Category Archives: The Worm Turns

1457: László Hunyadi, the death before Hungary’s rebirth

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On this date in 1457, Hungary lost a young prospective statesman and gained a national martyr.

A tale of noble bloodshed begins as so many do with a contested succession, this one amid the confusing feudal geometry of central Europe in the shadow of the rising Ottoman Empire. The untimely (albeit unsurprising) death in battle of warlike Albert II of Germany put the crown in the hands of a son born four months after his demise — the memorably named Ladislaus the Posthumous.

Effective government, needless to say, was in the hands of more senior gentlemen: the ambitious Slovenian-Croatian count Ulrich II and the able Hungarian commander John Hunyadi.* With two strapping Hunyadi boys who were contemporaries with the nominal king, it was only a matter of time before someone wound up dead.

Hunyadi pere saw it all coming. On his deathbed in 1456, he warned his children never to find themselves both together with Ladislaus.

Events moved fast after John Hunyadi’s passing. The Posthumous, now a teenager, set Hunyadi’s longtime rival up against the boys’ claim, but Laszlo, the elder brother, killed Ulrich. Ladislaus — answering the exigencies of the moment but possibly also sincerely relieved to be rid of his overbearing uncle — immediately pardoned the killer and offered to have him over to court.

Dad would have said, “I told you so.”

Upon arrival, Laszlo was seized, sentenced to death by a kangaroo court, and summarily beheaded. The most melodramatic version has the beheading botched three times and Laszlo demanding a reprieve on the grounds that heaven had attested his innocence by preserving him. Ladislaus had his guys keep at it until heaven threw in the towel.

The Buried Lead

So, hard going for some noble tit in the borderlands 551 years ago. What’s the relevance? Why, when Hungarian artists of the 19th century groped for an expression of national identity did they hark back to unlucky Laszlo on canvas …

The Mourning of Laszlo Hunyadi (1859) by Viktor Madarász shows the pallid-faced mother and bride of the prince bewailing his body, the fatal wound unmistakably suggested while remaining artfully concealed. Painted in Paris, it won a French state medal. (Source)

… and in opera?

The answer is less to do with Laszlo’s own qualities, courageous though they may have been.

A few months after having the young man put to death, Ladislaus himself died suddenly. Contemporaries suspected poison; others thought cosmic justice punished him for breaking faith. Modern science — vulture, whose wings are dull realities! — fingers something as unromantic as a medical condition.

One way or another, Ladislaus really was Posthumous, and into the empty throne stepped Laszlo’s 15-year-old brother Matthias — who had been more judicious about his head than his brother. Matthias would reign for 32 years and enter Hungarian folklore as “Matthias the Just”.

The long and adroit span of Matthias’ career and his father’s combined to immortalize the Hunyadi name (which fell extinct after Matthias’ passing before it could produce any buzzkilling scions of more doubtful abilities) as synonymous with Hungary’s golden age.

Laszlo’s reputation mostly just comes along for the ride — had, say, Ladislaus enjoyed Matthias’ run, the elimination of a boyhood rival would have been chalked down to the regrettable griminess of the day’s political reality; had some other claimant followed him to the throne, the Hunyadi name would never have had the luster to make him an attractive operatic subject.

A Symbol of National Rebirth

But they’re called “counterfactuals” for a reason: it may have happened by chance, but it did happen that Laszlo Hunyadi’s martyrology, in the victim’s very name, conveniently totes to the present day a pleasing theme of national redemption and greatness.

As described in this (.pdf) introduction to the opera (part of an extensive collection of information about Ferenc Erkel‘s operas, including a translated libretto of Hunyadi Laszlo):

In the national mythology the Hunyadi family’s descent into the underworld is symbolized by the fate of Laszlo Hunyadi, the firstborn of Janos Hunyadi who was 10 years Matyas’s senior. His life and death were preserved in the collective memory of the nation not as an independent legend but as the middle part of an imaginary trilogy about the Hunyadis. Laszlo Negyessy wrote that the opera Hunyadi Laszlo “has an air of incompleteness because the story is suspended at a point where all our senses appeal for continuation. However, this continuation and poetic justice is served in our national memory.”

