A peasant revolutionary from the European frontiers of tsarism, Kalinouski is a present-day independence hero for Poland, Belarus, and Lithuania. (His name is variously rendered Konstanty Kalinowski, Kastus Kalinouski, and Konstantinas Kalinauskas for those respective homelands.)
Dissatisfaction with membership in this adoptive empire progressed differently among different demographics of the old Commonwealth, but it really blossomed in the wreckage of the 1850s Crimean War. Chastened after being drubbed by an industrial power, Russia finally emancipated her serfs — but the emancipation proved to bear as much confiscation as liberation, to the chagrin of the emancipatees.
In Poland, Belarus, and Lithuania, peasant anger at the raw deal dovetailed nicely with stirring national sentiment. Kalinouski, a young barrister, launched the flagship (clandestine) publication for that audience, Muzyckaja Prauda (Peasant’s Truth). It was one of the first periodicals published in Belarusian, and it was not calculated to reconcile his countrymen to Moscow.
Six years have passed since the peasants’ freedom began to be talked about. They have talked, discussed, and written a great deal, but they have done nothing. And this manifesto which the tsar, together with the Senate and the landlords, has written for us, is so stupid that the devil only knows what it resembles-there is no truth in it, there is no benefit whatsoever in it for us.
-From the first issue of Peasant’s Truth
Kalinouski’s literary adventures mirrored a prominent role among the leadership of the January Uprising to throw off the Romanov yoke.
But it proved to be the case that, although scrapping with Great Britain might be one thing, the Russian army was more than a match for her internal foes. It crushed the January Uprising.
In prison awaiting execution, Kalinouski bequeathed one last literary vindication, his Letters from Beneath the Gallows.
Friends, my brothers!
From under the Russian gallows I am writing to you for the last time. It is sad to leave my native land and you, my dear people. My breast sighs and my heart is sore, but it is not a sad lot to perish for your truth. Hear my last words in sincerity, my people, for it is as if they were written from this world only for your good … as day and night do not reign together, so also true learning does not go together with Russian slavery. As long as this lies over us, we shall have nothing. There will be no truth, no riches, no learning. They will only drive us like cattle not to our well-being, but to our perdition.
… go and fight with the whole people for your human and national rights, for your faith, for your native land. For I say to you from beneath the gallows, my people, you will only then live happily, when no Russian remains over you! (Source)
A plaque in Vilnius marks the spot of Kastus Kalinouski’s execution on 22 March 1864 (10 March by the Julian calendar).
On this date in 1601, Queen Elizabeth’s last great favorite became the last man beheaded in the Tower of London.
Vain and dashing Robert Devereux rolled into the royal court in 1584 around age 19 and immediately established himself as the new favorite of the monarch, 30-some years his senior. They spent long walks and late nights in enchanted private company, and Devereux “commeth not to his owne lodginge tyll the birdes singe in the morninge.” Ye olde walke of shayme.
In becoming the (presumed) lover* of the aging Virgin Queen, the Earl of Essex was only following the family** trade: his stepfather Robert Dudley was the younger Elizabeth’s longtime intimate.
It is up to the artists to postulate the relative measures of passion and cynicism in these dalliances; many have tried, inspired by the scaffold sundering of one of history’s great May-December affairs. The Essex-Elizabeth drama was a popular topic for broadsides, ballads, and stage treatments from the 17th century to the present day.
He was wildly popular in London, but Essex was also afflicted by the follies of youth. Rash, temperamental, vainglorious; he aspired to leverage the favor of his sovereign into statesmanship and he achieved heroic repute for his swashbuckling raid on Cadiz.
Yet Essex reads like a whelp who never quite grew into a man’s boots. Every sketch of Essex includes, because it seems so starkly illustrative of his unstable character, the story of the time his impertinence led the queen to box his ears publicly — and the hothead’s hand flew instinctively to his sword-hilt. Everyone reconciled over this brush with lese-majeste, but only after Essex scribbled some skulking reproaches (“What, cannot princes err? cannot subjects receive wrong? is an earthly power or authority infinite?”) that he had the petulance to actually send to Elizabeth.
Not for the last time an Englishman found this conquest more easily aspired than achieved. Essex liberally overused his authority to knight men as a reward for their service, but his soldiers mostly slogged to and fro with little headway to show for it. After a frustrating campaign season chasing his tail, Essex defied the increasingly strident directives to attack issuing from Elizabeth’s irate pen, and made terms with the Irish commander Hugh O’Neill, Earl of Tyrone. Then he defied Elizabeth’s order to remain in Ireland and hastened back to London to justify himself. It was said of him that he “never drew sword but to make knights.”
This was the beginning of Essex’s end. Elizabeth’s fury at the aimless military campaign was compounded when her churlish captain turned up from Ireland unbidden and burst into her private chambers while she was still dressing to report on his unauthorized summit. Cecil et al, whose ascendance Essex had meant to reverse with the triumph of his arms, now murmured that the earl had strayed near outright treason to parley with the rebel whom he was supposed to be routing. The Privy Council put him under house arrest.
