Category Archives: Arts and Literature

1973: Charles Horman, American journalist in the Pinochet coup

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Horman was interrogated at the military school and then transferred to the national stadium for further questioning. He was ordered shot and killed the evening of September 19. According to [redacted] the authorities at the stadium did not know that Horman was an American … the body was taken from the stadium and left at a location to create the idea that he had been killed in a firefight with the military. However, in the confused days following the coup, and after it was known that he was an American, the military sought to hide the fact that he was dead.

–Declassified informant’s report (pdf) of the death of Charles Horman

On this date in 1973,* American journalist Charles Horman was extrajudicially executed by the Chilean coup junta of Augusto Pinochet.

Horman was a prizewinning U.S. journalist and filmmaker from the heyday of crusading, adversarial journalism: stateside, he’d made a documentary about napalm use in Vietnam and protested that war at the 1968 Democratic convention in Chicago.

With his wife Joyce, Horman had been living in the Chile of socialist president Salvador Allende since the spring of 1972, reporting freelance while working as a screenwriter. He was right there in the capital on September 11, 1973, to see Allende’s vision ground under tank treads when the Chilean military with U.S. support overthrew the elected civilian government and initiated a litany of horrors.

One of the most emblematic atrocities of Pinochet in his earliest hours was his regime’s commandeering the Santiago football stadium as a makeshift concentration camp for leftists whose blood would desecrate the facility’s recreational purpose.**

The putschists did not fear to extend their terror to subversive Yanks like Horman and (a few days after him) a fellow-journalist named Frank Teruggi — their murders secretly okayed by Pinochet’s CIA comrades.†

There’s a 1978 book investigating this affair, titled The Execution of Charles Horman; the book, and Horman’s fate, inspired the 1982 Costa-Gavras film Missing.

* There are some citations out there for September 17 (the date of Horman’s arrest) or September 19, and a good many general punts to only “September 1973” for this extrajudicial execution/murder. We’re depending for our part on the firm published findings of Chilean judge Jorge Zepeda:

the following day, September 18, 1973 at around 1:35 p.m., military officials took the remains of an unidentified male to the Servicio Medico Legal [Medical Legal Department], and this individual was later fingerprinted and identified as Charles Edmund Horman Lazar, in accordance with Protocol No. 2663/73; the Medical Legal Department concluded that his death had occurred on September 18 at approximately 9:45 a.m. The corresponding death certificate was issued on October 4, 1973 by Doctor Ezequiel Jimenez Ferry of the aforementioned Department.

** In November 1973, the Soviet Union honorably refused to set boots on this boneyard to contest a World Cup playoff and was disqualified as a result — although not before the hosts were made to take the pitch unopposed in a sham “match”.

Thanks to Chile’s consequent advance to the 1974 tourney, a Chilean player holds the distinction of being the first footballer red-carded at the World Cup finals.

† Post-Pinochet Chile unsuccessfully sought the extradition of the former American military mission commander for permitting these murders, when he as the delegate of the coup’s sponsor-empire presumably would have had the juice to forbid them.

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1767: Elsjen Roelofs

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Elsjen Roelofs was broken on the wheel at Assen on this date in 1767 — an unusual fate for a woman, inflicted for poisoning her husband. The sources about her, and the links in this post, are almost exclusively in Dutch.

A farmer’s daughter who made a property-driven arranged marriage to another farmer, Roelofs was seemingly (so a neighbor described) driven to her desperate act when the said Jan Alberts purposed to move away, which would have separated her from her own family.

This poignant story is speculatively novelized by Janne IJmker in Achtendertig Nachten (Thirty-Eight Nights, which was the distance of time between the pregnant Roelofs delivering her daughter in prison on August 2, and the execution of the sentence). (Here’s a review.)

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2013: Sushmita Banerjee, Escape from the Taliban author

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On the night of September 4-5, 2013, Afghan author Sushmita Banerjee was kidnapped and summarily executed by the Taliban.