Here is Erkel’s celebrated funeral march (“Gyaszindulo”) rendering the victim’s journey to his scaffold this day — the non-choral prelude to his mother’s dramatic plea for his life in the video above, and one of the signature compositions of Hungarian music**:

[audio:Hunyadi_Laszlo_funeral_march.mp3]

* John (Janos) Hunyadi wasn’t above meddling with the neighbors himself. Hungary figures as a bully of the kingdom of Wallachia (modern Romania) at this time; John Hunyadi deposed the father of, then (in the course of political alignment) helped raise to Wallachia’s throne, Vlad the Impaler, the sort-of historical model (and apparent historical namesake) for the vampire Dracula. When Vlad Dracula was deposed in turn, he fled to the protection of Matthias Hunyadi.

** Erkel also wrote the Hungarian national anthem.

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1302: Dante Alighieri condemned

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(Thanks to Jeffrey Fisher [jeffreyfisher at me.com] for the guest post.)

On this day in 1302, the governing commune of the city of Florence condemned to death Dante Alighieri, statesman, philosopher, and above all, poet. Arguably the greatest mind of his generation, Dante is most famous for his authorship of the Divine Comedy, relating his journeys through, successively, hell, purgatory, and heaven.

Born in 1265 to a noble family of Florence that, while not the city’s most prominent family, had already seen several of his ancestors banished as a result of political turmoil, Dante could hardly have avoided becoming embroiled in public life had he even wanted to. In brief, a long-running struggle between pro-imperial (the so-called Holy Roman Empire) and pro-papal factions was finally won by the pro-papal forces, known as the Guelphs. Two decisive battles in 1289 established both Florence’s independence (particularly from their old nemesis, Pisa) and the rule of the Guelphs, Dante’s own party.

Dante is likely to have taken part in those battles and was active in city politics in the following decade, culminating in a turn in 1300 as prior (one of six key counsellors to the city, serving a two-month term). Florence prided itself on a tradition of democratic rule going back to the death of the Holy Roman Emperor Frederick II in 1250.

Persona Non Grata

Giotto painted Dante prior to his exile — the oldest portrait of Dante known.

Unfortunately, by the time Dante took on the priorate, the old rivalries had reshaped themselves into new factions eerily parallel to their predecessors: the so-called “Black” Guelphs, who aligned themselves with the Pope (as of 1294, Boniface VIII), and “White” Guelphs, who took a more moderate political stance and saw themselves as defending an independent Florence from the Pope and his allies (namely, the Blacks).

Things got so bad that, at the time of Dante’s priorate, the city’s ruling body banished leaders of both sides in an effort to stabilize the city. The pope took the opportunity to send emissaries to Florence on the pretext of negotiating a peace. After more than a year of this maneuvering, the commune sent Dante and two others to have words with Boniface in Rome in 1301.

The Pope “invited” Dante to stay in Rome while his companions returned to Florence to try to bring the commune around. In the meantime, the Pope’s key man had got himself into Florence and helped the Blacks take power, whereupon they confiscated properties and levied fines.

Dante was ordered to appear before a tribunal to answer for his alleged crimes. When he did not show up, he was banished to two years of exile, permanently banned from holding city office, and ordered to pay a further fine of some five thousand florins–a staggering sum–within three days. When that did not happen, either (Dante was apparently in Siena, a short ways from Florence, when he heard this news), the commune confiscated all of his goods and condemned him to death by burning should he ever return.

Fortunately, there were others in Italy at the time who had more sense, but Dante spent the rest of his life–almost another twenty years–wandering from city to city with his sons. He was excluded from an amnesty in 1311, and when he refused the terms of another in 1315, his death sentence was not only reaffirmed, but extended to include his sons. Despite all this, he still held out hope of returning to Florence to be crowned as poet, declining to be so crowned in Bologna as little as a year or two before he died.

Art in Exile

It was over the course of that time in exile that Dante composed his political and philosophical works, together with what must be considered his single greatest contribution to letters, the three-volume Divina Commedia.

There is no way to do justice to any of these works, much less all of them, but in the present context it is worth noting that in three key works — the Commedia (Dante’s title is this simple), Il Convivio (or The Banquet), and De Monarchia (On Monarchy) — Dante develops a serious, even strikingly modern, religious political philosophy.

