Category Archives: Arts and Literature

1653: Sakura Sogoro, righteous peasant

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Perhaps on this date in 1653 — it is, at any rate, the date saluted by a festival that honors him — the peasant Sakura Sogoro was crucified for protesting the oppressive taxation of his local lord.

Sogoro — familiarly known as Sogo-sama — was a village head man who dared to take his complaints about his daimyo‘s heavy hand right to the shogun himself. As punishment for this effrontery, the daimyo had the peasant executed (which punishment the sacrificial Sogoro anticipated in making his appeal) along with his wife and sons (which was an outrage).

As classically described, Sogoro from the cross damns the cruelty of the punishment and promises to revenge himself as a ghost, destroying the daimyo‘s house within three years. A century or so after his death, a shrine was erected to his memory which attracted pilgrims throughout the realm and made Sakura Sogoro “the patron saint of protest” (Anne Walthall, whom we shall hear more from later.) The tale has earned popular staging in Japanese culture from the kabuki stage to television.


The great 19th century kabuki actor Ichikawa Kodanji as the avenging specter of “Asakura Togo”, the Kabuki character based on Sakura Sogoro. Image from this gorgeous collection.

As one might infer from the sketchy account here, the story’s historicity is shaky despite its popularity down the centuries in Japan. According to an academic paper by Walthall,*

“The archetype of the peasant martyr, a man who deliberately sacrificed himself on behalf of his community.”

More has been written about Sakura Sogoro than about any other peasant hero, but the evidence of his existence is extremely circumstantial. Written accounts of him remain fragmentary until the 1770s …

The first mention of the Sogoro legend appears in Sakura fudoki (a record of provincial lore on Sakura), compiled by a Sakura domain bureaucrat, Isobe Shogen. He recounts how an old man had told him that Sogoro’s vengeful spirit caused the downfall of a seventeenth-century lord. This emphasis on revenge after death is common to many Japanese folktales. Its constant recurrence as a theme in Japanese history reflects a widely held belief in the power of strong emotions to wreak havoc after a person has died. At this point Sogoro was hardly a martyr for the peasants — they remembered not his own deeds, if any, but what had happened to the lord.

By the middle of the eighteenth century, the story gains more detail. After the death of the just lord, Hotta Masamori, his retainers take control of domanial administration, treat the peasants unjustly, and increase the land tax. To save the people, Sogoro makes a direct appeal to the shogun … becom[ing] an exemplar of righteous action, a man who placed community welfare above individual self-interest …

In narratives from the late eighteenth and early nineteenth centuries, the plot becomes still more elaborate. Sogoro is described as a man of scholarship, deeply religious, respectful of his superiors, mindful of his subordinates, esteemed by his neighbors. “He was intelligent, tactful, and did not look like he was peasant born. Everyone said he must be the descendant of a warrior” … As the savior of his village, he represented the peasants’ aspirations; as an angry spirit, he reflected their resentment of those in authority.

The most modern version of the legend omits all reference to revenge by angry spirits. Now the story depicts the courage of Sogoro and his supporters among the peasants and his heartrending renunciation of his family when he resolves to sacrifice himself for the community. He still puts his appeal directly in the hands of the shogun, even though modern historians have long argued that a meeting with the shogun was impossible for a peasant. In contrast to the “good king,” (the shogun Ietsuna) the villain, Hotta Masanobu, executes not merely Sogoro, but his four children. Even the cruelty of this command has become further elaborated. To evade the bakufu prohibition on the execution of women, officials pretend that Sogoro’s three daughters are actually sons and cut off their heads. In short, today people know only a lachrymose tale of tyranny and heroism.

English speakers can grab a couple renderings of this story in the public domain:

* Walthall, “Narratives of Peasant Uprisings in Japan,” The Journal of Asian Studies, May 1983.

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388: Magnus Maximus, minimized

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On this date in 388, Magnus Maximus, partially successful usurper of the western Roman Empire, was put to death by Emperor Theodosius.

The late centuries of Rome witness many a rebellious general but the smart money in a civil war rarely fancied the guy whose power base was distant Britannia. With his bombastic name and balls to back it, Magnus bigly bucked those odds, defeating and murdering the western Augustus Gratian in Gaul in 383. From there he bossed Africa, Britain, and his native Spain for several years.

