1755: Louis Mandrin

On this date in 1755, the French outlaw Louis Mandrin was broken on the wheel.

In common with the whole French populace, Mandrin had a beef with the Ferme general — the country’s tax-farming concern — but Mandrin was the one who did something about it.

Specifically, he built a vast smuggling network in the 1750s that all along a vast north-south corridor from Burgundy to Savoy moved tobacco, cotton, and everything else the farm wanted to harvest — scoring political points along the way by thrashing the tax collectors whenever possible. It’s said that he took pains to have his merry contrabanders stay out of the violence business, unless they had the opportunity to direct it at the revenue men.

In the end, the Farmers General — a wealthy consortium that would one day soon commission a chunk of Paris’s city walls — provoked an international incident by illegally raiding Savoy to capture him, then having him tried and executed with speed to forestall any possibility of his return being negotiated.

But the popular bandit entered the popular culture where he has long outlived the rapacious Farmers; he’s been the subject of multiple film treatments, most recently in 2011, and the pensive folk song “La complainte de Mandrin” still today maintains its currency.

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1723: Christopher Layer, for the Atterbury Plot

On this date in 1723, Christopher Layer was hanged and quartered at Tyburn for the Jacobite Atterbury Plot

In the wake of the hegemonic Whigs’ political legitimacy crisis following the 1720 financial implosion of the South Sea bubble, supporters of the exiled Stuart dynasty rekindled* hopes of resuming the English throne.

The “Atterbury Plot” — so named for its sponsor and most prominent adherent, the Tory Anglican bishop Francis Atterbury — proposed to orchestrate a coup that would seize the persons of the usurping Hanovers and key points in London and Westminster, coordinated with both an internal Catholic/Tory rising and a landing by forces loyal to James Stuart. (He’s known as “the Pretender” or as King James III, depending on where the speaker’s treasons lie.) So particularly were the Tory ambitions developed that lists of expected supporters for each of England’s counties had been drawn up, the framework of a hypothetical replacement state.

This plot was broken up by 1722 and has been ridiculed as fanciful by outcome-oriented observers, but the government at the time took a plan by disaffected elites to kidnap the royal family — a plot which had only been betrayed to them by one of the conspirators’ French contacts — very seriously indeed. Paul Kleber Monod characterizes the 1714-1723 period (which compasses more than just the Atterbury scheme) as “the most widespread and the most dangerous” of “three great waves of Jacobite activity.”

Responding vigorously, the newly ascendant Prime Minister** Robert Walpole used anti-Jacobite security measures to lay his firm hand on the helm of state. A Dutch envoy in 1723 wrote that one of its progenitors, Sir Henry Goring, “had formed a company out of the Waltham Blacks for the Pretender’s service” and that this perceived Jacobite association of skulking soot-faced poachers and potential guerrillas “led to the bringing of the Waltham Black Act into Parliament.”†

In a conspiracy of disaffected nobles, Layer might have been the least august participant — and perhaps this explains why he was the one to pay the highest price.

A successful Middle Temper barrister of strictly commoner stock, Layer’s successful practice earned him the confidence of Lord North and Grey, one of the other chief Jacobite conspirators.

Himself a ready adherent of same, Layer communicated directly with the Pretender, even traveling to Rome in 1721 to brief him personally on the plot. The volume of incriminating correspondence thereby produced, some of it in the hands of a mistress who would shop him, brought Layer his death sentence — albeit only after dramatically attempting an escape. His severed head would cast a rotted warning mounted atop Temple Bar.

Many died for the Stuart cause down the years but in the present affair only Layer would quaff the cup of martyrdom.

For others involved, who had been more circumspect about their paper trails and associates, treason would meet with less lethal revenge. Held in the Tower of London for two years, Atterbury himself proved elusive for a proper prosecution despite having corresponded directly with the Pretender with suggestive but discreet language (e.g., “the time is now come when, with a very little assistance from your friends abroad, your way to your friends at home is become safe and easy” in April 1721); instead, the Commons voted a bill of pains and penalties depriving him of his office and exiling him. Lord North and Grey followed him to the continent; like combinations of dispossession and disgrace befell all the other conspirators too.


Plaque to Christopher Layer in Aylsham, where he once practiced.

Poet Alexander Pope,‡ a Catholic, was close with Bishop Atterbury and wrote him an epitaph upon his passing.

