1765: Andrew Oliver lynched in effigy to the Liberty Tree

On this date in 1765, Boston patriots lynched the merchant designated as the imperial taxman. They only did so in effigy, but the “execution” scared him permanently off the job while also making a gallows-tree into one of the earliest symbols of American independence.

One of the key pre-revolution irritants for the future United States, the 1765 Stamp Act imposed taxes in the form of stamp duties on a variety of printed products, for the purpose of funding the British army deployed to North America. It was a levy long familiar to London lawmakers but it sent the colonies right around the bend, and since the colonies sat no Member of Parliament who could flip an official wig it also popularized the classic revolutionary slogan about “taxation without representation.”*

Enacted in the spring of 1765 and due to take effect in November, the Stamp Act drew immediate outrage in the colonies and especially in that hotbed of subversion, Boston.

There, Andrew Oliver, scion of a shipping magnate clan, was tapped to collect the levy. It figured to be just the latest in a series of lucrative state appointments. How was he to know in advance that this particular legislation would unleash the crazies? Perhaps he should have given more heed to the publication of ominous warnings over the roster of tax collector names.


Boston Post-Boy, August 5, 1765

On the morning of Wednesday, August 14, a crowd of irate Bostonians mobbed the corner of Essex Street and Orange Street (present-day Washington Street) and upon a large elm tree strung up an effigy of Oliver alongside a boot — the footwear comprising a second, punny, effigy of the Stamp Act’s sponsor the Earl of Bute.

“What greater Joy can NEW-ENGLAND see,” ran the menacing note pinned to the mannequin, “Than STAMPMEN hanging on a Tree!” As is clear from the following newspaper account, versions of which circulated widely in New England, these were no mere theatrics but a very proximate physical threat; even the elm’s property owner dared not take down the provocative display for fear that the crowd would pull down his house. Likewise taking the better part of valor, Oliver pledged to anti-tax colonists that he would not take the office, and he kept his word.**


Providence Gazette, August 24, 1765

After this triumphant debut, the elm in question became a common rallying-point for the hotheaded set, a frequent stage for speechifying, rabble-rousing, and fresh instances of popular justice all further to the patriot cause until, as Nathaniel Hawthorne put it, “after a while, it seemed as if the liberty of the country was connected with Liberty Tree.” Of course, it’s all a question of whose liberty; a Tory gloss on this deciduous republican made it “an Idol for the Mob to Worship; it was properly the Tree ordeal, where those, whom the Rioters pitched upon as State delinquents, were carried to for Trial, or brought to as the Test of political Orthodoxy.” When besieged in Boston in 1775-1776, British Tories cut the damned thing down, so for subsequent generations it was only the Liberty Stump.


“The Colonists Under Liberty Tree,” illustration from Cassell’s Illustrated History of England, Volume 5, page 109 (1865)

The Liberty Tree is commemorated today at its former site, and forever in verse by revolutionary firebrand Thomas Paine.

In a chariot of light from the regions of day,
The Goddess of Liberty came;
Ten thousand celestials directed the way,
And hither conducted the dame.

A fair budding branch from the gardens above,
Where millions with millions agree,
She brought in her hand as a pledge of her love,
And the plant she named Liberty Tree.

The celestial exotic struck deep in the ground,
Like a native it flourished and bore;
The fame of its fruit drew the nations around,
To seek out this peaceable shore.

Unmindful of names or distinctions they came,
For freemen like brothers agree;
With one spirit endued, they one friendship pursued,
And their temple was Liberty Tree.

Beneath this fair tree, like the patriarchs of old,
Their bread in contentment they ate
Unvexed with the troubles of silver and gold,
The cares of the grand and the great.

With timber and tar they Old England supplied,
And supported her power on the sea;
Her battles they fought, without getting a groat,
For the honor of Liberty Tree.

But hear, O ye swains, ’tis a tale most profane,
How all the tyrannical powers,
Kings, Commons and Lords, are uniting amain,
To cut down this guardian of ours;

From the east to the west blow the trumpet to arms,
Through the land let the sound of it flee,
Let the far and the near, all unite with a cheer,
In defence of our Liberty Tree.

* Visitors to the U.S. capital of Washington D.C., whose 700,000 residents cast no votes in the Congress they live cheek by jowl with, can find this familiar grievance right on the city’s license plates.

** How far this surly bunch was prepared to go on August 14, 1765, one can only guess at; however, in later years, there would be several instances of Bostonians tarring and feathering various tax collectors. These guys did not do civility politics.

