2005: Han Bok-nam, whose death was illicitly filmed

On this date in 2005, at an outdoor trial near Yuson, North Korea, Han Bok-nam was sentenced to death for trafficking across the nearby Chinese border and immediately executed by firing squad.

Hard information on death sentences from the opaque People’s Republic is notoriously rare on the ground. This day’s execution, and two in a nearby location the previous day, became known thanks to an illicit video smuggled out of the country in the following weeks — a gutsy operation that might well have exposed its perpetrators to a death sentence of their own had they been detected.

The 12-minute film — showing bicycle-riding citizens summoned to attend the grisly spectacle for maximum salutary effect — made international headlines and proved at least a momentary embarrassment for Pyongyang. This three-minute excerpt of the events of March 2 has been made freely available with English narration.

Caution: This video contains graphic footage.

On this day..

1877: Jack McCall, Wild Bill’s murderer

On this date in 1877, Jack McCall was hanged in Yankton, South Dakota, for the murder of Wild Bill Hickok.

It was the most notorious crime in the old west: the legendary gunfighter and lawman shot from behind playing poker in the gold rush town Deadwood, S.D. on August 2, 1876.

McCall‘s grievance against Wild Bill remains unclear, which seems no less than properly atmospheric. One version has him losing at cards to Hickok the night before the murder, then humiliated to accept Hickok’s charity for his evening meal. Since Deadwood sprang up on Lakota Sioux land in defiance of treaty obligations and thus was an outlaw settlement without legal oversight, McCall might also have been engaged by another party to eliminate the town’s de facto source of law further to some private profit.

That speculation gains some circumstantial support from the surprising proceedings the following day. An impromptu “miner’s court” acquitted McCall — the defendant claimed to have been avenging the murder of a brother who does not seem to have ever existed at all — of a murder they plainly knew he committed. This obliging verdict prompted a newspaper to remark,

Should it ever be our misfortune to kill a man … we would simply ask that our trial may take place in some of the mining camps of these hills.

McCall made for Wyoming, but couldn’t resist boasting of his famous crime, which was known to have graduated into a fair gunfight in his retelling. The times and the lands were unsettled enough that with an ounce of discretion he might have vanished. Instead, his loose lips got him nabbed by a federal marshal and extradited back to South Dakota — where he learned that the miner’s court verdict of an illicit settlement didn’t count as a legal acquittal for purposes of double jeopardy.

His hanging this morning — with the pertinent last words, “draw it tighter, Marshal” — was the first legal execution in South Dakota.

Like the reason for his one memorable act, McCall was an obscure character; his background was uncertain even when he lived. It was only through his victim that he left an imprint: he certainly elevated the legend of Hickok, whose cinematic demise also bequeathed to the arcane poker argot the term “dead man’s hand” — a pair of aces and a pair of eights (or more specifically, the black aces and black eights; the fifth card is uncertain) — after the last hand of cards Wild Bill ever held.

The dead man’s hand. Image used with permission.

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1528: Patrick Hamilton, Scotland’s first Protestant

On this date in 1528, Lutheran Patrick Hamilton was condemned to death for heresy and immediately* burned at the stake outside St. Salvator’s Chapel in St. Andrews, Scotland.

The “first reformer” of Scotland — and practically the only one of note during the Reformation’s earliest phase — Hamilton sprang from noble stock and was studying in Paris just when Martin Luther’s doctrines roiled Europe’s ecclesiastical scene.

He traveled widely on the continent, visiting Luther himself along with a passel of the era’s humanists and reformers, returning to Scotland late in 1527 on what looks like the missionary equivalent of a suicide mission. Given a few weeks’ latitude to pontificate publicly, he had armed the guardians of the faith with more than enough evidence of his heterodoxy.

Hamilton was alive to the public relations potential of a gaudy public death for the faith. And he was right.

An opposing prelate would soon caution against making similar examples, noticing that “the reek of Maister Patrik Hammyltoun has infected as many as it blew upon.” In his ashes glowed the ember that would ignite the Scottish Reformation. The young** martyr bequeathed it his nation’s first Protestant text, Patrike’s Places

Nor is Hamilton’s legacy in St. Andrew’s strictly theological. The spot of his passion is marked with the initials “P.H.” on the street — a modest but powerful public testament to the courageous young man’s (ultimately fruitful) sacrifice.

* Though the sentence was put into effect immediately, a paucity of fuel made a weak fire, and Hamilton’s death consumed six agonizing hours on the spit.

** Only 23 or 24 at his death.

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1902: Harry “Breaker” Morant and Peter Handcock, “scapegoats for Empire”

On this date in 1902, two Australian officers were shot in virtual secrecy at Pretoria for atrocities they committed in service of the crown during the Second Boer War.