For Dr. Francis Atterbury,
Bishop of Rochester,
Who died in Exile at Paris, in 1732.

[His only Daughter having expired in his arms, immediately after she arrived in France to see him.]

DIALOGUE.

SHE.

Yes, we have liv’d — one pang, and then we part!
May Heav’n, dear Father! now have all thy Heart.
Yet ah! how once we lov’d, remember still,
Till you are Dust like me.

HE.

               Dear Shade! I will:
Then mix this Dust with thine — O Spotless Ghost!
O more than Fortune, Friends, or Country lost!
Is there on earth one Care, one Wish beside?
Yes — Save my Country, Heavn’,
               — He said, and dy’d.

* Jacobites had only recently been defeated in a 1715 rising; they retained enough vim to try again in 1745.

** Walpole is often regarded retrospectively as the first Prime Minister, but this was not an official rank in his time: indeed, it was a defamation used against him and which Walpole rejected. (“I unequivocally deny that I am sole or Prime Minister and that to my influence and direction all the affairs of government must be attributed.”)

† Quote from Katherine West Scheil in Shapeskeare Survey 51.

‡ In other Atterbury-related celebrity litterateur brushes, Edward Gibbon’s Stuart-sympathizing grandfather was obliged by the Jacobite scandal to retire to his estate, “disqualified from all public trust.” The erudite historian would recall that “in the daily devotions of the family the name of the king for whom they prayed was prudently omitted.”

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Feast Day of St. Victor and St. Corona

May 14 is the feast date of St. Victor, a Christian Roman soldier and his co-religionist and possible spouse Corona. Both the city and the century (and therefore the reality) of their passion are uncertain.

For the believer, what these martyrs lack in firm historicity they make up for in practical effect.

Corona chanced to become associated by medieval times with money — possibly the coincidence of her name, meaning crown,* with the sigils on coins — and thus she got wrapped up into a variety of pecuniary prayers and incantations. Strictly unofficial stuff from Rome’s standpoint, you understand: treasure-hunting, lotteries, wagering, and other fond fantasies of unearned windfalls.

The solemn devout might laugh, but “dear god, give me some stuff” comprises an underrated share of popular theology. J. Dillinger cites this charmer in Magical Treasure Hunting in Europe and North America: A History, dating to 1794 Austria:

Virgin and martyr Corona, I, a poor sinner, ask you to remember your great mercy and honour and your control over the treasures of the world and whoever asks you in the name of Jesus Christ your dear bridegroom, in his name you have power to give worldly goods to me, a poor and needy person, so I beg you with all of my humble heart, oh virgin and martyr Corona relief [sic] me from my needs and my poverty by giving me 50000 florins of good gold for the salvation of my soul through the redemption of my need body.

This enchantment needs to be added to the web’s supply of money-drawing rituals.

Because engaging such supernatural entities was a frightful venture for the petitioner, be he ever so humble, the prayer amusingly contains an equally elaborate chant for dismissing Saint Moneybags after she has paid up.

Now go away in the peace of God, which shall be between you and me, go back to the place where you came from, the eternal peace of God shall be and shall stay forever between you and me, and you will come again, when I wish to see you. Now go away and be blessed, through God and his holy five wounds, and go away in the peace of God, and the blessing be between you and me and the mine. Amen.

* Her legend can be found attributed to St. Stephanie: like “Corona”, the name Stephanie means “crown”.

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2014: Two crucifixions in Raqqa

In the Syrian city of Raqqa on this date in 2014, the Islamic State (ISIS/ISIL) reportedly crucified two men in a posthumous public gibbeting, after executing them by shooting. (There were seven executions in Raqqa that day.)

Raqqa was the Islamic State’s breakthrough conquest, and the city it claims as its caliphate’s capital — the “Bride of the Revolution.”

Horrific pictures of these crucifixions circulated worldwide thanks to the dissident group Raqqa is Being Slaughtered Silently. Needless to say, what follows is Mature Content.

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1730: A Natchez woman tortured to death at New Orleans

On this date in 1730, French-allied Tunica Indians put a captured Natchez woman to grisly public death under the walls of New Orleans.

This is the English translation of Marc-Antoine Caillot’s Relation du voyage de la Louisianne ou Nouvelle France fait par le Sr. Caillot en l’année 1730, a key firsthand source for the incident in this post.

