On April 1, 1464 mayor of Cologne Johann Breyde was chopped into quarters … with ink.
This startling image does not depict an actual flesh-and-blood execution. It is, instead, an outstanding (and conveniently for our purposes, dated) instance of an artifact from medieval Germany, the Schandbild. Such “defamatory pictures” often supplemented a Schmahbrief or “defamatory letter” — intended, as the names suggest, to impugn publicly the target over a debt, a broken promise, or some other private breach of faith.
Something like 100 of these defamations survive from late medieval and early modern Germany (approximately 1400 to 1600), many of them fantasizing about their debtors’ executions in bloodthirsty scenes that also gesture to the place that ritual, spectacle, and dishonor held on the real-life gallows. Here are a few of the more piquant examples; many more await at a wonderful Pinterest gallery here.
The purpose of defamatory letters and pictures was to bring low the reputation of their target in the eyes of a wider community — leveraging social pressure either for revenge, or to force the defamed to repair the breach.
Matthias Lentz, one of the (regrettably few) historians working on these underappreciated objects, notes* that there are even surviving contracts from Germany, Bohemia and Poland enumerating an “explicit understand about injuring a person’s reputation and bringing dishonour upon a defaulting individual … a clause called Scheltklausel that laid down the practice of publicly scolding a defaulter.” For every Schandbild or Schmähbrief there must have been a dozen other potential swindlers quietly forced by the threat of public infamy to make good their contracts.
Per Lentz, the earliest known instance of an explicit contract dates to 1379, “wherein a ducal councillor accorded a nobleman, in eventuality of the former violating the terms of the contract, the right to denounce him as a fraud by ‘posting his name on the pillory [of the councillor’s home town], or wherever he likes'” — again, linking the “mere” text to the instruments of official corporal punishment.
Nor was it uncommon for the Schmähbrief, if things got to that point, to fantasize about the debtor’s bodily suffering in brutal terms that would like invite an investigation for terroristic threats were the modern debt collection call center to deploy them in its harangue. One quoted by Lentz captioned his illustration thus:
It is customary to judge thieves and traitors according to their offences, the first is sent to the gallows, the second broken on the wheel. As I have not got power to carry out the above-mentioned acts, it is my intention to use the painter to have them painted hanging from the gallows and being tortured on the wheel.
Still, Schandbilder und Schmähbriefe meant to intimidate not physically, but socially.** It was in this capacity that the iconography of the pillory and the scaffold entered the frame: ’twas an infamy to be exposed upon them for a public crime — serving as “an indictment of those who knew the criminal … [and] a punitive stigma over his or her relatives and friends.”† Posting a slur on the repute of a prominent person — for the targets were most always people of rank, who would feel an injury to their status — taxed this same, essential, civic currency.
This is why we should let his shameful picture hang here with his coat of arms, until he has given me compensation recognized by respectable people for those unwarranted things that he and his people did … and ask all those who seek charity, who see him painted hanging, that they let him hang. (Source)
By consequence the execution imagery was strictly optional, one iconographic choice among many. From the too-few examples that survive to us it is plain that creditors delighted in their symbolic chastisement, issuing all the obloquies a grievance could devise, untethered from the confines of possible or the … sanitary.
The Schandbild frequently evinced a scatological fixation.
* Quotes form Lentz’s “Defamatory Pictures and Letters in Late Medieval Germany: The Visualisation of Disorder and Infamy” in The Medieval History Journal, vol. 3, no. 1 (2000). Lentz also has several German-language journal titles on the same topic.
** Not necessarily true of their Italian cousins, pitture infamanti. These were a similar sort of thing, but were issued not privately but by the city-states themselves against absconded offenders — a sort of quasi-execution by effigy. Many of these were painted for public spaces and removed with the passage of time so we have lost exemplars, including the products of masters — the Medici, for example, commissioned Botticelli to grace Florence with pitture infamanti of the Pazzi conspirators, which were whitewashed in 1494.
A characteristic pose for these pictures, also used in Germany, had the “victim” hanging upside-down by one foot, conjoining “metaphors of inversion” (as Robert Mills puts it) to the disgrace of the gallows. This posture is commonly thought to have inspired the “Hanged Man” tarot card.
Left: a pittura infamante study by Florentine Renaissance artist Andrea del Sarto; right: the “hanged man” card from a tarot pack.
*† Maria Boes, “Public Appearance and Criminal Judicial Practices in Early Modern Germany,” Social Science History, Vol. 20, No. 2 (Summer, 1996)
On an uncertain date perhaps around late July of 321,* the Roman emperor Constantine the Great had his son and also his wife mysteriously put to death.
It’s mysterious because besides execution, Constantine had a damnatio memoriae passed over his former family to bury any record of their sins in Time’s obscurity. These edicts didn’t always work … but in this case, if there were any who dared to record what happened, that illicit account did not survive its journey from antiquity.
But it was surely a shocking scandal in its time.