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1639: The Duke of Valette, in effigy

On this date in 1639, the Duke of Valette was beheaded in Paris as a traitor. Having anticipated this cruel stroke, however, he was happily away in England at the time.

Valette (later the Duke of Epernon, like his dad) outlived his execution by 22 years.

Valette‘s father, the Duke of Epernon, was a rival of the realm’s mighty consigliere, Cardinal Richelieu, which was a dangerous thing to be. The rivalry had already impacted the duke’s second son: Valette was married to Richelieu’s niece in 1634, in a vain bid for detente. (Valette preferred his mistress.)

Valette’s military reversal at the French Siege of Fuenterrabia in 1638 set him up for the revenge of his scheming in-law. Blamed for refusing to lead an ill-conceived charge, he got the Iraq War critic treatment when that charge turned into a debacle as he had warned.

But rather than face Richelieu’s summons to answer a charge he obviously had no odds of defeating, Valette crossed the channel and chilled in the exile court of another defeated Richelieu foe, Marie de’ Medici.

The Cardinal de Richelieu not contented with his having left the Kingdom, caus’d a Process to be commenc’d against him,” outrageously fixing the verdict.

Just as Valette lost his head only ceremonially, he lost his homeland only temporarily. When Louis XIII died in 1643, Valette — by this time become the Duke of Epernon — was able to return and re-enter the ranks of respectable nobility, unimperiled by the headsman’s blade for the remainder of his days. He died in 1661.

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1569: Gaspard de Coligny, in effigy

On this date in 1569, the intrepid Huguenot leader Gaspard de Coligny was hanged in Paris and gibbeted at Montfaucon. Luckily for him, Coligny as these events unfolded was miles away from the executioner, at the head of a large armed host.

One of the towering figures of France’s bloody Wars of Religion, Coligny (English Wikipedia entry | French) hailed from one of the most illustrious families of the realm; his father was a Marshal of France; as a young man at court in the 1540s he had been fast friends with the Duke of Guise, the staunch Catholic who was eventually the target of the botched Huguenot kidnapping in 1560 that set spark to tinder for sectarian civil war.

An admired battlefield commander, Coligny’s conversion to Protestant put a high card in the Huguenot party’s hand, one whom Catholic ultras increasingly yearned to eliminate.

Coligny frustrated that aspiration over and over. Just in 1569, he had escaped from a Catholic battlefield victory that saw the capture and murder of Protestant France’s other great leader; then, he routed the Catholics at La Roche-l’Abeille; and, just days before the events in this post, repelled the Siege of Poitiers.

With sectarian hatred running high that season in Paris — and the dwindling treasury in need of the capital infusions only forfeiture can supply — the Parlement summoned Coligny to a trial it knew he would not attend, and there condemned him a traitor in absentia.

The sentence was declared, barbarously ignoring every principle of justice. It denounced him as an outlaw. It forbade him “all defence against the charges and conclusions.” It branded him as a traitor, a conspirator, the disturber of peace, the violator of treaties, the author of rebellion and the like hard names. “Therefore, the said Coligny is deprived of all honours, estates and dignities, and sentenced to be strangled upon the Place de Greve, either in person or effigy, and his body to be hung upon a gibbet at Montfaucon. His arms and effigies to be dragged at the tail of a horse through the towns and fauxbourgs, and then to be broken and destroyed by the public executioner, in token of everlasting infamy. His feudal possessions to revert to the crown, and all his property to be confiscated to the king. His children are declared ignoble villains, plebeians, detestable, infamous, incapable of holding estates, offices and goods in this kingdom … No one shall give to the said Coligny shelter, aid, comfort, food, water, fuel or fire.” And, lastly, a reward of fifty thousand crowns was put upon his head. This was offered to “any person who should deliver the admiral, live or dead, into the hands of justice, with a full pardon if he was concerned in the rebellion.”

This sentence of Tuesday the thirteenth of September was enforced immediately. Nor was the violence confined to Coligny’s escutcheons for a troop was dispatched to the Coligny estates to sack his mansion, root up his vineyard, and put the adjoining town to the torch “so effectually that hardly a trace of it was left.”

Coligny himself fought on … but the ridiculous sentence foreshadowed his real fate, right down to the horrible gibbet.


The gibbet of Montfaucon, from the Grandes Chronique de France by Jean Fouquet (c. 1460).

