualified to give the man a fair trial (deliberation time: five minutes).

Durrant, for his part, protested his innocence to the gallows. Few believed him, but he did pick up a married groupie the press nicknamed “Sweet Pea Girl” for the flowers she kept bringing him.*

The more things change …

Even the legal route to hanging was (by 19th century standards) characteristically-for-California tortuous. The “fight for delay,” reported the Los Angeles Times (Jan. 8, 1898), was “vigorously maintained for almost twenty months, not even ceasing with the execution of the death sentence.”

Durrant came within two days of execution twice in 1897; the full narrative of legal maneuvers will be amply suggested by the Times‘ account of those made in the last week alone.

On December 31, an appeal for a writ of supersedeas was made to the State Supreme Court, but was refused. The Federal courts were then vainly appealed to for a writ of habeas corpus. On January 3 a petition was presented to Gov. Budd, praying for executive interference in the case. The petition stated that Durrant was a vital witness in the slander suit brought by his mother against [trial juror Horace] Smyth.**

On January 5 Durrant’s attorneys made another application to the United States court for a writ of habeas corpus. This was denied; also permission to appeal to the United States Supreme Court. On January 6, Attorney Boardman arrived in Washington, and endeavored to persuade Justice Brewer of the Supreme Court to grant permission to an appeal. Justice Brewer declined, and Boardman announced that he would appear before the entire court on Friday and demand to be heard.

In San Francisco on January 6, Attorneys Dickinson and Deuprey asked the United States Circuit Court for leave to file a bill of exceptions. … On the same afternoon, Gov. Budd formally announced that he would not interfere.

Durrant’s beloved sister would change her name to Maud Allan and emerge as a popular dancer in Europe in the early years of the 20th century. Renowned for her sensual portrayal of Salome, Maud strikes an immediate reminder of another character from these grim pages … and like Mata Hari, Durrant’s sister was accused (non-fatally, in Maud’s case) of consorting with German operatives during World War I.

* A paroled murderess also had Durrant’s back.

** According to the story, Smyth publicly called Durrant a “moral monster” and suggested that the condemned had had relations with his mother and sister.

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2007: 23 Shia hostages

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On this date in 2007, during Iraq’s sectarian civil war, Sunni gunmen avenged the execution of Saddam Hussein by hanging 23 Shia hostages in Baghdad’s Haifa Street.

It was but one instance of retaliatory violence ensuing upon the former dictator’s hanging Dec. 30, with scores killed around the country — many in a similar fashion.

London’s Telegraph reports:

The residents of the city’s Haifa Street will long remember the events of Sunday morning. As shop owners raised their shutters and stall holders set out their stock, three minibuses roared to a halt.

Gunmen jumped out and pulled blindfolded prisoners on to the street. Ropes were tied to lampposts and electricity poles. Those hostages who resisted were shot. Others who were still alive had nooses tied around their necks and were then suspended in mid air to choke to death.

All were left hanging, and the victims received little sympathy from those who witnessed the events.

“We watched as all these blindfolded men were hung up and some were shot in the head,” Imad Atwan, a supermarket worker said.

“Altogether there were 23 bodies. We are all Sunni people here so we supported the gunmen. Some of them are the guards of our neighbourhood.”

…

The discoveries were not limited to Haifa Street. People murdered in the same way had been found in Al Doura district and Amriya, in western Baghdad.

The interior ministry estimates that 200 Iraqis were taken hostage after Saddam was sentenced to death.

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