Crispus was Constantine’s first-born son and very much in the father’s favor. He was the child of a wife or concubine named Minervina. In 307, Constantine put this woman aside to make a more politically expedient marriage to Fausta, the daughter of Diocletian‘s retired-now-unretired co-emperor Maximian who with his son Maxentius held sway in Italy at that moment of the Roman Tetrarchy‘s ongoing collapse.**
Although Crispus didn’t offer his dad much in this situation by way of family alliances, Constantine kept him in his favor — by all appearances grooming him as an heir. Call it paying it forward: as a young man, Constantine himself had been in a similar position when his father Constantius dumped Constantine’s peasant mother in favor of an imperial marriage. That moment might have strangled a world-historic career before it even began, but Constantius instead chose to keep Constantine on the paternal cursus honorum.
So it went with Crispus — for a while.
In 317, Constantine, now emperor in the western part of the empire,† made Crispus into his Caesar; the boy ruled in Gaul and Germania for several years, thrashing barbarian tribes as he ought. Dad, meanwhile, was maneuvering towards victory over his eastern opposite number Licinius, with Crispus contributing an important naval victory in 324.
The young man (in his twenties at this time; his precise year of birth is uncertain) seemed on his way to a scintillating future.
Bronze coin from the mint of Rome depicting Crispus.
Things went pear-shaped suddenly in 326 when his father had him executed without any kind of warning that survives in the scant records available to us — and not only Crispus, but also Constantine’s own wife, that Fausta whose marriage might have threatened the boy’s status.
We don’t know why but the rumor as trafficked by the much later Byzantine historian Zosimus suggests a possible Parisina and Ugo scenario: “He put to death his son Crispus, styled Caesar, on suspicion of debauching his mother-in-law Fausta, without any regard to the ties of nature … [and] causing a bath to be heated to an extraordinary degree, he shut up Fausta in it, and a short time after took her out dead.”
It is down to conjecture what one ought to make of this nth-hand scandal-mongering; for impugning someone’s character one can hardly do better than an incest accusation. The story does appear to fit the few available facts, however, and Fausta was much closer in age to Crispus than to Constantine. It might also be noteworthy that three of Fausta’s sons went on to become Emperor and one daughter Empress but none of them ever rehabilitated mom.
Damned memory be damned, Crispus was rediscovered during the Renaissance and favored with several dramatic renditions embellishing the young man as a tragic hero, often with speculation that he was wrongly condemned to Constantine’s everlasting shame.‡ The events surrounding Crispus’s death being almost entirely obscured, writers could really go nuts with it; for example, Sir Walter Scott‘s Count Robert of Paris (set in Constantinople during the Crusades) features the story of an entirely fictitious penance built into subsequent Byzantine execution rituals by a remorseful Constantine:
But the death-blow had no sooner struck the innocent youth, than his father obtained proof of the rashness with which he had acted. He had at this period been engaged in constructing the subterranean parts of the Blacquernal palace, which his remorse appointed to contain a record of his paternal grief and contrition. At the upper part of the staircase, called the Pit of Acheron, he caused to be constructed a large chamber, still called the Hall of Judgment, for the purpose of execution. A passage through an archway in the upper wall leads from the hall to the place of misery, where the axe, or other engine, is disposed for the execution of state prisoners of consequence. Over this archway was placed a species of marble altar, surmounted by an image of the unfortunate Crispus — the materials were gold, and it bore the memorable inscription, TO MY SON, WHOM I RASHLY CONDEMNED, AND TOO HASTILY EXECUTED. When constructing this passage, Constantine made a vow, that he himself and his posterity, being reigning Emperors, would stand beside the statue of Crispus, at the time when any individual of their family should be led to execution, and before they suffered him to pass from the Hall of Judgment to the Chamber of Death, that they should themselves be personally convinced of the truth of the charge under which he suffered.
* Approximate times around the spring and summer of 326 have been proposed by various authors based on the very vague allusions of ancient sources. This author argues that numismatic evidence permits a more precise triangulation. Constantine in 326 journeyed from his new capital in the east to Rome: an imperial mint traveled with him, striking coins as it went — and some of those coins show Crispus. His presence on coins from various stops of this journey indicates that Crispus must have been alive as the procession reached Rome on July 21, 326, but the Caesar vanishes from them, and from history, immediately thereafter.
** The History of Rome Podcast narrates this period, with Constantine’s rise into political relevance in episode 130.
† The Tetrarchy was still tetrarching along pending Constantine’s victory over all: the system featured separate senior emperors East and West each dignified Augustus, and each Augustus had a junior fellow-emperor and heir titled Caesar. Constantine was Augustus of the West, and Crispus was a Caesar.
‡ Fausta tends to get somewhat shorter shrift than her putative lover. Crispus’s presence in the literary culture would appear to make him the namesake of the Boston American Revolution martyr Crispus Attucks. African-descended men in North America often carried Roman names, though “Crispus” was by no means a common one.
On this date in 2010, Chongqing politician Wen Qiang was executed for corruption — but the rival who felled him was on the brink of his own destruction.