Heaped in debt and deprived of the prestigious proximity to power he had enjoyed literally throughout his adulthood, the man’s turbulent spirit stirred strangely in York House. We have seen that Robert Devereux, Earl of Essex, was a man to abhor an indignity even past the point of self-preservation. He unwisely sent secret missives to try to turn the ongoing succession negotiations‡ against Robert Cecil; when the Privy Council caught wind of this intrusion, he refused its demand that he present himself to account for his actions. Instead, he made matters worse by mounting a pathetic march through London with his supporters.
This “Essex Rebellion” was meant to rally the citizenry to him and turn some sort of coup against Robert Cecil. It seems so foolhardy and ill-considered that it’s difficult to think what was in the earl’s head. If you squint at it just so, it perhaps had a big-R Romantic quality, a gallant band of brothers saving the nation from its duplicitous ministers; the night before the rebellion, Essex (a liberal arts patron in his time) splurged to have William Shakespeare’s company§ stage a special performance of Richard II — a play wherein the English monarch is deposed. Presumably this was his inspirational pregame speech.
Thinking much more clearly than Essex, Londoners vigorously ignored his summons and the marching party trudged alone — and surely increasingly frightened — through the city until it was stopped by a barricade. Its participants then fled back to Essex House where they soon found themselves surrounded.
Whatever the fancy that led the Earl of Essex on his fatal February 8 march, and whatever the extent of his ambitions for that occasion, the careless threat to the public peace went several bridges beyond a boyish foible that Elizabeth could overlook in her impulsive courtier. He was prosecuted for treason within days and Elizabeth signed his death warrant on February 20th. The only mercy extended the ex-favorite was to suffer the noble execution of beheading, rather than a traitor’s drawing and quartering. Essex also successfully appealed for a private execution within the walls of the Tower, away from the gawks of those London masses who had so signally failed to rebel along with him.
My sins are more in number than the hairs on my head. I have bestowed my youth in wantonness, lust and uncleanness; I have been puffed up with pride, vanity and love of this wicked world’s pleasures. For all which, I humbly beseech my Saviour Christ to be a mediator to the eternal Majesty for my pardon, especially for this my last sin, this great, this bloody, this crying, this infectious sin, whereby so many for love of me have been drawn to offend God, to offend their sovereign, to offend the world. I beseech God to forgive it us, and to forgive it me — most wretched of all.
He prayed a Psalm. Then, stretching out his neck on a low block and thrusting his arms from his sides, he bid the headsman strike. The executioner had to oblige his patient in triplicate in order to sever the puffed-up head.
The Earl of Essex has the distinction of being the last person beheaded on the Tower Green, within the walls off the Tower of London — the last name on the little placard of headless notables photographed by tour groups. Note that Essex was not the last person beheaded at the Tower, when the adjacent Tower Hill is included (that distinction belongs to Jacobite rebel Simon Fraser); nor was he the last person executed within the Tower (that distinction belongs to World War II spy Josef Jakobs, who was not beheaded but shot).
Weary and depressed, Elizabeth died little more than two years afterwards.
* There’s a mind-bending speculative hypothesis out there — cousin to the Shakespeare-focused Prince Tudor theory — that Essex was actually Elizabeth’s secret, illegitimate son. This secret history is obviously more congenial with the queen’s early favoritism for Essex than with her eventually chopping off his head.
** Essex was also a distant cousin of Elizabeth herself: his maternal great-grandmother was Mary Boleyn, sister of Anne Boleyn — who was Elizabeth’s mother.
† Walter Raleigh was a notable Cecil ally in this factional conflict. Raleigh attended Essex’s execution … and, of course, shared that fate many years afterwards.
‡ Elizabeth was nearing age 70; her childless death was imminent. James VI of Scotland was being vetted by Robert Cecil as the successor. Essex tried to stick his thumb in the pie by warning James that the Cecil faction would conspire to foist the English crown on the Spanish infanta — daughter of the Spanish king who had been the Catholic Mary Tudor’s husband. (The infanta was not Mary’s own daughter.) This was no idle threat, as at this point it was only a few years since the Spanish Armada had sallied for English seas.
§ Another noteworthy Shakespeare connection: one of the participants in the Essex Rebellion was the Earl of Southampton (he was spared execution). Southampton, whose given name was Henry Wriothesley, is often identified as the “Fair Youth” to whom Shakespeare dedicated numerous love sonnets. (Some of those are directly addressed to a Mr. “W.H.”)
Niccolo Machiavelli‘s exile from Florentine politics — and subsequent entry into the intellectual canon — was cinched this date in 1513 when two of his friends (or possibly co-conspirators) were executed for a plot against the Medici.
Days after that stern friar burned to ashes on the Piazza della Signoria, Machiavelli was named the secondo segretario fiorentino,* alongside a primo segretario counterpart, the older and more cautious Marcello Virgilio Adriani.
What a moment this was to be a Florentine! The mighty Medici had been chased out of Florence and with the fall of Savonarola and his grim morals police the humanist dream of a classical republic suddenly seemed within grasp.