Harry “Breaker” Morant — he got the nickname from his aptitude with horses — was the famous one of the pair and the reason the date is so well-known to posterity as to merit its own cinematic treatment (review):

A colorful son of the Commonwealth’s hardscrabble strata, Breaker Morant led a life that has been improved into mythology, not least by his own efforts. Impoverished but educated, he migrated in 1883 from England to Australia where he carved out a larger-than-life profile as a bush poet, married the (subsequently) famous anthropologist Daisy Bates and eventually — fatefully — volunteered for service in South Africa.

The Second Boer War, Britain’s (ultimately successful) fight to corral the Dutch-descended Boer republics into the empire, started sunnily enough for the English, but as the Boers abandoned a conventional war they could not win and adopted guerrilla tactics, it descended into an exceedingly dirty conflict — notable for Britain’s pioneering use of concentration camps.

It was also notable for savagery between combatants. When Morant’s best friend in the unit was tortured and mutilated by Boer guerrillas, the poet went on a rampage, ordering a number of prisoners’ summary executions over a period of weeks. It was for this that he and his confederate were shot this day. The fact of his confinement was not communicated to the Australian government; Peter Handcock’s wife only learned of his execution weeks later, from press reports.

The defendants maintained that there was a standing order from the top to kill any Boer caught wearing British khaki, a tactic the Boers were known to employ, and that the order was frequently enforced. Though the prosecution strenuously maintained otherwise at trial, the existence of that (unwritten) directive has become accepted to posterity.

What remains murky is the matter of why — why these two, why now? And is Breaker Morant a hero or a villain? Those questions are also prisms for the many currents of Morant’s case so strikingly prescient for the century that lay ahead.*

Asymmetric warfare and the legal status of guerrillas. Human rights and war crimes. Corruption and plausible deniability. The moral culpability of subordinates for the orders of the brass. And certainly all the contradictory forces of empire and resistance entailed by an Australian adventurer shot by a Scottish detachment for killing Dutchmen in Africa at the behest of London.** It was an old-time colonial war in a world becoming, for we of the early 21st century, recognizably modern.

Hard-living to his dying breath, Morant stayed up the night before he was shot scribbling his last poem — piquantly titled “Butchered to Make a Dutchman’s Holiday”.

In prison cell I sadly sit,
A d__d crest-fallen chappie!
And own to you I feel a bit-
A little bit – unhappy!

It really ain’t the place nor time
To reel off rhyming diction –
But yet we’ll write a final rhyme
Whilst waiting cru-ci-fixion!

No matter what “end” they decide –
Quick-lime or “b’iling ile,” sir?
We’ll do our best when crucified
To finish off in style, sir!

But we bequeath a parting tip
For sound advice of such men,
Who come across in transport ship
To polish off the Dutchmen!

If you encounter any Boers
You really must not loot ’em!
And if you wish to leave these shores,
For pity’s sake, DON’T SHOOT ‘EM!!

And if you’d earn a D.S.O.,
Why every British sinner
Should know the proper way to go
Is: “ASK THE BOER TO DINNER!”

Let’s toss a bumper down our throat, –
Before we pass to Heaven,
And toast: “The trim-set petticoat
We leave behind in Devon.”

His last words were hurled at his firing squad: “Shoot straight, you bastards! Don’t make a mess of it!”

* It is no coincidence that the Australian film excerpted in this post was released while the Vietnam War was still a fresh memory.

** Breaker Morant’s memory would develop into a point of Australian suspicion towards the British military, especially after Morant’s persecutor helped author World War I’s infamous hecatomb of Australian (and New Zealand) troops at Gallipoli. Morant and Handcock turned out to be the last Australians executed by the British military.

Update: Via Airminded, an Australian history program took a skeptical look at the Breaker Morant myth a few years ago.

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1853: János Libényi, who stabbed an emperor and built a church

On this date in 1853, eight days after attempting to assassinate Austrian Emperor Franz Joseph I, Hungarian nationalist János Libényi was hanged on Vienna’s Simmeringer Haide (the link is in German).

Libenyi was hardly the only one who designed on the life of one of the world’s longest-serving rulers of one of the world’s least cohesive polities. On February 18, Libenyi stabbed the emperor in the neck — a part of the anatomy fortuitously protected by a very sturdy military collar the (at this time) 23-year-old monarch wore habitually.

The would-be assassin was immediately subdued by an Irish count and a nearby butcher, both of whom received Austrian ennoblement for their trouble.

An emotive outpouring of official thanksgiving commensurate with an age of political reaction greeted Franz’s survival. His brother — yet many years and many miles from his own rendezvous with the executioner — took up donations for Vienna’s spectacular Votivkirche, a literal votive offering to God for Franz Joseph’s deliverance:

Image via flickr, (cc) lionscavern.com.

The future Elvis of the Austrian waltz scene, Johann Strauss, then a 27-year-old cranking out career-enhancing patriotic fare, said symphonically what the Votivkirche said architecturally with this “Rescue Jubilation March” (op. 126):

[audio:Rettungs_Jubel_Marsch.mp3]

This short entry on the German wikipedia — in German, of course — further outlines the affair.

