Category Archives: Arts and Literature

1724: Jack Sheppard, celebrity escape artist

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“Yes sir, I am The Sheppard, and all the gaolers in the town are my flocks, and I cannot stir into the country but they are at my heels baaing after me.”

–Jack Sheppard

On this date in 1724, the hangman finally got Jack Sheppard.

Sheppard was a thief, a romantic hero, a highwayman of the urban proletariat, a Houdini whom no prison could hold.

It had become possible in his time to ride criminal notoriety into celebrity: Jack Sheppard, a mere 22 at his death, proved as adept with that quicksilver element during his personal annus mirabilis of 1724 as he was with a lockpick.

Sheppard’s world had him fitted to wield a hammer better than thieves’ tools — but at about age 20, a young man awash in the illicit liberty of London’s underbelly, he ditched the square carpenter to whom he was apprenticed to live free by his wits.

Peter Linebaug’s The London Hanged finds in Jack Sheppard’s career and his runaway popularity an important marker of the capital city’s “refusal of subordination: — contra Foucaultian discipline, which “makes the rulers of government and society seem all-powerful.”

An important meaning of liberation … [consisted of] the growing propensity, skill and success of London working people in escaping from the newly created institutions that were designed to discipline people by closing them in. This tendency I have dubbed ‘excarceration’ because I wish to draw attention to the activity of freedom in contrast to its ideological or theoretical expressions…

This lithe youth is most famous for his literal talent for freedom: four times in 1724 he escaped from custody in ever more dramatic fashion.

He busted out through the ceiling of St. Giles Roundhouse. He rappelled with a bedsheet rope down the 20-foot wall of Clerkenwell Prison with his lover.

This sort of thing won the enterprising rogue growing folk hero status. The vaunted Sheppard “made such a noise in the town, that it was thought the common people would have gone mad about him, there being not a porter to be had for love nor money, nor getting into an ale-house, for butchers, shoemakers and barbers, all engaged in controversies and wagers about Sheppard.”*

It also drew the unwanted attention of 1720s London’s Jabba the Hutt: “thief-taker” Jonathan Wild, who managed a vast thieving cartel enforced by Wild’s willingness to turn in non-participants in his ingenious cover role as the city’ preeminent lawman. That’s some protection racket.

Sheppard, to the fame of his memory, scorned obeisance to the crime lord as much as to any guild carpenter and worked for no man but himself. A vengeful Wild shopped him to the authorities.

This time, Sheppard was actually condemned to death for burglary but broke prison again, using yet another classic ruse: the “disguised in smuggled women’s clothes.”

Back on the lam, he posted a cocky letter to his executioner “Jack Ketch” giving his regrets at not having joined two fellow-sufferers on the scheduled hanging date. (September 4.)

I thank you for the favour you intended me this day: I am a Gentleman, and allow you to be the same, and I hope can forgive injuries; fond Nature pointed, I follow’d, Oh, propitious minute! and to show that I am in charity, I am now drinking your health, and a Bon Repo to poor Joseph and Anthony. I am gone a few days for the air, but design speedily to embark, and this night I am going upon a mansion for a supply; its a stout fortification, but what difficulties can’t I encounter, when, dear Jack, you find that bars and chains are but trifling obstacles in the way of your Friend and Servant

JOHN SHEPPARD

London’s finest were determined to put an end to this character’s preposterous run of prison breaks, so when they caught him the fourth time Sheppard found himself loaded with manacles and chained to the floor of a special strongroom in Newgate Prison. Get out of that, Jack.

Somehow, Jack got out of it.

On the night of Oct. 14, Sheppard authored the sublimest breakout in Newgate’s voluminous annals. Picking the locks of his fetters with a small nail, our acrobat scurried up a chimney, picked, prised, or otherwise passed a succession of locked doors in the dead of night, paused to rest on the condemned pew of the gaol chapel, forced a grille, reached the roof, and threw another homemade rope over the wall to scamper down to safety.

And then “he promptly went forth and robbed a pawnbroker’s shop in Drury Lane of a sword, a suit of apparel, snuff boxes, rings, &c., and suddenly made a startling appearance among his friends, rigged out as a gentleman from top to toe.”

There’s no doubt but that Jack had showmanship, but at a certain point he could have done with just the tiniest measure of discretion. But then, this was a man writing his own legend. Sure, he could have put his head down and tried to disappear into some nameless Puritan settlement in the New World. (His distraught mother kept telling him to get out of the country.) He traded those dull and toilsome years for the fame of generations: his candle burned at both ends.

When next Sheppard was detained, it was towards his apotheosis. It was the only time he would be arrested and fail to escape.

A throng of thousands mobbed London’s route to execution this date, almost universally supporting the ace escapologist. And Sheppard very nearly had for them the piece de resistance in his career of magical disappearances: it was only at the last moment before boarding the fatal tumbril that Sheppard’s executioners found the penknife their prey had secreted on his person, evidently intending to cut his cords and spring from the cart into the safety of the surging crowd. What an exploit that would have been.