With both Catholics and Huguenots gathered in Paris for the tense celebration of an intersectarian royal wedding, a Catholic assassin unsuccessfully attempted the life of Coligny on August 22, 1572 — placing the entire city on edge. Fearing the prospect of the now-vigilant Huguenots achieving either escape or revenge, Catholics unleashed on the night of August 23-24 a general massacre of Protestants that will blacken the feast of St. Bartholomew to the ends of recorded history. The injured Coligny was this butchery’s first and signal casualty, as we find from the historian Jacques Auguste de Thou, a witness to events as a young man in Paris —

The duke of Guise, who was put in full command of the enterprise, summoned by night several captains of the Catholic Swiss mercenaries from the five little cantons, and some commanders of French companies, and told them that it was the will of the king that, according to God’s will, they should take vengeance on the band of rebels while they had the beasts in the toils. Victory was easy and the booty great and to be obtained without danger. The signal to commence the massacre should be given by the bell of the palace, and the marks by which they should recognize each other in the darkness were a bit of white linen tied around the left arm and a white cross on the hat.

Meanwhile Coligny awoke and recognized from the noise that a riot was taking place. Nevertheless he remained assured of the king’s good will, being persuaded thereof either by his credulity or by Teligny, his son-in-law: he believed the populace had been stirred up by the Guises, and that quiet would be restored as soon as it was seen that soldiers of the guard, under the command of Cosseins, had been detailed to protect him and guard his property.

But when he perceived that the noise increased and that some one had fired an arquebus in the courtyard of his dwelling, then at length, conjecturing what it might be, but too late, he arose from his bed and having put on his dressing gown he said his prayers, leaning against the wall. Labonne held the key of the house, and when Cosseins commanded him, in the king’s name, to open the door he obeyed at once without fear and apprehending nothing. But scarcely had Cosseins entered when Labonne, who stood in his way, was killed with a dagger thrust. The Swiss who were in the courtyard, when they saw this, fled into the house and closed the door, piling against it tables and all the furniture they could find. It was in the first scrimmage that a Swiss was killed with a ball from an arquebus fired by one of Cosseins’ people. But finally the conspirators broke through the door and mounted the stairway, Cosseins, Attin, Corberan de Cordillac, Seigneur de Sarlabous, first captains of the regiment of the guards, Achilles Petrucci of Siena, all armed with cuirasses, and Besme the German, who had been brought up as a page in the house of Guise; for the duke of Guise was lodged at court, together with the great nobles and others who accompanied him.

After Coligny had said his prayers with Merlin the minister, he said, without any appearance of alarm, to those who were present (and almost all were surgeons, for few of them were of his retinue): “I see clearly that which they seek, and I am ready steadfastly to suffer that death which I have never feared and which for a long time past I have pictured to myself. I consider myself happy in feeling the approach of death and in being ready to die in God, by whose grace I hope for the life everlasting. I have no further need of human succor. Go then from this place, my friends, as quickly as you may, for fear lest you shall be involved in my misfortune, and that some day your wives shall curse me as the author of your loss. For me it is enough that God is here, to whose goodness I commend my soul, which is so soon to issue from my body.” After these words they ascended to an upper room, whence they sought safety in flight here and there over the roofs.

Meanwhile the conspirators, having burst through the door of the chamber, entered, and when Besme, sword in hand, had demanded of Coligny, who stood near the door, “Are you Coligny?” Coligny replied, “Yes, I am he,” with fearless countenance. “But you, young man, respect these white hairs. What is it you would do? You cannot shorten by many days this life of mine.” As he spoke, Besme gave him a sword thrust through the body, and having withdrawn his sword, another thrust in the mouth, by which his face was disfigured. So Coligny fell, killed with many thrusts. Others have written that Coligny in dying pronounced as though in anger these words: “Would that I might at least die at the hands of a soldier and not of a valet.” But Attin, one of the murderers, has reported as I have written, and added that he never saw any one less afraid in so great a peril, nor die more steadfastly.

Then the duke of Guise inquired of Besme from the courtyard if the thing were done, and when Besme answered him that it was, the duke replied that the Chevalier d’Angouleme was unable to believe it unless he saw it; and at the same time that he made the inquiry they threw the body through the window into the courtyard, disfigured as it was with blood. When the Chevalier d’Angouleme, who could scarcely believe his eyes, had wiped away with a cloth the blood which overran the face and finally had recognized him, some say that he spurned the body with his foot. However this may be, when he left the house with his followers he said: “Cheer up, my friends! Let us do thoroughly that which we have begun. The king commands it.” He frequently repeated these words, and as soon as they had caused the bell of the palace clock to ring, on every side arose the cry, “To arms!” and the people ran to the house of Coligny. After his body had been treated to all sorts of insults, they threw it into a neighboring stable, and finally cut off his head, which they sent to Rome. They also shamefully mutilated him, and dragged his body through the streets to the bank of the Seine, a thing which he had formerly almost prophesied, although he did not think of anything like this.