Wen, the longtime Public Security Bureau chief in the southwestern city of Chongking, was a big dog to most. To Bo Xilai, Wen looked more like trophy game.
Son of an “immortal” Communist pol Bo Yibo, the aggressive and charismatic Politburo member Bo was then an ascending star on the national stage.
In 2007, Bo won the Communist Party’s appointment as party chief of Chongqing — effectively giving him control of the city. From this platform, Bo launched a high-profile crackdown on graft and organized crime rife in the 30 million-strong megacity.
During a campaign from roughly 2009 to Bo’s own fall in 2012, some 9,000 people were investigated for corruption, and nearly half of them jailed … or in Wen’s case, worse.
“Dare to fight against the devil, never compromise with the gangs”: Bo’s act resonated powerfully in a country fractured by economic development and widely afflicted by beak-wetting. But Bo’s political angle was not merely playing to the peanut gallery: it was also a factional power play, implicitly critical of his similarly powerful predecessor Wang Yang for having tolerated the mobsters’ rise.
And Wen Qiang, a holdover from even before the Wang years, was Bo’s highest-ranking prey.
Xinhua reported that he was found guilty of soliciting USD $1.7 million worth of bribes, of protecting criminals like his sister-in-law who happened to be the “godmother” of crime in Chongqing, and even of raping a university student. Media circulated salacious stories of buried sacks of cash, mistresses collected and discarded, and secret luxury villas.
In these years, Bo went from victory to vctory and destroying Wen was just another stepping-stone towards the top leadership circles in the People’s Republic.
But merely 16 months after Wen faced his executioner, Bo’s own star also dramatically fell to earth.
In November 2011, British businessman and Bo associate Neil Haywood was found suspiciously poisoned in his Chongqing hotel. Practically overnight, Bo Xilai found himself the target instead of the author of the investigation — politically stricken as all his own chickens came home to roost.
An incredible sequence of events ensued: Bo’s chief of police (and Wen’s own Javert) Wang Lijun bizarrely fled to the (temporary) sanctuary of an American consulate the following February, days after Bo demoted him — apparently citing fear that Bo might have him, too, murdered.
Within weeks, Bo had been sacked as Chongqing party boss and dismissed from the Politburo while his wife Gu Kailai arrested for Neil Heywood’s murder. Wang was arrested when he left the American consulate. Politically impotent now, Bo had months to wait before his own divisive case finally came to a courtroom resolution in 2013. As of this writing, Wang and Bo and Gu are all serving long prison sentences. (Gu’s was a suspended death sentence recently commuted to life imprisonment.)
Through Bo’s precipitous fall, Bo’s own patron Zhou Yongkang was also ruined, forced out of national leadership, and eventually sent to prison on corruption charges of his own.
Bo’s disgrace has brought a re-examination of his rough rule in Chongqing — though many targets of his bygone anti-corruption drive still languish in prison, vainly protesting their innocence.
Though he is no longer around to protest on his own behalf, and there appears to be little sentiment that he was clear of corruption in an absolute sense, Wen has also been re-evaluated in light of those events — including indications that the most incendiary allegations against him might have been ginned up for show:
police buried the bundles of cash, carefully wrapped in waterproof paper, in the morning and then dug them up in front of the cameras that afternoon.
Another key piece of evidence used to convict Wen — two luxury villas worth more than 30 million yuan that Wen allegedly owned — has also been questioned.
A former senior police officer in Chongqing who was close to Wen insisted he was the real owner of the villas, where Wen allegedly kept mistresses and which were later turned into destinations for “anti-graft education” tours.
The (possibly apocryphal) story has it than in a prison meeting, the doomed Wen prophesied Danton-like to his persecutor Wang, “You’ll meet the same fate as me.”
There are affecting interviews with Wen’s wife and son, and even a reporter’s conversation with Wen during the very last hours of his life, all here.
It is well known that the Cordeliers or Franciscans and the Jacobins or Dominicans have detested each other ever since they were founded. They were divided on several points of theology as well as being financial rivals. Their chief quarrel turned on the state of Mary before her birth. The Franciscans argued that Mary had not sinned in her mother’s womb, while the Dominicans were of the opposite opinion. There never was, perhaps, a more ridiculous question, and yet it was this very matter which made these two religious orders quite irreconcilable.
A Franciscan, preaching at Frankfurt in 1503 on the immaculate conception of Mary, happened to see a Dominican called Vigan come into his church. “I thank the Holy Virgin,” he exclaimed “for not having permitted me to belong to a sect which dishonours her and her son.” Vigan eplied that this was a falsehood. The Franciscan then came down from the pulpit, carrying an iron crucifix, and struck the Dominican such a violent blow that he almost killed him, after which he went on to finish his sermon on the Virgin.*
The Dominicans held a meeting to plan their revenge, and, in the hope of heaping greater humiliation on the Franciscans, they resolved to perform miracles. After several fruitless attempts they finally found a favourable opportunity in Berne.