Detail view (click for full image) of George Cruikshank‘s illustration of Sheppard’s death for William Ainsworth‘s Victorian novel about the legendary criminal. More of these illustrations here.

This indomitable soul has enjoyed a long afterlife as a subversive hero.

A celebrity in his own time, his execution-eve portrait was taken by the Hanover court painter himself, James Thornhill. Sheppard is a very likely candidate as an inspiration for the criminal Macheath in The Beggar’s Opera completed just a few years after his death; likewise, his abandoned apprenticeship makes him the most apparent model for Hogarth‘s “idle prentice” plates.

A century later, prolific historical novelist William Ainsworth** claimed the convict-martyr for an 1839 retelling. This popular potboiler — read it free online here — came in for a spate of 19th century social panic when it was learned that a notorious servant-on-master murder had been carried out by a young man who had recently read it. A two-decade ban on public plays based on the Jack Sheppard novel ensued.

For as much as Jack Sheppard is romanticized in his remarkable individual characteristics, his story has always had a class undertow that raises the hackles of the powerful — and is celebrated by the people who menace that power. Linebaugh, again:

Jack Sheppard, housebreaker and gaol-breaker, was once the single most well-known name from eighteenth-century England. His fame spread across oceans and the centuries. When the bandit Ned Kelly was alive, the Australian press was full of comparisons between him and Sheppard. At the same time on the other side of the globe in Missouri, Frank and Jesse James wrote letters to the Kansas City Star signed ‘Jack Sheppard’. In England his name cut deep into the landscape of popular consciousness. Henry Mayhew noted that Cambridgeshire gypsies accepted Sheppard stories as the archetype of ‘blackguard tales’. Among English sailors anyone with the surname of ‘Sheppard’ was automatically called ‘Jack’. Within the Manchester proletariat of the 1840s his name was more widely known than that of the Queen herself. One of these lads said, ‘I was employed in a warehouse at 6s. 6d. a week, and was allowed 6d. of it for myself, and with that I went regularly to the play. I saw Jack Sheppard four times in one week.’

The oral history of Sheppard has maintained his memory within human contexts where books were scarce and working-class resources for an independent historiography were non-existent. Moreover, that memory was kept in contexts of social struggle in which a continuity, if not a development, with earlier moral and political conflicts was suggested.

* cited in Andrea McKenzie, “The Real Macheath: Social Satire, Appropriation, and Eighteenth-Century Criminal Biography,” Huntington Library Quarterly, December 2006

** Ainsworth is also known for a novel about Sheppard’s near-contemporary, highwayman Dick Turpin.

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1793: Jean-Sylvain Bailly, moonstruck

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See Bailly, likewise of Paris, time-honoured Historian of Astronomy Ancient and Modern. Poor Bailly, how thy serenely beautiful Philosophising, with its soft moonshiny clearness and thinness, ends in foul thick confusion — of Presidency, Mayorship, diplomatic Officiality, rabid Triviality, and the throat of everlasting Darkness! Far was it to descend from the heavenly Galaxy to the Drapeau Rouge: beside that fatal dung-heap, on that last hell-day, thou must ‘tremble,’ though only with cold, ‘de froid.’ Speculation is not practice: to be weak is not so miserable; but to be weaker than our task. Wo the day when they mounted thee, a peaceable pedestrian, on that wild Hippogriff of a Democracy; which, spurning the firm earth, nay lashing at the very stars, no yet known Astolpho could have ridden!

–Carlyle

On this date in 1793, French astronomer turned revolutionary Jean-Sylvain Bailly was guillotined during the Paris Terror.

Bailly ditched a family trade in the arts — his father was a supervisor at the Louvre — and turned his gaze skyward.

Studying astronomy under Lacaille, Bailly made a quick splash in astronomical circles with meticulous work on Halley’s Comet and the moons of Jupiter. He was inducted into the French Academy of Sciences while still in his twenties. Not quite the guy every schoolchild knows, but a significant scientist in his time. As one twentieth-century reviewer put it,*

Bailly was not a great thinker or the discoverer of new concepts; no case can be made for placing his name beside those of Newton, Leibnitz, and Laplace. But he should not be denied a niche among the numerous competent and persevering work-a-day scientists who, perhaps, in the long run make possible the achievements of a few great men. His observations and reductions, his application of a mathematical discipline to the movements of the heavenly bodies, and his detailed publications had brought him, by 1766, considerable credit among fellow scientists.

His “considerable credit” in the public sphere, enhanced by his widely-admired writing, set him up for election to the Estates-General in 1789. Indeed, Bailly was elected to head the body’s Third Estate.

On June 20th of that pregnant year, days after the Estates-General had constituted itself a National Assembly with ambitions far outstripping the limited purpose of revenue collection the king intended them for, Louis XVI locked the delegates out of their meeting-room.