As some children were in the act of throwing the body into the river, it was dragged out and placed upon the gibbet of Montfaucon, where it hung by the feet in chains of iron; and then they built a fire beneath, by which he was burned without being consumed; so that he was, so to speak, tortured with all the elements, since he was killed upon the earth, thrown into the water, placed upon the fire, and finally put to hang in the air. After he had served for several days as a spectacle to gratify the hate of many and arouse the just indignation of many others, who reckoned that this fury of the people would cost the king and France many a sorrowful day, Francois de Montmorency, who was nearly related to the dead man, and still more his friend, and who moreover had escaped the danger in time, had him taken by night from the gibbet by trusty men and carried to Chantilly, where he was buried in the chapel.


Print by Flemish-German artist Frans Hogenberg depicts on the lower left the assassination attempt on Coligny of August 22, 1573, and on the right the next night’s bedroom attack upon the wounded man, with the murderers spilling his body out the window. (Click for a larger image)

(Belatedly) part of the Themed Set: Executions in Effigy.

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1587: George Gaspar, an English heretic in the Inquisition

We have noted previously the progress of the Spanish Inquisition on the Canary Islands in the early 16th century. We turn here to another auto de fe it authored there in 1587 from the same source, The Inquisition in Spanish Dependencies, available free from Google books here.

By this time, the Canaries boasted a population of some 35,000* — half or so on Tenerife, where this auto took place — and had become an important entrepot in the growing traffic to the New World. For the same reason these isles became a theater in the running (albeit undeclared) Anglo-Spanish War, the conflict of which the Spanish Armada forms the most scintillating chapter. English privateer Sir Francis Drake raided the Canary Islands repeatedly in the 1580s. Between commerce and war, English, Irish, and Flemish sailors began to turn up in Spanish prisons on the Canary Islands where holy inquisitors could begin to take an interest in them.

There was another auto, celebrated July 22, 1587, in which there were burnt three effigies of a remnant of the Lanzarote fugitives.** There was also the more impressive relaxation of a living man — the first since that of the Judaizers in 1526. This was an Englishman named George Gaspar who, in the royal prison of Tenerife, had been seen praying with his back to a crucifix and, on being questioned, had said that prayer was to be addressed to God and not to images.

He was transferred to the tribunal, where he freely confessed to having been brought up as a Protestant.

Torture did not shake his faith and he was condemned, a confessor as usual being sent to his cell the night before the auto to effect his conversion. He asked to be alone for awhile and the confessor, on his return, found him lying on the floor, having thrust into his stomach a knife which he had picked up in prison and concealed for the purpose.

The official account piously tells us that it pleased God that the wound was not immediately mortal and that he survived until evening, so that the sentence could be executed; the dying man was carted to the quemadero and ended his misery in the flames.

It bears noting here that the beheading in February of that same 1587 of Mary, Queen of Scots might have inflamed continental Catholic sentiment against an Englishman at this moment; and, the aforementioned Drake had famously harried Spanish shipping during that spring. Nevertheless, the steely Gaspar presents an atypical case. More usually, an ounce of discretion could buy the life even of a heretic of a hostile power, and most preferred to pay the torturer in that coin.

Another Englishman was Edward Francis, who had been found wounded and abandoned on the shore of Tenerife. He saved his life, while under torture, by professing himself a fervent Catholic, who had been obliged to dissemble his religion, a fault which he expiated with two hundred lashes and six years of galley service.

Still another Englishman was John Reman (Raymond?) a sailor of the ship Falcon; he had asked for penance and, as there was nothing on which to support him in the prison, he was transferred to the public gaol. The governor released him and, in wandering around he fell into conversation with some women, in which he expressed Protestant opinions. A second trial ensued in which, under torture, he professed contrition and begged for mercy, which he obtained in the disguise of two hundred lashes and ten years of galleys.

In addition there were the crew of the bark Prima Rosa, twelve in number, all English but one Fleming. One of them, John Smith, had died in prison, and was reconciled in effigy; the rest, with or without torture, had professed conversion and were sent to the galleys, some of them with a hundred lashes in addition.

* Source

** In 1569, a Morisco merchant named Juan Felipe, catching wind that the Inquisition meant to arrest him, took to the seas with about thirty fellow Muslim converts and escaped to Morocco. These refugees were punished in auto de fe effigies in 1569, 1581, and the present case.

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1464: Johann Breyde, via Schandbild

On April 1, 1464 mayor of Cologne Johann Breyde was chopped into quarters … with ink.