Months earlier the Natchez had risen in rebellion against the colonists in Louisiana — a bloody settling of accounts the that answered a French push to colonize more land with an attack meant to drive them out of Louisiana altogether. The initial, surprise attacks slew 237 French subjects, many in stomach-turning fashion. Friend of the site Dr. Beachcombing details a particularly atrocious murder in his post on the affair at Beachcombing’s Bizarre History Blog.

So the French were in a state of rage and fright on April 10 — the day after Easter — when an allied tribe, the Tunica, showed up at the Big Easy with six Natchez captives in tow, three women and three children. Chief among them was a woman readily recognized by the French as the wife of a once-friendly Natchez chief now “known for being an enemy of the French.” Indeed, escapees from Natchez captivity slated her with having given the go-ahead for the torture-murder of three of their countrymen.

And this hated foe the Tunica proceeded to offer to the French, as a gesture of goodwill.

As Sophie White explains in her “Massacre, Mardi Gras, and Torture in Early New Orleans” (The William and Mary Quarterly, July 2013),* Louisiana territory governor Etienne Perier in slyly declining the prisoner intentionally condemned her to a speedy and spectacular death. Rather than taking her into official custody for disposal by the French judiciary or diplomatic organs, Perier put her up for a night in the French jail while her captors prepared a performance for the morrow calculated to slake the bloodlust of French and native alike.

White’s narrative is worth excerpting at length here; all the parentheticals come from White’s original text.

Officially, Governor Perier could claim that he had maintained French notions of justice by rejecting the Tunica offer of the prisoner of war (even though at a later date he would openly write of another four male and two female Natchez having “been burnt here”). Yet he allotted a space for the Tunica to torture her and arranged for her to be kept in jail overnight while the Tunica danced the black “calumet of death” in preparation for her execution. In the morning, after gathering firewood, erecting a frame, and painting their faces and bodies, the Tunica “began to run as if possessed by the devil and, while yelling (it is their custom), they ran to the jail where she was in chains”; she was engaged in a final assertion of sartorial self-preservation, “fixing a ribbon to her braided hair,” hair that she knew would soon be scalped.

Like Perier, the colonial populace also became involved in exacting revenge on this member of the Natchez nation. Not only were “all the Sauvages who were in New Orleans” present at the torture ritual but colonists also attended the performance as spectators, as they might in France attend a public execution. They watched as the Tunica tied her to a frame and as a Natchez man who had abandoned his kin and been adopted by the Tunica stepped forward to burn her, starting with “the hair [poil, or body hair] of her … then one breast, then the buttocks, then the left breast” (the ellipses represent a deliberate authorial omission on the part of Caillot). Commentators described the methodical burning of torture victims as a form of slow-cooking (“a petit feu”). For Caillot, the ritual burning of the victim’s genitals, breasts, and buttocks was marked by the carefully observed but gruesome sight of “the abundance of grease mixed with blood that ran onto the ground.” His description evoked the cooking of meat basted in fat, with the frame simulating a spit on which the victim was roasted; if this frame/spit did not physically turn its meat, the torturers made sure that she was evenly roasted on all sides by their methodical movement across her body. This food preparation imagery was followed by other cooking analogies. As they were about to kill her (in contrast to the procedure in France, where spectators waited for the execution to be complete before grabbing souvenir pieces of the criminal’s body), “the French women who had suffered at her hands at the Natchez [settlement] each took a sharpened cane and larded her,” just as French culinary techniques called for piercing meat with a sharp stick prior to the insertion of thin strips of lard.

The Natchez woman was not impressed, but “during that long and cruel torture never shed a tear. On the contrary, she seemed to deride the unskilfulness of her tormenters, insulting them, and threatening that her death would soon be avenged by her tribe.”


Detail view (click for the full image) of a generic depiction of the torture frame, from Jean-Francois-Benjamin Dumont de Montigny’s memoir. Sophie White notes that this figure is identifiably female based on her genitalia and the long scalped hair mounted on the adjacent pole.

Over the next several years, the French not only turned back the attack but largely shattered and Natchez peoples, dispersing their remnants to fragmented communities throughout the U.S. South. Today only a few thousand Natchez souls remain, and their interesting language has died out entirely.

* Though it’s a bit tangential to the subject of this post, readers interested in this milieu might cotton to White’s Wild Frenchmen and Frenchified Indians: Material Culture and Race in Colonial Louisiana.