Bailly, in consequence, would lead one of the pivotal actions of the embryonic French Revolution. “I do not need to tell you in what a grievous situation the Assembly finds itself,” he said to the assembly reconvened at a nearby tennis court. “I propose that we deliberate on what action to take under such tumultuous circumstances.” The result of that deliberation was the Tennis Court Oath.


Detail view (click for the full image) of Jean-Sylvain Bailly administering the Tennis Court Oath, in Jacques-Louis David‘s sketch of the event.

When the Paris provost — an archaic municipal office — was shot by the mob on Bastille Day, Bailly became the City of Light’s first mayor.

But as with other principals of the Revolution’s earliest stirrings, like Bailly’s ally Lafayette, the man was left behind by the rapid progress of events. He’d been two years retired out of public service in Nantes when he was hailed before the Revolutionary Tribunal on the preposterous charge of having conspired in Louis XVI’s attempted flight and guillotined on that basis.

A lunar crater — the largest crater visible from earth — is appropriately named after this prolific observer of the heavens.

* Edwin Burrows Smith, Transactions of the American Philosophical Society, New Series, Vol. 44, No. 4 (1954).

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1880: Ned Kelly

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On this date in 1880, legendary bushranger Ned Kelly hanged at Melbourne Gaol.

The Dick Turpin of Australian outlawry — in the sense that he’s the first name on the marquee — Kelly was the son of an Irishman shipped to Van Damien’s Land on the British convict transportation plan.

Setting down in Greta, Victoria the Kelly family cultivated a keen reputation for criminality (e.g., see this 1880 newspaper article; also, here).

When Ned was all of 11, pa died doing a six-month prison stint at hard labor for stealing a neighbor’s cow, and it wasn’t much longer before young master Edward was making the acquaintance of the law himself: arrested for assault in 1869 at age 14; arrested once again the following year as an accomplice to the bushranger with the pornstar name, Harry Powers; imprisoned later in 1870 for three years for receiving stolen goods … and then he got into the family horse-rustling racket upon his release. Crime and gaol were just part of Ned’s world.

So was police antagonism.

The man’s famous last years started with what reads as a trumped-up run-in with a cop who turned up at a station complaining that the Kellys had shot him. (The Kelly story is that he got fresh with Ned’s sister and got whacked by a shovel.) Whatever the facts of the matter, it sent Ned and his brother Dan into the bush as fugitives.

At Stringybark Creek, the “Kelly gang” got the drop on the police posse sent to arrest them, and three officers died in the firefight. Now there was real trouble.

An 1878 “Felons Apprehension Act” immediately proscribed the men, making it “lawful for any of Her Majesty’s subjects whether a constable or not and without being accountable for the using of any deadly weapon in aid of such apprehension whether its use be preceded by a demand of surrender or not to apprehend or take such outlaw alive or dead.”

The ensuing two-year saga was a captivating cycle of dramatic robberies, escalating government bounties, state hostage-taking in the form of imprisoned family and friends, and Kelly’s own Joycean self-vindication.

he would be a king to a policeman who for a lazy loafing cowardly bilit left the ash corner deserted the shamrock, the emblem of true wit and beauty to serve under a flag and nation that has destroyed massacreed and murdered their fore-fathers by the greatest of torture as rolling them down hill in spiked barrels pulling their toe and finger nails and on the wheel. and every torture imaginable more was transported to Van Diemand’s Land to pine their young lives away in starvation and misery among tyrants worse than the promised hell itself all of true blood bone and beauty, that was not murdered on their own soil, or had fled to America or other countries to bloom again another day, were doomed to Port Mcquarie Toweringabbie norfolk island and Emu plains and in those places of tyrany and condemnation many a blooming Irishman rather than subdue to the Saxon yoke Were flogged to death and bravely died in servile chains but true to the shamrock and a credit to Paddys land.*

The hunt culminated in a cinematic shootout at the Glenrowan Inn, Kelly an accomplices entering the fray clad in bulky but effective homemade body armor they’d literally hammered out of ploughshares. (It’s thanks to the armor’s protection of his head and trunk that Ned Kelly survived the Glenrowan siege so he could be hanged instead.) Now on display at the State Library of Victoria, it’s the most queer and recognizable artifact of an era that was already then slipping into the past.

Ned Kelly in his armor (left), and the logo of the Victoria Bushrangers cricket club patterned after it (right).

I do not pretend that I have led a blameless life or that one fault justifies another; but the public, judging a case like mine, should remember that the darkest life may have a bright side, and after the worst has been said against a man, he may, if he is heard, tell a story in his own rough way that will lead them to soften the harshness of their thoughts against him and find as many excuses for him as he would plead for himself.

-Ned Kelly, during his trial

This cut no ice with the men who judged him guilty of murder, but the brawler, cop-killer, bank-robber Kelly seems to have found a way to tell that story to posterity and its thoughts have softened very much indeed.