In contrast to many of his religious contemporaries, taking issue with the great St. Augustine even as he espouses positions derived from Thomas Aquinas, Dante argues in favor of a strong central secular authority, specifically an emperor, and even more particularly, that this authority should be understood by Christians as co-equal with, not subordinate to, the spiritual authority of the Church: “two suns,” he says, rather than the sun and the moon (which merely reflects the light of the sun).

Indeed, he held out an almost messianic hope for the return of an emperor who would restore peace and order. He even wrote public letters to the Emperor Henry VII requesting that he restore justice in Florence (and this is surely a factor in the commune’s treatment of him with respect to amnesty). When Henry died before accomplishing these things, much of Dante’s hope for imperial cohesion died along with him.

(Consider this Open Yale Courses podcast series for more Dante appreciation.)

He Knew Beatrice All Along

It would be nothing short of travesty to write anything of this length about Dante and not mention Beatrice, the love of his life from the age of nine, when he first laid eyes on her, to the day he died in exile. Beatrice, who only spoke to Dante once and who died an early death, directly inspired his poetic-explicatory work, the Vita Nuova (New Life), an exemplar of the dolce stil nuovo (“sweet new style”) movement in poetry. As a character in the Commedia, Beatrice sends Virgil to rescue Dante from a dark forest in the Inferno, and guides him through the spheres of Heaven in Paradiso.

“Dante and Beatrice in the Constellation of Gemini and the Sphere of Flame”, one of William Blake‘s (uncompleted) series of watercolors illustrating Dante’s magnum opus.

Despite two decades of exile, Dante never gave up hope of returning to Florence in his lifetime, and clearly hoped (perhaps “expected” is more accurate) to be united with his other true love in the next. His body remains in Ravenna, where he died and was buried in 1321.

Florentines wish they could have him back.

Part of the Themed Set: The Written Word.

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1939: Georgy Nikolayevich Kosenko (aka Kislov), NKVD spy

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(Thanks to Dmitri Minaev of De Rebus Antiquis Et Novis for the guest post.)

One thing about the first years of Soviet history that always puzzled me is how the Bolsheviks managed to create a wide and reliable network of foreign intelligence and counter-intelligence so fast. Below is a history of life and death of a typical spy from the early Soviet years.

Georgy Nikolayevich Kosenko was born on 12 May 1901 in Stavropol. He was a smart schoolboy. Foreign languages, especially French, were among his favorite subjects. He graduated from school when the Russian Civil War began and his parents became active Bolsheviks.

Stavropol was a region of fierce struggle between the Whites and the Reds. On the one hand, the anti-Bolshevik Volunteer Army had good support in Southern Russia, but on the other hand, the factory workers who concentrated in the cities tended to support the Bolsheviks.

Georgy’s father participated in the revolt in Stavropol and in 1918 he was executed by the Whites. Georgy’s sister was a Bolshevik since 1914 and actively worked for the revolutionary underground. Soon after the death of their father she too was caught and hanged. I don’t know what was her crime, but most probably it was sabotage.

So, choosing sides in the civil war was not difficult for young Georgy. In 1920 he became a secret agent of Cheka in Stavropol; in 1921 he joined the RCP(b) (Russian Communist Party, bolsheviks) and became a private in the OGPU military detachment. From 1924 he was a full-fledged officer of OGPU (the new name of Cheka) and continued his work in Stavropol and other cities: Novorossiysk, Vladikavkaz, Rostov, Sverdlovsk and Moscow.

A Lethal Career

In 1933 the Foreign department of OGPU noticed the young officer with good command of French and offered him a post in Soviet foreign intelligence. On 30 April 1933 he was appointed the deputy of the chief agent of OGPU in Kharbin in Manchuria, then occupied by the Japanese. According to the usual practice of the OGPU, he received false documents and became Georgy Nikolayevich Kislov. He became the secretary of the Soviet embassy in Kharbin. In June 1935 he was promoted to the chief agent and, automatically, to the vice-consul of the USSR.