Born Hindu to a Bengali Brahmin family in Kolkata, India, Banerjee secretly married a Muslim businessman named Janbaz Khan and moved with him to Afghanistan, converting to Islam in the process.

She ran a women’s clinic there until goons from the rising Taliban movement beat her up and held her prisoner in 1995. In danger of being executed by her captors, she managed to escape and return to Kolkata.

She made her mark publishing a memoir of her harrowing experience. Kababuliwalar Bangali Bou (A Kabuliwala’s Bengali Wife) was the nondescript title; Bollywood punched it up for the silver screen as Escape from the Taliban.

This was Banerjee’s claim to fame or — Taliban perspective — infamy, and it’s possible it was the eventual cause of her murder.

“She had no fear,” a sister remembered of her. Fearlessly, or even recklessly, she returned to Afghanistan in 2013 — daring even to live in the militant-dominated border province of Paktika and refusing to wear the burka.

A Taliban splinter group disavowed by the Taliban itself ultimately claimed responsibility for kidnapping Banerjee on the night of September 4, 2013 and depositing her bullet-riddled body to be discovered the following morning; their charge was that Banerjee was an “Indian spy”.

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1662: Claude Le Petit, dirty poet

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Poet Claude Le Petit was burned in Paris on this date in 1662 for “verse and prose full of impieties and blasphemies, against the honor of God, the Virgin and the State”.

Although in his youth he had fled abroad to escape the custody of the Jesuits, Le Petit was back in Paris studying law when he took up the pen to lampoon the scandals of the great and the good. He’s most famous for Le Bordel des Muses, a collection of 73 little sonnets, songs, and other tidbits plus five great lampoons about several of the European capitals his expatriate feet had trod: Paris Ridicule, Madrid Ridicule, London Ridicule, Vienna Ridicule, and Venice Ridicule. Alas, of this magnum opus only the first two of these Ridicules, plus eight of the little poems, survive to us.

He’s known for scabrous verse but Le Petit had a subversive outlook that made him far more dangerous in the eyes of France’s gathering absolutism than some mere pornographer, as in two surviving pieces that he wrote against the 1661 execution of Jacques Chausson, for sodomy.*

If we burned all those
Who do like them
In a very short time alas
Several lords of France
Great prelates of importance
Would suffer death.
Do you know the storm that rises
Against all good people?
If Chausson loses his case,
The arse (“le cu“) will not serve any more.
If Chausson loses his case,
The cunt (“le con”) will prevail.
I am this poor boy
Named Chausson
If I was roasted
At the flower of my age
It’s for the sake of a page
Of the Prince of Conde. [a bisexual lord -ed.]
If the bastard D’Assouci. [a raunchy poet who was possibly the lover of Cyrano de Bergerac -ed.]
Had been taken
He would have been roasted
In the flames
Like these infamous two
Chausson and Fabri.

After Chausson was indeed executed, Le Petit wrote:

Friends, we burned the unfortunate Chausson,
That rascal so famous, with a curly head;
His death immortalized his virtue:
Never will we expire in a more noble way.
He sang cheerfully the lugubrious song
And bore without blanching the starched shirt,
And the hot fagots at the fiery stake,
He looked at death without fear or shudder.
In vain his confessor exhorted him in the flame,
The crucifix in hand, to think of his soul;
Then lying under the stake, when the fire had conquered him,
The infamous one towards the sky turned his foul rump,
And, to die finally as he had lived,
He showed his naughty ass to everyone.

Writing behind the mask of anonymity Le Petit was obscene, yes, but more important was that he deployed obscenity to mock the powerful extending even to the sovereign and the organs of society that upheld his authority. In his tour of Paris Ridicule — lingering stanza by stanza over various landmarks and institutions — we’re drawn to his commentary on the site of his own future passion, the Place de Greve where public executions were staged:

Unhappy plot of land
At the dedicated public gibbet,
Where we massacred
A hundred times more men than at war.