Everything from his hardscrabble upbringing to his romantic man-against-the-world criminal career to his iconic robot-suit armor to his existentially heroic last words “such is life” equips his image for posthumous appropriation. He seems one-half charming anachronism, one-half hirsute postmodern avatar, especially when you go sculpt a mailbox out of him.

131 years dead today, Ned Kelly remains very much alive in memory. To this day, descendants and supporters lay flowers at the Melbourne Gaol where he hanged, and the recent decision to release his remains for reburial (as Kelly himself requested) made national headlines.

As to Kelly in the wider culture … well, you can’t escape him.

* All this Celtic stuff because the cop whose allegation started the trouble was named Fitzpatrick.

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1324: Petronilla de Meath, the first Irish woman burned for heresy

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On this date in 1324, Ireland entered the witch-burning club by burning to death servant Petronilla de Meath for the infernal traffickings of her escaped mistress.

Alice Kyteler, the stock of a successful family in the prosperous medieval trading hub, was the real target of what Jeffrey Burton Russell reckoned “complex machinations prompted by politics and greed.”

Kyteler was on to her fourth husband and had done well from her previous matches: a little too well, in fact. The various stepchildren from Kyteler’s various marriages were aggrieved that she took the assets she married into, and lavished them on her own son from the first union — a lad sporting the unfortunate handle of William Outlaw, and the unfortunate profession of moneylender.

When these restive relations presented to the local bishop a complaint couched in a supernatural hocus-pocus, family spat met an emerging and violent continent-wide jurisprudence around hunting impiety. That bishop was English-born and French-trained Franciscan Richard de Ledrede, who saw behind the tissue of rumor and folklore a diabolical hand bent on tearing down the edifice of faith.

In this he was merely a man before his time. Civil law in these parts had previously treated witchcraft as a petty criminal offense, but in the century to come it would be promoted to existential menace, with the body count to match. That transformation was already well underway closer to Europe’s continental heart.

A veritable witches’ brew of dangerous charges against Alice ensued: that she spellbound men to steal their money; that she conducted arcane magical rituals to summon demonic aid; that she took a supernatural familiar to bed; and more. Alice and William had their own clout, however, and the case graduated into a rousing political donnybrook against the controversial bishop, “this vile, rustic vagabond from England”** — who, not obtaining the cooperation expected, outraged and/or terrified his congregants further by placing his diocese under an interdict.*

Alice eventually escaped Ireland no worse the wear — at least bodily — while William Outlaw got off with a penance.

But their politically punchless servant Petronilla (or Petronella) de Meath was left holding the bag and achieving an unwanted milestone. She would be made to confess to a litany that, while familiar by now, must have been exotic stuff in 1324 Kilkenny — a brand-new import courtesy of the church hierarchy. We’ll give this as translated from the Latin Contemporary Narrative of the proceedings by William Renwick Riddell in “The First Execution for Witchcraft in Ireland,” Journal of the American Institute of Criminal Law and Criminology, Mar. 1917

On this same day was burned Petronilla of Midia, the heretic, one of the accomplices of the said Dame Alice, who after she had been flogged by the Bishop through six parishes for her sorceries, then being in custody, confessed publicly before all the clergy and the people that at the instance of the said Alice she had wholly denied the faith of Christ and of the Church, and that she had at Alice’s instigation sacrificed in three places to devils, in each of which places she had sacrificed three cocks at cross-roads without the city to a certain demon. who called himself Robert Artson (filiam Artis) one of the inferior order from Hell, by shedding their blood and tearing them limb from limb, from the intestines of which, with spiders and black worms like scorpions with a certain plant called millefoil and other plants and disgusting worms along with the brain and the swaddling bands of a child dead without baptism, she, in the skull of a certain thief who had been beheaded, and on the instruction of the said Alice, made many confections, ointments, and powders for afflicting the bodies of the faithful, and for producing love and hatred and for making the faces of certain women on the use of certain incantations appear to certain persons to be hored like goats. She also confessed that many times she at the instance of the said Alice and sometimes in her presence had consulted devils and received responses; and that she had agreed with her (Alice) that she (Alice) should be the mediator between her and the said devil Robert, her (Alice’s) friend.

She also confessed publicly that with her own eyes she was a witness when the said demon in the form of three Ethopians carrying three iron rods in their hands appeared to her said mistress (Alice) in broad daylight and (while she was looking on) knew her (Alice) carnally, and after such a shameful act he with his own hand wiped clean the place where the crime was committed with linen from her bed.

Amongst other things she said that she with her said mistress often made a sentence of excommunication against her own husband with wax candles lighted and repeated expectoration, as their rules required. And though she was indeed herself an adept in this accursed art of theirs, she said she was nothing in comparison with her mistress, from whom she had learned all these things and many more; and indeed in all the realm of the King of England there was none more
skilled or equal to her in this art …

Publicly confessing her detestable crimes, she was burned in presence of an infinite multitude of people with due solemnity.

And this was the first heretical sorceress burned in Ireland.