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1879: Charles Peace, Victorian cat burglar

On this date in 1879 was hanged one of the most colorful — and, subsequently, romanticized — career criminals of 19th century England, for the murder of a onetime friend whose wife he had endeavored to seduce.

Charles Peace told a clergyman who had an interview with him in prison shortly before his execution that he hoped that, after he was gone, he would be entirely forgotten by everybody and his name never mentioned again.

Posterity, in calling over its muster-roll of famous men, has refused to fulfil this pious hope, and Charley Peace stands out as the one great personality among English criminals of the nineteenth century. In Charley Peace alone is revived that good-humoured popularity which in the seventeenth and eighteenth centuries fell to the lot of Claude Duval, Dick Turpin and Jack Sheppard.

So declaims H.B. Irving’s rollickingly readable sketch of Victorian England’s most notorious pre-Ripper outlaw.

Peace was a knave all his 47 years, and lost the best part of two decades to various stints in prison. It is chiefly for his last few years — not surprising, perhaps, in a habitue of these annals of execution — that he so colorfully endows his spot in the firmament of criminal history.

A copious string of home burglaries, audacious in both their nature and extent, disturbed South London in 1877-78, arousing the fear of the communities. Police suspected an entire gang must be at work. Irving, once again:

Perhaps [Peace] hardly realised the extent to which his fame was spreading. During the last three months of Peace’s career, Blackheath was agog at the number of successful burglaries committed in the very midst of its peaceful residents. The vigilance of the local police was aroused, the officers on night duty were only too anxious to effect the capture of the mysterious criminal.

Upon capture the master criminal revealed himself a gnarled character at once grandfatherly and fey — “a half-caste about sixty years of age, of repellent aspect,” the police described their catch. As the onion layers fell away, this strange creature of such otherworldly capacity for theft also revealed himself the vanished fugitive of a two-year-old murder — a personal affair (of much less brilliance than his burglary) whose particulars are thoroughly handled by Irving.

Although Peace was known by both name and distinctive appearance for that crime, he had coolly disregarded the price on his head and concealed himself in the infallible cloak of bourgeois respectability. “A period of true splendour,” Charles Whibley called it in his A Book of Scoundrels:

Like Fielding, like Cervantes, like Sterne, Peace reserved his veritable masterpiece for the certainty of middle-life. His last two years were nothing less than a march of triumph. If you remember his constant danger, you will realise the grandeur of the scheme. From the moment that Peace left Bannercross with Dyson’s blood upon his hands, he was a hunted man. His capture was worth five hundred pounds; his features were familiar to a hundred hungry detectives. Had he been less than a man of genius, he might have taken an unavailing refuge in flight or concealment. But, content with no safety unattended by affluence, he devised a surer plan: he became a householder. Now, a semi-detached villa is an impregnable stronghold. Respectability oozes from the dusky mortar of its bricks, and escapes in clouds of smoke from its soot-grimed chimneys. No policeman ever detects a desperate ruffian in a demure black-coated gentleman who day after day turns an iron gate upon its rusty hinge. And thus, wrapt in a cloak of suburban piety, Peace waged a pitiless and effective war upon his neighbours.

Whibley lovingly chronicles Peace’s superb technique and stupendous windfall. The thief’s overt career was in dealing musical instruments — skillful handling of the fiddle was a lifelong avocation; the simpatico that established with Sherlock Holmes earned the tribute, “My old friend Charlie Peace was a violin virtuoso” from Arthur Conan Doyle’s fictional detective in “The Adventure of the Illustrious Client” — and he was obliged to justify wealth so disproportionate to his station with an allusion to marrying into money.

Nothing like a Holmesian surmise from such retrospectively suggestive clues found him out; the police chanced to nab him on the job and commenced the familiar tedium of turning former friends against him (enlivened by Peace’s attempt to escape by hurling himself from a train). The supposed heiress who had lived with Peace as his supposed wife readily cooperated in his doom, for which services she applied on the day after his sentence for the £100 reward. Contemporaries caught up in the allure of the wondrous criminal branded her “traitress Sue”.

Charley did not so ill-use his confederates; he was obstinate in his refusal to yield up the name of his fence, and remained affectionate after his treacherous lover to the very end. Indeed, Whibley notes, in his departing reconciliation with an injurious world, Peace “surrendered himself to those exercises of piety from which he had never wavered”

The foolish have denounced him for a hypocrite, not knowing that the artist may have a life apart from his art, and that to Peace religion was an essential pursuit. So he died, having released from an unjust sentence the poor wretch who at Whalley Range had suffered for his crime,* and offering up a consolatory prayer for all mankind. In truth, there was no enemy for whom he did not intercede. He prayed for his gaolers, for his executioner, for the Ordinary, for his wife, for Mrs. Thompson, his drunken doxy, and he went to his death with the sure step of one who, having done his duty, is reconciled with the world. The mob testified its affectionate admiration by dubbing him ‘Charley,’ and remembered with effusion his last grim pleasantry. ‘What is the scaffold?’ he asked with sublime earnestness. And the answer came quick and sanctimonious: ‘A short cut to Heaven!’