Anti-communist forces were still active in Siberia in the 1930s and the main task of Soviet agents in Kharbin was identifying organized groups of Whites. There was a large colony of Russian emigrants in Manchuria and many of them eagerly helped the anti-Soviet fighters. By the end of 1935 Kosenko-Kislov and his colleagues had identified about 180 members of this movement. The gathered information helped to intercept three armed groups on the border of the USSR. Another important target of Soviet counter-intelligence was Japanese spies. Kosenko identified about 300 of them. He also helped to prevent an operation of Japanese saboteurs who planned to destroy a railroad tunnel.

In the end of 1935 Kosenko fell ill and was evacuated to Moscow. Having spent some months in a hospital he got better and in May was sent to Paris.

The French Connection

France played a crucial role in international politics and the main goal of Soviet intelligence was to learn more about the position of the French government toward Germany and USSR. The network led by Kosenko received information from government sources, from the president’s office and from the French army and intelligence. They also gathered important information on new models of tanks, aeroplanes and handguns.

Another target of Soviet intelligence was the so called Russian All-Military Union (ROVS, Rossiyskiy Obshche-Voinskiy Soyuz). This organization united the soldiers and officers of the Russian army who were forced to leave Russia in 1920 but who still hoped to return. The organization was then headed by General Yevgeny Miller. NKVD thought that if they could make Miller disappear, the leadership would go to General Skoblin, who was an agent of Soviet intelligence. Miller was kidnapped to the USSR in an operation assisted by Alexander Orlov — remember that name — the head of Soviet intelligence in Spain and by Georgy Kosenko.

Kosenko was awarded the order of the Red Banner — but the most important operation of his life was still to come.

Another anti-Soviet organization also located in Paris was the international secretariat of the Fourth International, founded by Leo Trotsky. The secretariat was managed by Leo Sedov, Trotsky’s son. An agent of Soviet intelligence, Mark Zborovsky, became Sedov’s personal secretary and transferred to NKVD the letters of Trotsky and Sedov. In August 1936 Sedov left Paris and left all his papers to Zborovsky. Zborovsky got access to the list of Trotsky’s correspondents in many countries and immediately sent it to NKVD. He also informed Soviet intelligence that Trotsky sent a large part of his personal archive to the Institute of Historical Research in Paris. Stalin ordered the archive captured. A special NKVD group headed by Yakov Serebryansky was sent to Paris and Kosenko organized the operation. On 6-7 November 1936 Kosenko received the archive — about 80 kilograms of documents, articles and letters — and sent it to Moscow with the diplomatic mail.

In February 1937 Kosenko received a report from Mark Zborovsky that Sedov had asked Zborovsky to organize Stalin’s assassination. When Kosenko sent this information to Moscow, Stalin was infuriated and ordered Trotsky and his top aides killed. Among other operations to this end, Moscow sent Trotsky’s eventual murderer Ramon Mercader from Spain to France. Kosenko had to help him to enter the circle of Trotsky’s close friends.

Although this intrigue turned out to be a success, it would claim Kosenko’s life before Trotsky’s.

Purged

In July 1938, Kosenko’s Spanish opposite number and sometime collaborator Alexander Orlov fled to the USA, guaranteeing his own safety (and that of the mother he left in the USSR) by threatening to reveal Soviet intelligence secrets if pursued. Orlov sent a letter to Trotsky warning him that a Soviet agent named Mark had penetrated his son’s circle, and that the NKVD was preparing the assassination of Trotsky at the hands of either Mark or an unknown Spaniard. (Trotsky thought the tip was a provocation, and fatefully ignored it.)

Stalin went mad. He ordered the new head of NKVD Lavrentiy Beria to punish all spies involved in the debacle. Kosenko was one of them. In November 1938 Kosenko received an order to return to Moscow and on 27 December he was put to the same jail where General Miller was still imprisoned. Kosenko was accused of participation in a counter-revolutionary organization and on 20 February he was sentenced to death. That same night of 20-21 February 1939 he was shot and his body was buried in an tomb without any name or date.

So, this story does not answer the question I asked in the beginning, but rather dismisses it by proving that the Soviet intelligence network was wide but far from reliable and that eventually these spies either eagerly got rid of each other or simply fled as far as they could.