A podcast about this case for Irish Heritage Week can be found here or here. (Two different links, but the same podcast.)

Feminist artist Judy Chicago set a place for this unfortunate woman at her Dinner Party, an installation piece featuring dining places for 39 notable women from history.

Here’s a picture of Petronilla’s place setting at the “dinner party”, and an interpretive description from the Brooklyn Museum.

* More on the political jousting in Bernadette Williams, “The Sorcery Trial of Alice Kyteler,” History Ireland, Winter 1994.

** Comment by one of Dame Kyteler’s kinsmen and allies.

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1449: Ulugh Beg, astronomer prince

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On this date in 1449, Timurid sultan and astronomer Ulugh Beg was beheaded at the order of his son.


Ulugh Beg and his famous astronomical observatory, depicted on a Soviet stamp.

Grandson of the conqueror Timur (Tamerlane), Ulugh Beg had hitched along on some of those legendary military campaigns.

As power passed to Ulugh Beg’s father Shah Rukh, our man settled in as governor of the silk road city of Samarkand, in modern Uzbekistan — and turned it into an intellectual capital of the empire.

A great patron of the sciences, Ulugh Beg was a brilliant astronomer in his own right, nailing NASA-quality precise calculations of heavenly bodies’ positions and the revolutions of the earth a century ahead of the likes of Copernicus.

An inscription on the madrasah he erected summed up the city’s philosophy under its philosopher-prince: “Pursuit of knowledge is the duty of each follower of Islam, man and woman.”

Wedding scientific genius to political power enabled Ulugh Beg to build a great observatory in Samarkand. Though this structure unfortunately did not outlive Ulugh Beg himself, it made Samarkand the world’s astronomical capital in the 1420s and 1430s.

But the flip side of wedding scientific genius to political power was that the guy had to govern — which wasn’t his strong suit. Within two years of his father’s 1447 death, Ulugh Beg had been overthrown by his own son* and summarily beheaded.

* The son became known as “Padarkush”, meaning “parricide” … and appropriately, he was overthrown by his own cousin within months.

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330 B.C.E.: Philotas, Alexander the Great Companion

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Around this time — October, or at any rate autumn — of 330 B.C.E., Alexander the Great authored “one of the two greatest crimes of his life”* with the execution of his comrade-in-arms Philotas.

Philotas was one of Alexander’s “companions”, the elite cavalry who joined Alexander personally in battle. He had fought by Alexander’s side in the epic Battle of Gaugamela, which brought down the Achaemenid Empire and opened Persia to the legendary conqueror.

A year later, Alexander, and therefore also those companions, were winding down campaign season all the way on the other side of the late empire they had so stunningly dismantled. It’s the region of Drangiana on the present-day Iran-Afghanistan frontier. The Macedonians would name the city Prophthasia, Anticipation, in recognition of their chief’s narrow escape; we know it today as Farah, Afghanistan.

Unlike many of the “companions” who joined the young Macedonian king, Philotas wasn’t a bosom buddy of Alexander.

He was, instead, a bit of a political appointee who owed his position to the fact that his father Parmenion, a great Macedonian general, had backed the disputed succession of Alexander. Parmenion continued as one of Alexander’s generals; his kid — not particularly popular of himself but nevertheless a loyal and competent officer — got a plum gig in Alexander’s vanguard.

In this capacity so close to the royal person, Philotas was warned by a conscientious slave of an assassination plot going against Alexander. And rather incredibly, he didn’t bother to pass it on.

When the slave realized, a couple of days on, that the conspiracy hadn’t been busted, he proceeded to tell somebody else … and Philotas had some explaining to do.

For posterity, it’s as open a question as it was then: Philotas initially convinced Alexander that he had merely considered the whole thing so insubstantial as not to merit the king’s attention — but by the next day, Alexander had better inclined himself to the more damning reading, that Philotas was perfectly amenable to seeing Alexander eliminated.** If that were the truth, it would herald a conflict that would soon come to define the Macedonian’s coruscating and paradoxical career: the army’s rising discontent with its march so far from home, and its leader’s ever more visible habit of arraying himself in the alien habits of oriental despotism.

Philotas got a “proper” if farcically rigged trial before fellow-generals who were all too happy to be rid of him, and was tortured into confessing. He was executed either by stoning (actually the traditional Macedonian execution method, even for the likes of generals) or spearing.

(The scene is dramatized in the 2004 Oliver Stone film Alexander; the relevant bit can be viewed here.)

Parmenion, a greater character than his son, would also pay the forfeit of his son’s alleged misprision.

At the time of Philotas’s execution, Parmenion was commanding a large army several days’ ride from Alexander. Fearing that the torture and execution of his last remaining son (the other two had also died on campaign) might inspire the august general to do something rash, Alexander dispatched a few trusted officers to outrace the news: they murdered an uncomprehending Parmenion as soon as they reached him. Whatever one makes of the child, the father’s loyalty both to Alexander and his predecessor Philip II had never previously been impeached in a long and brilliant career. Alexander ought to have counted himself fortunate to have avoided any wider disturbance in the army from the rough handling of this beloved general.