The incidence of Peace-related “penny dreafuls” — sensationalized popular publications — testify to the public imagination captured by this day’s victim. The wonderful site Yesterday’s Papers has posted a variety of fascinating Victorian Peace accounts (some reportedly by way of like-minded fellow-travelers). Executed Today is pleased to reprint several images here with permission.

* After he was condemned to die, Peace confessed to having also shot a constable in order to evade capture some years earlier. He had actually attended the trial where an innocent man, one John Habron, was sentenced to death for that crime. Habron, luckily, had been reprieved two days before his own hanging; on the strength of Peace’s confession, he was exonerated and released.

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1953: Emil August Fieldorf, Polish anti-Communist

On this date in 1953, Polish Home Army General Emil August Fieldorf was hanged at Warsaw’s Mokotow Prison by the Polish Communist government as a “fascist-Hitlerite criminal.”

The officer suffered a hard fate for the geopolitical jostling of great powers in its neighborhood. He had escaped German detention to become a Brigadier General and the second-in-command of the Polish Home Army, the occupied country’s resistance movement answerable to its government in exile.

Polish-Russian animosity is an ancient and fragrant vintage, just the sort of intoxicant to lend an especial bloodthirstiness to the ample brutality of politicking under Stalin’s sway.

As the Red Army threw back the Wehrmacht, the rivalry between the government in exile, (organically descended from the less-than-liberal prewar Polish government) and Poland’s Communist soon-to-be occupiers escalated.

Diplomatically, the government in exile engaged a (losing) joust with Stalin over the postwar Polish state’s borders and political structure; on the ground, Polish and Russian forces nominally united against Hitler maneuvered against one another — and at least one researcher has characterized their enmity as an outright dirty war.

Fieldorf had been detained by the NKVD at the war’s end, but he passed under an assumed name and therefore survived an internment in the Soviet Union. Shortly after his return, a sham offer of “amnesty” to Home Army survivors induced him to reveal himself under his true identity. He was convicted in a show trial of authorizing the killing of Soviet partisans. The post-Communist Polish government posthumously pardoned him.

It would be safe to say that “forgive and forget” is not a governing principle in the current memory of Soviet-Polish relations. Fieldorf’s fate is one more bill on the indictment, and in his case, quite literally so: spurred by the general’s daughter, Poland has doggedly pursued the extradition of Fieldorf’s prosecutor, Helena Wolinska Brus, now an octogenarian pensioner in Britain.

The years-long legal duel between these two women has ballooned into a sort of proxy fight over the still-sensitive definition of heroism and victimhood in the Poland of Hitler and Stalin.

The Jewish* Brus, who narrowly escaped the Nazis to join a leftist partisan unit, is contemptuous of the charge. To some, she is shamelessly exploiting her Jewishness to escape her own culpability. To others — aided not a little by the general’s daughter’s own remarks — the charge springs from a Polish polity whose own insistence upon victimhood (of Communism) has authorized historical forgetfulness over its complicity in genocide.

Someday soon — in a year or two, or five or ten; in England or Poland or some other spot — Helena Wolinska Brus will follow the man she hanged into the clay that awaits all us wretches. So will the general’s daughter, only a few years the junior of her foe. The bitter specter of wrongs that can never be righted is sure to long outlive their passing.

* Jewish partisans form a distinct population whose membership will make all-too-predictable appearances in these pages. Communist units were generally happy to have them, while Catholic Poles fighting for the anti-Semitic ancien regime were generally not — although in some instances, all-Jewish partisan bands organized outside these two forces.

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1838: Andrea Rondola but not Peppino

On this date in 1838, in The Count of Monte Cristo, the title character witnesses two men brought to the scaffold for public execution in Rome.

In Alexandre Dumas‘ classic, the count is really Edmond Dantes, wrongly imprisoned years before, who has escaped and enriched himself with a discovered treasure, purchasing thereafter his ennoblement. This date’s execution occurs shortly after Dantes has surfaced publicly as the count. He witnesses it with two young friends — goading one of the reluctant youths by remarking, “when you travel, it is to see everything. Think what a figure you will make when you are asked, ‘How do they execute at Rome?’ and you reply, ‘I do not know’!” — and the naked brutality with which the Count greets a scene horrifying to his more genteel companions prefigures the pitiless revenge he will soon visit on his onetime persecutors.

The scene is laid on the first day of Carnival — the concealed identities among the crowd and the tension between its celebratory state of mind and the public butchery played out before it both serving the novel’s themes.

The prisoners are: a murderer, executed by the unique (and error-prone) Roman method of mazzolatura, in which the prisoner is incapacitated with a blow from a mallet before being finished off with a knife; and, a young man wrongly condemned to the guillotine for banditry, who will be reprieved thanks to the protagonist’s intervention further to the latter’s designs of vengeance.

