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764: St. Stephen the Younger, iconodule martyr

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This is the supposed martyrdom date, in the year 764 or perhaps 765, of St. Stephen the Younger in Constantinople at the hands of an iconoclastic emperor.

Ancient and “dark ages” history characteristically comes with all kinds of problems arising from the paucity and prejudice of primary sources. Byzantium’s century of Iconoclastic controversy is a fine example.

In this period from approximately 726 to 842, the empire was rent by a conflict between iconophiles or iconodules — proponents of the use and adoration of religious imagery in Christian worship — and iconoclasts — who abhorred same as a form of sacrilegious idolatry.

This was deadly serious stuff in the way that only Byzantine sectarian conflict could be, but the controversy was not strictly about defining the Biblical injunction on graven images. As the excellent History of Byzantium podcast explains in its iconoclasm episode,* it likely manifests “an empire-wide reaction to the trauma of defeat” — battlefield defeat by the rising armies of Islam, and with it a shaken confidence in the favor of God. (Islam’s hard line against idolatry surely can’t be coincidental.)

But in posterity we are reduced to these muddy qualifiers because as the winning party in the dispute, iconodules wrote the history. That’s no moralistic stab: iconoclasts, too, burned the enemy’s tracts when they had the opportunity; had they prevailed in the end, they would have blurred out the background, motivations, and achievements of their rivals as readily as the iconodules did and leave those who followed to read between the lines of a partisan history. Indeed, Bissera Pentcheva’s recent Icons and Power: The Mother of God in Byzantium even contends that the legendary centrality of icons to Byzantine religiosity was an invention of the post-iconoclastic era, with events like the Marian icon’s saving Constantinople during the Avar siege of 626 backfilled to replace the original story about Marian relics working the divine intervention.


Iconoclasts plastering over an icon.

The iconoclastic era opens in the late 720s; according to the (iconodule, naturally) saint and historian Nicephorous, its immediate trigger was the devastating 726 eruption of the Greek island Thera (Santorini) — and affrighted by the apparent divine wrath, “the impious emperor Leo [III] started making pronouncements about the removal of the holy and venerable icons.” He’s alleged to have taken down a particularly revered icon of Christ on Constantinople’s Chalke Gate.

Nevertheless, it is difficult to get a firm fix on what specific anti-icon policies Leo promulgated, if indeed there were any at all. (The Greek term for “pronouncements” could be understood simply as “comments” instead of “edicts”.) It is Leo’s son Constantine V, succeeding the purple in 741, who clearly brings an overt imperial turn against icons, for “He cannot be depicted. For what is depicted in one person, and he who circumscribes that person has plainly circumscribed the divine nature which is incapable of being circumscribed.” Constantine convened an ecumenical council that ruled for his anti-icon position and set about removing images from churches.

Against this campaign was ranged the bulk of the clergy — church vs. state is another possible and difficult-to-measure dimension of the whole dispute, although Constantine’s ability to win the acquiescence of hundreds of bishops must complicate this interpretation.

The great champion of and martyr for the iconodule position in this time was St. Stephen the Younger. That’s “younger” vis-a-vis the original St. Stephen, Christianity’s protomartyr.

As befits that exalted company, this monk and hermit was credited by his adherents with a supernatural power in the iconoclasm debate.

A man blind from his birth visits the saint with suppliant outcry for relief. “If you hast faith in God,” he replies, “if thou art a worshipper of His image, thou shalt behold the light and the beauty of hidden things.” Scarcely had the words gone forth, when the blind man rejoiced in beholding light. A woman brings to him her son “grievously vexed with a devil,” and a distressing scene is described. Stephen bids a disciple to apply the sign of the Cross to the whole afflicted body. The saint calls upon God with many tears. Finally he delivers the boy safe to his mother, when the image of Christ has been adored. An infirm soldier comes with entreaty for relief. The saint bids him adore the images of Christ and His Mother, and immediately he is restored. The soldier afterwards repudiates image-worship before the Emperor, who at once promotes him to the rank of centurion. Leaving the imperial presence he would mount his horse; the horse rears, throws him to the ground, and tramples him to death. Such is the life of the younger Stephen as related with awe-struck delight in Greek and Roman martyrologies. (Source)

And so forth.

The emperor is alleged by the hagiographies to have sought Stephen’s destruction for many years, being continually frustrated even to the point where Stephen’s torturers in prison seemed unable to finish him off. “Will no one rid me of this monk?” Constantine cries, anticipating Thomas a Becket by a good four centuries. His soldiers finally clubbed to death the obdurate cleric on November 28, 764. (For a critique of Stephen’s hagiography, including a death date that proves questionable (no surprise), see this pdf.)