This startling image does not depict an actual flesh-and-blood execution. It is, instead, an outstanding (and conveniently for our purposes, dated) instance of an artifact from medieval Germany, the Schandbild. Such “defamatory pictures” often supplemented a Schmahbrief or “defamatory letter” — intended, as the names suggest, to impugn publicly the target over a debt, a broken promise, or some other private breach of faith.

Something like 100 of these defamations survive from late medieval and early modern Germany (approximately 1400 to 1600), many of them fantasizing about their debtors’ executions in bloodthirsty scenes that also gesture to the place that ritual, spectacle, and dishonor held on the real-life gallows. Here are a few of the more piquant examples; many more await at a wonderful Pinterest gallery here.

The purpose of defamatory letters and pictures was to bring low the reputation of their target in the eyes of a wider community — leveraging social pressure either for revenge, or to force the defamed to repair the breach.

Matthias Lentz, one of the (regrettably few) historians working on these underappreciated objects, notes* that there are even surviving contracts from Germany, Bohemia and Poland enumerating an “explicit understand about injuring a person’s reputation and bringing dishonour upon a defaulting individual … a clause called Scheltklausel that laid down the practice of publicly scolding a defaulter.” For every Schandbild or Schmähbrief there must have been a dozen other potential swindlers quietly forced by the threat of public infamy to make good their contracts.

Per Lentz, the earliest known instance of an explicit contract dates to 1379, “wherein a ducal councillor accorded a nobleman, in eventuality of the former violating the terms of the contract, the right to denounce him as a fraud by ‘posting his name on the pillory [of the councillor’s home town], or wherever he likes'” — again, linking the “mere” text to the instruments of official corporal punishment.

Nor was it uncommon for the Schmähbrief, if things got to that point, to fantasize about the debtor’s bodily suffering in brutal terms that would like invite an investigation for terroristic threats were the modern debt collection call center to deploy them in its harangue. One quoted by Lentz captioned his illustration thus:

It is customary to judge thieves and traitors according to their offences, the first is sent to the gallows, the second broken on the wheel. As I have not got power to carry out the above-mentioned acts, it is my intention to use the painter to have them painted hanging from the gallows and being tortured on the wheel.

Still, Schandbilder und Schmähbriefe meant to intimidate not physically, but socially.** It was in this capacity that the iconography of the pillory and the scaffold entered the frame: ’twas an infamy to be exposed upon them for a public crime — serving as “an indictment of those who knew the criminal … [and] a punitive stigma over his or her relatives and friends.”† Posting a slur on the repute of a prominent person — for the targets were most always people of rank, who would feel an injury to their status — taxed this same, essential, civic currency.

This is why we should let his shameful picture hang here with his coat of arms, until he has given me compensation recognized by respectable people for those unwarranted things that he and his people did … and ask all those who seek charity, who see him painted hanging, that they let him hang. (Source)

By consequence the execution imagery was strictly optional, one iconographic choice among many. From the too-few examples that survive to us it is plain that creditors delighted in their symbolic chastisement, issuing all the obloquies a grievance could devise, untethered from the confines of possible or the … sanitary.


The Schandbild frequently evinced a scatological fixation.

* Quotes form Lentz’s “Defamatory Pictures and Letters in Late Medieval Germany: The Visualisation of Disorder and Infamy” in The Medieval History Journal, vol. 3, no. 1 (2000). Lentz also has several German-language journal titles on the same topic.

** Not necessarily true of their Italian cousins, pitture infamanti. These were a similar sort of thing, but were issued not privately but by the city-states themselves against absconded offenders — a sort of quasi-execution by effigy. Many of these were painted for public spaces and removed with the passage of time so we have lost exemplars, including the products of masters — the Medici, for example, commissioned Botticelli to grace Florence with pitture infamanti of the Pazzi conspirators, which were whitewashed in 1494.

A characteristic pose for these pictures, also used in Germany, had the “victim” hanging upside-down by one foot, conjoining “metaphors of inversion” (as Robert Mills puts it) to the disgrace of the gallows. This posture is commonly thought to have inspired the “Hanged Man” tarot card.


Left: a pittura infamante study by Florentine Renaissance artist Andrea del Sarto; right: the “hanged man” card from a tarot pack.

*† Maria Boes, “Public Appearance and Criminal Judicial Practices in Early Modern Germany,” Social Science History, Vol. 20, No. 2 (Summer, 1996)

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1329: The effigy of Pope John XXII, by Antipope Nicholas V

On this date in 1329, as Wikipedia puts it, Antipope Nicholas V “presided at a bizarre ceremony in the Duomo of Pisa, at which a straw puppet representing Pope John XXII and dressed in pontifical robes was formally condemned, degraded, and handed over to the secular arm (to be ‘executed’).”