One of their monks was confessor to a simple-minded young tailor named Jetzer, who was particularly devoted to the Virgin Mary and to Saint Barbara. This imbecile seemed to them to be an excellent subject for miracles. His confessor convinced him that the Virgin and Saint Barbara expressly commanded him to become a Dominican and to give all his money to the order. Jetzer obeyed and too the habit. When his vocation had been well tested, four Dominicans, whose names appear in the subsequent trial, disguised themselves on several occasions as best they could, one as an angel, another as a soul in purgatory, a third as the Virgin Mary and the fourth as Saint Barbara. At the end of these apparitions, which it would be too tedious to describe in detail, the Virgin finally revealed to Jetzer that she was born in original sin; that she would have been damned if her son, who was not yet on this earth, had not taken care to regenerate her immediately after she was born; that the Franciscans were impious and had grievously offended her son by claiming that his mother had been conceived without mortal sin, and that she charged him to announce this to all the servants of God and Mary in Berne.
Jetzer did not fail to do this. Mary appeared again, accompanied by two robust and vigorous angels. She thanked him and said that she had come to imprint upon him the holy stigmata of her son as proof of his mission and as a reward. The two angels tied Jetzer up and the Virgin drove nails into his hands and feet. The next day Brother Jetzer was exhibited on the altar for all to see, freshly bleeding from the heavenly favours he had received. The devout flocked to kiss his wounds. He performed as many miracles as he wanted, but the apparitions still continued. Finally Jetzer recognised the voice of the sub-prior beneath the mask he wore. He cried out and threatened to reveal everything. He followed the sub-prior into his cell, where he found his confessor and the two angels, who were entertaining some girls.
The monks, now that they were unmasked, had only one course open to them, which was to poison Jetzer. They sprinkled a communion wafer with some corrosive which had such a foul taste that Jetzer could not swallow it. He fled from the church crying out against the sacrilegious poisoners. The trial lasted for two years and came before the bishop of Lausanne because at that time laymen were not allowed to judge monks. The bishop sided with the Dominicans. He decided that the apparitions were real and that Jetzer was an imposter; he was even so cruel as to sentence the poor man to torture. But later the Dominicans imprudently degraded Jetzer, stripping him of his monk’s habit. This meant that Jetzer was now a layman again and his case could therefore be heard by the Council of Berne. As a consequence of his testimony the long catalogue of crimes was confirmed. When the ecclesiastical judges were called in from Rome, they were compelled to deliver up the criminals to the secular authorities. The guilty were burnt at the Marsilly gate on 31 May 1509. Records of the trial are now in the archives of Berne and have been printed on several occasions.
The fourteenth panel (click for the full glorious graphic novel) of a woodcut series illustrating the progress of the hoax. (Via).
* The Dominican Wigand Wirt, who denounced the Immaculate Conception so vociferously that he was summoned to Rome in 1507 to answer for it.
The Angevins appear to have been on the losing end of that situation, but in a 53-year reign, Fulk gave much in disproportion to what he got and was certainly known for his ruthlessness. Rather ungenerously, Richard Erdoes in AD 1000: Living on the Brink of Apocalypse decries Fulk Nerra as a “plunderer, murderer, robber, and swearer of false oaths” who “whenever he had the slightest difference with a neighbor … rushed upon his lands, ravaging, pillaging, raping, and killing.” He aggrandized Anjou, that much is certain; fearsome in battle, Fulk gave defenders of fortresses that he intended to possess to understand that only by speedy submission could they expect to escape summary execution. He had a once-trusted advisor named Hugh of Beauvais murdered before his eyes.
And on the occasion in question here, he supposedly wrought the revenge of a wronged husband when he caught his first wife making time with a goatherd. There is very little dependable primary information here; historiography dates to the 12th century and must surely be queried for embroidery if not outright fabrication.* Elisabeth was, naturally, Fulk’s spouse by way of dynastic politics and her father Bouchard I of Vendome seems to have realigned with Anjou’s rivals the lords of Blois. (Source) Who knows but that our trite and sordid story of marital infidelity does not conceal a woman potent with ambitions of her own.
Whatever went down did so dramatically: the chronicle kept by the monks of Saint-Florent says that Elisabeth was able to gather supporters and hole up against her husband at a fortress in (apt choice) Angers. If this resembles the truth in any way, one may safely suppose that Elisabeth was far from the only victim of Fulk’s passions on this occasion. The fate of the purported goatherd probably does not even bear imagining.
However and whenever it is that Elisabeth came to her end, Fulk had another wife by 1006, and it was this second woman who bore the count his heir.
And Anjou grew and prospered for its lord’s grasping ferocity. His biographer, Bernard Bachrach, likened Fulk’s energy and ambition to that of his younger contemporary, the Duke of Normandy — the man who eventually attained the English throne as William the Conqueror. Fulk was also known as “the great builder” for the welter of castles, churches, and other buildings that he threw up to exalt (and to dominate) his growing estates.