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1464: Johann Breyde, via Schandbild

On April 1, 1464 mayor of Cologne Johann Breyde was chopped into quarters … with ink.

This startling image does not depict an actual flesh-and-blood execution. It is, instead, an outstanding (and conveniently for our purposes, dated) instance of an artifact from medieval Germany, the Schandbild. Such “defamatory pictures” often supplemented a Schmahbrief or “defamatory letter” — intended, as the names suggest, to impugn publicly the target over a debt, a broken promise, or some other private breach of faith.

Something like 100 of these defamations survive from late medieval and early modern Germany (approximately 1400 to 1600), many of them fantasizing about their debtors’ executions in bloodthirsty scenes that also gesture to the place that ritual, spectacle, and dishonor held on the real-life gallows. Here are a few of the more piquant examples; many more await at a wonderful Pinterest gallery here.

The purpose of defamatory letters and pictures was to bring low the reputation of their target in the eyes of a wider community — leveraging social pressure either for revenge, or to force the defamed to repair the breach.

Matthias Lentz, one of the (regrettably few) historians working on these underappreciated objects, notes* that there are even surviving contracts from Germany, Bohemia and Poland enumerating an “explicit understand about injuring a person’s reputation and bringing dishonour upon a defaulting individual … a clause called Scheltklausel that laid down the practice of publicly scolding a defaulter.” For every Schandbild or Schmähbrief there must have been a dozen other potential swindlers quietly forced by the threat of public infamy to make good their contracts.

Per Lentz, the earliest known instance of an explicit contract dates to 1379, “wherein a ducal councillor accorded a nobleman, in eventuality of the former violating the terms of the contract, the right to denounce him as a fraud by ‘posting his name on the pillory [of the councillor’s home town], or wherever he likes'” — again, linking the “mere” text to the instruments of official corporal punishment.

Nor was it uncommon for the Schmähbrief, if things got to that point, to fantasize about the debtor’s bodily suffering in brutal terms that would like invite an investigation for terroristic threats were the modern debt collection call center to deploy them in its harangue. One quoted by Lentz captioned his illustration thus:

It is customary to judge thieves and traitors according to their offences, the first is sent to the gallows, the second broken on the wheel. As I have not got power to carry out the above-mentioned acts, it is my intention to use the painter to have them painted hanging from the gallows and being tortured on the wheel.

Still, Schandbilder und Schmähbriefe meant to intimidate not physically, but socially.** It was in this capacity that the iconography of the pillory and the scaffold entered the frame: ’twas an infamy to be exposed upon them for a public crime — serving as “an indictment of those who knew the criminal … [and] a punitive stigma over his or her relatives and friends.”† Posting a slur on the repute of a prominent person — for the targets were most always people of rank, who would feel an injury to their status — taxed this same, essential, civic currency.

This is why we should let his shameful picture hang here with his coat of arms, until he has given me compensation recognized by respectable people for those unwarranted things that he and his people did … and ask all those who seek charity, who see him painted hanging, that they let him hang. (Source)

By consequence the execution imagery was strictly optional, one iconographic choice among many. From the too-few examples that survive to us it is plain that creditors delighted in their symbolic chastisement, issuing all the obloquies a grievance could devise, untethered from the confines of possible or the … sanitary.


The Schandbild frequently evinced a scatological fixation.

* Quotes form Lentz’s “Defamatory Pictures and Letters in Late Medieval Germany: The Visualisation of Disorder and Infamy” in The Medieval History Journal, vol. 3, no. 1 (2000). Lentz also has several German-language journal titles on the same topic.

** Not necessarily true of their Italian cousins, pitture infamanti. These were a similar sort of thing, but were issued not privately but by the city-states themselves against absconded offenders — a sort of quasi-execution by effigy. Many of these were painted for public spaces and removed with the passage of time so we have lost exemplars, including the products of masters — the Medici, for example, commissioned Botticelli to grace Florence with pitture infamanti of the Pazzi conspirators, which were whitewashed in 1494.

A characteristic pose for these pictures, also used in Germany, had the “victim” hanging upside-down by one foot, conjoining “metaphors of inversion” (as Robert Mills puts it) to the disgrace of the gallows. This posture is commonly thought to have inspired the “Hanged Man” tarot card.


Left: a pittura infamante study by Florentine Renaissance artist Andrea del Sarto; right: the “hanged man” card from a tarot pack.