Machiavelli was just 29 years old when he reached this office, bursting with a patriot’s reckless exuberance — and a virile young man’s hedonism. He delighted in whores and in boozing around with his Chancery cronies Agostino Vespucci** and Biagio Buonaccorsi.
The correspondence of these indiscreet young Turks fill with profane and cutting takes on the leading citizens of Florence; Machiavelli, who was known in his own time as a playwright and not a political philosopher, was even bold enough to put such ridicule in print. The 1504 play Le Maschere is tragically lost, but by surviving accounts it lampooned “under feigned names, many citizens who were still living.”†
A few books about Niccolo Machiavelli
While not scribbling pasquinades and getting laid, the Second Secretary had matters of state to attend to. We have met him in these pages, as the Florentine ambassador to the court of Cesare Borgia; Machiavelli could not help but admire the condottiero‘s ruthlessness. Machiavelli also represented Florence in Rome, Spain and France.
Showing an equal aptitude for politics by other means, Machiavelli moved the Florentine military muscle towards a citizen militia, presciently replacing its dependence on mercenaries. In 1509 this force captured Pisa.
But Machiavelli’s excessive regard for this strategic advance married to his excessive affinity for the republic of Piero Soderini undid him in the end. While the First Secretary, Adriani, quietly cultivated contacts of various political persuasions, Machiavelli went all in against the stirring Medicean party. This became a problem when the fortunes of peninsular war drove Florence’s French allies away, leaving the city ripe for recapture by Giuliano de’ Medici, who also happened to be the brother of the pope in waiting.
In 1512, a hastily-assembled city militia of about three or four thousand infantry and 100 men-at-arms met an overwhelming Spanish-Papal-Medicean force at Prato. Scrambling to defend a lost cause, Machiavelli had mustered about a third of the militia and was trying to organize the city’s defenses. Florence’s crushing defeat in this battle and the ensuing civic massacre in Prato (with “countless murders, sacrileges and rapes”) convinced the Florentines to depose Piero Soderini and throw open the gates to Giuliano de’ Medici.
This was the end of Machiavelli the statesman … and, of course, the birth of Machiavelli the philosopher. The ensuing 15 years’ frustrating exile left him no other outlet for his political passions save his pen; needless to say, works like The Prince and Discourses on Livy retain exalted seats in the canon down to the present day. (They made little impression on Machiavelli’s contemporaries; Florentines still knew him for the plays he kept writing.)
A few books by Niccolo Machiavelli
When eveniing comes, I return home and enter my study; on the threshold I take off my workday clothes, covered with mud and dirt, and put on the garments of the court and palace. Fitted out appropriately, I step inside the venerable courts of the ancients, where I nourish myself on that food that alone is mine and for which I was born; where I am unashamed to converse with them and to question them about the motives for their actions, and they, out of their human kindness, answer me. And for four hours at a time I feel no boredom, I forget all my troubles, I do not dread poverty, and I am not terrified of death. I metamorphose into them completely.
-Machiavelli, December 10, 1513
The cautious primo segretario Adriani, who could better see where the winds were blowing, survived the transition by having the wisdom not to align himself with the losing party. Whatever the verdict of posterity, the 1510s were Adriani’s time to bask in the center of events while Machiavelli did his work of ages in obscurity.
But what cinched Machiavelli’s unhappy permanent banishment from Florentine politics — notwithstanding unctuous expedients like dedicating The Prince to the Medici ruler — were the events culminating in two February 23, 1513 beheadings.
Machiavelli had been dismissed in November 1512. Four months later, a nascent (or wildly exaggerated) anti-Medici conspiracy led by a republican named Pietro Boscoli came to light. Its chief, and paltry, evidence was little more than a written list of around 20 fellow-travelers, upon which appeared the name of Niccolo Machiavelli. It’s more than likely that the “treason” amounted to little more than the idle chatter of some disaffected republicans, but after a generation in exile the newly restored Medici dynasty wasn’t taking any chances.
For the onetime Second Secretary, this meant prison and torture by the strappado. Three months on, he was released to his estate with no political succor save the haunts in his head.
But the head he got to keep — and that was better than one could say for Pietro Boscoli.
Boscoli and one Agostino Capponi were beheaded early in the morning of February 23, a bare eight hours after their death sentences were announced. Their last hours were recorded as a Recitazione by a young friend named Luca della Robbia: the tender Passion scene of Boscoli in particular struggling to come to grips with his shockingly sudden fates. The full narrative can be found in translation by Alison Knowles Frazier in The Art of Executing Well: Rituals of Execution in Renaissance Italy. We excerpt a little taste below:
At about 8 o’clock, having had his supper, Boscoli was brought with his legs in irons to the chapel where … he was told that he had to die …
Pietro Paolo cried out “Oh Pietro Paolo, oh poor Pietro Paolo! What has become of you!”