Despite the show of force, Nicholas V was on his last legs at this moment as antipope.

He’d been elevated to the putative papacy by Holy Roman Emperor Louis IV. In this, Nicholas was a throwback to an old rivalry between popes and emperors compassing both authority within the church, and authority on the Italian peninsula, a conflict which had generated several German-backed antipopes in centuries previous. Though not the last antipope in history, Nicholas has the distinction of being the last imperial antipope.

Louis (or Ludwig) had a pique of long standing with Pope John XXII dating back to John’s unwelcome intervention in his, Louis’s, disputed accession as emperor: back in 1314, a divided imperial electorate had wrought a “double election” of the Wittelsbach Louis and the Habsburg Frederick the Fair, a circumstance that resulted in civil war within the empire.

While officially neutral in the fight, the pontiff exploited the opportunity to claw back ecclesiastical authority by asserting that the imperial throne was vacant and its edicts null until the papacy had blessed the claimant. Louis told John to pound sand.

Certain persons, blinded by avarice and ambition, and totally ignorant of the Scriptures, have distorted the meanings of certain passages by false and wicked interpretations, and on this basis have attacked the imperial authority and the rights of the emperors, electors, and other princes and subjects of the empire. For they wrongfully assert that the emperor derives his position and authority from the Pope, and that the emperor elect is not the real emperor until his election is confirmed and approved, and he is crowned by the pope … We now declare … that the emperor holds his authority and position from God alone … he has full power … without the approval, confirmation, authorisation or consent of the pope or any other person.

-Sachsenhausen Appellation, 1324 (as translated here)

John excommunicated Louis, and Louis, well, he did the same to John — seizing on the pope’s hostility towards the movements for clerical poverty as excuse to declare put a Spiritual Franciscan into St. Peter’s Throne on his own say-so as imperial armies smashed through Italy.* If a pope was going to crown Louis, it was going to be his pope.


Antipope Nicholas V crowns Louis IV in May 1328.

Peter of Corbara (Pietro Rainalducci) had barely two years to deny himself the emoluments of antioffice before Louis’s withdrawal required his own submission to the man he had executed in effigy. John XXII didn’t go nearly that hard on the former “Nicholas V”: merely absolved him after confession and kept him comfortably imprisoned at the papal palace in Avignon until the would-be usurper’s peaceful death in 1333.

* This conflict forms the backdrop for Umberto Eco’s The Name of the Rose, set in late 1327. The narrator-monk Adso refers in his epilogue to having heard of the antipope’s elevation soon after leaving the monastery where the bulk of the novel’s action occurs.

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1639: The auto de fe of Lima, Peru

Lima, Peru on this date in 1639 celebrated a huge auto de fe featuring 72 prisoners. Of these, 12 were executed at the stake, one of whom had the consolation of being already dead by his own hand. (He was punished in effigy.)

Their crime, per the Inquisition, was Judaizing — but we might better consider it today in the vein of terrorism, an idee fixe crawling from a swamp of public insecurities both real and projected: race, religion, geopolitics, and crass opportunism all vying for precedence under the Inquisitor’s cowl.

This post will speak of “Jews” but it’s important to remember that the Spanish empire at this point officially had no Jews: it had forced its Jewish population into exile or conversion. That latter set, Jews who had converted to Christianity under that very Catholic realm’s pressure, thereafter became suspected down the generations of sustaining their Hebraic rites in secret, sapping the Church from within while looking for the odd opportunity to sacrifice a Christian child.

It is uncertain in the end in what proportions these forced converts and their descendants did maintain Jewish devotions versus absorbing themselves into Christianity. But by whatever opinion, these are our “Jews”, conflating as the word often does both faith and race; the terms “New Christians” or “conversos” or “crypto-Jews” are also widely used in the literature and all refer to the same universe of suspected and former (at least somewhere up the family tree) Jews who presented themselves publicly as Christians.

No matter the loyalty of individual converso, the suspicion each was born under placed them in an obvious practical difficulty, and it was compounded in the 17th century as Jewry, that eternal bugbear, also came to stand in for a host of other worries dogging the Spanish state.