Perhaps to relieve the burden upon his conscience such triumphant statecraft necessarily implied, he also made multiple pilgrimages to Jerusalem — difficult and dangerous journeys. It was on his return from one of those sojourns that he died in Metz in 1040; Fulk was buried in the environs of one of those many buildings he underwrote, the (still-extant) abbey of Beaulieu-les-Loches.
* See Elisabeth M.C. van Houts’s review of Bachrach in The International History Review, Aug. 1994.
“So great a concourse of people has perhaps not been seen”* at Edinburgh’s Grassmarket as assembled on this date in 1765 for the execution of Lieutenant Patrick Ogilvie.
It was, naturally, scandal that brought them out of the woodwork. Lt. Ogilvie’s older brother Thomas in January of that same 1765 had married a young woman named Katharine Nairn. She had barely half of Thomas’s 40 years.
Katharine soon took a shine to the more age-appropriate sibling, just back from his dashing adventures in the East Indies. Within weeks of the marriage, the two people closest to Thomas were making a fool of him in his very own home. Their eventual indictment charged Katharine and Patrick with “yielding to your inordinate desires … in the months of January, February, March, April, May, and June … at different times, and in one or other of the rooms of the house of Eastmiln, and in the out-houses adjacent thereto,” not to mention (we’re guessing during the warmer spring weather) “in the fields.”
Thomas himself seems to have been wise to the cuckoldry rather early on, but either from weakness or inclination made only token attempts to abate it. Great was the astonishment of the neighbors that Patrick wasn’t banned from the house or Katharine disallowed his company.
At length, Thomas died of poison. The suspicions were only natural.
In fact, maybe they were a little bit too natural.
It has been suspected that the true author of Thomas’s destruction and the lovers’ too was not their own unnatural passion but the greed of yet another party in the nest of family vipers living under the eldest brother’s roof: Anne Clark.
The lover of the youngest Ogilvie brother, Alexander, Anne was known as a woman of easy virtue, but she had regardless her sexual continence a potentially compelling motive to be rid of Thomas, or rid of Patrick, or both: as both Thomas and Patrick were childless, the family scandal figured to pour all the family’s estates into the puckish hands of her own man. Patrick and Katharine tried vainly to impugn her at trial as a malicious witness
So when Anne supplied a story that the lovers had openly quarreled with Thomas and even vowed in her presence to murder him — and when Anne plied the court with lurid accounts of creeping up the stairs to listen in on Patrick and Katharine romping in his alcove bed — do we hear the voice of a master villain? That reputed prostitute gave bodice-popping evidence at very great length against her incestuous would-be family —
Mrs. Ogilvie was frequently in a room by herself with the Lieutenant … upon Sunday the nineteenth day of May last, all the family went to church, excepting the two pannels and the deponent [Clarke] … the two pannels left the deponent in the low room, and went up stairs together to the east room above stairs … [and Clarke] in order to discover what was passing, went up the stair, and as the bed in the Lieutenant’s room was an alcove ed, the back of which came to the side of the stair, and there was nothing betwixt the bed and the stair, but a piece of plaster and the timber of the bed, so that a person standing in the stair could hear distinctly what passed in the bed, she stood and listened; and from the motions that she heard, is positive that they were in bed together, and abusing their bodies together, by which she means, they were lying carnally together.
You can read the whole of Anne Clark’s testimony among 130-odd pages of details from the proceedings here.
Ogilvie would hold to his innocence through multiple royal reprieves and all the way to the gallows. When the rope slipped on the first hanging attempt, he was not so daunted by the proximity of the eternal that he feared to repeat the claim: “I adhere to my former confession [profession of innocence], and die an innocent man.”
He also died alone.
His former paramour and possible confederate Katharine had delayed her hanging by pleading her belly — truthfully so, for it seemed that her many springtime frolics had in fact quickened her womb.
She delivered early in 1766 and was bound for execution a few weeks later. But Katharine’s wit supplied what crown sentiment would not and she slipped out of prison in the wardrobe of an old family servant one evening.** She had such a considerable head start before her absence was noted the next day that she reached London, hired a boat to the Netherlands, was blown back to Old Blighty by a gale, and hired another boat for Calais before anyone could catch up to her. She alit on French soil, and vanished into the safety of historical obscurity.
“Such were the different fates of two people, who, as far as we can judge of the affair, appear to have been involved in the same crime,” remarks the Newgate Calendar in an expansive vein. “The one dies, avowing his perfect innocence; the other escapes the immediate stroke of justice, which was suspended over her by the most slender thread.
“Mysterious are the ways of Providence, and, in the language of Scripture, ‘past finding out;’ but it is for mortals humbly to submit to all its dispensations.”
* London Gazetteer and New Daily Advertiser, Nov. 19, 1765.
On this date in 1660, in the Netherlands’ little settlement on the tip of Manhattan Island, New Amsterdam, Jan Quisthout van der Linde was sentenced “to be taken to the place of execution and there stripped of his arms, his sword to be broken at his feet, and he to be then tied in a sack and cast into the river and drowned until dead.”