It was the first time Franz had ever seen a guillotine, — we say guillotine, because the Roman mandaia is formed on almost the same model as the French instrument. The knife, which is shaped like a crescent, that cuts with the convex side, falls from a less height, and that is all the difference. Two men, seated on the movable plank on which the victim is laid, were eating their breakfasts, while waiting for the criminal. Their repast consisted apparently of bread and sausages. One of them lifted the plank, took out a flask of wine, drank some, and then passed it to his companion. These two men were the executioner’s assistants. At this sight Franz felt the perspiration start forth upon his brow. The prisoners, transported the previous evening from the Carcere Nuovo to the little church of Santa Maria del Popolo, had passed the night, each accompanied by two priests, in a chapel closed by a grating, before which were two sentinels, who were relieved at intervals. A double line of carbineers, placed on each side of the door of the church, reached to the scaffold, and formed a circle around it, leaving a path about ten feet wide, and around the guillotine a space of nearly a hundred feet. All the rest of the square was paved with heads. Many women held their infants on their shoulders, and thus the children had the best view. The Monte Pincio seemed a vast amphitheatre filled with spectators; the balconies of the two churches at the corner of the Via del Babuino and the Via di Ripetta were crammed; the steps even seemed a parti-colored sea, that was impelled towards the portico; every niche in the wall held its living statue. What the count said was true — the most curious spectacle in life is that of death. And yet, instead of the silence and the solemnity demanded by the occasion, laughter and jests arose from the crowd. It was evident that the execution was, in the eyes of the people, only the commencement of the Carnival. Suddenly the tumult ceased, as if by magic, and the doors of the church opened. A brotherhood of penitents, clothed from head to foot in robes of gray sackcloth, with holes for the eyes, and holding in their hands lighted tapers, appeared first; the chief marched at the head. Behind the penitents came a man of vast stature and proportions. He was naked, with the exception of cloth drawers at the left side of which hung a large knife in a sheath, and he bore on his right shoulder a heavy iron sledge-hammer. This man was the executioner. He had, moreover, sandals bound on his feet by cords. Behind the executioner came, in the order in which they were to die, first Peppino and then Andrea. Each was accompanied by two priests. Neither had his eyes bandaged. Peppino walked with a firm step, doubtless aware of what awaited him. [i.e., a pardon] Andrea was supported by two priests. Each of them, from time to time, kissed the crucifix a confessor held out to them. At this sight alone Franz felt his legs tremble under him. He looked at Albert — he was as white as his shirt, and mechanically cast away his cigar, although he had not half smoked it. The count alone seemed unmoved — nay, more, a slight color seemed striving to rise in his pale cheeks. His nostrils dilated like those of a wild beast that scents its prey, and his lips, half opened, disclosed his white teeth, small and sharp like those of a jackal. And yet his features wore an expression of smiling tenderness, such as Franz had never before witnessed in them; his black eyes especially were full of kindness and pity. However, the two culprits advanced, and as they approached their faces became visible. Peppino was a handsome young man of four or five and twenty, bronzed by the sun; he carried his head erect, and seemed on the watch to see on which side his liberator would appear. Andrea was short and fat; his visage, marked with brutal cruelty, did not indicate age; he might be thirty. In prison he had suffered his beard to grow; his head fell on his shoulder, his legs bent beneath him, and his movements were apparently automatic and unconscious.

“I thought,” said Franz to the count, “that you told me there would be but one execution.”

“I told you true,” replied he coldly.

“And yet here are two culprits.”

“Yes; but only one of these two is about to die; the other has many years to live.”

“If the pardon is to come, there is no time to lose.”

“And see, here it is,” said the count. At the moment when Peppino reached the foot of the mandaia, a priest arrived in some haste, forced his way through the soldiers, and, advancing to the chief of the brotherhood, gave him a folded paper. The piercing eye of Peppino had noticed all. The chief took the paper, unfolded it, and, raising his hand, “Heaven be praised, and his holiness also,” said he in a loud voice; “here is a pardon for one of the prisoners!”

“A pardon!” cried the people with one voice — “a pardon!” At this cry Andrea raised his head. “Pardon for whom?” cried he.

Peppino remained breathless. “A pardon for Peppino, called Rocca Priori,” said the principal friar. And he passed the paper to the officer commanding the carbineers, who read and returned it to him.

“For Peppino!” cried Andrea, who seemed roused from the torpor in which he had been plunged. “Why for him and not for me? We ought to die together. I was promised he should die with me. You have no right to put me to death alone. I will not die alone — I will not!” And he broke from the priests struggling and raving like a wild beast, and striving desperately to break the cords that bound his hands. The executioner made a sign, and his two assistants leaped from the scaffold and seized him. “What is going on?” asked Franz of the count; for, as all the talk was in the Roman dialect, he had not perfectly understood it. “Do you not see?” returned the count, “that this human creature who is about to die is furious that his fellow-sufferer does not perish with him? and, were he able, he would rather tear him to pieces with his teeth and nails than let him enjoy the life he himself is about to be deprived of. Oh, man, man — race of crocodiles,” cried the count, extending his clinched hands towards the crowd, “how well do I recognize you there, and that at all times you are worthy of yourselves!” Meanwhile Andrea and the two executioners were struggling on the ground, and he kept exclaiming, “He ought to die! — he shall die! — I will not die alone!”