But not for the first time, an imperial innovation in theology failed to outlast the patronage of its sovereign. After Constantine’s death, Empress Irene** restored the iconodules to favor† — and set the stage (after some hiccups) for a great flowering of Orthodox icons in the centuries to come.

* Also see Episode 75, delving into Constantine’s iconoclasm.

** The fact that the extant remnant of the Roman Empire had no emperor — merely a woman ruler — formed part of the rationale for the western church crowning Charlemagne “Holy Roman Emperor”. This slap in the face to Constantinople could occur because a papacy long deferential to Byzantium had at last broken with the East in the mid-8th century … in part, over iconoclasm.

† Emperor Leo V restored official iconoclasm in 813 for another 29-year run as imperial policy before the movement’s final defeat.

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1477: Gerolamo Olgiati, ducal assassin

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Dramatization of events in this post for the video game-derived film Assassin’s Creed: Lineage.

On this date in 1477, the assassins of the Duke of Milan suffered bitter death for fame eternal.

Famous for both his astute political machinations and for cruelty verging on the sadistic, Galeazzo Maria Sforza inherited leadership of Milan in at the age of 22 with the passing of his father, the great condottiero Francesco Sforza.

Francesco, the founder of the Sforza dynasty, had dynastically married himself to one Bianca Maria Visconti, a daughter of Milan’s previous ruling house.* But not all of the Visconti were at home with the Sforza.

A brash young man of that noble family, Carlo Visconti, as full of humanistic idealism as he was of bile for the licentious Duke’s alleged violation of his sister, joined a conspiracy also compassing two other gentlemen, Giovanni Andrea Lampugnani and Gerolamo Olgiati, to do Galeazzo Sforza to death.

At a St. Stephen’s Day service in a basilica christened to Stephen Lampugnani approached the prince feigning supplication for some audience, then produced a hidden blade and stabbed Galeazzo Sforza. Visconti and Olgiati then rushed on Sforza as well and before anyone realized what was happening the Duke, croaking some half-heard invocation of Mary, was falling dead on the church floor.


Illustration of Galeazzo Sforza’s murder on the title page of a 1476 Lament for the Duke decrying the assassination.

Pandemonium ensued, and in the ensuing helter-skelter, Sforza’s bodyguards fell on Lampugnani and killed him on the spot, while Olgiati managed to escape.**

“It now only remains for us to consider those dangers which follow after the execution of a plot,” Machiavelli mused in his “Of Conspiracies” typology of his Discourses. “These in fact resolve themselves into one, namely, that some should survive who will avenge the death of the murdered prince. The part of avenger is likely to be assumed by a son, a brother, or other kinsman of the deceased.”

Well, yeah.

The assassins of the Duke of Milan appear not to have burdened themselves overmuch with advance consideration of this danger, possibly indulging the dream of Brutus that by a dagger’s stroke alone they could restore the lost republic.

Needless to say, this beautiful hope vanished in the bloody revenge carnival that actually ensued the murder. Just a few days after the assassination, having taken refuge with a priest — his justly frightened family had closed its door on him and needed to make theatrical denunciations of his treason for their own safety — Olgiati was captured, put to a torturous interrogation, and publicly butchered. He had outlived the Duke by only a week, and his gashed carcass was hung up in sections around town by way of warning. The rotting heads of the conspirators remained impaled on lances on the city’s bell tower well into the 1490s.

According once again to Machiavelli, Olgiati “exhibited no less composure at his death than resolution in his previous conduct, for being stripped of his apparel, and in the hands of the executioner, who stood by with the sword unsheathed, ready to deprive him of life, he repeated the following words, in the Latin tongue, in which he was well versed

“‘Mors acerba, fama perpetua, stabit vetus memoria facti.'”

That is,

‘Death is bitter but fame is eternal, and the memory of the deed will endure.’

This attempt, quixotic and doomed, to depose an Italian tyrant by murdering him in church might well have formed the blueprint for a similar plot in Florence in 1478, the Pazzi conspiracy. That version was even less successful than its Milanese predecessor: at least Olgiati and company could say that they actually managed to kill their target before everything else hit the fan.

And republic or not, Sforza’s murder did shake up the polity. It put the Duchy of Milan in the hands of his wife, as the unsteady regent of a seven-year-old heir. A few years later, the late duke’s brother Ludovico displaced the regent and effectively bossed Milan until the French imprisoned him in 1500 during the Italian Wars.

While he had the run of the place, Ludovico Sforza commissioned of Leonardo da Vinci a monumental equestrian statue in memory of his brother that da Vinci never finished.† Quite strangely, the master’s notes were plumbed by a 20th century Pennsylvania airline pilot who dedicated the latter part of his life to actually casting “Leonardo’s Horse”.