We do not have an indication of the date this sentence was carried out, if it were not immediate.
It was an unusual execution for an unnatural crime: Quisthout had been found guilty of sodomizing his servant.
New Amsterdam is here just four years away from its seizure by the English, who rechristened it New York;* dour, peg-legged Calvinist Peter Stuyvesant had been hustling for 13 years to put the tenuous little settlement on some sort of sustainable, defensible footing even as its neighbor English colonies in Massachusetts, Connecticut, and Rhode Island grew to dwarf little Manhattan.
Stuyvesant was a crusty boss.** He’d been crestfallen on arrival to his new assignment to find New Amsterdam a rough-edged melting pot city with livestock roaming the streets, a slurry of languages (and religions), and dockside brawls spilling out of seedy taverns.†
The “Castello Plan” map from 1660 shows the germ of Manhattan’s present-day layout. The defensive wall spanning the island on the right gives us Wall Street.
His horror was practical as well as moral: the little colony, a few hundred souls when he took over and perhaps 1,500 when the English finally deposed him, was in danger on all sides and the cash-strapped West India Company was both slow and miserly in response to Stuyvesant’s desperate pleas for men and material. But the horror was also moral. Stuyvesant enforced a whole slew of unpopular injunctions against drunkenness, fisticuffs, and fouling public streets with refuse, and actually had to be reined in by the West India Company board when he got so overbearing as to try shouldering out Jews and prying into the devotional habits of suspected Quakers.
Even his lax predecessor had come down hard on a previous sodomy case, viewing that sin as an existential threat to their depraved port: “such a man is not worthy to associate with mankind and the crime on account of its heinousness may not be tolerated or suffered, in order that the wrath of God may not descend upon us as it did upon Sodom.”
The crime that we might see here with modern eyes, rape, was in no way foremost to Stuyvesant et al. The boy, an Amsterdam orphan named Hendrick Harmensen, stayed out of the drowning-sack — but he was whipped for same-sex contact and ordered “sent to some other place by the first opportunity” even though that very sentence acknowledged that it was Quisthout who had “committed by force the above crime” on the lad.
June 9 in ancient Rome was the festival of the Vesta, the acme of the Vestalia festival extending until June 15.*
We hope this hearth-goddess will accept the homage Pluto‘s emissaries here propose to pay her most famous servants, the Vestal Virgins.
An ancient order of priestesses reaching back to Rome’s mythical founding period, perhaps even rooted in Rome’s matriarchal Etruscan predecessors, the Virgins by the time of the classical era numbered six — selected from among candidate girls aged 6 to 10 who would be whisked away from their families to serve for thirty years.
Vestal Virgins enjoyed great prestige and a number of social prerogatives (they had the power to pardon condemned prisoners, among other things). In exchange, they were tasked with maintaining Rome’s favor with her temperamental gods by tending diligently to the city’s most cherished religious observances.
From the moment of their selection, Vestal Virgins became a sort of personification of Rome itself — Rome’s civic virtue; Rome’s standing with the gods. Rome and the Vestals, joined by the sacred eternal hearth-flame whose perpetual kindling was the virgins’ chief ceremonial duty, drew succor from one another. Pliny wrote that they “have the power, by uttering a certain prayer, to arrest the flight of runaway slaves, and to rivet them to the spot, provided they have not gone beyond the precincts of the City” — but Rome’s greatness, too, was attributed to the citizenry’s dutiful maintenance of the Vestals through the centuries.
For such an empyreal creature to indulge the fleeting pleasures of the flesh was quite beyond question. Vesta, said Ovid,
was always unable to tolerate men.
What wonder if a virgin delights in virgin servants,
And only allows chaste hands to touch her sacred relics?
Realize that Vesta is nothing but living flame,
And you’ll see that no bodies are born from her.
She’s truly a virgin, who neither accepts seed
Nor yields it, and she loves virgin companions.
But over the centuries, not all of Vesta’s servants kept that same hard line on unchaste hands** — and in so doing risked punishment by an unusual execution of living burial. Even defiled Vestals were inviolate in their persons: their blood could not be shed, and the hands of the common executioner could not touch them. They had to be dispatched without direct violence, by immuring them alive under the earth. (Not so their seducers: getting busy with a Vestal Virgin would cost a man as many strokes of a scourge as required to kill him.)
Back to Ovid:
Now sacred flames you shine brightly under Caesar’s rule:
The fire on the Ilian hearths is there, and will remain,
It won’t be said that under him any priestess disgraced
Her office, nor that she was buried alive in the earth.
So the unchaste die, being entombed in what they
Have violated: since divine Earth and Vesta are one.
We have no specific calendar dates to go with any of these, but the British Museum antiquarian G.H. Noehdon compiled the available information about Vestals’ executions at some length in this public domain text:
a subterraneous chamber or cell of small dimension was formed, into which you descended from above. There were placed in it a couch or bed, a burning lamp, and a few necessaries of life, such as bread, water, milk, and oil. It would have been impious, according to Plutarch, to destroy by hunger, a life that had been consecrated by the most holy rites. The wretched victim, it is to be imagined, chiefly perished by suffocation. For the cell was closely shut, and overlaid with earth, as soon as she was descended.