“Look, look,” cried the count, seizing the young men’s hands — “look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die — like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? — do you know what consoled him? It was, that another partook of his punishment — that another partook of his anguish — that another was to die before him. Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man — man, whom God created in his own image — man, upon whom God has laid his first, his sole commandment, to love his neighbor — man, to whom God has given a voice to express his thoughts — what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!” And the count burst into a laugh; a terrible laugh, that showed he must have suffered horribly to be able thus to laugh. However, the struggle still continued, and it was dreadful to witness. The people all took part against Andrea, and twenty thousand voices cried, “Put him to death! put him to death!” Franz sprang back, but the count seized his arm, and held him before the window. “What are you doing?” said he. “Do you pity him? If you heard the cry of `Mad dog!’ you would take your gun — you would unhesitatingly shoot the poor beast, who, after all, was only guilty of having been bitten by another dog. And yet you pity a man who, without being bitten by one of his race, has yet murdered his benefactor; and who, now unable to kill any one, because his hands are bound, wishes to see his companion in captivity perish. No, no — look, look!”

The command was needless. Franz was fascinated by the horrible spectacle. The two assistants had borne Andrea to the scaffold, and there, in spite of his struggles, his bites, and his cries, had forced him to his knees. During this time the executioner* had raised his mace, and signed to them to get out of the way; the criminal strove to rise, but, ere he had time, the mace fell on his left temple. A dull and heavy sound was heard, and the man dropped like an ox on his face, and then turned over on his back. The executioner let fall his mace, drew his knife, and with one stroke opened his throat, and mounting on his stomach, stamped violently on it with his feet. At every stroke a jet of blood sprang from the wound.

This time Franz could contain himself no longer, but sank, half fainting, into a seat. Albert, with his eyes closed, was standing grasping the window-curtains. The count was erect and triumphant, like the Avenging Angel!

The Count of Monte Cristo is available free at Project Gutenberg. This day’s scene occurs in chapter 35. (An announcement in chapter 34 establishes the date.)

* The executioner plays no part in the novel, but presumably it would be the prolific Mastro Titta.

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1803: Edward Marcus Despard, a patriot without a nation

On this date in 1803, during an era ruled by an Empire’s rough assertion of security against instability abroad, Britain hung its liberal-minded former governor of Belize — along with six others — for treason.

Book CoverThis ought-to-be-memorable occasion lies half-lost in time’s shifting sands, retrieved in part only by the oddity of being the last sentence of drawing and quartering handed down in Britain. (The sentence was moderated to simple hanging and posthumous beheading.)

But there was much more to be said about Despard than his sentence. Today, Executed Today is pleased to feature Col. Edward Marcus Despard as remembered by his biographer, Mike Jay.

Guest-posted here with permission is the prologue to his The Unfortunate Colonel Despard. (A chapter on Despard’s remarkable marriage to a black woman is also available on MikeJay.net.) Following the prologue is an Executed Today interview with the author.


The day Colonel Edward Marcus Despard was executed was one of the most dramatic, and strangely forgotten, in British history. In this, as in much else, his death mirrored his life.

He was to be publicly hung, drawn and quartered for high treason, a punishment which had barely been carried out in London within living memory. Its most vivid associations were still with the Jacobite rebellions over fifty years before: the days when the British state’s greatest fear had been that a Catholic monarch might seize the throne. Those days were now long gone and, many thought, the old ceremony with them; Despard, as it turned out, would be the last person on whom the sentence would ever be passed. As specified by the Lord Chief Justice, the Colonel and his six confederates were ‘to be drawn on a hurdle to the place of execution, there to be hanged by the neck, but not until you are quite dead, then to be cut down and your bowels taken out and cast into the fire before your faces; your heads to be taken off and your bodies quartered’.

Intimations of the drama had already begun to transform the city the day before: Sunday 20 February 1803. At first light, carpenters had begun to assemble scaffold and gallows, large enough to accommodate the seven men, on the roof of Surrey County Jail in Horsemonger Lane, just south of the Thames in Southwark. The jail was a plain barracks-style building, recently constructed to replace the old prison which had been torn down in the Gordon Riots some twenty years before. The roof had been built flat for precisely this purpose, and this was the first occasion for its use. The main gates of the jail opened to admit seven plain wooden coffins.