Poor Pietro Paolo struggles on here for 15-odd pages in evident anguish, veering between practical considerations of the family he is leaving behind and whom to rustle up as his last-minute confessor, and his uncertain spiritual readiness for death (he was particularly upset at being told of his fate after dinner, for “I am too loaded down with food, and I have eaten salty things, so that I don’t feel able to join my spirit to God”). Della Robbia stays with him the whole time; in the latter’s introduction, he says he “noted diligently all his words, both questions and replies, and kept them in my memory … that such a great and well-formed example of strength and spiritedness would not be lost” and recorded them faithfully later on.
By the end, Boscoli has reconciled his mind to the scaffold.
He is escorted down the stairs from the chapel of the Bargello to its interior courtyard where
leaving the first step, he encountered the Confraternity’s‡ crucifix.
“What am I to do?” [Boscoli] said.
“This is your captain, who comes to arm you,” the friar responded. “Greet him, honor him, ask him to make you strong.”
Then he said, “Greetings, Lord Jesus. I adore you, hanging on the cross. Make me, I beg you, like to your Passion. True Lord, I ask you for peace.”
“Okay, yes,” the friar replied, “Your ear heard the preparations …,” and told him once again the three things.§
And he answered, and said, “‘Let your ear hear the preparation of my heart, Lord Jesus.'”
Then the execution, because he wanted to put a kerchief over his eyes, asked his forgiveness and offered to pray to God for him.
“Go ahead and do your duty,” Pietro Paolo said. “And when you have put me at the block, leave me like that for a bit and then finish me off, and that you pray God for me, I accept.”
The reason why he asked for a little time at the block, was that he had all night long always desired a great joining with God and he didn’t feel that he had achieved it as he desired, so that he hoped in that last moment to make a great effort and so to offer himself wholly to God …
Agostino Capponi, whom della Robbia has seen only glancingly over his long narrative, follows Boscoli. Although Capponi required two blows of the executioner’s blade, he perhaps went into the hereafter with a soul better at peace — for he “retained on his face a certain wry expression, perhaps not distant from true sincerity.”
† Landon says the primo segretario Adriani encouraged Machiavelli to publish this play, even though Adriani himself is one of its targets — in Landon’s view, because Adriani was playing a long game for power, and revenge: quietly encouraging Machiavelli’s excesses while positioning himself politically to profit from his consequent fall.
§ Shortly before proceeding to execution, Boscoli steeled himself for the ordeal by resolving that “In this journey I have to have three things. I have to believe the faith. I have to have firm hope that God will pardon me. And the third is that I have to suffer this death for love of Christ and not for others.”
On this date in 205, the Roman patrician Gaius Fulvius Plautianus was put to summary execution for aspiring to the purple.
Maternal cousin and longtime ally to Septimius Severus, Plautianus had helped himself to a generous slice of power and wealth when his friend became emperor. He got his bristly mug onto imperial coinage and even dynastically married his daughter to Severus’s nasty son and heir* Caracalla.
And so liberally did Plautianus wet his beak on the perquisites of this power that, Cassius Dio reports, “the populace in the Circus once exclaimed: ‘Why do you tremble? Why are you pale? You possess more than do the three.'” The three meant Severus himself and his two sons.
Severus for a time blithely ignored his friend’s aggrandizement, and Plautianus made the political personal by appropriating for himself the estates of numerous senators whose proscription he helped Severus implement.
But the enormous influence of his prefect soon began to present a threat that the emperor could not afford to ignore. In the coming years of the Third Century Crisis, this pattern would repeat itself with numbing regularity: the prestige of some figure would raise the prospect of his seizing the throne; the mere possibility would then thrust sovereign and potential usurper into a destructive mutual dash towards pre-emptive violence.
It’s anyone’s guess whether Plautianus was already contemplating a putsch as the natural progression of his authority, but the decision was made for him by the contempt with which Caracalla treated that daughter he’d been made to marry. The heir “was exceedingly hostile to the the girl, and to her father too,” and even “daily promised to kill her and her father as soon as he became sole ruler of the empire.” (Herodian of Antioch)
Resolving to strike before the young hothead was in a position to effect his threats, Plautianus allegedly engaged one of his loyal servants to assassinate the imperial family.**
The plot was instead betrayed, and Plautianus was produced before his former colleague to be handled as they had once handled those proscribed senators. After his immediate execution, his body was cast into the streets and Caracalla’s unwanted wife sent to a miserable exile.†
The History of Rome podcast covers the reign of Severus and the fate of Plautianus in episode 101, “And All Was of Little Value”.
* Co-heir, with his brother Geta — whom Caracalla murdered at the first opportunity after dear old dad died.
** The would-be assassin presented Severus with a written order for his death in the hand of his master. Cassius Dio quite justly suspects this a stitch-up: “These circumstances in particular betrayed the fraud; for Plautianus would never have dared to give such instructions either to ten centurions at once, or in Rome, or in the palace, or on that day, or at that hour, and especially not in writing.”
Dramatization of events in this post for the video game-derived film Assassin’s Creed: Lineage.
On this date in 1477, the assassins of the Duke of Milan suffered bitter death for fame eternal.