The whole proceedings were terrific. The delinquent was conveyed to that place of horror in a litter, so fastened up and covered from without, that not even a sound or groan could escape from it. She was thus carried through the market-place, while the people, in fearful silence, made way, and followed speechless, impressed with the awe of this frightful ceremony. No sight, says Plutarch, could be more shocking, nor was there ever a day at Rome more gloomy and sorrowful.
Per Noehdon, the oldest case on record was of one Pinaria, executed for impurity under Tarquin the Elder. A Vestal named Minucia suffered the same fate in the 4th century BCE; two more, Opimia and Floronia, were condemned in the 3rd century, though one committed suicide in preference to immurement. Dionysius of Halicarnassus attributes a plague to the incontinence of the Vestal Urbenia, and its abatement to her punishment. Cassius Dio credits no fewer than three Vestals with execution for unchastity in 114 BCE — but one can hardly fail to note that this is a period of deepening class tension in Rome in the aftermath of the Gracchi. One wonders if carnal indulgences were merely a pretext to purge Aemilia, Licinia, and Marcia for the wrong factional alignment.
Probably the best-attested and best-known Vestal Virgin executed was Cornelia, the Virgo Maxima (chief Vestal) entombed by order of the notorious tyrant Domitian. (Domitian had also executed three other Vestals some years prior.) Pliny the Younger recorded her going to her death effecting (as did her purported lover) a persuasive mien of indignant innocence.
Domitian generally raged most furiously where his evidence failed him most hopelessly. That emperor had determined that Cornelia, chief of the Vestal Virgins, should be buried alive, from an extravagant notion that exemplary severities of this kind conferred lustre upon his reign.
Accordingly, by virtue of his office as supreme pontiff, or, rather, in the exercise of a tyrant’s cruelty, a despot’s lawlessness, he convened the sacred college, not in the pontifical court where they usually assemble, but at his villa near Alba; and there, with a guilt no less heinous than that which he professed to be punishing, he condemned her, when she was not present to defend herself, on the charge of incest, while he himself had been guilty, not only of debauching his own brother’s daughter, but was also accessory to her death: for that lady, being a widow, in order to conceal her shame, endeavoured to procure an abortion, and by that means lost her life.
However, the priests were directed to see the sentence immediately executed upon Cornelia. As they were leading her to the place of execution, she called upon Vesta, and the rest of the gods, to attest her innocence; and, amongst other exclamations, frequently cried out, “Is it possible that Caesar can think me polluted, under the influence of whose sacred functions he has conquered and triumphed?” Whether she said this in flattery or derision; whether it proceeded from a consciousness of her innocence, or contempt of the emperor, is uncertain; but she continued exclaiming in this manner, til she came to the place of execution, to which she was led, whether innocent or guilty I cannot say, at all events with every appearance and demonstration of innocence. As she was being lowered down into the subterranean vault, her robe happening to catch upon something in the descent, she turned round and disengaged it, when, the executioner offering his assistance, she drew herself back with horror, refusing to be so much as touched by him, as though it were a defilement to her pure and unspotted chastity: still preserving the appearance of sanctity up to the last moment; and, among all the other instances of her modesty, “She took great care to fall with decency.”
Celer likewise, a Roman knight, who was accused of an intrigue with her, while they were scourging him with rods in the Forum, persisted in exclaiming, “What have I done? — I have done nothing.”
The Vestal Virgins were finally suppressed (and their eternal flame quenched) by the Christian emperor Theodosius, in 394.†
A few years later, Rome was sacked for the first time in 800 years.
* There are mixed accounts as to whether June 9 or June 7 was the first day of the Vestalia, but the 9th was unquestionably the most important.
** Legend has it that Rome’s founders, Romulus and Remus, were sons of a Vestal Virgin, Rhea Silvia: again, this tradition could well be the refracted memory of Etruscan priestesses, or princesses, or both. The man who was to kill these unholy offspring instead took pity on them and cast them adrift on the Tiber — and that’s how they ended up being famously suckled by wolves.
Khosravi rocketed up the world’s rich lists — Forbes estimated that he would slot in around no. 219 in 2012 — during the late 2000s, when he launched the Aria Investment Development Company. This firm sprouted up from a strapling of 50 million rial (just a couple thousand US dollars) to 20 billion rial in just three years — thanks, as investigations ultimately revealed, to a series of bank loans obtained by means of forged documents that bank managers were tricked or bribed into accepting, then using those loans to purchase state-owned companies like Khuouzestan Steel at sweetheart rates.
According to the Associated Press, “Khosravi’s business empire included more than 35 companies from mineral water production to a football club and meat imports from Brazil.” His fall was a gigantic scandal, generally reckoned the largest financial scam in the history of the Islamic Republic.