It’s said that Le Petit was exposed when a gust of wind incidentally whipped a leaf from his latest profane commentary out an open window and into the hands of a passing normie who reported the smut and thereby cascaded an avalanche upon the young writer. (Le Petit was only 23 at his death.)

“I believe this punishment will contain the unbridled license of impious and the rashness of printers,” one official noted** — underscoring the overt intention of the execution to intimidate other practitioners on the growing print culture scene. Le Petit’s fame and that of his outlaw pasquinades only grew as a result of his punishment — but this outcome was by no means detrimental to the intended policy, since each impression also came with the murmured recollection of its creator’s fate.


Claude Le Petit verse on the ceiling of a porch at rue de Nevers near Pont Neuf. (cc) image by vpagnouf.

* The original French verse is from Chausson’s French Wikipedia page.

** Cited in this Francophone academic paper on the affair.

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Feast Day of St. Genesius

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“I love acting. It is so much more real than life.”

–Oscar Wilde

August 25 is the feast date of Saint Genesius of Rome.

He’s the patron of actors and to judge by his career he was the earliest and greatest pioneer of the Method.

The story with Genesius, and as usual for early Christians we have more of hagiography than historicity, is that during the persecutions of Diocletian, the very pagan St. G. was tasked with caricaturing a Christian convert on stage. As a fellow thespian poured a “baptism” over him, Genesius was bathed instead by the Holy Spirit and actually converted, right on the spot — preaching to the infuriated emperor,

I came here today to please an earthly Emperor but what I have done is to please a heavenly King. I came here to give you laughter, but what I have done is to give joy to God and his angels. From this moment on, believe me, I will never mock these great mysteries again. I now know that the Lord Jesus Christ is the true God, the Light, the Truth and the Mercy of all who have received his gift of baptism. O great Emperor, believe in these mysteries! I will teach you, and you will know the Lord Jesus Christ is the true God.

Diocletian had him tortured and beheaded instead.

Apart from actors, Genesius also accepts petitions from the whole gamut of jesters and caperers including clowns, comedians, dancers and musicians. Also lawyers.

There is a Fraternity of St. Genesius, recently developed to support Catholics working in theater and cinema. Theaters bear his name in Illinois, Pennsylvania, and Sydney, Australia.

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1217: Eustace the Monk, turncoat outlaw

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On this date in 1217, the pirate Eustace the Monk was defeated in battle and summarily beheaded, scuppering an ongoing invasion that nearly seated a French dauphin on the English throne.

This colorful outlaw commenced life as the younger son of a Boulogne lord, but his conventional path into the Abbey Saint-Wulms was aborted by the murder of his father — leading Eustace to abandon his cowl for a vain attempt at vengeance.

“From a black monk becoming demoniac” — in the words of one chronicle — the man’s career thence proceeded, first rejoining the secular economy as a seneschal and then pivoting to outlawry when his former master turned against him.

His exploits in banditry are greatly embellished and romanticized in the medieval French verse titled Eustache the Monk (peruse in full here; helpful introduction here), including a number of charming and imaginary vignettes that double as moral parables and medieval slices-of-life.

Eustache spotted the Abbot of Jumièges as he was coming down the road. “Sir Abbot,” he said, “stop where you are! What are you carrying? Come now, don’t hide it.” The Abbot answered: “What’s it to you?” At this, Eustache was ready to hit him, but instead replied: “What’s it to me, fat-ass? Upon my word, I’ll make it my business. Get down, fast, and not another word out of you, or I’ll let you have it. You’ll be beaten up so badly you won’t be worth a hundred pounds.” The Abbot thought the man was drunk, and said, more politely this time: “Go away. You won’t find what you are looking for here.” Eustache responded: “Cut the bullshit and get off your horse fast, or you’ll be in for a lot of trouble.” The Abbot got down, frightened now. Eustache asked how much money he had with him. “Four marks,” said the Abbot, “in truth I only have four marks silver.” Eustache searched him immediately and found thirty marks or more. He gave back to the Abbot the four marks he claimed to have. The Abbot became duly furious; for, had he told the truth, he would have got back all his money. The Abbot lost his money only because he told a lie.