According to contemporary witnesses, even as the preparations began, ‘vast multitudes of people immediately began to assemble’. It was noted that the throng consisted ‘chiefly of the lowest of the vulgar’, but that, unusually for a public execution, ‘a considerable number of persons of genteel appearance were observable’. The forces of law and order, too, were out in unprecedented force. Every single member of the Bow Street police patrol, the other London patrols at Queen Street, Marlborough Street and Hatton Gardens, and a ‘numerous tribe’ of petty constables from the outlying London boroughs, were placed on duty. The jail and its surrounds were emphatically staked out, surrounded by a cordon two officers deep. All ‘the public houses and other places of resort for the disaffected’ bristled with police. A detachment of mounted Horse-Guard cavalry clopped into Horsemonger Lane; all the infantry regiments in the city, at the Tower of London and Knightsbridge Barracks, were placed on the highest alert. The head keeper of the jail was issued with six sky rockets, each containing a pound of explosives, ‘to be let off as a signal to the military, in case of any disturbance’. London’s entire martial forces were instructed not to leave their posts until the danger was past.

The impending execution had dominated the news all week. The Times had led its news pages with testy dismissals of the rumours which were spreading around the city: that Despard and his confederates were being cruelly chained together, that they were being tortured for their confessions, that a last-minute reprieve was in the air. It was beginning to dawn on the authorities that the graphic medieval ritual they had scheduled might be counterproductive, inflammatory and unpredictably dangerous. The Police Magistrate of Southwark had expressed grave concerns, pointing out that the question which had been on the common people’s lips during the week was ‘When are these poor men to be murdered?’. It had been hard, apparently, even to find labourers prepared to erect the scaffold. When the warrant for the execution was issued on the morning of 20 February, it became clear that these anxieties had led to a change in the sentence. Exercising their statutory discretion, the magistrates announced: ‘we have thought fit to remit part of the sentence, viz. the taking out and burning their bowels before their faces, and dividing the body severally into four parts’. Despard would now be drawn –- to the place of execution on a carriage without wheels –- hung until dead, and then beheaded. The Observer commented with relief that ‘the cutting out of the heart of the malefactor, quartering &c is very humanely and properly to be dispensed with’.

On the day of the execution, 21 February 1803, the pace quickened long before dawn. ‘A vast number of police officers’ were soon massively outnumbered by the spectators streaming through the bitter cold and darkness. Southwark was a hard area to police at the best of times, a hinterland to the city of London proper dominated by the unedifying activities which were prohibited across the Thames. A warren of timber shacks among the marshy waste ground and garbage landfills, it had long been a teeming red light district; in recent times it had become dominated by malodorous and insanitary industries — distilleries, tanneries and vinegar mills — which were forced south of the river by City of London edicts. It also had a long history of insurrection. In 1381, Wat Tyler had led the Peasant’s Revolt through the same streets; in 1450, Jack Cade had set up camp here with his Kentish rebel army. Despard’s sentence of high treason had more powerful resonances with this period than it did with the freshly-minted nineteenth century. Most of the crowd had never seen a treason execution; now, jostling to witness one, they were passing shops selling roller-skates, umbrellas, toothbrushes, matches, alarm clocks, condoms, Twining’s Tea and Pears’ Soap. Part of the appeal of the spectacle must have been this lurid collision of the old and the new; part, also, the uncertainty on all sides as to whether the crowd had really assembled only to stand and watch. It was widely rumoured that the execution would not take place as scheduled — or, if it did, that the main event would turn out to be an entirely unscheduled one. The people of London had rioted countless times over much less — and, given the nature of Despard’s alleged crime, there were an unknown number among the crowd who might attempt to turn a riot into a full-scale revolution.

The character of execution crowds seems, as with most crowds, to have been largely in the eye of the beholder. For many, they were simply the scum of society: crude, vulgar, leering, gawping, sadistic. For others, though, they were the salt of the earth, good men and true come to witness and legitimise the exercise of state power. Despite the rough spectacle that they presented, they were often visibly civic-minded: rescuing stranded children, or crying ‘shame’ if one of their number insulted a woman. The beholder’s view of such crowds tended to reflect their attitude to public execution itself, as the most graphic and visceral demonstration of the ultimate power of the state. There were many who were already campaigning for its abolition on the grounds, as one put it, that ‘the real effect of these scenes is to torture the compassionate and harden the obdurate’. There were many more, though, who thronged to such occasions in high spirits. Their hilarity and ribaldry –- the proverbial ‘gallows humour’ – may have been heartless mockery, but it may also have been a response to the unspoken but unmissable tension between the pomp and solemnity of the occasion and ghastly reality of the act.

This tension reached its high water mark with Despard’s execution. There had been a long observed trend in Britain towards public disrespect at hangings: the victim cheered, the executioner and officials booed and mocked. But the crime of high treason placed an unprecedented focus on the legitimacy of the act a focus sharpened still further by the fact that the majority of the onlookers believed Despard to be innocent of it. He had been accused and convicted of a shocking, cold-blooded plot to overthrow the state, an accusation which he had consistently and calmly denied. Now, at the moment of the state’s cold-blooded retribution, he had a final chance to speak the case for his defence. Part of the unique appeal of executions was always that the victims, in the moments before their death, might say anything; it was often the only time that the unspeakable could be spoken in public. But if Despard chose to speak the unspeakable, it would be more than a howl of rage, a fruity obscenity or a cheeky quip. The danger he posed might yet be far from over.