* The names Visconti and Sforza are also associated with some of the earliest tarot decks and among the first to introduce to playing cards the use of trionfi, or “triumph” cards — that is, “trumps”. One can readily purchase present-day reprints of this historic pack.

** There is a positively maddening inconsistency, thus far irresolvable for this author, between accounts (here’s one example | and another) asserting that Carlo Visconti was slain by Sforza’s bodyguards directly after the assassination, and other accounts (like Gregory Lubkin’s 1994 history of Sforza’s Milan) that put Visconti on the scaffold beside Olgiati.

† Da Vinci’s ponderously slow progress on this high-profile project led Michelangelo to cattily impugn the rival artist’s bronze-casting aptitude.

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Feast Day of St. Stephen

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The day after Christmas — or the second day of the twelve days of Christmas, in a more traditional coinage — is the feast of St. Stephen.*

St. Stephen is well-known as the “protomartyr”, the first Christian to die for his faith. (Jesus doesn’t count.) There’s a St. Stephen’s Gate in Jerusalem so named for its supposed proximity to the site of the protomartyrdom.

We get the Stephen story from the New Testament Acts of the Apostles, as given in this from the Tyndale-derived King James Version (Acts 6:8 – 8:3)

And Stephen, full of faith and power, did great wonders and miracles among the people. Then there arose certain of the synagogue, which is called the synagogue of the Libertines, and Cyrenians, and Alexandrians, and of them of Cilicia and of Asia, disputing with Stephen. And they were not able to resist the wisdom and the spirit by which he spake.

Then they suborned men, which said, We have heard him speak blasphemous words against Moses, and against God. And they stirred up the people, and the elders, and the scribes, and came upon him, and caught him, and brought him to the council, and set up false witnesses, which said, This man ceaseth not to speak blasphemous words against this holy place, and the law: For we have heard him say, that this Jesus of Nazareth shall destroy this place, and shall change the customs which Moses delivered us. And all that sat in the council, looking stedfastly on him, saw his face as it had been the face of an angel.

Then said the high priest, Are these things so? … [elided; Stephen preaches on at great length before he comes to the point]

Howbeit the most High dwelleth not in temples made with hands; as saith the prophet, Heaven is my throne, and earth is my footstool: what house will ye build me? saith the Lord: or what is the place of my rest? Hath not my hand made all these things?

Ye stiffnecked and uncircumcised in heart and ears, ye do always resist the Holy Ghost: as your fathers did, so do ye. Which of the prophets have not your fathers persecuted? and they have slain them which shewed before of the coming of the Just One; of whom ye have been now the betrayers and murderers: Who have received the law by the disposition of angels, and have not kept it.

When they heard these things, they were cut to the heart, and they gnashed on him with their teeth.

But he, being full of the Holy Ghost, looked up stedfastly into heaven, and saw the glory of God, and Jesus standing on the right hand of God, and said, Behold, I see the heavens opened, and the Son of man standing on the right hand of God.

Then they cried out with a loud voice, and stopped their ears, and ran upon him with one accord, and cast him out of the city, and stoned him: and the witnesses laid down their clothes at a young man’s feet, whose name was Saul.

And they stoned Stephen, calling upon God, and saying, Lord Jesus, receive my spirit. And he kneeled down, and cried with a loud voice, Lord, lay not this sin to their charge. And when he had said this, he fell asleep.

And Saul was consenting unto his death. And at that time there was a great persecution against the church which was at Jerusalem; and they were all scattered abroad throughout the regions of Judaea and Samaria, except the apostles. And devout men carried Stephen to his burial, and made great lamentation over him.

As for Saul, he made havock of the church, entering into every house, and haling men and women committed them to prison.

The persecuting “Saul” at the end of this text is, of course, Saul of Tarsus, the future St. Paul.

Here’s a set of Catholic devotionals for the day, and here’s a more secular vibe on the day’s various quirky Anglo traditions.

As for that song …

Good King Wencesla(u)s, a tenth-century Bohemian ruler, is himself a saint — the patron saint of the Czechs, as a matter of fact.

Wenceslas was murdered in a palace coup, supposedly leading his servant Podevin to avenge that death, for which said Podevin was in turn executed. The lyrics of the song “Good King Wenceslas” celebrate the king and his loyal page undertaking together the charitable works they were famous for.

“Mark my footsteps, my good page
Tread thou in them boldly
Thou shalt find the winter’s rage
Freeze thy blood less coldly.”

In his master’s steps he trod
Where the snow lay dinted
Heat was in the very sod
Which the Saint had printed
Therefore, Christian men, be sure
Wealth or rank possessing
Ye who now will bless the poor
Shall yourselves find blessing.

* At least, it’s the Feast of St. Stephen in the Latin rite. The occasion is observed on Dec. 27 in the Orthodox tradition.

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