Beware, trust not in the vanity of the world, and especially in the flattering of the court … if I had followed God’s word in deed as I did read it and set it forth to my power, I had not come to this.
This was the execution date in 1536 of Anne Boleyn‘s co-accused, the undercard to the deposed queen’s beheading.
It was the accusation of adultery that furnished Anne’s downfall; some adulterers were perforce required. These were William Brereton, Henry Norris, Sir Francis Weston, Mark Smeaton … and the ex-queen’s own brother, George Boleyn.
They had just days prior been subjected to a trial whose outcome was a foregone conclusion. All pleaded their innocence save Smeaton, a commoner court musician who could not withstand torture and “admitted” fooling around with Queen Anne.*
Along with Smeaton, three gentlemen-doomed plucked from the Tudor court’s shadowy recesses — joined to the legendary queen at the chopping-block, if not very probably in her bed.
Norris, the Groom of the Stool
Weston, a Gentleman of the Privy Chamber
Brereton, a Groom of the Privy Chamber
“Everyone was moved at their misfortune, especially at the case of Weston, who was young and of old lineage and high accomplishments,” one contemporary recorded of the fearful pall cast upon King Henry’s court by the purge. “But no one dared plead for him, except his mother, who, oppressed with grief, petitioned the King, and his wife, who offered rents and goods for his deliverance.”
The most egregious charge, naturally, did not concern these men. To put the fallen queen beyond the reach of sympathy it was alleged that she
following daily her frail and carnal lust … procured and incited her own natural brother, Geo. Boleyn, lord Rocheford, gentleman of the privy chamber, to violate her, alluring him with her tongue in the said George’s mouth, and the said George’s tongue in hers, and also with kisses, presents, and jewels; whereby he, despising the commands of God, and all human laws, violated and carnally knew the said Queen, his own sister, at Westminster; which he also did on divers other days before and after at the same place, sometimes by his own procurement and sometimes by the Queen’s.
This outrageous smear on the extremely specious grounds that big brother “had been once found a long time with her, and with certain other little follies,” invited as much skepticism among the Boleyns’ contemporaries as it does for posterity. Even after Anne had been condemned for adultery and incest in her stage-managed trial, George — the last of the bunch to face the tribunal — fought his corner so vigorously “that several of those present wagered 10 to 1 that he would be acquitted, especially as no witnesses were produced against either him or her, as it is usual to do, particularly when the accused denies the charge.”
A foolish bet, but perhaps one placed from a position of willful hope. If a peer of the realm could be condemned a traitor for hanging out with his sister, then no Henrician nobleman could hope to sleep securely.
Little could their dread fathom the bloody years to come. Many who saw the Boleyns’ heads drop would in time have cause to make of their gambling winnings a purse to tip their own executioners.
Thomas Cromwell, who engineered the Boleyn faction’s fall, outlived it by barely four years. The Earl of Surrey, who sat in judgment on this occasion, lost his head in 1547; his father the Duke of Norfolk,** who was the presiding judge, only avoided execution because Henry VIII died hours before Norfolk was to go to the block. George Boleyn’s wife, Lady Rochford, is supposed to have provided evidence against him; she was later swept up in the fall of Catherine Howard and beheaded for her trouble on that occasion.
But those were tragedies for later days.
In the spring of 1536, from his window in the Tower, the poet Thomas Wyatt witnessed this date’s executions: the young Anne’s last lover before the king descended on her, Wyatt too had been initially implicated in debauching the queen and he was fortunate not to be among their number. (Wyatt’s son would not be as lucky.) The shaken Wyatt wrote his fellow courtiers’ heartbreaking eulogy, and perhaps that of his era too, in his verse reflection on that terrible fall from fortune. (Via)
Veritas Viat Fides
me inimici mei
by Sir Thomas Wyatt, the Elder
Who list his wealth and ease retain,
Himself let him unknown contain.
Press not too fast in at that gate
Where the return stands by disdain,
For sure, circa Regna tonat.†
The high mountains are blasted oft
When the low valley is mild and soft.
Fortune with Health stands at debate.
The fall is grievous from aloft.
And sure, circa Regna tonat.
These bloody days have broken my heart.
My lust, my youth did them depart,
And blind desire of estate.
Who hastes to climb seeks to revert.
Of truth, circa Regna tonat.
The bell tower showed me such sight
That in my head sticks day and night.
There did I learn out of a grate,
For all favour, glory, or might,
That yet circa Regna tonat.
By proof, I say, there did I learn:
Wit helpeth not defence too yerne,
Of innocency to plead or prate.
Bear low, therefore, give God the stern,
For sure, circa Regna tonat.
* In the Tower awaiting execution, Anne would voice worry for Smeaton’s soul when she learned that he had failed to retract this confession at the block. But Smeaton and all the men were beheaded in preference to a sentence of drawing and quartering, and had reason to be cautious about their comportment on the scaffold lest crueler torments be reinstated for them.
** Norfolk was Anne Boleyn’s uncle.
† Circa Regna tonat: “Around the throne it thunders”, from Seneca’s Phaedra.