Famous for both his astute political machinations and for cruelty verging on the sadistic, Galeazzo Maria Sforza inherited leadership of Milan in at the age of 22 with the passing of his father, the great condottieroFrancesco Sforza.
Francesco, the founder of the Sforza dynasty, had dynastically married himself to one Bianca Maria Visconti, a daughter of Milan’s previous ruling house.* But not all of the Visconti were at home with the Sforza.
A brash young man of that noble family, Carlo Visconti, as full of humanistic idealism as he was of bile for the licentious Duke’s alleged violation of his sister, joined a conspiracy also compassing two other gentlemen, Giovanni Andrea Lampugnani and Gerolamo Olgiati, to do Galeazzo Sforza to death.
At a St. Stephen’s Day service in the a basilica christened to Stephen Lampugnani approached the prince feigning supplication for some audience, then produced a hidden blade and stabbed Galeazzo Sforza. Visconti and Olgiati then rushed on Sforza as well and before anyone realized what was happening the Duke, croaking some half-heard invocation of Mary, was falling dead on the church floor.
Illustration of Galeazzo Sforza’s murder on the title page of a 1476 Lament for the Duke decrying the assassination.
Pandemonium ensued, and in the ensuing helter-skelter, Sforza’s bodyguards fell on Lampugnani and killed him on the spot, while Olgiati managed to escape.**
“It now only remains for us to consider those dangers which follow after the execution of a plot,” Machiavelli mused in his “Of Conspiracies” typology of his Discourses. “These in fact resolve themselves into one, namely, that some should survive who will avenge the death of the murdered prince. The part of avenger is likely to be assumed by a son, a brother, or other kinsman of the deceased.”
The assassins of the Duke of Milan appear not to have burdened themselves overmuch with advance consideration of this danger, possibly indulging the dream of Brutus that by a dagger’s stroke alone they could restore the lost republic.
Needless to say, this beautiful hope vanished in the bloody revenge carnival that actually ensued the murder. Just a few days after the assassination, having taken refuge with a priest — his justly frightened family had closed its door on him and needed to make theatrical denunciations of his treason for their own safety — Olgiati was captured, put to a torturous interrogation, and publicly butchered. He had outlived the Duke by only a week, and his gashed carcass was hung up in sections around town by way of warning. The rotting heads of the conspirators remained impaled on lances on the city’s bell tower well into the 1490s.
According once again to Machiavelli, Olgiati “exhibited no less composure at his death than resolution in his previous conduct, for being stripped of his apparel, and in the hands of the executioner, who stood by with the sword unsheathed, ready to deprive him of life, he repeated the following words, in the Latin tongue, in which he was well versed
“‘Mors acerba, fama perpetua, stabit vetus memoria facti.'”
‘Death is bitter but fame is eternal, and the memory of the deed will endure.’
This attempt, quixotic and doomed, to depose an Italian tyrant by murdering him in church might well have formed the blueprint for a similar plot in Florence in 1478, the Pazzi conspiracy. That version was even less successful than its Milanese predecessor: at least Olgiati and company could say that they actually managed to kill their target before everything else hit the fan.
And republic or not, Sforza’s murder did shake up the polity. It put the Duchy of Milan in the hands of his wife, as the unsteady regent of a seven-year-old heir. A few years later, the late duke’s brother Ludovico displaced the regent and effectively bossed Milan until the French imprisoned him in 1500 during the Italian Wars.
While he had the run of the place, Ludovico Sforza commissioned of Leonardo da Vinci a monumental equestrian statue in memory of his brother that da Vinci never finished.† Quite strangely, the master’s notes were plumbed by a 20th century Pennsylvania airline pilot who dedicated the latter part of his life to actually casting “Leonardo’s Horse”.
** There is a positively maddening inconsistency, thus far irresolvable for this author, between accounts (here’s one example | and another) asserting that Carlo Visconti was slain by Sforza’s bodyguards directly after the assassination, and other accounts (like Gregory Lubkin’s 1994 history of Sforza’s Milan) that put Visconti on the scaffold beside Olgiati.
† Da Vinci’s ponderously slow progress on this high-profile project led Michelangelo to cattily impugn the rival artist’s bronze-casting aptitude.
Actually, although your guess is spot on for the instance at hand, overlapping kin networks and cutthroat politicking made for an indistinct border between Lancastrians and Yorkists that some actors willingly crisscrossed. Richard Neville’s cousin Thomas Neville, for example, was a Lancastrian, who switched to the Yorkists, and then switched back to the Lancastrians. All this goes to show the treacherous environment for nobles who could go from the orbit of royal power themselves straight to the headsman’s block with each new battlefield reversal. And Salisbury, he was Team White Rose* right on down the line.
(The Neville family’s running feud with their fellow northern magnates, the Percys, helped to catalyze the York-Lancaster rivalry into open warfare.)