The whole affair was sufficiently distasteful that it remained a sensitive matter of state security hundreds of years and hundreds of miles distant: An Elizabethan play about Philotas by Samuel Daniel earned its author some uncomfortable official scrutiny for its perceived commentary on the contemporaneous execution of the Earl of Essex … the fallen courtier whose prosecution of a Jewish doctor arguably informed Shakespeare’s Merchant of Venice.

* The other — later and greater — crime was Alexander’s drunken murder of his friend and loyal commander Cleitus. (He’s the guy shown stabbing Parmenion to death in the clip from Alexander, a circumstance that plays better as drama than history.)

** It doesn’t help anyone’s fact-finding that the main alleged plotter committed suicide when they came to arrest him.

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1803: Thomas Russell, the man from God knows where

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On this date in 1803, Irish revolutionary Thomas Russell was hanged at Ireland’s Downpatrick Gaol.

Russell was such a republican original gangster that as a young junior officer in the British army in the late 1780s, he refused to eat sugar because it was the product of the empire’s slave plantations. (Hardly a bygone issue.) And while his own family was Anglican, Russell was also a staunch supporter of the then-radical (to Anglicans) position of Catholic equality.

For Russell, this personal stuff was all most intently political. And his politics in no way ended with the dumbwaiter.

After leaving the army, he fell in with Irish separatists and in 1795 co-founded the United Irishmen movement, along with a lot of other guys who would wind up in these executioners’ annals. He joined Henry Joy McCracken, Wolfe Tone, and Samuel Neilson in a convocation of Celtic martyrs atop Belfast’s Cave Hill to pledge one another “never to desist in our effort until we had subverted the authority of England over our country and asserted her independence.”

Subversion was Russell’s game for the remaining years of his life; his Letter to the People of Ireland unveils a Tom Paine-like vision of a revolutionary world — a world that the ancien regime would remain violently vigilant against in the wake of the recent French example. Like many of the most dazzling egalitarian dreams of that insurrectionary moment at the end of the 18th century, it’s still never been realized.

Great pains have been taken to prevent the mass of mankind from interfering in political pursuits; force, and argument, and wit, and ridicule, and invective, have been used by the governing party, and with such success, that any of the lower, or even middle rank of society who engage in politics, have been, and are, considered not only as ridiculous but in some degree culpable … Those insolent enslavers of the human race, who wish to fetter the minds as well as the body, exclaim to the poor, ‘mind your looms, and your spades and ploughs; have you not the means of subsistence; can you not earn your bread … leave the government to wiser heads and to people who understand it, and interfere no more!’

-Russell, Letter to the People of Ireland

Russell actually spent most of his final decade imprisoned without trial while tragic Irish insurrections came and went. England finally released him to Hamburg in 1802, and as might be expected, Russell was so itchy by then to get back in the scrap that he immediately broke his parole to return to Ireland for the next available rising.

And as also might be expected, he showed more haste than discrimination in his project. Hey, he did vow “never to desist.”

He joined up with Robert Emmet‘s rebellion — another doomed patriot; Russell was his designated organizer of the north — but found little success canvassing for potential rebels and took the field on July 23, 1803 in a gesture of little more than hopeless romanticism. His band fell apart and fled without a shot fired.


Memorial plaque in Downpatrick commemorating Russell’s execution. (cc) image from Ardfern.

The British did what the British always did and hunted down the Irish rebel, while the Irish did what the Irish always did and stuffed his remains in a ballad.* It’s called “The Man from God Knows Where” — and God knows, two centuries later, where that man has gone.

Whiles I said “Please God” to his dying hope
And “Amen” to his dying prayer,
That the Wrong would cease and the Right prevail.
For the man that they hanged at Downpatrick Jail
Was the Man from God-knows-where!

Peter Linebaugh, author of the indispensable scaffold social history The London Hanged, surveyed Russell’s life and times on the occasion of his 200th death-day here

* Russell tried his own hand at verse, and some Jacobin lines in his hand helped to hang him, e.g.

Proud Bishops next we will translate
Among priest-crafted martyrs;
The guillotine on Peers shall wait,
And Knights we’ll hang in garters;
These Despots long have trod us down,
And Judges are their engines;
These wretched minions of a crown
Demand a people’s vengeance.

Part of the Themed Set: Illegitimate Power.

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1985: Benjamin Moloise, revolutionary poet

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On this date in 1985, poet Benjamin Moloise was hanged in Pretoria for murdering a (black) policeman in apartheid South Africa.

Moloise’s controversial execution occurred in the context of violent resistance to apartheid in South Africa’s black townships and an ultimately fatal crisis for the apartheid state.

The black majority, long treated as second-class citizens by the white powers-that-be, turned to increasingly confrontational tactics aiming to break official power at the township level. Attacks on black officials and police officers who administered state authority at that level were part and parcel.