To begin with, many Jews had in their day fled from Spanish conversion to Portugal, but had recently become re-absorbed when the Spanish crown added Portugal as an unwilling bride to its imperial conquests in 1580. So, the Portuguese, and the tensions thereto, became equated with the Jew in the Spanish imagination.*

In the New World, the already onion-layered specter of the secret Jew further aligned with the menaces of an unknown frontier, where unfamiliar opportunities abounded and dangers too.**

Spain’s rival on the Caribbean coast was its very own disobedient former possession, the Netherlands, and the latter offered Jews a liberal grant of toleration. Spanish conversos’ loyalty to their own crown, already doubted on principle, was doubly suspect for the proximity of rival settlements with unconcealed synagogues — no mere paranoid fantasy, as Jews on Spanish soil were prominent among the collaborators who aided Dutch incursions in the 17th century.

Jews also came to be credited more generally with a scary affinity for the subject populations of conquered Indians and imported African slaves — their pagan magicks, their inscrutable tongues, and their frightful potential for revolt. And of course, there was all that odious money-handling.

“For the past six to eight years, a great number of Portuguese [read: Jews] have entered the kingdom of Peru and there were a great number already there,” Don Leon de Alcayaga wrote of Lima in 1636. “They came to rule over all commerce, which from the brocade to the sackcloth, and from the diamond to the cony, all run through their hands. The Castilian without a Portuguese partner could expect no success in trade.”

Commerce is cutthroat, and the evident power of Jews among the colonies’ emerging mercantile elites — and not just in Lima, but in Cartagena, Buenos Aires, and elsewhere — seems to have co-evolved with appeals from New World Castilians for the Inquisition’s scrutiny of this potentially disloyal element. Strictly out of piety and patriotism, you understand.

Juan de Manozca became Archbishop of Mexico in 1643.

The arrival from Cartagena of Inquisitor Juan de Manozca, who had prosecuted crypto-Jews in that city as well as native “witches”, set the scene for one of the Spanish colonies’ bloodiest purges.

In 1635, a great wave of arrests seized upwards of 100 of these “Portuguese” for La Complidad Grande, a supposed grand conspiracy among the heretics whose contours are little described in the documentation that survives for us. Was the “conspiracy” essentially Judaism itself? Or did Inquisitors perceive a more daring and tangible plot?

“Apropos of the famous auto de fe of the Portuguese, Pelliza y Tovar, the famous chronicler of Aragon, says that on the day the Spanish authorities took possession of the letters and correspondence of the resident Portuguese they found keys and letters in code and they discovered that the synagogues of America were in intimate relations with the Jews of Holland.”† Manozca apparently communicated to the mother country that the Hebrews were stockpiling munitions.

They were bound ultimately for the auto this day — years afterwards — via the Inquisition’s cumbersome judicial machinery. The two most famous of them mark the entire futile spectrum of choices available to the New Christian whom the Old Christian was sufficiently motivated to destroy:

  • Francisco Maldonado da Silva, a Jewish physician who had been imprisoned since 1627 for returning to Judaism, and been completely unapologetic about it, even evangelizing other prisoners held near him. “This is the doing of the Lord God of Israel, so that I may now look upon Him face to face,” he said at the stake.
  • Manuel Bautista Perez, a powerful merchant reputed to be the wealthiest man in Lima — his fortune built on mining, shipping, and the slave trade.‡ Perez hailed from a New Christian family but unlike da Silva he insisted on his fidelity to the Church and refused to admit any heresy. Indeed, he had always been conspicuous in his devotions, and (his words) “never let it be known, either to persons from his household or outside it, that he was a New Christian … because he always tried to be taken for an Old Christian.”

This purge devastated not only New Spain’s Jewish populace but her economy too; with many of the wealthiest magnates clapped in irons from 1635 and their assets suddenly demobilized, other operators be they ever so devout immediately faced an epidemic of financial reversals and bankruptcies.

* Even though a Portuguese Inquisition also existed, predating the 1580 union of the two realms.

** See Irene Silverblatt, “New Christians and New World Fears in Seventeenth-Century Peru,” Comparative Studies in Society and History, July 2000, who notes that

The colony’s take on the Jewish menace, then, elaborated a familiar but divergent set of charges: New Christians had usurped trade and merchandising to the detriment of Castilians; New Christians, with international ties, were not loyal to the Spanish empire; New Christians — merchants and traitors — aligned themselves with potentially subversive groups within the Colony (namely, indios and negros) …

† The comment is that of Peruvian historian Ricardo Palma, quoted by Seymour Liebman in “The Great Conspiracy in Peru,” The Americas, October 1971.

‡ For a detailed exposition of Perez’s career in slaving, see From Capture to Sale: The Portuguese Slave Trade to Spanish South America in the Early Seveacnteenth Century.

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1646: The effigy of Jean de Mourgues

According to a note in the memoirs (French, natch) kept by Le Puy master tanner Antoine Jacmon, “the portrait and effigie of the noble Jean de Mourgues” was publicly beheaded in place of the flesh of the noble Jean de Mourgues, as penalty for the latter’s attempt to murder his own uncle.