*† Maria Boes, “Public Appearance and Criminal Judicial Practices in Early Modern Germany,” Social Science History, Vol. 20, No. 2 (Summer, 1996)

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1437: Walter Stewart, Earl of Atholl

On this date in 1437, the Earl of Atholl finally reached the end of a three-day carnival of public tortures and lost bowels, heart, and head for assassinating the King of Scotland.

When Atholl’s grandson Robert exploited the family’s familiar proximity to the king to admit a team of assassins on the night of Feb. 20-21 1437, it ended a strange run for James I.* James had been melodramatically kidnapped by pirates at age 12 and sold to the English — who held the Scottish king** for ransom for 18 years.

By the time James returned to native soil in 1424, he had had quite enough of being some other lord’s shuttlecock and irritated Scotch magnates — who had formerly enjoyed the run of the place and therefore dragged their feet when it came to repatriating their hostage king — by his overweening grabs at land, money, and power. One prime example that would come back to haunt him in the events of this post was the 1425 destruction of the Albany Stewarts, which netted the crown the forfeiture of three earldoms. Clients of the Albany Stewarts, like Sir Robert Graham, delivered a fair fraction of the 28 stab wounds that shuffled King James off this mortal coil.

But even James’s allies had to look sharp when it came to any demesnes not nailed down.

Our principal for today’s post, Walter Stewart by name, was one of these. James’s uncle and supporter, and the son of King Robert II, Stewart/Atholl had pushed for the magnates to ransom James.

Putatively seen as the king’s ally, Atholl’s complicity in regicide made him a byword for treachery to outraged Scottish chroniclers; the apparent grab for the throne led his captors to put a “corone of papir … upon his hed, the which was all abowte depaynetid with jubettes, and for the more dispite and shame to hym was writyne with thes wordes, TRAITOUR, TRAITOUR, TRAITOUR,” according to The Dethe and False Murdure of James Stewarde, Kyng of Scotys.

In a 1992 article on events† historian Michael Brown noted that what Atholl had added to his holdings through his nephew the king was the earldom of Strathearn, and it was but tentatively held: granted for Walter Stewart’s lifetime only, it would revert to the king with the septaugenarian’s death, leaving his heirs no better off than Walter’s own efforts had made them circa 30 years before.

Brown depicts the aging lord as a savvy operator who “would increasingly have despaired of keeping the earldom of Strathearn in his family … [as] a consequence of James’s general opportunism when it came to increasing the revenues of the crown.” A couple of specific adverse interventions that trimmed Atholl’s estates might have presaged — in the earl’s mind, at least — a potential royal move against his position, a move that Atholl would be best advised to check preemptively or never at all. Who could say in February of 1437 whether the Stewarts would by March or April still be royal confidantes in any position to have “left the Kynges chamburs doore opyne; and … brussed and blundird the lokes of hem, yn such wise that no man myght shute hem”?

If we’re not sure of exactly why they did it, we do know very clearly that the plot failed as a coup attempt. Both the queen and the six-year-old heir James II survived that evil night, and James’s violent deposition met not support, but horror. Within weeks the conspirators were hunted to ground. Atholl, for his part, protested his innocence of the regicide all the way to the end, a protest that neither contemporaries nor historians have much credited.

And his death declar’d that there is nothing more popular than justice, for they who were wont to detract from him whilst he was alive, now he as dead had most flagrant desires after him, insomuch that the Nobles, as soon as they heard he was murder’d, came in of their own accord from their respective countries and before a tryal was appointed they voluntarily sent out into all parts to apprehend the murderers and bring them to justice.

Very many of them were taken. The principal of them was put to new and exquisite kinds of death. The rest were hang’d. The chief heads in perpetrating the wickedness were reckon’d to be Walter Earl of Athole, Robert his nephew by his son, and their kinsman Robert Graham.