Around this time Eustace set up as a freelance English Channel pirate and was regularly employed by the English King John from about 1205 until 1212, when he switched his allegiance back to Philip II of France. Eustace tormented his former English patrons during the civil war in that country that led to the Magna Carta; the rebel barons in this war offered the English throne to the French heir Louis, and Louis invaded and held London and about half the realm, merrily aided by Eustace’s channel buccaneers.

Things went sideways for Louis and for Eustace in 1217; the former suffered a devastating reversal at the Battle of Lincoln.* Our man Eustace, attempting to reinforce Louis’s camp, was intercepted at sea and trounced at the Battle of Sandwich.**

Run-of-the-mill French knights were captured for ransom as per usual;

With Eustance, however, the case was different. When the ship was captured, the English instituted a search for him, and he was at length discovered down in the hold (Matthew Paris says in the bilge-water) by ‘Richard Sorale and Wudecoc’. Then Eustace offered a large sum of money for a ransom, ten thousand marks, as the writer of the Guillaume le Marechal puts it; ‘but it could not be.’ His addition offer (so Wendover) to serve the king of the English faithfully thereafter, if actually made, would have been only a reminder of his previous injuries. It was Stephen Trabe (or Crave) [or Crabbe -ed.], one of the mariners, ‘who had long been with him,’ that executed him, so the Histoire des Ducs de Normandie tells us; or as the poem of Guillaume le Marechal narrates it: ‘There was one there named Stephen of Winchelsea, who recalled to him the hardships which he had caused them both upon land and sea and who gave him the choice of having his head cut off either upon the trebuchet or upon the rail of the ship. Then he cut off his head.’ The head was subsequently fixed upon a lance and borne to Canterbury and about the country for a spectacle. The Romance concludes with the sentiment: ‘Nor can one live long who is intent always upon doing evil.’ (Henry Lewis Cannon


13th century illustration: Eustace gets the chop over the side of the boat.

Eustace’s defeat completely undermined Louis’s position, and the chancer was obliged to retreat to his homeland — where he’d become king in 1223. He’s known as Louis the Lion, which is pretty good, but he was rather convincingly surpassed by his son Saint Louis.

* Known to history as the “Lincoln Fair” for all the looting that occurred afterwards.

** The English maneuver on this occasion was to use an advantageous wind to hurl lime onto the French ships, blinding the enemy crews.

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1651: Christopher Love

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(Thanks to English Presbyterian poet Robert Wild for the guest post in verse, celebrating the martyrdom of his coreligionist Christopher Love. Love died for seditious correspondence with the exiled Stuart then-pretender Charles II. Days after Love lost his head, Charles very nearly did likewise when he lost the decisive Battle of Worcester to Oliver Cromwell — famously escaping the rout by a harrowing, six-week flight that repeatedly came within an ace of landing him with his father in our deck of execution playing cards. -ed.)

THE TRAGEDY OF CHRISTOPHER LOVE AT TOWER HILL August 22. 1651.

Prologue.
New from a slaughtred Monarchs Herse I come,
A mourner to a Murthr’d Prophet’s Tombe:
Pardon, Great Charles his Ghost, my Muse had stood
Yet three years longer, till sh’had wept a flood;
Too mean a Sacrifice for Royall Blood.
But Heaven doe by Thunder call
For her attendance at Love’s Funerall.
Forgive Great Sir, this Sacriledge in me,
The Tear he must have, it is his Fee;
‘Tis due to him, and yet ’tis stol’n from Thee.