According to the author’s note, this punishment had so little effect that Jean de Mourgues successfully carried out the assassination in a hail of gunfire two years later.

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1554: A false coiner and a masked dummy

From the diary of Felix Platter, a Swiss youth studying in Montpellier, France. It is not completely evident from context (“afterwards …”) whether the masked dummy was “executed” on the same occasion as the coiner, or whether that effigy was punished on a different day.

On the next day [after a September 28 execution] a false coiner was hanged in the same place. The gibbet was not vety high and had only one arm.

Afterwards a masked dummy was brought on a hurdle, and was laid on the cross and its limbs broken, as I have described. This dummy represented a Greek who had studied at Montpellier and had been accounted one of the keenest blades of the town. He had married Gillette d’Andrieu, a girl of doubtful reputation, who had neither beauty nor fortune. She had a very long nose, and her lover could scarcely manage to kiss her on the lips, especially since he too had a nose of respectable size.

The Greek was insulted by a canon, Pierre Saint-Ravy, who taunted him, at the moment when he was about to relieve himself, of having had intercourse with his wife. The husband at once stabbed the canon and fled; he could therefore be executed only in effigy. His wife continued to live in Montpellier, and was often in Rondelet’s house she was a relative of his.*

She often came there to dance, and one day I danced with her, all booted and spurred, on my return from Vendargues. As I turned, my spurs entangled themselves in her dress, and I fell full length on the floor. Some tablets I had in a breast pocket were broken into pieces, and I was so stunned that I had to be helped up.

* Guillaume Rondelet was one of Platter’s instructors, a professor of medicine. He had been friends with Rabelais and has the distinction of appearing in Gargantua and Pantagruel under the name Rondibilis.

Part of the Daily Double: Felix Platter’s Diary.

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1735: Nicholas Bighelini, Mantua betrayer

Mantua, August 10

A Dangerous Conspiracy was happily discovered here; the Author of it M. Nicholas Bighelini, took a Plan of the weakest Parts of this City, and communicated the same, by means of his Father who lives at Verona, to the Generals of the Allies. He was hang’d the 8th Instant, and the Effigies of his Father and a Nephew were hanged; the Nephew was here, but found means to make his Escape. Another named Nicholazzo was concern’d, but having impeach’d his Confederates has been pardon’d.

-London General Evening Post, Aug. 19, 1735

This vanished conspiracy occurred in the northern Italian theater of the 1733-1738 War of Polish Succession, a dynastic war whose best-remembered consequence was the delivery during the postwar settlement of the former Habsburg territory of Lorraine into what turned out to be permanent French control that still continues to this day.

This seems an apt outcome for a conflict over the Polish throne that we notice by way of Italy. Like the War of Spanish Succession thirty years before, a contested throne became the pretext for a continental imbroglio between those rivals, Austria and France.

Up and down Europe these powers and their allies and proxies tangled.*

In the “down” part, Italy was then still a warren of small principalities, which though independent stood generally in the thrall of Austria. While France did rather well besieging Sicily and the south, in the north of the peninsula things ground to a stalemate after France’s initial push gobbled up Milan.**

The city of Mantua, capital of a a duchy of the same name in the middle of the north, came under the siege of France and her allies in 1734. The “allies” part really started to matter: Spain was one of those allies, and still laid its own claim to Mantua from its bygone days of imperial glory; Savoy was another ally and did not want to see Spain resume dominance in Italy. The siege was not energetically maintains, and one starts to wonder whether the Duke of Savoy himself might not have quietly arranged the betrayal of poor Nicholas Bighelini.

In any event, Mantua or no neither France nor Austria had much offensive potential left in Italy and by this late date they were doing little but marking time until that autumn’s ceasefire arrangements. The French would then lift the siege and even withdraw from Milan, allowing Austria to re-establish its hegemony unopposed.

Nicholas Bighelini, poor fool, is justly forgotten: he gave his life for nothing.

* In contrast to its behavior in the War of Spanish Succession, Great Britain stayed out of this fight, eventually mediating the peace that settled things. Still, this war has an ancillary part in England’s own gallows history, since it was under French colors that the young English pretender Charles Edward Stuart first cut his teeth in combat — enjoying better fortune than when he tried to seize the British crown in 1745.

** The Duc de Noailles took over French forces in northern Italy in 1735, after distinguishing himself in the Rhineland at the outset of the war. His great-granddaughter wed Lafayette, a family alliance that helped doom many Noailles descendants to the guillotine.

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