Salisbury led the Yorkist side to a notable early victory at the September 1459 Battle of Blore Heath, cunningly baiting the Lancastrians into a disadvantageous charge across a brook by feigning retreat. Then, runs Hall’s chronicle, “the Earl of Salisbury, which knew the sleights, strategies and policies of warlike affairs, suddenly returned, and shortly encountered with the Lord Audley and his chief captains, ere the residue of his army could pass the water … [and] so eagerly fought, that they slew the [Lancastrian commander] Lord Audley, and all his captains, and discomfited all the remnant of his people.”
The Yorkists didn’t do as well at the Battle of Ludford Bridge three weeks later and their leaders (Salisbury included) had to flee England to regroup.
This 1459-1461 period has especially rapid reversals of fortune for the contending parties in the Wars of the Roses, who seemed to alternate between them the results of the latest battle and with it the leadership of England.
As the most recent losers, Salisbury and his son, the Earl of Warwick — known as the “kingmaker”, this younger Richard Neville was one of the pivotal figures of the dynastic wars — had to flee England with many of the Yorkist leaders. But they mounted a re-invasion from Calais where Warwick was constable and the Nevilles pere and fils led separate columns that overran London, and captured the Lancastrian King Henry VI. Suddenly, the ex-fugitive York was the Lord Protector, England’s de facto ruler, and its de jure successor.
But as had been the case one year before, fickle Fortune abandoned the House of York almost immediately after raising it up. Two months later, their forces ventured battle with a much larger army of the regrouping Lancastrians; as night fell on December 30, 1460, York himself lay dead in his armor while his kinsman Salisbury was a prisoner with just hours left to live.
This was, of course, very far from the end for the Yorkist party, for both men left their causes to capable heirs. York’s 18-year-old son Edward inherited his father’s claims to the throne of England; together with Warwick, they counterattacked and crushed the Lancastrians at Towton on March 29, 1461** — finally deposing Henry VI and enthroning York’s eldest son as King Edward IV.
** The undercard fight to Towton was February’s Battle of Mortimer’s Cross, which also featured a crushing defeat of the Lancastrians — led on that occasion by a commander whom the Yorkists subsequently put to death, Owen Tudor.
Against any odds one could care to name, it was this Owen Tudor’s descendant who would eventually emerge from the Wars of the Roses as England’s legitimate-ish king, Henry VII — founder of the Tudor dynasty so very fruitful for this here execution blog.
On this date in 1937, the Georgian poet Titsian Tabidze was executed in Stalin’s purges.
“Titsiani”, who co-founded the “Blue Horns” symbolist circle in 1916, is the addressee of fellow dissident litterateur Boris Pasternak’s Letters to a Georgian Friend.
“There is as much soul in his poetry as there was in him, a reserved and complicated soul, wholly attracted to the good and capable of clairvoyance and self-sacrifice,” Pasternak would remember of his comrade. “The memory of Tabidze puts me in mind of the country; landscapes rise in my imagination, the waves of the sea and a vast flowering plain; clouds drifting in a row and, behind them in the distance, mountains rising to the same level.”
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette
Were French, and famous people, as we know;
And there were others, scarce forgotten yet,
Joubert, Hoche Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.
Avant-garde ideas like political power redistributed to reflect “the new distribution of wealth” were just the sort of revolution that a wealthy lawyer could get behind.
Duly elected at the ripe old age of 27 to France’s watershed (and last) Estates-General of 1789, Barnave was a very early member of the Jacobin Club. You know, before it was cool.
Barnave’s genteel vision of the Revolution transferring the estates of the ancien regime into the mercantile hands of his friends in the bourgeoisie fell spectacularly to pieces in 1791.
That April, Mirabeau died. He was Barnave’s great debating rival in the Jacobin Club, but both men actually represented the same fundamental persuasion: constitutional monarchy. Needless to say, this Revolution was not built to halt at that particular milepost.
Within mere weeks, almost as if the players had been awaiting the literal death of Mirabeau’s moderation, events hurtled past Barnave’s sensibilities. The desperate royal family made its ill-chosen flight to Varennes in June, and the well-regarded Barnave was one of the Constituent Assembly delegates sent to escort Louis XVI back to a Paris now boiling with republican sentiment. Did not the sovereign’s literally attempting to desert from his patrimony entail an abandonment of his station?
In perhaps the pinnacle of Barnave’s rich career in political oratory, he delivered to the National Assembly on July 15 a thundering no to that proposition, challenging his fellow delegates to choose “between attachment to the Constitution and resentment against a man.”
I ask to-day of him among you who may have conceived every kind of prepossession and the deepest and most violent resentment against the executive power — I ask him to tell us whether his anger with that power is greater than his attachment to the law of his country.
Those who would thus sacrifice the Constitution to their resentment against one man seem to me far too liable to sacrifice liberty in their enthusiasm for another; and since they love a republic, now is the time to say to them: How can you wish for a republic in a nation where you hope that the action, easily pardoned after all, of an individual who has much to plead in his justification, that the action of an individual, who though certain qualities of his are now condemned, long possessed the people’s affection — when, I say, you hoped that the deed he has done might change our Government, how was it that you were not afraid that this same variableness of the people, if once they were moved by enthusiasm for a great man, by gratitude for great deeds — because the French nation, you know it, can love much better than it can hate — would overthrow your absurd republic in one day? (Source)
Barnave, to his grief, was entirely clear on what he desired in July of 1791: “all change is fatal now; all prolongation of the Revolution is disastrous now; the real question to my thinking is this, and the national interest is bound up with it; are we going to end the Revolution, or are we going to begin it again?”