ARGUMENT.
‘Twas when the raging Dog did rule the Skies,
And with his Scorching face did tyrannize,
When cruell Cromwell, whelp of that mad Star,
But sure more firery than his Syre by far;
Had dryed the Northern Fife, and with his heat
Put frozen Scotland in a Bloody sweat:
When he had Conquered, and his furious Traine
Had chas’d the North-Bear, and pursu’d Charle’s waine
Into the English Orb; then ’twas thy Fate
(Sweet Love) to be a present for our State.
A greater Sacrifice there could not come,
Then a Divine to bleed his welcome home
For He, and Herod, think no dish so good,
As a Iohn Baptists Head serv’d up in blood.

ACT I.
The Philistins are set in their High Court,
And Love, like Sampsons, fetch’d to make them sport:
Unto the Stake the smiling Prisoner’s brought,
Not to be Try’d, but baited, most men thought;
Monsters, like men, must worry him: and thus
He fights with Beasts, like Paul at Ephesus.
Adams, Far and Huntington, with all the pack
Of foysting Hounds were set upon his back.
Prideaux and Keeble stands and cries A’loe;
It was a full Cry, and it would not doe.
Oh how he foyl’d them, Standers-by did swear,
That he the Judge, and they the Traytors were:
For there he prov’d, although he seem’d a Lambe,
Stout, like a Lyon, from whose Den he came!

ACT II.
It is Decreed; nor shall thy Worth, dear Love,
Resist their Vows, nor their revenge remove.
Though prayers were joyn’d to prayers, & tears to tears,
No softnesse in their Rocky hearts appears;
Nor Heaven nor Earth abate their fury can,
But they will have thy Head, thy Head, good Man.
Sure some She sectary longed, and in hast
Must try how Presbyterian Blood did tast.
‘Tis fit she have the best, and therefore thine,
Thine must be broach’d, blest Saint, its drink Divine.
No sooner was the dreadfull Sentence read,
The Prisoner straight bow’d his condemned Head:
And by that humble posture told them all,
It was an Head that did not fear a fall.

ACT III.
And now I wish the fatall stroke were given;
I’m sure our Martyr longs to be in Heaven,
And Heaven to have him there; one moments blow
Makes him tryumphant; but here comes his woe,
His enemies will grant a months suspence
If’t be but for the nonce to keep him thence:
And that he may tread in his Saviours wayes,
He shall be tempted too, his forty dayes:
And with such baits too, cast thy self but down,
Fall, and but worship, and your life’s your own.
Thus cry’d his Enemies, and ’twas their pride
To wound his Body, and his Soul beside.
One plot they have more, when their other fail,
If Devils cannot, disciples may prevail.
Lets tempt him by his friends, make Peter cry
Good Master spare thy self, and do not die.
One friend intreats, a second weeps, a third
Cries your Petition wants the other word:
I’le write it for you, saith a fourth; your life,
Your life Sir, cries a fift; pity your wife,
And the Babe in her: Thus this Diamond’s cut,
By Diamonds onely, and to terrour put.
Me thinks I hear him still, you wounding heart;
Good friends forbear, for every word’s a dart:
‘Tis cruell pity, this I do professe,
You’ld love me more, if you did love me lesse:
Friends, Children, Wife, Life, all are dear I know,
But all’s too dear, if I should buy them so.
Thus like a Rock that routs the waves he stands,
And snaps a sunder, Sampson-like these bands.

ACT IV.
The day is come, the Prisoner longs to go,
And chides the lingring Sun for tarrying so.
Which blushing seemes to answer from the skie,
That it was loath to see a Martyr die.
Me thinks I heard beheaded Saints above
Call to each other, Sirs, make room for Love.
Who, when he came to tread the fatall Stage,
Which prov’d his glory, and his Enemies rage.
His bloud ne’re run to his Heart, Christs Blood was there
Reviving it, his own was all to spare:
Which rising in his Cheeks, did seem to say,
Is this the bloud you thirst for? Tak’t I pray.
Spectators in his looks such life did see,
That they appear’d more like to die than he.
But oh his speech, me thinks I hear it still;
It ravish’d Friends, and did his enemies kill:
His keener words did their sharp Axe exceed,
That made his head, but he their hearts to bleed:
Which he concludes with gracious prayer, and so
The Lamb lay down, and took the butchers blow:
His Soul makes Heaven shine brighter by a Star,
And now we’re sure there’s one Saint Christopher.*