The punishment of Walter (because he was the chief author and instigator of the whole plot) was divided into three days suffering. In the 1st he was put on a cart wherein a stork-like swipe [crane] or engine was erected, and by ropes let through pullies was hoisted up on high and then, the ropes being suddainly loos’d, he was let down again almost to the ground with grievous pains by reason of the luxation [stretching] of the joints of his body. Then he was set on a pillory that all might see him, and a red-hot iron crown set on his head with this inscription, that he should be called King of all Traitors. They say the cause of this punishment was that Walter had been sometimes told by some female witches (as Athole was always noted to have such) that he should be crown’d king in a mighty concourse of people. For by this means that prophecy was either fulfill’d or eluded, as indeed such kind of predictions do commonly meet with no other events. The day after, he was bound upon a hurdle and drawn at an horse-tail thro’ the greatest street in Edinburgh. The 3rd day he was laid along upon a plank in a conspicuous place and his bowels were cut out whilst he was alive, cast into the fire, and burnt before his face. Afterwards his heart was pulled out and cast into the same fire. Then his head was cut off and expos’d to the view of all, being set upon a poll in the highest place of the city. His body was divided into four quarters and sent to be hang’d up in the most noted places of the best cities of the kingdom.

After him, his nephew was brought forth to suffer, but because of his age they would not put him to so much pain; and besides, he was not the author, but only an accomplice in another man’s wicked design, as having obey’d his grandfather therein, so that he was only hang’d and quarter’d.

But Robert Graham, who did the deed with his own hand, was carried in a cart thro’ the city, and his right hand was nail’d to a gallows which was set up in the cart, and then came executioners which did continually run red-hot iron spikes into his thighs, shoulders, and those parts of his body which were most remote from the vitals, and then he was quarter’d, as the former. After this manner was the death of James vindicated.

‘Tis true, ’twas a cruel one, but ’twas reveng’d by punishments so cruel that they seem’d to exceed the very bounds of humanity. For such extreme kinds of punishment do not so much restrain the minds of the vulgar by the severity as they do make them wild to do or suffer any thing; neither do they so much deter wicked men from committing offences by their acerbity as they lessen their terror by often beholding them, especially if the spirits of the criminals be so hardened that they flinch not at their punishment. For among the unskilful vulgar a stubborn confidence is sometimes prais’d for a firm and stable constancy.

Rerum Scoticarum Historia (1582)

* James’s successors handed down the throne, father James to son James, right down into the Stuart dynasty that came to rule England as well. This makes our James I an ancestor of such scaffold worthies as Mary Queen of Scots and Charles I.

** James was kidnapped in March 1406. His father Robert III died in April of the same year.

† “‘That Old Serpent and Ancient of Evil Days’: Walter, Earl of Atholl and the Death of James I,” The Scottish Historical Review, Vol. 71, No. 191/192, Parts 1 & 2 (Apr. – Oct., 1992).

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1563: Jean de Poltrot, assassin of the Duke of Guise

On this date in 1563, Jean de Poltrot de Méré was ripped apart in the streets of Paris for assassinating the Duke of Guise.

The opening act of the civil war between Catholics and Huguenots that would devour France in the late 16th century was but a year old at this moment, and Guise was the very man who had set off the powderkeg with a notorious massacre of Huguenots the previous March that had sent agitated confessional armies into the fields.

During the ensuing months, Guise stood at the fore of Catholic forces, opposite the Huguenot commander Conde.

Come early 1563, Guise was besieging the Huguenot-held city of Orleans when Poltrot (English Wikipedia page | French) contrived to ambush him on a nearby road. Poltrot shot Guise with a pistol* and fled; he’d be arrested a day later.

In the Wars of Religion, each previous atrocity justified the revenge that followed it; Guise’s death — and Poltrot’s confession under torture** that it was the Huguenot Admiral Coligny who directed his hand — would help to set the scene for the St. Bartholomew’s Day Massacre visited by Catholics on the Huguenots nine years later. (In fairness we ought also to add that this was not Guise’s first brush with Protestant assassins.) And heavily Catholic Paris was even before the Guise murder violently agitated against Huguenots. During the fighting in 1562,

Reputed Huguenots were struck down in the streets. Sometimes mock trials were held; the attackers grilled the captives on their religious beliefs and, when not satisfied with the answers, killed them on the spot. Officials who tried to intervene were themselves in danger, and edicts against violence were bitterly protested. As one anonymous memoirist described it, “The people wanted nothing less than permission to kill and exterminate the Huguenots without any form of trial; but the consequences were too dangerous.” He implied that permission might have been given, had it been possible to contain the violence.†

All this rage, when focused on the assassin of the Catholic party’s champion, was enough to tear a man limb from limb.

Poltrot’s sentence was to be publicly ripped apart by horses straining his limbs to the four points of the compass. It didn’t quite work: sinew and muscle is too dense and tough to shred by main force, even for a horse; it was only by dint of the the executioner’s helpful hacking that the beasts could dismember their prey.