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1615: Patrick Stewart, 2nd Earl of Orkney

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On this date in 1615,* the tyrannical Earl of Orkney was beheaded in Edinburgh for treason.

Not this Patrick Stewart.

Ultimately a footnote in the sweep of Scottish history, the earl was — and remains — locally infamous for his decadence and cruelty. He persecuted “witches” gleefully. In fact, we have already met one in these pages: Alison Balfour, speciously accused of attempting to murder him. Stewart said that absent vigorous prosecution his subjects “wald all have becommit witches and warlockis for the people ar naturally inclynit thairto,” though the property forfeiture accompanying a witchcraft conviction might also have had something to do with it.

None of this had aught to do with the noble’s fall, although it was cited against him in passing; a treason charge for usurping royal authority arising from parochial jockeying for power did him in.**

It’s almost certainly just a scurrilous rumor — one of those stories of more Truth than truth — that the beheading had to be stayed a few days to let the savage earl bone up on the Lord’s prayer.

The headless lord does have a latter-day biography all his own, an out-of-print 1992 tome called Black Patie: The Life and Times of Patrick Stewart Earl of Orkney, Lord of Shetland. The same author has also written a volume about the earl’s equally despotic father, Robert Stewart.

* What would be 1615 to a modern reader, but what was then 1614 by the delayed onset of the legal new year. The specific month and date is courtesy of worldroots.com.

** They did in his son, too, whom Patrick Stewart instigated to press an uprising while the old man was awaiting the block; after the now-tourist-friendly Stewart castle succumbed to a siege, the boy was (separately) executed as well, extinguishing the noble title.

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1944: An unknown Allied airman

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On this date in 1944, in the midst of a worldwide conflagration that would claim 70 million lives, one unknown crew member of an Allied bomber was shot by Nazi SS/SD troops in the woods around Enschede, Netherlands.

From late 1942, the Allies’ massive industrial capacity had sapped the vaunted Luftwaffe, bleeding down the German air force in desperate airborne combat in the Mediterranean and the Eastern front. Crippling losses in July and August 1943 lay Germany’s industrial heart open to devastating bombing and would within a year spell the end of the Luftwaffe as an effective fighting force.

The contest’s stakes were high. This hour-long compilation of contemporaneous U.S. propaganda footage celebrates the decisive effect of air supremacy in western Europe:

With hostile planes darkening Europe’s skies, the Germans called upon ruthlessness to stand in for materiel. Nazi SS chief Heinrich Himmler issued, according to Robin O’Neil, an August 1943 order to show no quarter to captured enemy pilots.

The young man shot this day suffered its effects:

The airman (estimated age 26 years), who was apparently unhurt, was taken by the SS to the cellar of the villa [serving as SS headquarters], where he was kept under guard while arrangements were made for his disposal. These arrangements consisted of the removal of his flying kit, and the substitution of a civilian light-coloured shirt, a pair of dark trousers, and a pair of socks.

In this dress he was put into a security vehicle, his hands handcuffed behind his back, and taken some distance in the grounds of the SS HQ to a spot within the compound where a grave had already been prepared. The airman was marched from the car by an escort of two SS men, one of whom dropped back and shot the airman in the back of the neck. He was buried and the grave was carefully camouflaged.

To this day, the airman’s identity has not been established. It was assumed that he was British or American, most probably American, as the trousers he was wearing were of a dark shade of khaki, and the fact that when he was informed in the car, in English, that he was to be executed, he made an indistinct reply in which the word “America” was uttered.

Countless such executions undoubtedly took place and were lost, forgotten or concealed in the charnel house of war. Thanks to the witness of Dutch prisoners who survived the war, this single act of routine brutality endured not only historically but juridically: little more than a year later, its author, Dr. Karl Eberhard Schongarth — an SS officer who participated in the Wannsee Conference and slaughtered thousands in occupied Poland and Holland — faced a war crimes prosecution for the execution of the anonymous airman.

His actions this date may have been small by the gauge of a bloodthirsty career, but since pre-war treaties explicitly regulated treatment of war prisoners, they also constituted a conveniently plain transgression of the far-from-bright line demarcating “war crimes.” For this one killing, Schongarth was himself hanged as a war criminal in Hamelin, Germany on May 16, 1946.

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