ACT V.
Love lyes a bleeding, and the world shall see
Heaven Act a part in this black Tragedie.
The Sun no sooner spide the Head o’th’ floore,
But he pull’d in his own, and look’d no more:
The Clouds which scattered, and in colours were,
Met all together, and in black appear:
Lightnings, which fill’d the air with Blazing light,
Did serve for Torches all that dismall night:
In which, and all next day for many howers,
Heaven groan’d in Thunder, and did weep in showers.
Nor doe I wonder that God Thundred so
When his Bonarges murthered lay below:
Witnesses trembled, Prideaux, Bradshaw, Keeble,
And all the guilty Court look’d pale and feeble.
Timerous Ienkins, and cold-hearted Drake
Hold out, you need no base Petitions make:
Your enemies thus Thunder-struck no doubt,
Will be beholding to you to goe out.
But if you will Recant, now thundring Heaven
Such approbation to Loves Cause hath given.
I’le adde but this; Your Consciences, perhaps,
Ere long, shall feele far greater Thunder-claps.

Epilogue.
But stay, my Muse growes fearfull too, and must
Beg that these Lines be buried with thy dust:
Shelter, blessed Love, this Verse within thy shroud,
For none but Heaven dares takes thy part aloud.
The Author begs this, least if he be known,
Whilst he bewailes thy Head, he loose his own.**

FINIS.

* A little wink by the author. The Saint Christopher was a supposed early Christian martyr depicted as either or both of a Canaanite giant or a dog-headed man — real tall-tale stuff. His historicity came under fire from iconoclastic critics of the Humanist and Reformation traditions; for example, Erasmus pooh-poohed this folklore in his In Praise of Folly.

** Wild usually worked anonymously in his time, for obvious reasons.

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1537: Baccio Valori, Michelangelo patron

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The Michelangelo sculpture variously known as Apollo, Apollo-David, or Apollino* was commissioned by Baccio Valori, who met his end on the scaffold on this date in 1537.

Photo of the sculpture at Florence’s Bargello.

By way of background, Florence in 1530 had succumbed to the joint siege of Holy Roman Emperor Charles V and Pope Clement VII.**

The republican Michelangelo directed Florence’s fortifications during the siege, and maybe in some alternate timeline he enjoys his own entry on this very execution site: it seems that the papal governor, our guy Baccio Valori, had him on an enemies list once città Gigliata fell into his hands. In the words of Michelangelo’s contemporary and biographer Ascanio Condivi:

But then after the enemy were let in by consent and many citizens were seized and killed, the court sent to Michelangelo’s house to have him seized as well; and all the rooms and chests were searched, including even the chimney and the privy. However, fearing what was to happen, Michelangelo had fled to the house of a great friend of his where he stayed hidden for many days, without anyone except his friend knowing he was there. So he saved himself; for when the fury passed Pope Clement wrote to Florence that Michelangelo should be sought for …

Those last words elide a period of several years, when Michelangelo made a peace offering to the new regime by forming the melancholy Apollo-David for Valori — a side project for the genius while he also worked on the New Sacristy of Florence’s Medici Chapel.

Both projects gave way to papal prerogatives before their completion. Valori was reduced from preeminence in the city when the young Alessandro de’Medici became duke, and Michelangelo was summoned to Rome to paint The Last Judgment on the wall of the Sistine Chapel.