Here’s a similar take in color.

Quartering by horses is a punishment so preposterously horrific that it could only belong to an age of intentional spectacle.

Indeed, Florike Egmond and Peter Mason argue‡ that until the 16th century such a theatrical execution “was a purely fictional punishment in Europe, which ever since Roman times emerged occasionally in literature, legend and folk-tales as an outrageous form of retribution for (high) treason and related offences” — such as Livy’s mythic rendering of the end given faithless ex-ally Mettius Fufetius, the supposed treatment of St. Hippolytus, and foggy distant Frankish legends

Although the concept might have existed in imaginations for centuries before, equine execution was at best a vanishingly rare event in reality; certainly when Poltrot was butchered, nobody present had ever before beheld such a sight. For Egmond and Mason, this was an innovation of his judges who “jumped the gap between fiction and historical records” in pursuit of ever “more expressive forms of punishment in order to emphasize the outrageousness of the offense.”

It was an outrage whose time had come, however, for quartering by horses was employed several times more for regicidal offenses in the ensuing decades — including for the Catholic militant who assassinated the Huguenot King Henri IV.

* This event would appear to dislodge the 1570 murder of Scotland’s Regent Moray from its popular acclamation as history’s earliest firearm assassination. As Guise lingered for six days and finally succumbed to effects of his doctor’s own bloodletting, perhaps the view is that Poltrot’s pistol only earned half-credit.

** Poltrot would later retract the claim, when not under torture.

† Barbara Diefendorf, “Prologue to a Massacre: Popular Unrest in Paris, 1557-1572,” The American Historical Review, Dec. 1985.

‡ “Domestic and Exotic Cruelties: Extravagance and Punishment,” The Irish Review, Autumn 1999

§ The chronicler Matthew Paris records a thirteenth century would-be regicide condemned “to be torn limb from limb by horses, at Coventry, a terrible example, and lamentable sight to all who dared to plot such crimes. In the first place, he was dragged asunder, then beheaded, and his body divided into three parts; each part was then dragged through one of the principal cities of England, and was afterwards hung on a gibbet used for robbers.”

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1718: Stepan Glebov, lover of the tsarina

On this date in 1718,* the vengeful tsar Peter the Great staged a horrible execution on Moscow’s Red Square.

Stepan Glebov was the collateral damage of Peter’s ferocious conflict with his ill-favored crown prince Tsarevich Alexei — the whelp who had only recently been repatriated to his glowering father after fleeing Russia altogether, to cap a lifetime of letting dad down. Alexei was back in Peter’s clutches, and a few months from the events in this post would be shockingly knouted to death at Peter’s orders.

This Freudian clash also mapped sharply onto Russia’s political schisms (and many of the links in this post are to Russian pages). Alexei was the son of Peter’s first wife, Eudoxia [or Evdokia] Feodorovna Lopukhina, a princess whom the teenage Peter had been required to wed as part of the political logrolling involved in overcoming the 1680s regency of his sister Sofia.

Peter had achieved that victory, definitively, and once it was secured it didn’t take him long to tire of both Eudoxia and of the stagnant boyar class she represented. Peter was all about westernizing the motherland; what better way to start than by immuring his Russian bride in a monastery** and grabbing a German merchant’s daughter for a mistress?


Out. (Painting by Evgeny Alexandrovich Demakov, from this Russian-language page)

The blows were borne together by Eudoxia, by her devout son Alexei, and by that part of traditional and Orthodox Russia horrified by Peter’s innovations. Resentments ran along the familiar channels, here to an immoderate fantasy of deliverance come Peter’s death and there to dangerous plans to immanentize same.

When exposed by to Peter’s hostile gaze little distance would there seem between these varietals.

When Alexei returned to face Peter’s investigation, the old man turned his harsh scrutiny on the ex, knowing her to be a locus of opposition. She was found living outside the monastery in secular garb, having taken an officer named Stepan Glebov as her lover. Their correspondence was ransacked by persecutors determined to discover indicia of treasonable scheming therein. Dozens of associates and monastery monks and nuns would be caught up in the affair, damned for anything from failing to prevent the former queen’s dalliance to plotting against the life of Tsar Peter. Most were stripped of rank and sent to exile with various forms of corporal punishment — whipping, severed nostrils, tongues sliced out — but several would be tortured to death or executed on the breaking-wheel including Dositheus, Bishop of Rostov, a confidante of Eudoxia who had allegedly prophesied Alexei’s triumph over his father, and Alexander Kikin, a mentor of Alexei’s who had helped to arrange his escape from Russia.