His speech carried the motion on July 15th: Louis remained king. Still, the Revolution did not exit into past tense on Barnave’s say-so, and certainly not on so insubstantial a basis as “a resolve to be peaceful, a common resolve, a drawing together.”
He had the applause of the Assembly, which printed his speech for national distribution. But tempestuous debates broke out in Jacobin clubs and other radical circles, and amid intemperate accusations of treasonable conduct by the all-change-is-fatal-now crowd there were oaths sworn never to recognize the kingship of Louis XVI.
On July 17, a huge crowd led by Georges Danton filled the Champs de Mars to petition Louis’s removal. And in response to the Jacobin Club’s announced intention to support this demonstration — which turned into a galvanizing massacre when the Marquis de Lafayette had his national guardsmen fire on the protesters — Barnave with his friends and political allies Adrien Duport and Alexandre Lameth dramatically abandoned the Jacobins and split off the rival Feuillants.
In their day, this so-called “triumvirate” had been the Jacbins’ left wing. By now, they were the the revolution’s conservatives: the monarchists against the republicans, and the guys who liked the Revolution’s existing changes just fine.
“If the Revolution takes one more step, it cannot do so without danger,” Barnave intoned in that July 15 address of his. (Source) “If it is in the direction of liberty, the first act to follow could be the destruction of royalty; if it is in the direction of equality, the first act to follow could be the violation of property … is there still to be destroyed an aristocracy other than that of property?”**
Not everyone found those one-more-steps quite so terrible to contemplate as did the the silver-tongued Grenoble barrister.
Political cartoon of the Janus-faced Barnave — the man of the people in 1789, turned the man of the royal court in 1791.
If we have the luxury from posterity to smile at the notion of the Revolution’s peacably halting itself in 1791, the Feuillants had cause in their moment to think they could pull the trick.
Their move at first dramatically weakened the Jacobins, as the ranks of moderates flocked to Barnave’s prestige and eloquence. The Paris Jacobin Club lost three-quarters of its membership almost overnight, and most of its Assembly deputies. Public sentiment, at least so well as its contemporaries could discern, veered towards Barnave as well, and he was able to finalize the long-awaited Constitution of September 1791 preserving a number of important executive powers for the king’s own person.
The period of governance under that constitution opened with an address by the king that Barnave had written for him; its first few months are the “Feuillant Ministry”. Barnave was the beleaguered royal family’s chief advisor in this period.
But the Feuillant Ministry was crumbling almost from its inception. Its supporting club was founded on abhorrence for the popular politics whose force was still being uncovered in the Revolution; Barnave wanted nothing so much as the end of such societies altogether. So while the monarchists had secretaries exchanging delegated backslaps at private confabs, the reduced Jacobins — now the most passionate rump, helpfully purged of their milquetoast liberals — redoubled themselves under the sway of men like Marat and Robespierre. Barnave’s apparent alignment with the now-constitutional monarch gave legs to the “royalist” charge that was more and more laid at his feet, and Jacobin Clubs soon began receiving as prodigals former members who had found their dalliances with the Feuillants unsatisfactory.
Barnave and his faction came under relentless siege by pamphleteers, journalists, and radical democrats. One wonders if, in the end, Barnave took some cold comfort in having seen an implacable antagonist like Brissot precede him to the guillotine when his own Girondin faction, formerly the fire-eaters, tipped over the Revolution’s starboard bulwarks.
The hounded Barnave retired to Grenoble in January 1792 by which time the constitution he had so diligently promulgated had already virtually ceased to function, and he himself lost influence with both the king and the Assembly. In the months to follow the war tocsin undid his fellow-constitutionalists remaining in Paris. Consigned to the sidelines, their faction was arrested as royalists after the August 10, 1792 overthrow of the Bourbons.
Barnave’s papers were inventoried for hints of treasonable correspondence with the fallen king and queen, but as the curtain had not yet raised on the Terror — and Barnave had not been deported to the prisons of the capital in time for the September Massacres — he had an uncommonly lengthy period of political imprisonment. Barnave exercised this time composing his De la Révolution et de la Constitution (later published as Introduction à la révolution française), an economic history arguing that the rise of industry and manufacturing had transferred the leading role from France’s aristocrats to her bourgeoisie.
With the onset of the Terror, he was shipped to Paris to face treason charges owing to correspondence with Marie Antoinette, where his famous oratory took its last public turn for an audience that had stopped up its ears.
Finally, citizens, I recall this to you; I might have left France in all safety. Perhaps those who still love me will have reason to lament that I did not do what was so easy for me; but, whatever happens, I shall not have to reproach myself with having challenged the judges of my country, with having cast doubts on their integrity, their justice. I shall be sacrificed perhaps, but I had rather owe my ruin to human error than have pronounced my own condemnation. I shall carry to the scaffold the same calmness which you have seen me show in the debate, and to the last moment I shall pray for the welfare of my country. (Source)
He was beheaded with four other people at the Place de la Revolution on the morning of the very next day.