And he was still working on that in 1537, when Alessandro de’ Medici was assassinated by his republican cousin. Alessandro’s murder brought 17-year-old Cosimo de’ Medici to power in Florence, a moment of political uncertainty that stoked the ambitions of the various anti-Medici factions. Thus,

[o]n learning the death of Alessandro and the election of Cosimo, the exiles appreciated the necessity for prompt action, as all delay would be fatal to the overthrow of Medicean rule. They had received money and promises from France; they were strengthened by the adhesion of Filippo Strozzi and Baccio Valori, who had both become hostile to the Medici through the infamous conduct and mad tyranny of Alessandro … The exiles accordingly met, and assembled their forces at Mirandola. They had about four thousand infantry and three hundred horse; among them were members of all the principal Florentine families … They marched rapidly, and entered Tuscany towards the end of July 1537.

The young Cosimo “displayed signal capacity and presence of mind,” infiltrating the rebel army with spies and smashing it in battle at the start of August.

All the prisoners, who were members of great families, were brought before Cosimo, and were received by him with courteous coldness. Soon, however, a scaffold was erected in the Piazza, and on four mornings in succession four of the prisoners were beheaded. Then the duke saw fit to stay the executions. Baccio Valori, however, and his son and nephew were beheaded on the 20th of August in the courtyard of the Bargello. Filippo Strozzi still survived, confined in the Fortezza da Basso, that had been built at his expense … On December 18th he was found dead in his prison, with a blood-stained sword by his side, and a slip of paper bearing these words: exoriare aliquis nostris ex ossibus ultor. It was believed that, having renounced all hope of his life being spared, Strozzi had preferred suicide to death at the hands of the executioner.

* As to the subject of the male nude, there’s a difference of opinion between Michelangelo catalogues of the 1550s — one calling it “an Apollo who draws an arrow from his quiver” and another “an incomplete David.”

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1661: Jin Shengtan, literary scholar

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On this date in 1661, scholar Jin Shengtan — the “father of vernacular Chinese literature” — was executed.

Jin Shengtan (English Wikipedia entry | Chinese) had the misfortune of reaching his intellectual maturity amid the collapse of the Ming Dynasty and the ensuing chaotic transition to the Qing.

In those years he contributed a perspicacious literary commentary that resides to this day in the canon of Chinese letters; his criticism is credited with raising the stature of Chinese vernacular literature, for instance via his meticulous analysis of Water Margin — now rated as one of the four classic Chinese novels.

In 1661, Jin took part in a protest against official corruption whose violent suppression is remembered to Chinese history as the “Lamenting at the Temple of Confucius”. Jin’s particular lament — probably apocryphal but too good not to repeat — has been remembered as a jest from the edge of the grave: “Being beheaded is the most painful thing, but for some reason it’s going to happen to me. Fancy that!”

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1833: Anastasio Aquino, Nonualco rebel

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On this date in 1833, the Federal Republic of Central America executed Salvadoran indigenous rebel Anastasio Aquino.

Monument to Anastasio Aquino in Santiago Nonualco, the place where both man and rising originated (it’s sometimes called the Nonualco Rebellion). (cc) image from AlfredoMercurio-503.

This interesting post-Spanish polity lasted until the Central American federation splintered in 1841 into the modern-day independent states of Nicaragua, Guatemala, El Salvador, Honduras, Costa Rica, and a bit of Mexico.

Not for the first time, New World indigenes found the breakaway settler state a less congenial authority than the former colonial overlord — in this case cumbering them with new taxes, with laws facilitating the private takeover of their “uncultivated” lands. and with conscriptions onto exploitive hacienda estates.*

This soon catalyzed a rebellion; its leader, our day’s principal “Aquino the Indian”, was a hacienda laborer aggrieved by the unjust arrest of his brother and for the first months of 1833 he set the state of El Salvador on the brink of revolution, winning several battles as the General Commandant of the Liberation Army and issuing edicts in his own name.

His rebel army was defeated at the end of February and its fugitive general finally captured weeks later — destined for the scaffold and for the literary tribute of subsequent Salvadoran writers who have often styled him a national hero.

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