But upon Glebov, miserable man, Peter would give free rein to his amazing talent for cruelty: the lover to be impaled alive on a stake artfully inserted to miss all vital organs so as to maximize his suffering; some accounts even give it out that the naked Glebov was bundled in furs for the freezing winter’s execution, that he might endure his pains the longer.

Glebov survived impalement for over 14 hours, only dying after 7 a.m. on the morning of March 16. Folklore (it’s probably just that) has it that, importuned on that stake by the tsar to admit to the treasonable conspiracy, Glebov justifiably retorted that he had refused such a confession under unspeakable torment in Peter’s dungeons, so why would he break now? “Depart, and let me die in peace so that you may live without peace.”

Eudoxia’s brother Avram was also put to death in December 1718. She herself was shut up in Shlisselburg fortress for the balance of Peter’s life, but she would survive to see her grandson (Alexei’s son) take the throne in 1727 as Peter II.

* Julian date: it was March 26 on the Gregorian calendar.

** Suzdal‘s Pokrovsky Monastery.

On this day..

1689: Sambhaji, Maratha king

On this date in 1689, the Maratha prince Sambhaji was put to a grisly death by Mughal Emperor Aurangzeb.*

Sambhaji was the firstborn son of the man whose daring had created the Hindu Maratha state — and whose death in 1680 seemed to the neighboring Muslim Mughals the right invitation to destroy this nascent rival.

The Mughals were right to worry, for in the 18th century the Maratha polity would grow into an empire dominating the Indian subcontinent, and drive the Mughals into a long decline.

But in the 1680s, it was the Maratha on the back foot as Aurangzeb invaded their haunts on the Deccan Plateau, steadily albeit very slowly reducing Maratha fortresses over the course of the decade (and the next decade).

This war defined Sambhaji’s reign, and ended it too, when he was at last captured with his favorite aide Kavi Kalash in Sangmeshwar. Mockingly dressed up as buffoons, they were paraded through Mughal territory to the emperor, who would present them a demand for Islamic conversion as the price of their lives.

But the doomed wretches knew that, after all, their heads would fall upon the scaffold, or that, if by abject submission and baseness, they escaped death, they would be kept in confinement deprived of all the pleasures of life, and every day of life would be a new death. So both Sambha and Kabkalas indulged in abusive language, and uttered the most offensive remarks in the hearing of the Emperor’s servants … [Aurangzeb] gave orders that the tongues of both should be cut out, so that they might no longer speak disrepsectfully. After that, their eyes were to be torn out. Then, with ten or eleven other persons, they were put to be put to death with a variety of tortures, and lastly he ordered that the skins of the heads of Sambha and Kabkalas should be stuffed with straw, and exposed in all the cities and towns of the Dakhin, with beat of drum and sound of trumpet. Such is the retribution for rebellious, violent, oppressive evil-doers. (Source — British, it must be said)

Sambhaji has not been highly rated for his indifferent internal governance of Maratha, but the clarifying allure of war and the gruesomely patriotic manner of his death earned him hero’s laurels still honored by Hindu nationalists down to the present day; the village of Tulapur where he was put to death honors Sambhaji with several monuments.

For a contemporary — like, say, Aurangzeb — Sambhaji’s death followed closely by the capture of his family when the Maratha capital succumbed to Mughal siege must have appeared to presage the destruction of his state. Things didn’t work out that way: Sambhaji’s younger brother Rajaram and especially Rajaram’s impressive queen Tarabai kept the Mughals bogged down on the Deccan, bleeding money** and time as they struggled to complete the conquest — until by Aurangzeb’s own despondent death in 1707, it was the Maratha on the advance, and the Mughal Empire on the brink of its own collapse.

* Aurangzeb was the son of the man who built the Taj Mahal. He’d needed some violence of his own to claim the Mughal throne from his brothers.

** “The expense in gold and rupees can hardly be accurately estimated. Aurangzeb’s encampment was like a moving capital — a city of tents 30 miles in circumference, with some 250 bazaars, with a ½ million camp followers, 50,000 camels and 30,000 elephants, all of whom had to be fed, stripped the Deccan of any and all of its surplus grain and wealth.” –Stanley Wolpert

On this day..