The departure from Britain of this local chancer made good would prove to correspond approximately with the empire’s crumbling foothold on on the island, with the sandal-shorn Roman feet in ancient times last walking upon England’s mountains green in 410. As the last, most scintillating representative of Roman Britain, Magnus Maximus has survived into legend — extolled for example by Geoffrey of Monmouth as the title hero of “The Dream of Macsen Wledig”. In it, “Macsen”/Maximus weds a Welsh princess and sires a native dynasty, granting Brittany to the Britons in gratitude for their aid as he conquers Rome.

But forget living in legend. The real Magnus Maximus, like every aspirant to the dangerous purple, mostly just worried about living out the next campaign season.

He had a spell of tense peace with his eastern opposite number, during which time Maximus — a staunch Nicene Christian — had the distinction in 385 of decreeing the trial on trumped-up sorcery charges of the dissident bishop Priscillian. It’s widely, if loosely, accounted the very first intra-Christian heresy execution. (Saint Ambrose of Milan and St. Martin of Tours both intervened strongly to oppose this precedent which has spawned so very many imitations.)

Meanwhile Maximus and Theodosius maneuvered toward inevitable civil war and it is obvious from his presence on this here blog that Maximus on this occasion did not rise to his nomens. As Zosimus describes,

Theodosius, having passed through Pannonia [routing Maximus in the process -ed.] and the defiles of the Appennines, attacked unawares the forces of Maximus before they were prepared for him. A part of his army, having pursued them with the utmost speed, forced their way through the gates of Aquileia, the guards being too few to resist them. Maximus was torn from his imperial throne while in the act of distributing money to his soldiers, and being stripped of his imperial robes, was brought to Theodosius, who, having in reproach enumerated some of his crimes against the commonwealth, delivered him to the common executioner to receive due punishment.

Such was the end of Maximus and of his usurpation.*

The poet Pacatus thereafter paid the conquering Theodosius homage for this victory in one of antiquity’s great panegyrics. (Enjoy it in the original Latin here.) Sure he lost the war, but how many figures are both magnus and maximus in fields as disparate as Celtic mythology and classical rhetoric?

Audiophiles might enjoy history podcasters’ take on Magnus Maximus: he’s been covered by both the British History Podcast (episode 31) and the History of Rome Podcast (episodes 156 and 157).

* After the post-Maximus arrangements Theodosius made in the west also went pear-shaped, necessitating yet another conquest and execution, Theodosius established himself as the emperor of both the eastern and western halves of the Roman world in 392. He was last man ever destined to enjoy that distinction.

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1810: Santiago de Liniers

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On this date in 1810, a French officer in Spanish service became an Argentine martyr.

Jacques de Liniers — or Santiago de Liniers, in the Hispanized form* — was a cavalryman turned naval officer descended of a storied noble house,** and he made his bones serving Bourbon princes on either side of the Pyrenees.

Bumping out of the French service in his early twenties, Liniers (English Wikipedia link |French | Spanish) entered his life’s destined course when he took the Spanish colors to fight the Moors in Algiers in 1774.

Progressing thence to the navy, Liniers enjoyed a variegated career at sea in the last quarter of the 18th century, participating among other engagements in the Bourbon-backed American Revolution, and in the Barbary Wars.

By the 1790s he had washed up in the Spanish possessions in the cone of South America, then organized as the Viceroyalty of the Rio de la Plata. Here he would achieve both glory and death, coming to the fore of the colony when a surprise 1806 British attack seized lightly-defended Buenos Aires during the Napoleonic Wars. Vowing to make an offering of this interloper Home Riggs Popham‘s Union Jacks to the Dominican convent where he took refuge, Liniers escaped from the occupied city to nearby Montevideo (present-day Uruguay) where he marshaled a local militia that successfully stormed Buenos Aires.

As a result, that convent still holds the captured British flags to this day … and the white-haired Liniers (he was 53 years old at this point) stands front and center in triumph in a famous painting accepting the rosbif surrender:


La Reconquista de Buenos Aires, by Charles Fouqueray (1909).

With the official leadership having fled the place, a “cabildo abierto” — an “open council” assembly of all the city’s heads of household† — anointed the re-conqueror Liniers the new viceroy.

We catch in this easy conversion of military success to populist support a foreshadowing of the caudillo political character that would so color the coming centuries of post-independence politics, writes Lyman L. Johnson in Workshop of Revolution: Plebeian Buenos Aires and the Atlantic World, 1776-1810 — “the first appearance of personalist politics in Buenos Aires … While his closest allies worked the crowd in the Plaza Mayor to demand the substitution of the viceroy, Liniers was conveniently absent in the suburbs, an absence that forced the crowd to march en masse to return him in triumph to the city.” Thereafter, “[l]eaders elevated by contested and irregular means, Liniers the prime case, would now legitimze their claims to power on the massed authority of the transformed porteno plebe.”