The bell of St.George’s Church began tolling at five, and continued for about an hour. By the time it finished, every conceivable vantage point was packed solid. It was estimated that there were twenty thousand people jammed into the carriageway of Horsemonger Lane and spilling onto every nearby roof and patch of open ground ‘that afforded the least prospect’. It was evident, too, that this was no ordinary gallows crowd, just as it was no ordinary hanging. The packed observers were almost completely silent: ‘no tumult, no disorder appeared among the multitude … all was stillness and expectation of the approaching event’. For the massed guards and officers, this must have been considerably more unnerving than the unruly mob which they had feared. It might be an expression of uncertainty, of a crowd unsure of the tone of the event, and too diffident to break the silence. But it could equally, and perhaps more plausibly, be read as a mute but chilling sign of pre-arranged intent.

Inside Surrey County Jail, as the prison bell struck seven, Despard was invited into the chapel for a service of last rites. He politely refused the invitation, and remained in his cell. At seven thirty, his arms were bound with ropes and he was led out into the walled and enclosed prison yard. He was still a colonel, and still entitled to wear the uniform of his rank, but he appeared instead in his favourite dark greatcoat and boots, bare-headed, without wig or powder. His solicitor was waiting for him outside his cell and, manoeuvering around his ropes, he shook hands with him ‘very cordially’.

Awaiting Despard in the prison yard was a very strange sight indeed. Two horses were harnessed to a small cart which contained two trusses of clean straw, and whose floor rested directly on the ground. Behind the cart stood the Sheriff of Surrey; behind him a fully-robed priest, and behind the priest the head keeper of the jail, Mr.Ives, solemnly holding a white wand. Behind Ives stood a line of high constables, and behind them a line of duty policemen. Bringing up the rear was the executioner, holding up a drawn sword.

The quartering and dismembering had been waived, but there had never been an execution for high treason without the victim first being drawn through the streets to the scaffold. It was integral to the ceremony, but today it was out of the question. The ritual was intended to allow the people to vent their feelings towards the traitor, to abuse him and spit on him; today, though, no-one was minded to test how the ominously silent crowd outside would react if Despard was paraded among them. Apart from anything else, the packed streets made it logistically impossible. It had hastily been decided to switch the ritual to the privacy of the prison yard.

Outside the yard, the traditional gallows humour may have been conspicuously absent, but Despard himself was unable to keep a straight face at the display of furtive pomp that confronted him. ‘Ha! ha!’, he laughed, ‘what nonsensical mummery is this?’ The solemn procession was not programmed to respond. Despard was ushered into the cart, seated backwards on the straw bales and, as the dawn spread grey over the prison walls, bumped around the cobbled yard until it was deemed that the drawing had been completed. There was to be no thwarting of justice, but neither would the ancient ritual of drawing a traitor survive that morning’s embarrassment and ridicule. Despard, though powerless against it, had nevertheless passed a sentence of death on the sentence itself.

(Click to continue reading on page 2).

On this day..

1942: Frank Abbandando and Harry Maione, mob hitmen

On this date in 1942, mobsters Frank Abbandando and Harry Maione were electrocuted in New York’s Sing Sing prison for murder.

The two had risen together from an Ocean Hill, Brooklyn, gang to help weld together Murder, Inc. in the 1930’s — which, as its press-conferred moniker suggested, executed hits for the mob.

Dozens of corpses were left in their trail, and it was long odds that the spectacularly mangled body of a minor loan shark and suspected police informant killed in 1937 would be the one to haunt them. But when the government brought the heat against Murder, Inc., a collaborator in that hit turned state’s evidence and testified against Abbandando and Maione.

Pep has an ice pick. Happer has meat cleaver. It is the kind you chop with, you know, butcher cleaver. Abby grabs Rudnick by the feet and drags him over to the car. Pep and Happy grab it by the head. They put it in the car. Somebody says “It don’t fit.” Just as they push the body in it gives a little cough or something. With that, Pep starts with the ice pick and starts punching away at Whitey. Maione says “Let me hit the bastard one for luck.” And he hits him with the cleaver some place on the head.

Convicting mobsters was no mean feat — after all, they tended to whack informants — and the arrogant Abbandando in particular was shocked that his powerful connections didn’t manage to rig the trial.

But he and Maione were not altogether bereft of underworld consolation in their hour of need.

Three months before they were electrocuted, the stool pigeon in their trial “fell” to his death from a New York hotel room. It was just hours before he was to testify against Cosa Nostra boss Albert Anastasia, who would escape his fortuitously weakened prosecutors and eventually take over Murder, Inc., in its mid-1940’s twilight.

On this day..