Moloise was convicted in a plot to kill such an officer in 1983. (The African National Congress claimed responsibility for the killing, and said that Moloise wasn’t involved.)

His hanging approached as the township rising grew into a mass movement that the hardline government of P.W. Botha answered mostly with force* — so, little surprise that Botha spurned both American and Soviet entreaties not to hang Moloise and little surprise that the execution further escalated racial violence.

Furious black protesters rioted in downtown Johannesburg itself, which (like much of white South Africa) had theretofore remained mostly immune to the violence gripping the townships. Here’s a French news report on Moloise’s execution and its aftermath.

All of which dovetailed with a dramatic fall in South Africa’s international position, vividly symbolized by the months-long collapse of the rand — which bled about three-quarters of its value in 1985. International outrage at the blood shed to enforce South Africa’s color line subjected it to a cascade of diplomatic and economic sanctions in the mid-1980s.

Apartheid went out with the Cold War at the end of the decade — vindicating Moloise’s poetic final message, subsequently a staple message at anti-apartheid rallies.

I am proud to be what I am …
The storm of oppression will be followed
By the rain of my blood

I am proud to give my life

My one solitary life.

* It had implemented a state of emergency that very summer. At the same time, Botha pursued tweaks around the edges of apartheid to preserve it: weeding out “petty apartheid” provocations like whites-only/coloreds-only facilities, and implementing a new constitution with a tricameral, race-based parliament.

Part of the Themed Set: Illegitimate Power.

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Feast Day of Saint Denis, cephalophore

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October 9 marks the feast date of the early Christian martyr Saint Denis.

Guess how he died:


(cc) image from minifig of the saint’s statue at Notre Dame.

When this missionary bishop to Paris got the Roman chop* for his conversions sometime after 250, he scooped up his own severed noggin and carried it to his preferred burial spot.

Upon that eventual pilgrimage site would spring up a medieval basilica whose 12th century renovation turned it into a pioneer of Gothic architecture.

(Denis is also sort of the namesake for the Parisian hill Montmarte where he’s supposed to have been put to death: “mountain of Mars” in heathen times, it Christianized to mons martyrium, “Martyrs’ Mountain”.)

While many Christian martyrs carry the instruments of their martyrdom in iconography, and a few others roll with the bits of severed flesh exacted by those martyrdoms, Denis is only the most notable of an entire designated sub-class who carry their own heads: cephalophores.

This subject, seemingly tailor-made for a They Might Be Giants song, finally got one in 2011: “You Probably Get That A Lot”.

A most profane footnote was appended to our holy man’s legend during the French Revolution.

Journalist Camille Desmoulins once recklessly sneered of Robespierre‘s vain lieutenant Saint-Just, “He carries his head like a sacred host.”

Saint-Just is supposed to have retorted upon hearing the slight, “I’ll make him carry his like Saint Denis.” He did it, too.

* Two companions, Rusticus and Eleutherius, were doing the same conversions and suffered the same execution. Nobody named cathedrals after them.

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1354: Cola di Rienzi, last of the Roman Tribunes

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On this date in 1354, Cola di Rienzi (or Rienzo) was slain by a miserly Roman mob — rather a lynching than an execution, but by any name the tragic end to one of history’s most amazing political careers.*

“Almost the only man,” in the estimation of his admiring biographer Edward Bulwer-Lytton,** “who ever rose from the rank of a citizen to a power equal to that of monarchs without a single act of violence or treachery.”

So magnetic was that era’s revival of classical learning that young Rienzi’s plebeian parents found a way on an innkeeper’s wages to immerse the boy in Cicero, Seneca, and the rest. As Gibbon put it, “the gift of a liberal education, which they painfully bestowed, was the cause of his glory and untimely end.” (Surely this is an object lesson for present-day families contemplating the daunting cost of university education.)

And the oratorical gifts he thereby developed found ready exercise lamenting Rome’s medieval degradation.


This View of the Campo Vaccino actually dates to 1636, but you get the idea. “Campo Vaccino”: that’s “cow pasture,” also known (to you, me, and Julius Caesar) as the Roman Forum.

Rome had bled away the grandeur of its imperial past without recovering the liberty of its populace. A haughty and dissolute aristocracy tyrannized the brackish city: a brawl between rival factions took Rienzi’s own brother’s life, with no prospect of justice.


Rienzi vows to obtain justice for his murdered brother, depicted in a pre-Raphaelite painting by the young William Holman Hunt.

Added to this civic humiliation (though only fortuitous for Rienzi’s political opportunity), the papacy itself had decamped for its captivity in Avignon.

What to do?

How about — overthrow the bastards?

Astonishingly, for Rienzi, to dare was to do: on Pentecost in 1347, he rallied a Roman mob and proclaimed the Republic re-established — taking for himself the ancient honorific of Tribune and the real power of an autocrat. The nobility routed in disarray, or else submitted to the sudden new authority.