Buenos Aires wasn’t the only thing transforming. Across the ocean, Napoleon’s invasion had the Spanish crown on the run. King Charles IV of Spain had recognized Liniers as “Count of Buenos Aires” before Charles’s forced abdication in 1808; however, the Junta of Seville that tenuously asserted itself the Spanish rump state dispatched a different guy as viceroy and Liniers accepted that fellow’s appointment and resigned his post. It’s a surprising decision in retrospect, one that reminds of Liniers’s Old World, ancien regime roots: this very moment in time, with the Spanish crown reduced to a bauble and the Peninsular crises leaving the empire’s overseas possessions to their own devices, saw the advent of breakaway movements throughout South America. Many of Spain’s former colonies there date independence to the 1810s or 1820s as a result.

Argentina marks its independence from July 9, 1816, but that event was product of a separatist war that began with the 1810 May Revolution. This affair deposed the post-Liniers viceroy upon news of French gains in Iberia that had collapsed even the Junta of Seville. If nobody’s left in charge — why not us? (The May Revolution continued to govern in the name of the occulted Spanish king, which is why it doesn’t get the independence day laurels.)

At this, Liniers came out of retirement like an aging pugilist for one fight too many, and mounted an ill-fated royalist counterrevolution. Instead of re-creating the glories of his campaign against the British, Liniers saw his soldiers desert him to an anticlimactic capture.

He was shot together with Juan Antonio Gutierrez de la Concha and three officers of their late unreliable militia at a small town between Cordoba and Buenos Aires called Cabeza de Tigre (“Head of the Tiger”; today it’s known as Los Surgentes‡).

Despite his dying in an attempt to stand athwart Argentinian independence, his heroism against the British has secured him posthumous honor in a country he never wanted to exist. There’s a Liniers neighborhood in Buenos Aires, and a town of Santiago de Liniers; his former estate in Cordoba is preserved today as a museum and UNESCO heritage site.

* The name in either form is “James”; he got it because his birthday, July 25 of 1753, was the feast of St. James.

** The letters of U.S. Founding Father Thomas Jefferson — present in Paris as an envoy from 1784 to 1789 — preserve an invitation from another Liniers (Santiago’s older brother, the comte de Liniers?) “to a game of chess with pear and melon.”

† As distinct from the regular (“closed”) municipal council, comprising just a few handpicked grandees.

‡ Los Surgentes is unfortunately also known for an infamous 1976 massacre of disappeared leftists.

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1789: Francois Bordier, Harlequin

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On this date in the pregnant year of 1789, the former boulevard actor Francois Bordier hanged for a bit of revolutionary overexuberance.

He’d gained his fame in the 1780s for his portrayals of both Harlequin (on stage) and a besotted gambler (in Parisian society); “police records bulge with accounts of his gambling debts and spats with actresses.”

The summer of 1789, after the Bastille was stormed in Paris, was in the countryside la Grande Peur, the Great Fear: bread shortages and political upheaval put many a manor to the sack.

One such facility was Rouen’s Hotel de l’Intendance, assailed on August 3 by a mob led by Bordier, along with another fellow named Jourdain. Jourdain would perish at the gallows with Bordier but then as now the actor was all anyone wanted to talk about. The horror or heroism of Bordier moved purple pamphlets by the kiloquire, and even put Bordier on the other side of the playbill as a character in the next season’s pantomimes.*

At the news of the imprisonment of their harlequin, rumours were heard in Paris that thirty thousand Parisians, with Saint-Huruge at their head, would march to the rescue; but the authorities at Rouen, nothing daunted by the threat, put the two ringleaders on their trial. Both were condemned to death, and in spite of the intercession of Bailly and Lafayette on behalf of Bordier, both were hanged at Rouen on August 21.

–Source

His preserved head can still be gawked at the musée Flaubert et d’Histoire de la Médecine.

* See Political Actors: Representative Bodies and Theatricality in the Age of the French Revolution by Executed Today interviewee Paul Friedland. Bordier, Friedland observes elsewhere, “personified the mixing of theatrical and political forms, the profane and the sacred, that so suddenly upset the established order in 1789. And post-mortem characterizations of Bordier reflected that peculiar combination of amusement and horror that politico-theatrical hybrids seemed to inspire.”

