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1574: Joseph Boniface de La Mole, La Reine Margot’s lover

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On this date in 1574, nobleman Joseph Boniface de La Mole was beheaded in Paris for a supposed plot against the king.

As the year would imply, La Mole was a casualty of France’s decades-long Wars of Religion.

Two years prior, in an attempt to cement an unsteady peace, the king’s sister Marguerite de Valois had been married off to the Protestant Henri of Navarre. As Paris teemed with Huguenots in town to celebrate the nuptials, the Catholic party sprang the infamous St. Bartholomew’s Day Massacre.

As if things weren’t awkward enough with the in-laws, Henri was now made to live at the royal court, feigning conversion to Catholicism. His relationship with Marguerite went off to a rocky start; both took other lovers.

Joseph Boniface de La Mole (English Wikipedia entry | French) was one of Marguerite’s. You’ll find this adulterous couple steaming up the screen in the 1994 film La Reine Margot, which is based on a Dumas novel of the same title.


In real life, La Mole was 27 years Marguerite’s senior.

Meanwhile, civil strife ebbed and flowed.

Desperate to escape his gilded cage, Henri in 1574 was part of a Protestant coup attempt that boldly aimed to seize the sickly King Charles IX and his mother Catherine de’ Medici at Saint-Germain.

The conspiracy failed, but its principals — including not only our Henri, but also the King’s Protestant-friendly brother the Duke of Alencon, and the Duke of Montmorency* — were too august for severe punishment. Catherine de’ Medici, whose children kept dying on her (Charles IX would do likewise in May of 1574), was desperately trying to navigate the civil war with a Valois heir in place who had enough political support to rule; going all-in with the realm’s Catholic ultras (most characteristically represented by the House of Guise, which wanted Henri beheaded for this treason) would have permanently alienated all the Huguenots.

The likes of La Mole, however, were not so safe.

He and one Annibal de Coconnas, members of the court’s Huguenot circle who “had nothing of the divinity that hedged the princes of the blood,” were seized on April 8 and interrogated for an alleged scheme to murder the sovereign — possibly at the instigation of the Guises, trying to implicate through this pair the more powerful Huguenot lords.

After the inevitable blade fell on them, Marguerite supposedly kept her former lover’s severed head in a jeweled box. But the nobleman had at least the consolation of a rich literary afterlife. Besides the Dumas novel aforementioned, the La Mole family — our man’s supposed descendants — feature prominently in Stendhal’s The Red and the Black.

‘Let us take a turn in the garden,’ said the Academician, delighted to see this chance of delivering a long and formal speech. ‘What! Is it really possible that you do not know what happened on the 30th of April, 1574?’ ‘Where?’ asked Julien, in surprise. ‘On the Place de Greve.’ Julien was so surprised that this name did not enlighten him. His curiosity, the prospect of a tragic interest, so attuned to his nature, gave him those sparkling eyes which a story-teller so loves to see in his audience. The Academician, delighted to find a virgin ear, related at full length to Julien how, on the 30th of April, 1574, the handsomest young man of his age, Boniface de La Mole, and Annibal de Coconasso, a Piedmontese gentleman, his friend, had been beheaded on the Place de Greve. ‘La Mole was the adored lover of Queen Marguerite of Navarre; and observe,’ the Academician added, ‘that Mademoiselle de La Mole is named Mathilde-Marguerite. La Mole was at the same time the favourite of the Duc d’Alencon and an intimate friend of the King of Navarre, afterwards Henri IV, the husband of his mistress. On Shrove Tuesday in this year, 1574, the Court happened to be at Saint-Germain, with the unfortunate King Charles IX, who was on his deathbed. La Mole wished to carry off the Princes, his friends, whom Queen Catherine de’ Medici was keeping as prisoners with the Court. He brought up two hundred horsemen under the walls of Saint-Germain, the Due d’Alencon took fright, and La Mole was sent to the scaffold.

In Stendhal’s novel, it is Julien’s sexual conquest of the pretty young Mathilde de La Mole that sets in motion Julien’s ruin and execution.

Joseph Boniface de La Mole’s lover fared far better than that of his fictional descendant. Henri would eventually make his escape after all, and through fortune and intrepidity made Marguerite the Queen of all France** when he decided at last that Paris was worth a Mass.

* The man in our story was the second Duke of Montmorency; his nephew, the fourth duke, was beheaded in 1632.

** The marriage was never comfortable, and Henri and Marguerite continued to live and love separately until they finally annulled the union in 1599.

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1828: Antoine Berthet, Stendhal inspiration

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On this date in 1828, Antoine Berthet capped his gift to the arts by going under the guillotine at Grenoble‘s Place Grenette.