For the balance of the year, Rienzi’s word was law in Rome, and as a messianic, popular dictator he cleared woods of bandits, imposed the death penalty for (all) murderers, and beat the aristocracy’s re-invasion with a citizen militia. He audaciously began to resume the primacy of the caput mundi: as “Tribune”, Rienzi summoned delegations from the other Italian cities, and presumed to arbitrate the disputes of neighboring kingdoms. Audacity veered into delirium as he pressed demands on the likes of the Holy Roman Emperor. He acquired a taste for fine wine and good clothes.

“Never perhaps has the energy and effect of a single mind been more remarkably felt than in the sudden, though transient, reformation of Rome by the tribune Rienzi,” Gibbon marveled. “A den of robbers was converted to the discipline of a camp or convent: patient to hear, swift to redress, inexorable to punish, his tribunal was always accessible to the poor and stranger; nor could birth, or dignity, or the immunities of the church, protect the offender or his accomplices.”

The great humanist Petrarch, Rienzi’s contemporary, was smitten by the unfolding revolution.

But almost as soon as Rienzi’s republic began, the man fell: another invasion found the Roman in the street deaf to the alarm bells, and Rienzi fled.

“He was a dreamer rather than a man of action,” is the charge of the Catholic encyclopedia; excitable, injudicious, spendthrift, and prey to the “Asiatic” emoluments of his station.

This career alone would merit a remembrance, but Rienzi had a second act.


Richard Wagner’s first hit opera — though hard to come by in the wild nowadays — was Rienzi, der Letzte der Tribunen (synopsis), from a libretto based on Bulwer-Lytton’s homage.

After a long spell in exile, he was captured by the Holy Roman Emperor and transferred to the papacy, where he remained comfortably imprisoned for a couple of years. When the pontiff’s hat changed heads to Innocent VI, the latter freed the illustrious ex-Tribune and dispatched him back to Rome under the title of Senator — intending him a catspaw to re-assert the supremacy the papacy had abandoned by moving away.

Within weeks of arrival in 1354, Rienzi again made himself master of the city.

And within months thereafter, he had fallen again — to his death.

He is charged in this last term with severity (the execution of a high-born freebooter, Fra Monreale, in particular), with avarice and abuse of power and once more with political incompetence.

Gibbon claims that Rienzi “contracted the habits of intemperance and cruelty: adversity had chilled his enthusiasm, without fortifying his reason or virtue; and that youthful hope, that lively assurance, which is the pledge of success, was now succeeded by the cold impotence of distrust and despair.” We incline to prefer Bulwer-Lytton’s more generous estimation of a man who with no resource save his own brilliance twice recovered to his low-born person the tattered remnants of the purple and dared against a thousand mighty antagonists to lift it on the standard of the Gracchi. Flaws, and they fatal, he possessed in abundance: but greatness even more.

At any rate, all the scolds upon Rienzi’s imperfections were so much froth in 1354. He certainly did not succumb to the greater virtue of the polis, but merely to its shortsighted refusal to bear a levy:

it was from a gabelle on wine and salt that he fell. To preserve Rome from the tyrants it was necessary to maintain an armed force; to pay the force a tax was necessary; the tax was imposed — and the multitude joined with the tyrants, and their cry was, “Perish the traitor who has made the gabelle!” This was their only charge — this the only crime that their passions and their fury could cite against him.

Rienzi’s eloquence, so often his decisive weapon, failed to move the shortsighted mob that besieged him, and he was hauled to a platform in the Capitol where public executions had been performed at his behest. “A whole hour, without voice or motion, he stood amidst the multitude half naked and half dead: their rage was hushed into curiosity and wonder: the last feelings of reverence and compassion yet struggled in his favour; and they might have prevailed, if a bold assassin had not plunged a dagger in his breast.” (Gibbon)

If this amazing character’s contradictions seem difficult to reconcile and his actions sometimes perplexing, Bulwer-Lytton argues in Rienzi’s defense that we must view him as a complex man ultimately fired not by political ambition but by religious zealotry. One thinks of Savonarola, the prim monk who mastered Florence and perished in flames, save for the essential detail: Rienzi’s loss “was bitterly regretted … for centuries afterwards, whenever that wretched and degenerate populace dreamed of glory or sighed for justice, they recalled the bright vision of their own victim, and deplored the fate of Cola di Rienzi.”


Statue of Rienzi in Rome. (cc) image from ZeroOne.

* And surely in keeping with the time-honored way for Roman chiefs to fall.

** We’ve encountered Bulwer-Lytton glancingly in these pages; his novel Zanoni climaxes with the beheading of its fictional title character in one of the last carts of the French Revolution’s Terror, and he wrote a novel (savaged by Thackeray) about executed intellectual Eugene Aram. The “biography” in question for this piece is actually a work of historical fiction, Rienzi, Last of the Roman Tribunes; the quoted sections are from Bulwer-Lytton’s (non-fiction) afterword.

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