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Feast Day of Pope Pontian and Antipope Hippolytus

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August 13 is the shared feast date* of third century saint and antipope — two adjectives rarely held in tandem — Hippolytus of Rome, and also the feast of the official pope to whom he reconciled in the end, Pontian.

His legend, including his feast date, has been muddled with another ancient martyr of the same name, and even with the mythological son of Theseus — from which also derives the etymologically apt fancy that St. Hippolytus met his end by the straining of horses.**


The central panel (click for the full image) of the St. Hippolyte Triptych, from the Sint-Salvator Cathedral in Bruges, Belgium. (via the blog of Canadian Archbishop Terrence Prendergast) Attributed to Dieric Bouts and Hugo van der Goes, this image was commissioned by a courtier of Charles the Bold, Hippolyte de Berthoz — who also underwrote other depictions of his namesake’s martyrdom.

But Hippolytus the theologian and cleric was no fable.

Zealous after the correct doctrine in an age of heretical pitfalls like modalism and alogianism, Hippolytus clashed with Pope Zephyrinus and his successor Callixtus over their leniency — not only for heterodoxy but also for sinful conduct like adultery.

This timeless horn-locking between purists and pragmatists led Hippolytus to take his flock out of the Roman communion in opposition to Callixtus, and apparently to maintain himself as antipope for the best part of a generation — the very first recorded antipope, in fact.

Ironically it was the schismatic’s perspicacious quill that would bear to posterity much of our understanding of Christianity in the early third century. Apostolic Tradition, whose attribution to Hippolytus is contested, is a rare source on the early liturgy; Refutation of All Heresies helpfully catalogues dozens of beliefs disfavored of its author among pagan and Christian sects. He wrote a chronicle of the world since its creation, a compendium of ecclesiastical law, and numerous Biblical commentaries.

While world-shaping controversies gripped the sacerdotal space, the temporal world spiraled toward Rome’s Third Century Crisis, a periodization commonly dated to the rise of the cruel barracks-emperor Maximinus in the very year of our rival pontiffs’ martyrdoms, 235.

Maximinus’s years in the purple were short and sanguinary, harbinger of many like decades to come. “Italy and the whole empire were infested with innumerable spies and informers,” Gibbon wrote.

On the slightest accusation, the first of the Roman nobles, who had governed provinces, commanded armies, and been adorned with the consular and triumphal ornaments, were chained on the public carriages, and hurried away to the emperor’s presence. Confiscation, exile, or simple death, were esteemed uncommon instances of his lenity. Some of the unfortunate sufferers he ordered to be sewed up in the hides of slaughtered animals, others to be exposed to wild beasts, others again to be beaten to death with clubs.

Both Pontian and Hippolytus were arrested at Maximinus’s order, which was scarcely an act of pagan reverence on the latter’s part since he was also noted for stripping the traditional temples of valuables that could be melted into currency.

Banished to Sardinia for rough handling that was tantamount to a death sentence, the two men reconciled before attaining the crown of martyrdom.

Numerous cities in France (and one in Quebec) are named for St. Hippolytus.

* It’s the feast date in the Roman church. The Orthodox world honors Hippolytus on January 30.

** He’s the patron saint of horses, too.

† A reading of On Christ and the Antichrist is available free from Librivox.

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1829: John Stacey, in Portsmouth town

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A barbarous, foul, & horrid deed
I shortly will recite,
Which did occur in Portsmouth town
Upon a Sunday night;
An aged man of eighty years,
His housekeeper likewise,
Were there most basely murdered,
By a monster in disguise.

All in the night, so dark and drear,
He entrance did obtain,
And with a deadly hammer he
Beat out the old man’s brains,
His throat he cut from ear to ear,
Most horrible to view,
And streams of crimson blood did flow
The bed-room through and through.

The aged housekeeper likewise,
Lay butcher’d on the floor,
Her face and hands most cruelly
Were cut, and stabb’d full sore.
Her head it was nearly severed
From off her body quite.
Those who beheld it shivered,
So dreadful was the sight.

When at the bar the murderer stood,
He could not deny his guilt,
‘Twas clearly proved that he
The aged couples blood had spilt;
The Jury found him guilty,
And the Judge to him did say,
You must prepare to end your days,
Upon the gallows high.