* It later emerged that Mirabeau was being paid by the royalist party.
** One of the steps towards equality so troubling to Barnave had been a push among Jacobin radicals to resolve upon the emancipation of black slaves in the colonies. Fretting the loss of, e.g., the lucrative sugar revenues of Saint-Domingue (Haiti), Barnave staunchly opposed this; he was one of the leading lights of the pro-slavery Massiac Club. (French link)
On this date in 1936, the Spanish Republicans shot Don José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquis of Estella, Grandee of Spain.
The son of Spain’s 1920s dictator, Primo de Rivera founded in 1933 the Falange, Spain’s native fascist movement.
At the October 29 founding convention that year at Madrid’s Theatre of Comedy, Primo de Rivera scathingly pilloried the wan democratic rituals that coming years’ conflict would sweep aside. “The most ruinous system of wasted energy,” he jeered at liberal democracy, where men with leadership waste their talents in hollow electoral hustling and parliamentary rigmarole while the nonsensical ephemeral whims of a formless plurality pass for the vision he attributed to the time before Rousseau ruined everything. “What alone mattered to the liberal state was that a certain number of gentlemen be sitting at the polling station, that the voting start at eight o’clock and end at four, that the ballot boxes not get smashed — when being smashed is the noblest aspiration of all ballot boxes.” (The full speech is available in Spanish here.)
Primo de Rivera espoused for Falangismo the same impulses — of unity, of destiny, of national rebirth, of the triumphant collective — that animated Europe’s similar extreme right stirrings in those years. Only 35 years before, Spain had lost her empire
In a poetic sweep we will raise this fervent devotion to Spain; we will make sacrifices, we will renounce the easy life and we will triumph, a triumph that — you know this well — we shall not obtain in the upcoming elections. In these elections vote the lesser evil. But your Spain will not be born out of them, nor does our frame for action reside there. That is a murky atmosphere, spent, like a tavern’s after a night of dissipation. Our station is not there. I am a candidate, yes, but I take part in these elections without faith or respect. And I say this now, when so doing may cost me every vote. I couldn’t care less. We are not going to squabble with the establishment over the unsavory left-overs of a soiled banquet. Our station is outside though we may provisionally pass by the other one. Our place is out in the clear air, beneath a moonlit sky, cradling a rifle, and the stars overhead. Let the others party on. We stand outside vigilant; earnest and self-confident we divine the sunrise in the joy of our hearts.
Unlike the Naziism in Germany or Fascism in Italy, Falangism never grew into a force capable of conquering state power itself. Just thirty-three months after Primo de Rivera’s founding address, the Spanish Civil War erupted. The Falangists’ alliance with Francisco Franco — after the war, they would be combined with the Carlists into the only legal political association* in Francoist Spain — spelled great gains for their membership rolls but it was still the General who called the shots.**
Primo de Rivera’s share in this alliance was a voluptuous cult of personality as Spain’s preeminent right-wing martyr, fine posthumous work if you can get it mitigated only by the necessity of undergoing the martyrdom. The fascist prophet was already in prison at the time Franco struck the first blow of the war: he’d been arrested in Madrid on weapons charges. From his cell he carried on a brazen correspondence with Nationalists conniving to subvert the hated Spanish Republic, and when his activities were discovered and prosecuted that autumn in light of Franco’s July revolt they could scarcely have been better framed to incur the utmost measure of judicial wrath.
In consequence of his martyrdom, November 20 remains down to the present a hallowed day for the far right in Spain.
“Cara al Sol” (“Facing the Sun”) is the Falangist anthem; the lyrics are generally credited to Primo de Rivera.
* The Falange Española Tradicionalista y de las Juntas de Ofensiva Nacional-Sindicalista, or “Spanish Traditionalist Phalanx of the Assemblies of National-Syndicalist Offensive” (FET y de las JONS) — or less exhaustingly, the Movimiento Nacional (National Movement).
** Primo de Rivera and Franco didn’t like each other much personally, either.
On this date in 1329, Italian condottiero Alberghettino II Manfredi was beheaded in Bologna.
Fruit of the Manfredi family, the lords of Faenza. Posterity doesn’t know a tremendous amount about Alberghettino, but one can infer a certain state of mind from his actions. While dad ran Faenza, his brother Ricciardo was on the condottiero cursus honorum as the temporary captain of nearby Imola.
He enjoyed a temporary run of the place from 1327-28 but was ousted by papal troops.
Forced to retire to Bologna, he returned immediately to conspiring with an attempt to make Bologna’s first man L-o-u-i-s, as in the Holy Roman Emperor Ludwig IV — at that moment barging about the Italic peninsula setting up antipopes.
That plot, too, failed. After that, on top of all his other woes, Alberghettino stood a head shorter than his more fortune-favored relations.