You probably haven’t heard of Antoine Berthet, but if you’ve read The Red and the Black (Le Rouge et le Noir) you know his story. Stendhal (a native of Grenoble) published his magnum opus not three years after Berthet lost his head, and the novel’s executed fictional protagonist Julien Sorel bears an unmistakable resemblance to the very real Berthet.

Berthet was a smart seminary student of low birth who hired out as a tutor for the Michoud family but was dismissed under a cloud for an apparent affair with Madame Michoud.

Nothing daunted, Berthet caught on as a tutor in another family — where he proceeded to seduce the lovely daughter Henriette. But a letter from Madame Michoud to the new employers terminated job and liaison alike.

The enraged Berthet stalked his former mistress to Mass and melodramatically shot her right there in the church. He failed to kill his target, and likewise failed his attempted suicide.

Unlike his literary doppleganger — the Julien Sorel character defiantly spurns his former lovers’ attempts to pull strings on his behalf and insists on his responsibility in court — Antoine Berthet mounted an unsuccessful insanity defense. It was the “irresistible derangements of love” drove him to outrage feminine virtue, consecrated grounds, and (maybe most scandalously) the upper classes.

His prosecutor disagreed, attributing all to Berthet’s frustrated “ambitious dreams”: “understanding too late that he could not reach the goal that his pride proposed, Berthet, stripped of his hopes, would perish; but his rage would drag a victim along with him to the tomb that he dug for himself!”

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1831: Julien Sorel, in The Red and the Black

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According to Michel Crouzet,* literary scholar of Stendhal, it was on this date in 1831 that the protagonist of said French author’s magnum opus was guillotined.

“Everything passed simply, decorously, and without affectation on his part,” is the entirety of Stendhal’s death scene for his man.

Julien Sorel, the flawed (or anti-) hero of The Red and the Black (Le Rouge et le Noir), is the intelligent son of a provincial carpenter who puts his wits to use trying to climb Restoration France’s treacherous social ladder.

Ambition, says Stendhal, is “the very essence of his existence,” much as it is for his milieu, and through Julien’s exertions — brilliant and resourceful at times; infuriatingly handicapped by social prejudice against the protagonist’s low birth at others — the author sets down one of the most psychologically forceful works in the canon.

Julien Sorel’s ambition also powers his youthful passion, and his fall: to conquer the mother of the children he tutors, and to likewise conquer the daughter of a nobleman.** This latter conquest has him a made man, married into the aristocracy and set with a plum military assignment that has Julien dreaming of Napoleon … so when the spurned former conquest denounces Julien to the father of that latter conquest as an upstart seducer cynically shagging his way into decent society, the incensed Julien hauls off and shoots that previous conquest. (As she kneels at Mass, no less.)

Is it a mere jealous fit? Even though his victim survives the attack, and forgives her lover, Julien obstinately pleads guilty, and insists on his own maximum culpability. It’s not only an individual criminal culpability, but a culpability of class aspiration.

‘I ask you for no mercy,’ Julien went on, his voice growing stronger. ‘I am under no illusion; death is in store for me; it will be a just punishment. I have been guilty of attempting the life of the woman most worthy of all respect, of all devotion. Madame de Renal had been like a mother to me. My crime is atrocious, and it was premeditated. I have, therefore, deserved death, Gentlemen of the Jury. But, even were I less guilty, I see before me men who, without pausing to consider what pity may be due to my youth, will seek to punish in me and to discourage forever that class of young men who, born in an inferior station and in a sense burdened with poverty, have the good fortune to secure a sound education, and the audacity to mingle with what the pride of rich people calls society.

‘That is my crime, Gentlemen, and it will be punished with all the more severity inasmuch as actually I am not being tried by my peers. I do not see, anywhere among the jury, a peasant who has grown rich, but only indignant bourgeois …’

The Red and the Black is available in its French original here; in English translation here; and as a free French audio book here. And here’s some literary analysis

* The date is not explicit in the text. The Red and the Black was subtitled Chronique de 1830, but several past-tense allusions to the event show that the main action takes place after the July Revolution of 1830 that toppled Charles X and raised Louis-Philippe to the throne. There is, however, a late and seemingly anachronistic allusion to Julien’s lover/victim intending to “throw herself at the feet of Charles X” to appeal for his life. Oh well: ambiguity is the novel’s stock in trade.

** These (fictional) de la Moles are very proud of being descended from the (actual) Joseph Boniface de la Mole, whose signal achievement was his April 30, 1574 beheading.

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