–Broadside ballad about double murderer John Stacey, hanged adjacent to the house of his victim on August 3, 1829

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1789: Giovanna Bonanno, la Vecchia dell’Aceto

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On this date in 1789, the Sicilian poisoner Giovanna Bonanno was hanged in Palermo.

Portrait of an Old Woman, by Giorgione (c. 1500-1510)

Bonanno (English Wikipedia entry | Italian) had borne the unremarked burdens of the poor into her ninth decade; her life prior to the brush with infamy is all but dark to us save a suspected marriage record from 1744. She seems to have scrabbled her way by beggary and folk magic.

In 1786, she chanced upon the formula to concoct a lethal yet subtle draught from white wine vinegar and arsenic. (She never divulged its precise composition.)

For a few years in the late 1780s this vinegar of our latter-day Locusta became the hit choice for the choice hit. It was the ideal concoction: victims couldn’t detect it and doctors couldn’t diagnose it — so dissatisfied spouses, overeager heirs, rivalrous lovers, keepers of grudges, and all other manner of winnowers beat a path to her door.

Inevitably this business was betrayed as word got about; although it would surely have occurred by means of some other leak soon enough, in the event it happened when Bonanno’s delivery-woman realized that her parcel was intended for someone that she knew, and warned him.

As usual, it was the purveyor who bore the brunt of the law, as suppliers and clients alike damned her for a sorceress as well as a poisoner. Although hanged for her crimes, La Vecchia dell’Aceto — “The Old Vinegar” — entered instantly into Sicilian folklore; Italian speakers might enjoy Luigi Natoli‘s novel of that title.

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1820: Stephen Sullivan, for murdering the Colleen Bawn

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The hanging this date in 1820 of Stephen Sullivan for killing a 15-year-old a year before closed the real-life case that inspired the popular Irish play The Colleen Bawn.

In the play — which in its own turn is based on the 1829 Gerald Griffin novel The Collegians — an older landowner unhappily wed to an unsuitable younger wife has the marriage murderously annulled by the offices of a loyal factotum.

In The Colleen Bawn, these figures are Hardress (the husband), Eily (the wife),* and Danny (the hunchbacked murderer). It’s still performed today, both on stage and in an operatic adaptation, The Lily of Killarney.

In 1819, their real-life equivalents were John Scanlon, his wife Ellen Hanly, and our man Sullivan, the killer.

Scanlon, the regretful groom and instigator of the murder, had already been captured and executed at a previous assize; Sullivan likewise blamed his patron with his dying breath for “when I looked in her innocent face, my heart shuddered, and I did not know how I could do it!” Somehow he found a way.

The final scene, courtesy of Edinburgh’s Caledonian Mercury, August 14, 1820

* Eily is also the play’s title character — from the Gaelic cailín bán, “fair girl”.

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1242: William de Marisco, pirate knight

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On this date in 1242, the knight, outlaw, and pirate William de Marisco was drawn by a horse to Coventry and put to the pains of disemboweling and quartering — albeit only after he had already been hanged to death.


Illustration of William de Marisco’s execution by the amazing 13th century chronicler Matthew Paris.

He’d eventually be damned as a kingslayer but Marisco’s doom began with the 1235 murder of a messenger of King Henry III named Henry Clement, slain at the very gates of Westminster “to our no small dishonour and scandal of the realm.” Suspicion settled on the Mariscos, who might have been motivated by Clement’s boasting of having helped recently lay in his grave the Earl of Pembroke, a magnate and great rival to the king.*

Marisco, whose architectural legacy for us is Coonagh Castle, County Limerick in Ireland, fled the scene of the crime and took refuge on Lundy Island, a gorgeous and remote fingerbone in the westerly Bristol Channel that had once been granted to the Knights Templar.**

There, as our chronicler-illustrator Matthew Paris describes, he made his way thereafter by piracy.

Whilst these occurrences were taking place, William Marsh [“de Marisco” means “of the Marshes” -ed.], son of Geoffrey Marsh, took up his quarters on an island near Bristol, called Lundy, a place impregnable by the nature of its situation, where he lived like a pirate with a number of proscribed and wicked men, indulging in plunder and rapine, and, attended by his companions, traversed the places on the neighbouring coast, despoiling the inhabitants of their property, especially wine and other provisions. By sudden incursions lie frequently carried off vast booty from the country lying near the island, and in many ways injured the kingdom of England both by land and sea, and caused great loss to the native and foreign merchants.

William de Marisco would manage seven years on the lam, seizing victuals and booty and ransomable hostages as he could from his island fastness. He’d been dispossessed of his lands in Ireland and nursed against King Henry the personal grudge of an aggrieved nobleman.

Such injuries were known to heal over time, and amid the tangle of authority and kinship among medieval Europe’s bluebloods, today’s rebel might become tomorrow’s hand of the king. But in 1238, William cut the roads behind him and made himself permanently anathema by allegedly sending an assassin after Henry III. Matthew Paris, again, with a story that will easily bear the interpretation that Marisco’s name was put into a deranged regicide’s mouth by his torturers:

on the day after the Nativity of St. Mary, a certain learned esquire, as it is said, came to the king’s court at Woodstock, pretending that he was insane, and said to the king, “Resign to me the kingdom, which you have unjustly usurped, and so long detained from me;” he also added, that he bore the sign of royalty on his shoulder. The king’s attendants wanted to beat him and drive him away from the royal presence, but the king prevented those who were rushing on him from violence, saying, “Let the insane man rave as becomes him, for such people’s words have not the influence of truth.” In the middle of the night, however, this same man entered the king’s bedchamber window, carrying an open knife, and approached the king’s couch, but was confused at not finding him there, and immediately began to look for him in the several chambers of his residence. The king was, by God’s providence, then sleeping with the queen. But one of the queen’s maids, named Margaret Biseth, was by chance awake, and was singing psalms by the light of a candle (for she was a holy maid, and one devoted to God), and when she saw this madman searching all the private places, to kill the king, and frequently asking in a terrible voice where the king was, she was greatly alarmed, and began to utter repeated cries. At her dreadful cry the king’s attendants awoke, and leaped from their beds with all speed, and running to the spot, broke open the door, which this robber had firmly secured with a bolt, and seized the robber, and, notwithstanding his resistance, bound him fast and secured him. He, after some time, confessed that he had been sent there to kill the king, after the manner of the assassins, by William Marsh, son of Greoffrey Marsh, and he stated that others had conspired to commit the same crime.

Paris has evident contempt for William, but he does note that “William boldly denied all these charges, yet he did not obtain any credit, nor was he listened to; he therefore, however unadvisedly, betook himself to out-of-the-way places, and became a fugitive and an outlaw.” It is not clear to this author that outlawry is “unadvisable” vis-a-vis standing to the judgment of a king who is certain you have attempted his life; nevertheless, it is usually little better than the temporary expedient for the doomed.

On the feast of St. James, by the king’s order, the said William, with sixteen of his accomplices taken with him, was tried and condemned, and, by the king’s order, was sentenced to an ignominious death. He was, therefore, first dragged from Westminster to the Tower of London, and from thence to that instrument of punishment called a gibbet† suspended on which he breathed forth his miserable life. After he had grown stiff in death, his body was let down and disembowelled; his entrails were immediately burnt on the spot, and his wretched body divided into four parts, which were sent to the four principal cities of the kingdom, that the sight of them might strike terror into all beholders.

His sixteen accomplices were all dragged through London at the horse’s tail, and hung on gibbets. The said William, after his condemnation, when about to imdergo the sentence pronounced upon him, invoking the divine judgment to witness, boldly declared that he was entirely free and guiltless of the crime of treason imputed to him, and likewise of the murder of the aforesaid clerk Clement; he also asserted that he had betaken himself to the aforesaid island for no other reason than to avoid the king’s anger, which he had always above all things wished to pacify by submitting to any kind of trial, or by any other humiliation; but that, after he had taken refuge as a fugitive in the said island, he was obliged to prolong his miserable life by seizing on provisions wherever he could find them. He then poured out his soul in confession before God, to J. de St. Giles, one of the brethren of the Preacher order, and confessed his sins with contrition, not excusing himself and giving vent to evil words, but rather accusing himself. This discreet preacher and confessor then administered gentle comfort to him, and dismissed him in peace, persuading him that he underwent the death to which he was doomed by way of repentance. And thus, as before mentioned, horrible to relate, he endured not one, but several dreadful deaths.

Readers of Latin can peruse the transcript of the trial, which has surprisingly survived the ravages of century, in this 1895 English Historical Review article.

* Pembroke’s brother and heir was also suspected initially, but was able to clear himself; however, he was later made to take a vow no longer to protect William de Marisco, suggesting that Pembroke was at least in simpatico with the hit. Both William and Geoffrey de Marisco had been fined previously for adhering to the Pembroke side in a fight with the king.

** The Templars at best barely possessed Lundy and the Mariscos who claimed it opposed those banker-knights’ stake, successfully.

† Paris’s unfamiliar marking of the term “gibbet” is interesting here; according to dictionary.com it was during the 13th century that this word for gallows entered Middle English from French.

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Feast Day of Rasyphus and Ravennus

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July 23 is the feast date of fifth century Christian martyrs Rasyphus and Ravennus.

Supposed by Middle Ages legends to be British natives who fled to Gaul as Rome abandoned the island to onrushing Anglo-Saxons, they found martyrdom on the continent via some different horde — possibly the Goths.

Today, these historically unreliable characters have been deprecated to the Vatican’s minor league “local cult” circuit, but in their day they were the pride of Bayeux, whose cathedral held the honor of the saintly relics

Despite the repose of their bones, Rasyphus and Ravennus were not associated with Bayeux in life; they are said to have been decapitated at instead at the town of Mace.

This reliquary relocalization was consequence of a widespread shuffling of religious treasures during the Viking age — like the century-plus posthumous journey of St. Cuthbert as Danes put his various resting places to the sack. Bayeux’s native saint, the 4th-5th century bishop Exuperius (Exuperius of Bayeux is not to be confused with his contemporary and fellow-bishop, Exuperius of Toulouse), had had his bones moved for safekeeping from the Northmen to Corbeil, near Paris. Relics, especially very old ones, bestowed reverential prestige on their surroundings during the Middle Ages and having lucked into this bounty Corbeil afterwards refused to return Exuperius — which was a very common (mis)behavior. At one point Corbeil even humiliatingly shammed Bayeux by sending it the skeleton of some peasant after accepting a bribe for Exuperius.

So much for Bayeux’s homegrown holyman, but no problem: the Vikinger threat had also driven Rasyphus and Ravennus on from Mace to Bayeux, and two late antiquity corpses being even better than one, these British refugees now became patrons of a home they had never known.

(In later years the Rasyphus and Ravennus relics would be uprooted yet again, by the Wars of Religion; today, they’re not to be found in Mace or in Bayeux, but in Grancey.)

And thanks to their domicile, R+R perhaps make a cameo appearance on medieval Europe’s most famous narrative textile, the Bayeux Tapestry.

The tapestry pictures events leading up to the Norman conquest of England, culminating with the epochal 1066 Battle of Hastings. The Anglo-Saxon king who lost that battle, Harold, is a key character on the tapestry, and in the 23rd scene Harold swears an oath to his eventual foe at Hastings, William the Conqueror.

Although it’s not explicitly labeled as such in the threads, according to Trevor Rowley in An Archaeological Study of the Bayeux Tapestry: The Landscapes, Buildings and Places, we can plausibly identify the setting for that oath as the altar consecrated to Rasyphus and Ravennus in the Bayeux Cathedral. (The artifact was commissioned by William the Conqueror’s powerful half-brother Odo, who was also Bishop of Bayeux — hence both the tapestry’s name and its prospective interest in broadcasting the Bayeux cults. The 22nd scene preceding it appears to overtly situate the action at Bayeux (“Bagia”).)

Rasyphus and Ravennus provided a high-status devotional focus. Their feast day was celebrated in the cathedral and their altar was second only to the high altar, dedicated to the Virgin Mary. Bishop Odo’s centrepiece for the shrine was a new reliquary, which is described in an inventory of 1476 as a large architectural shrine, richly decorated with gilding and enamel work.

The back side [of the shrine] is of gilded silver or worked in beaten metal; and all the rest of it, that is to say the front side, the two ends, and the top is made of fine gold, with raised golden images, and decorated with large and expensive enamels and precious stones of various kinds.

The reliquary was installed on an especially dedicated altar in the apse of Bayeux Cathedral just behind the primary altar and was described by a sixteenth-century antiquarian as ‘a miniature version of Bayeux Cathedral that was taller than a ten-year-old girl’.

Although the cult of the brothers did not spread outside Bayeux, at the time Harold swore his oath their perceived sanctity would have been at its height and their fine new reliquary would have provided an appropriately holy shrine for the purpose. It is also clear from what we know of Odo in other contexts that he would not have hesitated to use the opportunity of the Tapestry to advertise the Bayeux cult to an audience outside his own diocese.

On this day..